1910s Art

To see our other views of Public Schools, Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. A J Meyer (British, fl 1900-1930) Dulwich College Etching 22x30cm Sadly little is known of Meyer, an accomplished artist and particularly producer of etchings. He was one of many artists to join the craze for etchings started by Whistler and that died out after the 1929 Wall Street...

Food from Switzerland is an original drawing artwork in pen on paper realized by Italian Artist Giuseppe Scalarini (Mantova, 29 Gennaio 1873 – Milano, 30 December 1948). The state o...

Emperor Charles I of Austria in Belluno is an original silver bromide print applied on cardboard. Photograph realized by famous WWI civil reporter ...

Farmer is an original China ink drawing by Gabriele Galantara (April 4, 1909). The artwork is in good conditions mounted on a white cardboard passpartout (50x35). Gabriele Galanta...

Sketch for The Donkey is an original artwork realized by Gabriele Galantara (Montelupone, 1865 - Roma, 1937) in November 7th, 1909. The sketch was realized for the 45° cover of The ...

Peasant Woman with Geese is an original drawing in ink and watercolor on creamy cardboard realized by Gabriele Galantara (1865-1937). In good conditions. This is an original drawi...

Die Schwarze Spinne is an original Rare Book illustrated by René Beeh (1886 − 1922) and written by Jeremias Gotthelf (Morat, 1797 – Lützelflüh, 1854) in 1918...

"Military" 1917s is a beautiful print in etching technique, realized by Anselmo Bucci (1887-1955). Hand signed. Numbered 61/100 of prints on the lower left. On the lower left corner...

Portrait 1910 is an original China ink and tempera realized by Gabriele Galantara (1910). Good conditions, and some worn yellowed paper on the back. No signature but some pencil n...

This impressive late 19th century portrait oil painting is by British artist James Edward Barclay. The sitter is a Major in the Royal Marines, William Wynch George Back Willis who wa...

Correspondence by Augusto Murri is a set that comprises three manuscript letters addressed to “Chiarissimo Collega”: - Bologna, 27 May 1917. 2 pages, 13 x 18 cm. Perfect conditions....

Artist: August Lepere – French (1849-1918) Title: L'eglise de Villeneuve sur Bellot, Seine-et-Marn Year: 1915 Publisher: Edmond Sagot (blindstamp, lower ...

This superb RSA exhibited Scottish Edwardian interior oil painting is by Glasgow Boy artist Alexander Ignatius Roche. It was painted circa 1914 when Roche was living at 8 Royal Terrace, on Calton Hill, a very prestigious property in Edinburgh, now the Halcyon Hotel. The painting is a view of Roche's studio, quite possibly one of the rooms at the above address. The painting was exhibited at the Royal Scottish Academy the following year, no. 333 entitled The Studio. The painting shows Roche beneath the vast window in his studio against a red wall that meets pale floorboards. Various items and furniture are scattered about. The balance of the white window and pale floorboards with the red wall intersecting is perfect. A really lovely example of this great Glasgow Boy artist's work and a very personal piece showing his inner sanctum. Signed lower right. Provenance. Exhibited at the Royal Scottish Academy 1915 no. 333, entitled The Studio. Condition. Oil on canvas, 24 inches by 20 inches and in good condition. Frame. Housed in a gilt frame, 32 inches by 28 inches and in good condition. Alexander Ignatius Roche RSA NEAC RP (1861-1921) was a Scottish artist in the late 19th century and an important figure in the “Glasgow Boys. He was born in the Gallowgate in Glasgow, the son of a milliner, Alexander Roche. He attended St Mungo’s Academy in Bridgeton, Glasgow. He originally trained as an architect, but then changed to art, studying at the Glasgow School of Art and, from 1881, at L’Ecole des Beaux Arts in Paris. Here he studied under Gustave Boulanger and Jean-Leon Gerome. In his time here he befriended William Kennedy, John Lavery, Thomas Millie Dow and William Stott. In the early 1880s he joined a colony of Scots artists in Grez-sur-Loing south of Fontainebleau. On his return to Scotland in 1885 he joined with the Glasgow Boys working on murals for the 1888 International Exhibition. In 1888 he travelled to Capri where he befriended Fabio Fabbi and Harold Speed. In following years he visited both Venice and Florence, and married an Italian girl on the latter trip. This marriage was short-lived and they separated. As both were Catholics there seems to have never been any divorce. In 1896 he moved from Glasgow to Edinburgh and began to distance himself from the Glasgow Boys. His work drifted from largely landscape to portraits. In 1906 he remarried (possibly bigamously), to Jean Alexander, daughter of Robert Alexander. During this period they enjoyed the friendship of Joseph Crawhall...

The prison is an original drawing in China ink and white lead on creamy cardboard realized by Gabriele Galantara (1865-1937). In good conditions. This artwotk presents on the back...

Globe is an original drawing in China ink and white lead on creamy cardboard realized by Gabriele Galantara (1865-1937). In good conditions. This is an original drawing representi...

The Beggar and the Child is an original drawing in China ink, watercolor and white lead on creamy cardboard realized by Gabriele Galantara (1865-1937). In good conditions. This is...

Delovincourt: biography Delovincourt, is a poster artist. Delovincourt was an art nouveau artist. He was mainly active during the modern period. Delovincourt: his main works Delovinc...

Studies of Figures is an original drawing in pencil and china ink on creamy cardboard realized by Gabriele Galantara (1865-1937), in 1915. In good conditions. Not signed. Gabriel...

The Fortune Teller is an original drawing in china ink drawing on creamy paper realized by Gabriele Galantara (1865-1937), in 1910s. In good conditions. This is an original drawi...

The Cinema is an original drawing in china ink on creamy paper realized by Gabriele Galantara (1865-1937), in the early 20th Century. In good conditions. This is an original drawi...

Hand signed. Not numbered. With dedication to "Bernard" (1921). Etching and aquatint technique. Perfect conditions. Image Dimensions ： 15 x 19 cm Passepartout included : 35 x 50 cm

"Military" 1917s is a beautiful print in etching technique, realized by Anselmo Bucci (1887-1955). Hand signed. Numbered 89/100 of prints on the lower left. On the lower left corner...

"Military" 1917s is a beautiful print in etching technique, realized by Anselmo Bucci (1887-1955). Hand signed. Numbered 61/100 of prints on the lower left. On the lower left corner...

"Military" 1917s is a beautiful print in etching technique, realized by Anselmo Bucci (1887-1955). Hand signed. Numbered 61/100 of prints on the lower left. On the lower left corner...

"Military" 1917 is a beautiful print in etching technique, realized by Anselmo Bucci (1887-1955). Hand signed. Numbered 89/100 of prints on the lower left. On the lower right corner...

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Figures is a drawing in pencil and pastel on paper realized by Anonymous Artist of the 20th Century. In good condition, except for small folding. The artwork represents three figur...

Raoul Dufy, French (1877 - 1953) - Falourdin, Year: 1917, Medium: Woodcut, signed and numbered in pencil, Edition: 21/38, Image Size: 2.75 x 2.75 inches, Size: 13 x 9.75 in. (33.02...

"Military" 1917s is a beautiful print in etching technique, realized by Anselmo Bucci (1887-1955). Hand signed. Numbered 89/100 of prints on the lower left. On the lower left corner...

Image dimensions: 18.5 x 24.5 cm. Hand signed. Edition of 100 prints on Hollande paper. From the collection: “Croquis du Front Italien”, published in Paris by D'Alignan editions. An...

"Military" 1917s is a beautiful print in etching technique, realized by Anselmo Bucci (1887-1955). Hand signed. Numbered 61/100 of prints on the lower left. On the lower left corner...

"Military" 1917s is a beautiful print in etching technique, realized by Anselmo Bucci (1887-1955). Hand signed. Numbered 81/100 of prints on the lower left. On the lower left corner...

Image dimensions: 18 x 14.5 cm. Hand signed. Edition of 100 prints on Hollande paper. From the collection: “Croquis du Front Italien” , published in Paris by D'Alignan editions. Ans...

Militaries in Station is an original lithograph by the Italian artist, painter, and printmaker Anselmo Bucci. Signed on the plate on the lower right. In very good conditions. The ...

Militaries is an original lithograph by the Italian artist, painter, and printmaker Anselmo Bucci. Signed on the plate on the lower left. In very good conditions. The artwork repr...

Front Italien is a beautiful print in etching on paper, realized by Anselmo Bucci in 1918 (1887-1955). Good conditions. Sheet dimension: 35.5 x 27.5 From the collection: “Croqui...

To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." Reginald Hallward (1858 - 1948) Ilford War Memorial design Pencil on paper 15 ...

Bernhard Pankok (1872 Münster - 1943 Baierbrunn), General Wilhelm von Blume, 1915, aquatint etching, 34 x 29.5 cm (sheet size), 26 x 22 cm (plate size), signed in the plate at upper left, in pencil at lower right and dated in pencil at lower left. - At lower left old collection stamp, at the right broad margin with a small spot, otherwise very good condition. About the artwork The 1915 aquatint etching of General Wilhelm von Blume is based on a 1912 oil painting in the LWL-Museum für Kunst und Kultur in Münster. A second oil portrait of the general by Pankok is in the Staatsgalerie Stuttgart. When Pankok painted the first oil portrait in 1912, the general had already been retired for 16 years. It is therefore a retrospective portrait. Accordingly, the orientation of his head is such that he is looking back in both the oil painting and the etching. Without fixing on anything in particular, he looks thoughtfully inwards and reflects on his life. Uniformed and highly endowed, it is his military activities in particular that he is reviewing attentively and, as his gaze reveals, quite critically. Pankok has literally written the sum of his experiences on Wilhelm von Blume's face: The physiognomy is a veritable landscape of folds, furrows, ridges and gullies, all the more striking against the flat background. It is clear that each of the medals was also won through suffering. However, by breaking the boundaries of the picture, his bust appears as an unshakable massif, which gives the general a stoic quality. The fact that the design of the portrait was important to Pankok can be seen from the different versions, the present sheet being the third and probably final revision, which Pankok dates precisely to 18 February 1915. Compared with the previous state, the light background now has a dark area against which the sitter's face stands out, the dark background in turn combining with the uniform to create a new tension in the picture. Pankok's taking up of the portrait of the high-ranking military veteran and its graphic reproduction can also be seen in relation to the First World War, which had broken out in the meantime. In the face of modern weapons of mass destruction, Wilhelm von Blume's warfare and military writings were relics of a bygone, more value-oriented era. About the artist After studying at the Düsseldorf Art Academy from 1889 to 1891 under Heinrich Lauenstein, Adolf Schill, Hugo Crola, and Peter Janssen the Elder, Bernhard Pankok went to Munich in 1892, where he worked primarily as a graphic artist for the two major Jugendstil magazines "Pan" and "Jugend," which established his artistic success. Through this work he met Emil Orlik, with whom he had a lifelong friendship. In 1897, he exhibited his first furniture, and in 1898, together with Richard Riemerschmid, Bruno Paul and Hermann Obrist...

Image dimensions: 10 x 9.5 cm. Hand signed. Edition of 100 prints on Hollande paper. From the collection: “Croquis du Front Italien” , published in Paris by D'Alignan editions. Anse...

Beautiful turn-of-the-century landscape of a path along a river bend by Alice L. Meussdorffer, a pupil of William Keith, (American, 1871-1949). Presented in a wooden frame. Signed "Alice Meussdorffer" and dated "1900" lower right. Image size, 17"H x 20.75"W. Wood frame; 19"H x 23"L x 1.5"D. Born in San Francisco, CA on Sept. 5, 1871. Alice was the daughter of John C. Meussdorffer who made the finest hats on the West Coast during the 19th century. A pupil of William Keith, she was most active as a painter at the turn of the century. During the latter part of her life she gained fame as a florist. Her prize-winning dahlia bulbs were shipped all over the world. She was also an ardent hiker and member of the Sierra Club. One of her dahlias was named "Kaweah" after the river in the Kings Canyon...

Henry Ottmann (1877-1927) "Orée du bois par brume", A forest in the mist signed lower right pastel on paper 24 x 32 cm In good condition In a vintage frame : 43.5 x 53 cm The gilding on the frame is missing in many places Henry Ottmann particularly excelled in the pastel technique, as can be seen here. This is due to the fact that this delicate material obviously lends itself very well to the artist's characteristic vaporous style and manner. We should also note the great modernity of this landscape and its fades, which go almost as far as abstraction. Henry Ottmann was born on 10 April 1877 in Ancenis. He made his debut at the Salon La Libre Esthétique in Brussels in 1904 and took part in the Salon des Indépendants in Paris from 1905, the Salon d'Automne, the Salon de la Société Nationale des Beaux-Arts and the Salon des Tuileries. In 1911 and 1912, Ottmann exhibited at the Artistes de la Société Moderne at the Gallery Paul Durand-Ruel together with Armand Guillaumin, Henri Lebasque and others. In 1912, he exhibited at the gallery Eugène Druet. In 1920, Ottmann exhibited at the gallery Marcel...

Artist: Ernest Beaumont Title: Early Spring Year: circa 1910 Medium: Oil on Canvas, signed l.l., signed and dedicated verso "For Frances" Size: 15 x 18 in...

Christian Thomsen (1860 Kolding - 1921 Copenhagen), Peasant girl with goose, design c. 1910, execution 1966. model number 527. First choice. Porcelain ...

Image dimensions: 6 x 8 cm. Hand signed. Edition of 100 prints on Hollande paper. From the collection: “Croquis du Front Italien” , published in Paris by D'Alignan editions. Anselmo...

Group of Men is an original lithograph on cream-colored paper, signed by the Italian artist, painter, and printmaker Anselmo Bucci, Hand-signed and dated on the lower margin of artwo...

China Town San Francisco 1896 - Watercolor on Paper A vintage watercolor by Theodore Ernest Langguth (German-American, 1861-1952). Presented in a rustic giltwood frame. Signed "T. Langguth" lower right. Watercolor circa 1920-30. Image: 12.5"H x 8.5"W. Painted from the photograph by Arnold Genthe...

Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL.” -SCHIELE Defiantly iconoclastic in life and art, Egon Schiele is esteemed for his masterfu...

Original etching by Robert Pierre Grouiller after a painting by Johan Barthold Jongkind. Signed and dated on plate by Jongkind. Edition of 600 prints. Etching and aquatint print on v...

Art print on heavy paper After the original from 1915 In great condition

Delovincourt: biography Delovincourt, is a poster artist. Delovincourt was an art nouveau artist. He was mainly active during the modern period. Delovincourt: his main works Delovinc...

Bridge on the River is a beautiful drawing in pencil and charcoal realized by the French painter Emile-Louis Minet in 1919. The state of preservation is very good, except for a small...

Pianta Di Roma e Dell'Esposizione is an original print realized in 1911 on a drawing by Ludovico Beranger. Black and white etching. The artwork was realized ...

Medium: etching. Etched by Favier after Corot. Printed in Paris by Chardon Wittmann on cream wove paper and published in 1911 by the Revue de l'art ancien ...

Etching and aquatint on cream paper. Signed in pencil on the lower right margin. Titled and numbered in pencil on the lower left margin. Edition of 25 prints. Plate in excellent co...

Medium: original lithograph. Printed in 1912 and published in Berlin by Bruno Cassirer for Kunst und Kunstler. This impression is printed on cream paper. Sheet size: 12 x 9 inches (3...

Symbolic composition with nudes is a wonderful double-colored lithograph on paper realized by the German artist, Max Lingner (Leipzig, 1988- Berlin, 1969). Monogram and date on pla...

Medium: original lithograph. Printed in 1910 in sanguine ink and published in Paris for Gazette des Beaux-Arts. Image size: 5 3/4 x 4 3/4 inches (146 x 122 mm). Not signed.

France, early 20th century Head of a faun bears a monogram "P H" on the lower right Pencil on paper 24.5 x 13 cm In a period frame (in good condition except a small loss on the upper...