1940s Art

Merio Ameglio Italian, 1897-1970 Notre Dame, Autonne Oil on Canvas 18 by 21 ½ in. W/frame 26 by 29 ½ in. Signed lower left & titled on reverse Merio noted impressionist painter p...

Albert Sheldon Pennoyer was born in Oakland, California in 1888. He was the son of a prosperous merchant who owned a store known as Taft And Pennoyer. At a young age, the family mov...

Medium: original lithograph. Printed in Paris by Mourlot and published by Pierre à Feu and Maeght Editeur for the Marcel Duchamp / André Breton project Surréalisme en 1947. Issued in...

Jim's of Lambertville Fine Art Gallery is proud to present this piece by Gershon Benjamin (1899 – 1985). An American Modernist of portraits, landscapes, still lifes, and urban scene...

Micro picture, gouache on paper mounted on black leather. Belonging to the serie “Microbes”. Interestingly, it is unusually mounted on a black leather surface whose shape reminds th...

Kaufmann House, Palm Springs Architect: Richard Neutra Kodak digital color print Print size: 20" x 24" (50.80 x 60.96) Image size: 15" x 20" (39.10 x ...

Oil on canvas sold with original frame Total size with frame 110x90 cm Charles Auguste Humbert, born in 1891 in Geneva and died in 1958, was a Swiss artist, mainly known for his w...

Illustration for third and final installment of "River Singer" by Pete Martin for The Saturday Evening Post, published August 30, 1947, page 26. The full caption reads: “Katie’s br...

Original advertisement for Pullmain railroad cars, published in The Saturday Evening Post, 1946 The caption reads: "'All Aboard!' means 'Pleasant Journey' on cars built by Pullman-S...

ALMOST VD; 1946 military poster by Franz Oswald Schiffers. Almost! VD, the 1946 U.S. World War II (WWII) health poster warning soldiers overseas of the consequences of venereal dise...

Medium: original lithograph. Printed in Paris by Mourlot and published by Pierre à Feu and Maeght Editeur for the Marcel Duchamp / André Breton project Surréalisme en 1947. Issued in...

Signed Lower Right Bror Julius Olsson “B.J.O.” Nordfeldt (1878 - 1955) Bror Julius Olsson was born in Tullstrop, Sweden in 1878. He immigrated to the United States in 1891, later adopting his mother’s maiden name of Nordfeldt. Beginning his art studies at the Art Institute of Chicago where he was chosen to assist fellow artist, Albert Herter, with a large mural project for the McCormick Harvester Company. In 1900, he was sent to Paris by McCormick to help set up the completed mural at the Paris Exposition. While there, he studied briefly at the Academie Julian before traveling to England to study woodblock printmaking under F. Morley Fletcher. Returning to Chicago in 1903, Nordfeldt would spend the next ten years painting mainly figurative works in an academic style similar to that of the Old Masters. By the mid-teens he had developed a bold dramatic modernist style and divided his time between New York and Provincetown, Massachusetts. There, he invented the “Provincetown Print...

Medium: Oil on Canvas Signature: Signed and Dated Lower Right Illustration for the Saturday Evening Post. The illustration depicts a man being booted off the ship. "Mr. Gallup Delivers the Goods" story was written by Norman Reilly Raine for the January 11, 1947 issue of Saturday Evening Post. The marine paintings by Anton Otto Fischer are as authoritative as only a working sailor could make them. Born in Munich, Germany but orphaned as a boy, Fischer ran away to sea at 16 and spent eight years before the mast on a variety of sailing ships. Paid off in New York, he stayed to apply for American citizenship and to teach seamanship on the school ship, "St. Mary's." He later served as a hand on racing yachts on Long Island Sound and worked as a model and handyman for the illustrator A.B. Frost. When he had saved enough money, he spent two years at the Academie Julian in Paris under Laurens. Returning to the United States, Fischer sold his first picture to Harper's Weekly in 1908, around the time he moves to Wilmington to receive critiques from Pyle. Everybody's magazine sent him the first of several Jack London stories. In 1910, he began a 48-year association with The Saturday Evening Post, which included illustrating seialized characters such as Peter B. Kyne's "Crappy Ricks," Norman Reilly Raine's "Tugoat Annie," Guy Gilpatrick's "Glencannon," as well as serials for Kenneth Robert...

An intriguing and complex composition composed of guns, rifles, ammo and a bullseye. Work is housed in a rustic Heydenryk frame.

This stunning Scottish Abstract Expressionist oil painting is by noted Scottish artist William Gear. Painted in 1949 it is an early and significant painting which dates to the early part of his career. Entitled Abstract Landscape with Red and Green it was painted during Gear's time in Paris and involvement with COBRA. Mostly red and green shapes are incased in black on a vivid yellow background. A really pleasing composition to the eye and perfectly housed in an ebonised frame, it is an excellent example of Gear's work. Signed and Dated '49 lower right. Inscribed, titled and dated verso. Provenance: Cornish collection. Condition. Acrylic on canvas 25 inches by 20 inches and in good condition. Frame. Housed in an ebonised frame, 30 inches by 25 inches and in good condition. Few British painters have played an active role in the modern abstract movement of post-war Europe. William Gear was the most passionate and committed exception. He continued the tradition of the Edinburgh-Paris axis established by J.D. Fergusson, Samuel Peploe and others, spending vital years between 1947 and 1950 living and working in Paris. Significantly, in recent years, he received the greatest acclaim in France, Germany and the Netherlands. He was born in 1915 in Methil, Fife, into a mining family; the particular landscape of "pitheads, the sea, rocks, castles, trees, storms and poverty" marked his earliest identity with a place and probably remained the most influential to his art. Years later he recalled as a schoolboy visiting the local art gallery in Kirkcaldy and seeing 12 colourful still-lifes by Peploe. Art-history lessons during student years at Edinburgh College of Art, in particular Byzantine classes under David Talbot Rice, also influenced his concern for structure. This had as much to do with the formal language of painting as sheer delight in the medium itself. Gear never missed an opportunity to show people the merits of a well-constructed painting. On a travelling scholarship in 1937, he chose to study with Fernand Leger, described by Gear as "a keystone for me, seldom abstract, rather a degree of abstraction". The Second World War interrupted these formative years and, by 1940, Gear had joined the Royal Corps of Signals. Dispatched to the Middle East, he still had the discipline to paint - mostly works on paper of damaged landscapes - with exhibitions in Jerusalem, Tel Aviv, Cairo as well as Siena and Florence. His naturally robust and tenacious temperament was profoundly affected by visiting Bergen-Belsen, and this certainly influenced the later experiments with the black armature. As the British officer in Celle, working for the Monuments, Fine Arts and Archives Section of the Control Commission, he focused on securing the safety of the Berlin Art Collection in Schloss Celle, and organised an important series of modern art exhibitions, including the rejected work of Karl Otto Gotz...

Marital portrait is a modern artwork realized by Alberto Savinio in 1948. Pencil on paper. Hand signed by the artist and dedicated to Raffaele Carrieri. Certificate of authenticity by Ruggero Savinio...

Jim’s of Lambertville is proud to offer this artwork by: Gershon Benjamin (1899-1985) An American Modernist of portraits, landscapes, still lives, and the urban scene, Gershon Benj...

Jim’s of Lambertville is proud to offer this artwork by: Gershon Benjamin (1899-1985) An American Modernist of portraits, landscapes, still lives, and the urban scene, Gershon Benj...

Wonderful 1940s figurative of paper boy reading the comics by Louise Miller Clark (American, 20th Century). Signed "Louise Miller" lower right. Unframed. Im...

David Conover Norma Jeane 4514 (Marilyn Monroe), 1945 Color photograph 16 1/2 x 21 3/4 inches David Conover (1919–1983) was an American photographer and author best remembered for ...

Created in 1940 by the French artist Tahon, Il veille... Souscrivez ("He Keeps Watch... Subscribe") is a striking example of French wartime propaganda, produced during the early months of the Second World War. Combining stark photography...

Paulémile Pissarro (French, 1884–1972), Baigneuses à Clécy, oil on canvas, signed lower right, painted circa 1948 — bathers on the Orne in the Suisse Normande, by the youngest son of...

Ira Moskowitz, 'Relic of the Insurrection of 1845' also 'Taos Pueblo with Ruin)', lithograph, 1944, edition 30, Czestochowski 121. Signed and titled in pencil. Signed and dated in th...

Black and white photographs that reveal the various facets and aesthetic searches of the legendary Colombian photographer, recognized as the creator of memorable realistic, abstract ...

A portrait of Frida Kahlo taken in 1945 by Leo Matiz. The photograph was printed in 1991 and hand-signed and numbered on the reverse. Unframed. Artist: Leo Matiz, Colombian (1917 ...

James Houston McConnell, 'Equus Uirumpu' (The Man's Horse), color serigraph, c. 1945, edition not stated but small. Signed and titled in pencil. Initialed in the image, lower right. ...

Sexual Desire is a black and white linocut on ivory-colored paper, realized in 1945 by Mino Maccari. Hand-signed with the pseudonym "Jean Barbe" and numbered in pencil on lower marg...

Signed lower left, 'F. Laval' for Fernand Laval (French, 1886-1966) and dated 1948. Born in Dordogne, Fernand Laval arrived in Paris at the age of 26 to study art and, during the e...

Signed lower right, 'L. Grandgerard' for Lucien Henri Grandgerard (French, 1880-1970) and painted circa 1945. Framed dimensions: 17.75 H x 1.75 D x 22 W inches Born in Nancy, Lucien...

Jim’s of Lambertville is proud to offer this artwork by: Gershon Benjamin (1899 - 1985) An American Modernist of portraits, landscapes, still lives, and the urban scene, Gershon ...

This elegant circa 1940 original maritime poster by Charles Edward Turner depicts the celebrated ocean liner RMS Ivernia of the legendary Cunard Line. Rendered with remarkable precision and atmospheric realism, the composition presents the ship majestically entering or departing harbor, accompanied by tugboats and watched by figures standing along the quay. Turner captures the grandeur and prestige of transatlantic ocean travel during the golden age of passenger liners, emphasizing both the immense scale of the vessel and the refined elegance associated with Cunard’s fleet. The RMS Ivernia is shown in profile with its characteristic black hull, white superstructure, and Cunard funnel painted in the company’s iconic red and black colors. Calm harbor waters and softly illuminated skies lend the scene a serene and dignified atmosphere, typical of the refined maritime imagery produced for major shipping companies during the first half of the twentieth century. Charles Edward Turner was one of Britain’s foremost maritime painters and illustrators, renowned for his highly detailed depictions of ships, naval scenes, and ocean liners. His work combined technical accuracy with painterly sophistication, making him particularly sought after by shipping companies eager to project modernity, luxury, and reliability through visual advertising. The Cunard Line occupied a central place in the history of transatlantic travel. Founded in the nineteenth century, the company became synonymous with British maritime excellence and operated some of the most famous ocean liners ever built. Posters such as this were produced not only as promotional material but also as symbols of national prestige and technological achievement. The RMS Ivernia belonged to a generation of liners that connected Europe and North America during an era when sea travel represented the height of international sophistication. Ocean liner posters from this period evoke a world of elegant voyages, cosmopolitan passengers, and the romance of long-distance maritime travel before the dominance of commercial aviation. Artistically, the composition reflects the transition between classic maritime painting and modern travel advertising. Turner’s careful attention to rigging, reflections, smoke, and harbor activity demonstrates his mastery of marine subjects, while the clean layout and understated typography preserve the refined visual language associated with luxury transportation posters of the era. Original Cunard Line posters...

Original cover illustration for The American Weekly, published November 27, 1949. Depicting a scene from “The Winter's Tale,” this illustration is from Pogany’s “Beauties of Shakespeare” cover series for the magazine. Signed lower right. William Andrew (Willy) Pogany was a native of Hungary and his first studies in Budapest and Paris were in engineering. Success in caricaturing led him to pursue and art career, first in London and then in America. His influences were the Oriental artists and illuminated books, and much of his career was devoted to book illustration. Among his many successes were The Rubaiyat, The Kasidah, The Children’s Book of Northern Myths, The Witch’s Kitchen, The Frenzied Prince, Sonnets from the Portuguese...

Post War Andalucian Woodcut of "Andalucia" Flamenco Dancers and Guitarist, Signed Wonderfully expressive woodcut of Andalucian Flamenco dancers by Juan Castells Marti (Spanish, 1906...

Pearl Finkel - Children on Beach, Year: 1945, Medium: Watercolor on Paper, signed and dated lower right, Size: 12 x 16 in. (30.48 x 40.64 cm), Frame Size: 20 x 23.5 inches

Medium: original etching. Printed in 1946 on at the atelier Quesneville on BFK Rives paper and published in a limited edition of 300 for the "Alternance" portfolio (a collective art ...

In 1945, as World War II was coming to an end, the U.S. Office of War Information (O.W.I.) produced the Work Together, Prospect Together poster as part of a broader campaign to promo...

This 1949 original poster titled Congo Belge, created by French illustrator Laboulais, offers a striking example of mid-20th-century colonial-era educational and promotional art. Pub...

Artist: Margaretha E. Albers, American (1881 - 1977) Title: Corlears Hook Year: circa 1940 Medium: Oil on Board, signed Size: 12 in. x 16 in. (30.48 cm x 40.64 cm) Frame: 14.5 x...

Beautiful poster created by the Perceval workshop in 1948, for the airline Air France. The Air France logo is visible on the swirling propeller in the sky.

(after) Georges Braque, (1882 - 1963) La Mandoline (1943) Lithograph and stencil On vellum 40 x 48 cm (c. 16 x19 inch) Printed signature in the plate Edition of 300 Very good co...

6001 San Martino Hill ,Naples Italy, a 1940's oil on canvas applied on board,displayed in a gilt wood frame.Signed by Ferrara

Spain, 1940s. "Original Netol Advertising Display Figure in Cardboard, Spain, 1940s." Die-cut printed cardboard. Display: 25 × 29 cm (9.8 × 11.4 in.). Framed: 38 × 38 cm (15 × 15 in....

Morris Rosenfeld: 1885-1968. Well listed American photographer. Famous for photos of sail boats, yachts and other seafaring vessels. He has an auction high of $5250 for a single phot...

“Deep Canyon Stream” by Ansel Adams, reproduced and published by Little, Brown and Co. in 1992, is a stunning depiction of nature’s raw and untouched beauty. This reproduction captur...

This elegant original poster, created circa 1940 by renowned maritime artist Charles Edward Turner, showcases the iconic R.M.S. Caronia, one of the most celebrated ocean liners of th...

Signed lower right, 'A. K. Skeele' for Anna Katharine Skeele (American, 1896-1963); titled, verso, 'Taos Yard' (visible from front, lower left) and painted circa 1945. Born in Ohio ...

Medium: lithograph (after the gouache). This is the whimsical and striking surrealist composition, created by Rene Magritte for the cover of the December 1946 issue of "View", devote...

Pencil drawing on paper. Hand signed in the lower right corner. Matte, in very good condition. Suzanne Tourte (1904–1979) was a French painter and printmaker celebrated for her ly...

Pencil drawing on paper. Hand signed. Artist's Red stamp. Very good condition. Suzanne Tourte (1904–1979) was a French painter and printmaker celebrated for her lyrical figurativ...

Pencil drawing on paper. Hand signed in the lower center. Very good condition. Suzanne Tourte (1904–1979) was a French painter and printmaker celebrated for her lyrical figurative...

George Platt Lynes Photograph #7 of dancer Francisco Moncion 1949. George Platt Lynes rare original vintage 1949 gelatin silver photograph of dancer Francisco Moncion. Stamped on verso - GEORGE PLATT LYNES. Photo is 7 3/4 x 9 1/2 inches, glossy finish in excellent condition. This photograph is #7 from a collection of 12 different poses in this series taken in Platt Lynes's NYC studio in 1949 (as per the NY Public Library archives). The cloud backdrop is recognizable in other Platt Lynes photographs. Moncion was a personal friend of Platt Lynes and this photograph is from Moncion's personal photographic collection. George Platt Lynes (1907–1955), was a gregarious American portrait, dance, fashion, and male nude photographer whose career spanned the late 1920s through the early 1950s. From age eighteen, Lynes entered the cosmopolitan world of the American expatriate community in Paris when he became acquainted with the salon of Gertrude Stein and Alice B. Toklas. He began photographing authors like Stein, Jean Cocteau, André Gide, and Colette and soon established himself as one of the premier fashion photographers in the Condé Nast stable, documenting the ballet companies of George Balanchine/Lincoln Kirstein, and pursuing a private obsession with seductive images of young male nudes rarely published in his lifetime. Platt Lynes photographs are in the collections of every major art museum and university archive including the Metropolitan Museum of Art, Museum of Modern Art, Yale Art Museum, and the Smithsonian. Francisco Moncion (July 6, 1918 – April 1, 1995) was a charter member of the New York City Ballet. Over the course of his forty year career, choreographers George Balanchine, and Jerome Robbins in the New York City Ballet created 22 major roles for Moncion including the Dark Angel in Orpheus, Death in La Valse, Prince Ivan in Firebird, and the Boy in Afternoon of a Faun. He was also a choreographer and a talented painter who exhibited alongside Miro, Picasso and Carrado Cagli. Moncion was a popular model for many famed mid-century (late 1930s, 1940s - 1950s) figure photographers including Platt Lynes, Carl van Vechten, Maurice Seymour...

This circa 1941 drawing, Les éléphants sacrés – Madurai, created in the style of Maire André, beautifully captures the grandeur and spiritual essence of one of India’s most sacred ci...

The 1944 original map "Atlas de la France Vinicole – Les vins de Champagne – Vignobles du Bar-Séquanais et du Bar-sur-Aubois", created by Louis Larmat and printed by Dorel in Paris, ...

Robert Vale Faro, 'Kindergarten', color lithograph, 1945, edition 12. Signed, dated, titled, and numbered '99' and '5/12' in pen. A fine, richly-inked impression, with fresh colors, on heavy, coated off-white wove paper; the full sheet with margins (1/2 to 1 1/2 inch), in excellent condition. Scarce. Matted to museum standards, unframed. Image size 13 1/2 x 7 9/16 inches (343 x 192 mm); sheet size 17 x 12 1/4 inches (432 x 311 mm). ABOUT THE ARTIST Robert Vale Faro (1902-1988) was a well-known modernist architect and artist associated with the Chicago Bauhaus. He received his degree in architecture and design from the Armour Institute in Chicago and worked at L'Ecole des Beaux-Arts, Paris, from 1924-27, where he was influenced by Harry Kurt Bieg and Le Corbusier. Upon his return to Chicago, Faro worked with the important modernist Chicago architects George and William Keck under Louis Sullivan. Faro founded the avant-garde printmaking group Vanguard in 1945. The group counted Atelier 17 artists Stanley William Hayter, Sue Fuller, and Anne Ryan as New York members and Francine Felsenthal of Chicago. The Brooklyn Museum mounted a show of Vanguard artists' work in 1946, which subsequently toured several other institutions in the United States. Faro's visionary graphics from the 1940s are a sophisticated blend of Abstract Expressionism, Surrealism, and Indian Space...

A lively and detailed mid-1940's vintage boardwalk scene of Santa Cruz, California by California artist Cassard (20th Century), 1944. This figurative...

Original vintage poster: "You buy 'em We'll fly 'em!" Artists: J. Walter Wilkinson and his son Walter G. Wilkinson. (1917 - 1971). Linen backed with original WW2 U.S. military with original issued fold marks restored. Excellent condition. Touchup pinhole in the four corners. Excellent colors. Ready to frame. A flying ace pilot smiles and gives the thumbs up to the viewer to promote war bonds, saying, "You Buy 'Em, We'll Fly' Em" in this 1942 WWII poster by J. Walter Wilkinson and his son Walter G. Wilkinson. The artwork features a squadron of Douglas SBD Dauntless, which the US Navy used as scout planes and dive bombers. The seal at the bottom of the poster reads, "The More Bonds You Buy- The More Planes Will Fly." This poster is one in a series of six created by the award-winning father-son team for the United States Treasury Department. J. Walter Wilkinson (1892-1988) and his son Walter G. Wilkinson (1917-1971) created several posters for the United States Department of Treasury during the Second World War. J. Walter Wilkinson was an academic painter who studied in Italy and worked for advertising agencies in Philadelphia. He specialized in outdoor landscapes and created many commercial artworks for advertising campaigns, including Ivory Soap, Pabst Beer...

Lively acrylic painting in hues of blues depicts several campers enjoying their evening by French artist Sellés, circa 1950. Signed lower right. Original artwork on paper displaye...

Signed lower right, 'M. Watorski' for Mieczyslaw Watorski (Polish, 1903 - 1979) and painted circa 1950. This Polish history and landscape painter is particularly revered for his doc...

Mario Grenville made this print for the publishing program of Associated American Artists. It was issued in 1945 making it a calm antidote to the ending of World War II, although it ...

This 1943 original wartime poster by illustrator C.C. Beall is a searing psychological appeal rendered in oil and urgency. Created during the height of World War II, the image confro...