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18th Century Art

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Period: 18th Century
14. Sponge crab, Calappid, Lophozozymus octodentatus
Located in Columbia, MO
Maria Sibylla Merian was born in Germany in 1647 and received early artistic training from her stepfather, an established still life painter. She was fascinated by insects and collec...
Category

Realist 18th Century Art

Materials

Pigment

"Lilium Persicum" Ehret 18th Century Hand Colored Botanical Engraving
By Georg Dionysius Ehret
Located in Alamo, CA
A beautiful and important 18th century hand colored copperplate engraving of lillies which was most likely designed by Georg Dionysius Ehret (1708-1770) and engraved by Johann Michae...
Category

Naturalistic 18th Century Art

Materials

Engraving

Ancient Roman Architecture: Framed Original 18th C. Etching by G. Piranesi
Located in Alamo, CA
"A sua Eccellenza il Signor Henry Hope Cav. Scozzese Amatore delle Belle Arti from "Vasi, Candelabri, Cippi, Sarcofagi, Tripodi, Lucerne, Ed Ornamenti Antichi", (Vases, candelabra, grave stones, sarcophagi, tripods, lamps, and ancient ornaments) is an etching by Giovanni Battista Piranesi, published in 1778. It depicts stone caryatids...
Category

Old Masters 18th Century Art

Materials

Etching

Middleham Castle, Yorkshire. Paul Sandby C18th English landscape engraving
Located in Melbourne, Victoria
'Part of Middleham Castle, NW Riding, Yorkshire' Engraving by T Woodyer after Paul Sandby (1731-1809). From Paul Sandby's 'The Virtuosi's Museum, Containing Select Views in England...
Category

Naturalistic 18th Century Art

Materials

Engraving

Set of Three Engravings from Curtis's "Flora Londinensis" /// Botanical Flowers
Located in Saint Augustine, FL
Artist: William Curtis (English, 1746-1799) Titles: "Epilobium Tetragonum (Square Stalked Willow Herb)" (Vol. 2, Plate 131), "Stellaria Holostea (The Greater Stitchwort)" Vol. 2, Pla...
Category

Old Masters 18th Century Art

Materials

Watercolor, Laid Paper, Engraving, Intaglio

Italianate Landscape, mezzotint by Richard Earlom after Claude le Lorrain
Located in Melbourne, Victoria
Sepia mezzotint by Richard Earlom (1743-1822) After Claude Gellee ('Claude Lorrain') (1600-82). From 'Liber Veritatis; or A Collection of Prints after the original designs of Claude le Lorrain...
Category

Italian School 18th Century Art

Materials

Engraving, Mezzotint, Etching

'Cherubs Playing', Angels, Amorini, Memento Mori, Naive, Baroque Religious Oil
Located in Santa Cruz, CA
An early eighteenth-century, Italian baroque figural oil showing a group of cherubs or Amorini grouped together before red velvet drapes, one reclining on a wooden cross and wearing ...
Category

Baroque 18th Century Art

Materials

Canvas, Oil, Board

Painting flemish school 18th century oil on panel wood - Interior tavern
Located in PARIS, FR
Nordic school of the 18th century Oil on panel on wood 27 cm x 33 cm (42 x 51 cm with the frame) Old frame in carved and gilded wood Good condition even ...
Category

Dutch School 18th Century Art

Materials

Oil

Ni asi la Distingue - Etching by Francisco Goya - 1799
Located in Roma, IT
"Ni asi la Distingue" is an original aquatint realized by Francisco Goya in 1799, from Los Caprichos series, Plate 7, first edition. Rare and in ...
Category

Old Masters 18th Century Art

Materials

Etching, Aquatint

Ancient Roman Scene - Etching - 18th Century
Located in Roma, IT
Ancient Roman Scene from the series "Antiquities of Herculaneum", is an etching on paper realized by Niccolò Vanni in the 18th Century. Signed on the plat...
Category

Old Masters 18th Century Art

Materials

Etching

18th-century celestial - Hydra Crater Corvus Sextans Virgo
Located in London, GB
18th-century celestial FLAMSTEED, John. Hydra Crater Corvus Sextans Virgo London, C. Nourse, 1753. A fine star chart from the Atlas Coelestis, the largest and most accurate star a...
Category

Naturalistic 18th Century Art

Materials

Watercolor, Engraving

"Arcian fantasy landscape"
Located in Edinburgh, GB
Baroque "Arcadian Fantasy Landscape" – Oil on Canvas (circa 1700) A mesmerizing early 18th-century Baroque landscape, capturing an idealized Arcadian vision of nature, architecture, ...
Category

Baroque 18th Century Art

Materials

Canvas, Oil

Hand-Colored Houbraken Portrait of "Henry, Prince of Wales, Son of James"
Located in Alamo, CA
A hand-colored portrait of Henry Prince of Wales, Son of James, engraved and etched by the Dutch master of portraits Jacobus Houbraken (1698-1780...
Category

Naturalistic 18th Century Art

Materials

Engraving, Etching

Veduta della Spelonca, detta il Bergantino - Etching by G. B. Piranesi - 1762
Located in Roma, IT
Veduta della Spelonca, detta il Bergantino is an original etching realized by G. B. Piranesi in 1762. Image Dimensions: 43 x 63 cm Very good condition. Ref. Ficacci., p.442
Category

18th Century Art

Materials

Etching

Portrait of a young woman in Louis XV period dress
Located in BELEYMAS, FR
French School Portrait of a young woman in Louis XV period dress Pastel on paper mounted on oval canvas H. 68 cm; W. 54 cm (Frame: H. 102 cm; W. 71 cm) 18th century frame, anti-refle...
Category

French School 18th Century Art

Materials

Canvas, Paper, Pastel

18th Century By Francesco Fontebasso Allegory of Vanity Oil on Canvas
Located in Milano, Lombardia
Francesco Salvatore Fontebasso (Venice, Italy, 1707 - 1769) Title: Allegory of Vanity Medium: Oil on canvas Dimensions: without frame 74.5 x 98 cm - with frame 95 x 119 cm With a "cassetta" frame in gilded and carved wood Expertise by Professor Egidio Martini Publications: G. M. Guidetti, in From Sacro to Profano. The Giorgio Baratti...
Category

Old Masters 18th Century Art

Materials

Canvas, Oil

Letter of the Alphabet A - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter of the Alphabet A from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century. Signed on the plate. Good conditions...
Category

Old Masters 18th Century Art

Materials

Etching

Les Adieux d'Hector d'Andromaque - Etching by Jean Moyreau - 18th Century
By Jean Moyreau
Located in Roma, IT
Les Adieux d'Hector d'Andromaque is an etching realized by Jean Moyreau in the 18th Century. Good conditions. The artwork is depicted through soft strokes in a well balanced condit...
Category

Old Masters 18th Century Art

Materials

Etching

View of Blackfriars Bridge from Somerset Place, C18th English aquatint
Located in Melbourne, Victoria
View of Blackfriars Bridge from Somerset Place' Aquatint by JC Stadler after J Farmington. Published c1795 for Boydell's 'History of the River Thames'. Joseph Constantine Stadler (...
Category

Naturalistic 18th Century Art

Materials

Engraving

Portrait of a Gentleman in Green Coat -British 18thC art Old Master oil painting
By Francis Cotes
Located in London, GB
This lovely 18th century Old Master portrait oil painting is by noted British artist Francis Cotes. It was painted circa 1760 when Cotes was preferring oil as a medium and comparison...
Category

Old Masters 18th Century Art

Materials

Oil

Piazza Navona in Rome: A Framed Original 18th Century Etching by Barbault
Located in Alamo, CA
This early 19th century etching entitled "Veduta di Piazza Navona sopra le rovine del Circo" was created by Jean Barbault (1718-1762) after a painting by...
Category

Old Masters 18th Century Art

Materials

Etching

Rococo design for a gate, German mid 18th century etching
Located in Melbourne, Victoria
Rococo design for a gate, etching, by Joseph Baumann (active 1740-1760), circa 1750. Published by Martin Engelbrecht (1684–1756). Similar works ar...
Category

Rococo 18th Century Art

Materials

Engraving, Etching

French school Drawing 18th Portrait Ténor SAINT AUBIN three chalks Paris Opéra
Located in PARIS, FR
French school of the 18th century Three pencils (pencil, red chalk, white chalk) on paper 27 x 18 cm (45 x 34 cm with frame) Inscription at bottom “Saint-Aubin de l’Académie de musique” Dated "1785" Augustin d'Herbez known as "Saint-Aubin" was a tenor and member of the Royal Academy of Music...
Category

Academic 18th Century Art

Materials

Carbon Pencil, Paper, Chalk

Felice Boselli (Baroque) - 18th century figure painting - Still life Sheperds
By Felice Boselli
Located in Varmo, IT
Felice Boselli (Piacenza 1650 - Parma 1732) - Shepherd with flock and game. 155 x 112 cm without frame, 170 x 126 cm with frame. Ancient oil painting on canvas, in a wooden frame lacquered in faux marble. The painting has stylistic affinities with "Game with children playing with a dog" (Parma, Galleria Nazionale) and with the pair of paintings "Old man and girl...
Category

Baroque 18th Century Art

Materials

Oil, Canvas

Antiquities of Herculaneum - Letter of the Alphabet A - Etching - 18th Century
Located in Roma, IT
Antiquities of Herculaneum - Letter of the Alphabet A, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Carlo Nolli in the 18th century. G...
Category

Old Masters 18th Century Art

Materials

Etching

Still Life Flowers Nani 18th Century Paint Oil on canvas Old master Naples Italy
Located in Riva del Garda, IT
Giacomo Nani (Porto Ercole 1698 - Naples 1770) Still life with flowers, riser with crystals and liqueurs, icebox, china and basket with biscuits (LINK) Oil on canvas cm. 64 x 73 - Framed cm. 83 x 93 Provenance (see images): - Dorotheum (April 14, 2005) Vienna, Lot 37 Est: €20,000 EUR - €30,000 EUR - Dorotheum (October 15, 2008), Lot 281 East: €18,000 EUR - €25,000 EUR The proposed painting is a work by the Neapolitan painter Giacomo Nani (Porto Ercole 1698 - Naples 1770) and delights us with a selection of his favourite elements in the creation of his precious still lifes; On a stone shelf, on which an embroidered carpet is laid, we see a series of objects, including two painted porcelain cups, a riser with two liqueur bottles and crystal goblets; then there is a transparent glass vase filled with flowers, and finally some foodstuffs, a basket with biscuits, a wrapped Neapolitan aubergine and an icebox with an oyster. Everything is arranged to create a refined and elegant ensemble. A pupil of Gaspare Lopez (Naples - Venice ca. 1732), one of the leading generalists of the time, Giacomo Nani developed an autonomous personality over time, much appreciated by 18th century nobles and collectors, including the Duchess of Terranova and the Duke of Limatola, as well as the Bourbons. Numerous in particular were his paintings owned by King Charles of Bourbon, which are now preserved in Naples and Caserta at the picture gallery of the Royal Estate of Carditello. Twenty-four canvases by Giacomo Nani were sent to Spain by Charles of Bourbon as gifts for his mother, Elisabeth Farnese, and are today kept at the Royal Palace of Riofrío, one of the residences of the Spanish royal family, and at the Royal Palace of the Granja de San Ildefonso, in Segovia. A painter of still lifes, his works were often devoted to a wide variety of foodstuffs. In his compositions, foodstuffs of the period appear and, in particular, in the series conserved in Spain, most of the dishes that were served on the tables of the Neapolitans in those years are depicted as in a select menu. He sometimes depicted objects typical of Neapolitan tradition, as in the present painting, the typical rosolio wine, Capodimonte ceramics...
Category

Old Masters 18th Century Art

Materials

Oil

Cockfighting Champion Portrait of "Intrepid", 18th Century
Located in Blackwater, GB
Cockfighting Champion Portrait of "Intrepid", 18th Century attributed to John Nost SARTORIUS (1759-1830) Fine large 18th Century English study of a prize Cockerel in a farmyard, o...
Category

18th Century Art

Materials

Canvas, Oil

King Portrait Clementi Paint Oil on canvas Old master 18th Century Italian
Located in Riva del Garda, IT
Maria Giovanna Battista Clementi known as La Clementina (Turin, 1692 - Turin, 1761), Attributable to Portrait of Victor Amadeus II of Savoy (Turin 1666 - Moncalieri 1732) king of Sardinia, duke of Savoy, marquis of Saluzzo and duke of Monferrato, prince of Piedmont and count of Aosta, Moriana and Nizza from 1675 to 1720. Oil on oval canvas, 79 x 62 cm., Framed 98 x 82 cm. The portrayed in this fascinating virile portrait is King Vittorio Amedeo II of Savoy, portrayed in ceremonial armor and red cloak according to the traditional courtly iconography, represented half-length, slightly three-quarter-length, with the towering "courtly" wig, according to the dictates of fashion of the first decades of the century, of French inspiration. In order to represent the power embodied in our austere portrayal, the sovereign is immortalized with the symbolic attributes of the power of the family, identifiable in the ancient crown of the Kingdom of Sardinia, in the scepter with the Mauritian cross and in the necklace of the Supreme Order of the Most Holy Annunziata, established in 1364 by Amedeo VI, as the highest honor of the House of Savoy...
Category

Old Masters 18th Century Art

Materials

Oil

Viliers Costret, French chateau, architectural plan, mid 17th century engraving
Located in Melbourne, Victoria
'Viliers Costret' Copper-line engraving by Matthaeus Merian. From 'Topographia Galliae', a fine series of engravings of 17th-century French landscapes, gardens, buildings and citi...
Category

Rococo 18th Century Art

Materials

Engraving

Insect Engraving
Located in New York, NY
Seba, Albertus. Locupletissimi rerum naturalium thesauri accurata descriptio, et iconibus artificiossimis expressio, per universam physices historiam. Amsterdam, Wetsten, Smith, Jans...
Category

18th Century Art

Materials

Laid Paper

18th Century by Francesco Lavagna Pair of Flower Vases Oil on Canvas
Located in Milano, Lombardia
Francesco Lavagna (active in Naples in the mid-18th century) Title: Pair of Flower Vases Medium: Oil on canvas Dimensions: without frame 98 x 36 cm each - with frame 112 x 50 cm each...
Category

Old Masters 18th Century Art

Materials

Canvas, Oil

Parmigiani Amica: An 18th Century Engraving and Etching by Strange After Mazzola
Located in Alamo, CA
This is an 18th century engraving and etching entitled "Parmigiani Amica" by Robert Strange after a painting by Girolamo Francesco Maria Mazzola, better known as Parmigianino, who lived during the Renaissance period. It was published in London in 1774. As the inscription states, the painting was in the collection of the King of Naples at the time the engraving was made. The engraving depicts a half-length portrait of a young woman, known as Parmigiani's Amica (meaning "female friend" in Italian). She is depicted wearing a simple but elegant dress with a low-cut neckline, which reveals her delicate features and graceful neck. Her hair is arranged in a simple yet stylish manner. She is turning to the right to look lovingly at her infant, which she is holding with her right arm. She is touching the baby's mouth with her left hand. The background of the engraving is plain and unadorned, allowing the viewer to focus entirely on the subject of the portrait. The result is a beautiful and timeless image that captures the essence of Renaissance portraiture. The engraving is printed on watermarked paper. The sheet measures 16.25" high and 12' wide. The sheet is adhered to paper in its upper corners and it has been removed from the paper in its lower corners. There is some mild discoloration and some wrinkling in the margins, including the lower inscription area, and a small dark spot in the upper margin, which may represent a drop of ink occuring at the time of printing. These issues do not involve the image, which is in very good condition. The print is held by several museums and institutions, including: The Metropolitan Museum of Art in New York, The British Museum in London, The Royal Museums of the UK, The British National Trust...
Category

18th Century Art

Materials

Engraving, Etching

Hermes in Ancient Roman Statue - Original Etching by Carlo Nolli - 18th Century
Located in Roma, IT
Hermes in Ancient Roman Statue, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Carlo Nolli in the 18th century. Signed on the plate, on th...
Category

Old Masters 18th Century Art

Materials

Etching

Shakespeare's Midsummer-Night's Dream- Etching-J.P. Simon After J.H. Fussli-1796
Located in Roma, IT
Midsummer-Night's Dream is an original etching engraved by Jean Pierre Simon after the iconic romantic painting by Heinrich Füssli in 1790. Titled on plate: Midsummer-Night's Dream, Act IV, Scene I: A wood - Titania, Queen of the fairies, Bottom, fairies attending Mint conditions with little tears along the margin, and a glued tear in the center. Some light little foxings. The original oil painting is displayed at Tate Britain in London. It was commissioned for the Boydell Shakespeare...
Category

Romantic 18th Century Art

Materials

Etching

3rd Countess of Dysart, Grace Wilbraham
Located in Douglas, Isle of Man
Sir Godfrey Kneller 1646-1723, was a German born British portrait painter. He was born in Leiden and studied under Bol and Rembrandt, before travelling to Rome, Venice, Hamburg and ...
Category

18th Century Art

Materials

Canvas, Oil

Antique Italian artist - 18th/19th century figure drawing - The writer
Located in Varmo, IT
Italian artist (18th-19th century) - Study for a writer. 17 x 25.5 cm, with passe-partout. Pencil drawing on paper, without frame. - Work signed indistinctly lower left (under pas...
Category

Baroque 18th Century Art

Materials

Paper, Pencil

Skull with Sacred Writings and Tablets of the Law - Tempera on Cardboard
Located in Roma, IT
Skull with Sacred Writings and Tablets of the Law is a superb and colorful tempera on cardboard, realized in 1766 by an anonymous artist of ...
Category

Old Masters 18th Century Art

Materials

Tempera

Thisbe and Pyramus, Ovid's Metamorphoses, French Classical Myth engraving, 1768
Located in Melbourne, Victoria
Copper-line engraving by Nicolas de Launay after Charles Monnet (1732-1808). Thisbe, finding the dead body of Pyramus, throws herself on a sword. Fro...
Category

Naturalistic 18th Century Art

Materials

Engraving

View at Ifley, near Oxford, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'View at Ifley, near Oxford' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series ...
Category

Naturalistic 18th Century Art

Materials

Engraving, Etching, Aquatint

Pisces - Etching by Charles De la Haye - 18th Century
Located in Roma, IT
Pisces is an original etching artwork on paper realized by Charles De la Haye after Andrea Stech, in the 18th century. Signed on the plate on the lower. Good...
Category

Modern 18th Century Art

Materials

Etching

German folk dancing, set of six engravings, circa 1720
Located in Melbourne, Victoria
A series of six German engravings of couples dancing. Published by Josef Friderick Leopold in Bavaria. 260mm by 165mm (platemark)
Category

Romantic 18th Century Art

Materials

Etching

Landscape - Watercolor and Pencil by Jan Peter Verdussen - 18th Century
Located in Roma, IT
Landscape is a beautiful dranwing in watercolor and pencil on ivory-colored paper realized by Jan Peter Verdussen. In good condition; only a sma...
Category

Old Masters 18th Century Art

Materials

Watercolor, Pencil

Painting The Judgement of Paris 18th century
Located in Milan, IT
Oil on Canvas. The large painting depicts the famous mythological episode of the Judgement of Paris, the event that helped trigger the Trojan War. Paris, a Trojan prince, was called ...
Category

Other Art Style 18th Century Art

Materials

Oil

Wooden Landscape with Shepherds, Fountain and Flock - by Jan Frans van Bloemen
Located in Roma, IT
Bibliography: A.Busiri Vici, Jan Frans Van Bloemen Orizzonte e l’origine del paesaggio romano settecentesco, Ugo Bozzi Editore, Roma 1974, n.41 This artwork is shipped from Italy. U...
Category

Old Masters 18th Century Art

Materials

Canvas, Oil

LESUEUR Neo-classical Classical Landscape with a faune French 19th Oil on panel
Located in PARIS, FR
Pierre Etienne LESUEUR (Active between 1791 and 1810) Oil on panel 27 x 38.5 cm (42 x 53 cm with the frame) Signed and dated lower right "E. LESUEUR / 1790" Very beautiful early 19th...
Category

French School 18th Century Art

Materials

Oil

Queen Mary, Queen of England, royalty portrait engraving, circa 1780
Located in Melbourne, Victoria
'Marie' Copper-line engraving by Pierre Francois Basan (1723-1797) after Van der vaart. Mary II (1662-1694) reigned as Queen of England, Scotland, a...
Category

Renaissance 18th Century Art

Materials

Engraving

Dutch genre painting 18th JANSON Oil on canvas Village fair peasants Kermesse
Located in PARIS, FR
Johannes JANSON (Attributed to) Amboyna (Moluccan Islands), 1729 - Leyden, 1784 Oil on canvas 47 x 57 cm (62 x 72 cm with frame) Trace of signature lower right Monogrammed and dated on the back "1755"Inscription on the recto « Johannes Janson » Very beautiful frame of the 18th century in gilded wood Good condition (just a bit of thinness, a repair and a few repaints, well restored) As for the painting by Johannes Janson exhibited in the Louvre museum, our painting is also a "typical example of retrospective pastiche - much appreciated in the 18th century. – of recognized masters of the Golden Age, the specialists in Dutch rustic landscape Potter, Adriaen van de Velde or Dujardin. Recognizable in our painting is the way Janson represents trees, and animals (the horse in particular on the left is recognizable). And also the silhouettes of his small characters painted in bright colors. This village fair is a rich composition with many characters, musicians, drummers, peasant men and women, children. The scene is very cheerful and it has the charm of the festive atmosphere of the Dutch countryside with many picturesque details represented such as the dancers with a glass or a pitcher in their hands, the dishes or baskets which circulate filled with food, the child playing with a dog or the musician with the violin who animates the assembly. The vivid colors are characteristic of Dutch 17th century genre...
Category

Dutch School 18th Century Art

Materials

Oil

Conway, Wales. Paul Sandby C18th landscape engraving
Located in Melbourne, Victoria
'Conway' Engraving by William Watts (1752-1851) after Paul Sandby (1731-1809). From Paul Sandby's 'The Virtuosi's Museum, Containing Select Views in England, Scotland, and Ireland'...
Category

Naturalistic 18th Century Art

Materials

Engraving

Rococò French painter - 18th century figure painting - Joseph in prison
Located in Varmo, IT
French painter (18th century) - Joseph in prison. 84 x 105 cm. Antique oil painting on canvas, without frame (not signed). Condition report: Lined canvas. Good state of conservati...
Category

Rococo 18th Century Art

Materials

Canvas, Oil

18th Century portrait oil painting of a gentleman
Located in Nr Broadway, Worcestershire
Follower of Enoch Seeman the Younger German, (1694-1744) Portrait of Gilbert Sympkin Oil on canvas Image size: 29.25 inches x 24.5 inches Size including frame: 38 inches x 33.25 inches A fine three quarter length portrait of a gentleman traditionally identified as Gilbert Simpkin (Sympkin), follower of Enoch Seeman the younger, C1720. The portrait is set in a feigned sculptured oval cartouche, a device used to give a sense of depth. The sitter is depicted wearing a fashionable blue jacket and matching waistcoat with a white chemise and lace jabot. He wears a powdered wig in the fashionable style of the day and is posed holding his hat under his left arm with the fingers of his right hand stretched out. At court, long fingers signified wealth, culture and intelligence. The painting has clearly been executed by an artist of great ability who has been influenced by Enoch Seeman the younger. Gilbert Simpkin (Sympkin) was born in London on 24 August 1683, the son of John Simpkin and Susannah Butler. His grandfather was also called Gilbert Simpkin. He entered Oxford University in 1700 where he studied at St John’s College. In 1702, he became a student of Middle Temple, which at the time was one of the world’s most important centres of legal education. He later settled in Plymouth and then Bristol. He died in Bristol on 15 May, 1744 and was buried at Bristol Cathedral. He remained unmarried and the portrait may well have been commissioned to commemorate when he was first Called to the Bar or perhaps had established his own practice. Enoch Seeman or Seemann the younger was born in Danzig, Germany now Gdansk, Poland in 1694. His father was Enoch Seeman Senior, an artist of Flemish origin and his brothers Isaac, Noah and Abraham also became artists. He came to London with his father and brothers around 1704 and established himself as a portrait artist. From 1717 he became painter to the Royal court painting...
Category

Old Masters 18th Century Art

Materials

Canvas, Oil

18th century English scene of a groom with a horse in a landscape
Located in Woodbury, CT
Wonderful 18th century English gouache on paper of a 18th century English scene of a groom with a horse in a landscape. One of a set of five all framed in Hogarth frames. L.Green ...
Category

Old Masters 18th Century Art

Materials

Paper, Gouache

View of a Mansion in the South of France, a drawing by Claude-Joseph Vernet
By Claude-Joseph Vernet
Located in PARIS, FR
We would like to thank Madame Beck-Saiello for confirming the autograph nature of this drawing after an in-person examination. It was probably during an excursion in the countryside near Avignon that Claude-Joseph Vernet executed this drawing, enhanced with pen and brown ink, depicting a mansion on a hilltop overlooking a small village with geometric shapes. 1. Joseph Vernet, a painter influenced by Italy Claude-Joseph Vernet was born in Avignon in 1714, the son of Antoine Vernet (1689-1753), an artisan painter of architectural decorations, coach panels, and the like. He moved to the studio of Philippe Sauvan (1697-1792), a leading history painter in Avignon, and then worked with Jacques Viali (active 1681-1745), a decorative, landscape, and marine painter in Aix-en-Provence. Vernet's first recorded paintings were decorative overdoors executed in 1731 in the Aix townhouse of the marquise de Simiane. In 1734, Joseph de Seytres, marquis de Caumont, a leading amateur in Avignon, sponsored Vernet to make a study trip to Italy to complete his artistic education and to draw antiquities for his patron. As Avignon was a papal territory in Vernet's day, he also had a number of useful introductions among influential churchmen when he arrived in Rome. Vernet was soon at home in the French community there, and he was encouraged by Nicolas Vleughels (1668-1737), director of the Académie de France in Rome, even though the young painter had no official affiliation with the royal institution. He likely entered the studio of the French marine painter Adrien Manglard...
Category

Old Masters 18th Century Art

Materials

Ink, Laid Paper, Pen, Carbon Pencil

Chertsey Bridge, Surrey, Thames, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Chertsey Bridge, Surrey' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of ...
Category

Naturalistic 18th Century Art

Materials

Engraving, Etching, Aquatint

18th Century Italian Carved Neoclassical Semi Nude Female Busts
Located in Beachwood, OH
18th Century Italian Carved Neoclassical Semi Nude Female Busts Wood affixed to wood plinths "Leone Della Torra / Italy Country of Origin" labels on b...
Category

Italian School 18th Century Art

Materials

Wood

Champignon de la France, a French antique mushroom engraving, 1791
Located in Melbourne, Victoria
'Le Bolet Bisannuel' & 'Le Bolet Coriace' A French copper-line engraving with original printed colouring of mushrooms by Jean Baptiste Francois Buillard (1742-1793). From Bulliard's 'Histoire des Champignons de la France', a series of engravings describing the mushrooms of France, published in Paris in 1791. This series of engravings are 'probably the first botanical work completely colour-printed without retouching by hand' (Great Flower Books...
Category

Naturalistic 18th Century Art

Materials

Engraving

Le Marcassin - Le Cochon de lait - Etching by Jacques De sève - 1771
Located in Roma, IT
Le Marcassin - Le Cochon de lait is an artwork realized  by Jacques de Seve in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is g...
Category

Modern 18th Century Art

Materials

Etching

British landscape Dialogue at lunchtime 18th century Oil painting on wood
By Julius Caesar ibbetson
Located in Stockholm, SE
Signed lower right - Julius Caesar Ibbetson (1759 – 1817). The majority of Ibbetson’s Lakeland scenes were painted to order after he had moved away to Yorkshire, and therefore lack the immediacy of the present canvas. This work is painted, with his own, inimitably pleasing style. Antique oil painting on wood panel...
Category

Realist 18th Century Art

Materials

Wood, Oil

18th Century by Pietro Bardellino Mary Magdalene Painting Oil on Canvas
Located in Milano, Lombardia
Pietro Bardellino (Naples, Italy, 1731 – 1806) Title: Mary Magdalene Medium: Oil on canvas Dimensions: without frame 75 x 60 cm – with frame 97 x 82 cm Antique shaped and carved wood...
Category

Old Masters 18th Century Art

Materials

Canvas, Oil

Cernophores Dancer with Basket, Plat - Etching by Filippo Morghen - 18th Century
Located in Roma, IT
Cernophores dancer with Basket, Plate, Crown from "Antiquities of Herculaneum" is an etching on paper realized by Filippo Morghen after Camillus Paderni in the 18th Century. Signed ...
Category

Old Masters 18th Century Art

Materials

Etching

Portrait Of Lady Caroline Howard, 18th Century SIR JOSHUA REYNOLDS (1723-1792)
By Joshua Reynolds
Located in Blackwater, GB
Portrait Of Lady Caroline Howard, 18th Century after SIR JOSHUA REYNOLDS (1723-1792) Large 18th Century English portrait of Lady Caroline Howard, oil on canvas. Excellent quality a...
Category

18th Century Art

Materials

Canvas, Oil

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