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1950s Art

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Period: 1950s
Fernand Leger, The Flower, from XXe Siecle, 1952
Fernand Leger, The Flower, from XXe Siecle, 1952

Fernand Leger, The Flower, from XXe Siecle, 1952

By Fernand Léger

Located in Southampton, NY

This exquisite lithograph by Fernand Leger (1881–1955), titled La Fleur (The Flower), from the album XXe Siecle, Nouvelle serie N°3 (double) Juin 1952, originates from the 1952 editi...

Category

Cubist 1950s Art

Materials

Lithograph

American Modernist Black Woman Artist New Orleans Family Portrait Oil Painting
American Modernist Black Woman Artist New Orleans Family Portrait Oil Painting

American Modernist Black Woman Artist New Orleans Family Portrait Oil Painting

Located in Buffalo, NY

Vintage American modernist southern school painting. A family portrait on a New Orleans porch. Beautiful detail in the wrought iron. Brilliant color palette here. Signed verso. ...

Category

Abstract 1950s Art

Materials

Canvas, Oil

"Warmth of the Desert" - Mid-Century Desert Landscape with Wildflowers
"Warmth of the Desert" - Mid-Century Desert Landscape with Wildflowers

"Warmth of the Desert" - Mid-Century Desert Landscape with Wildflowers

By Charles O. Fuson

Located in Soquel, CA

Beautiful, historic painting of the California desert in bloom by listed Santa Cruz artist Charles O. Fuson (American, 1898-1981). Signed "C.O. Fuson" lower left. Titled, signed on v...

Category

American Modern 1950s Art

Materials

Canvas, Acrylic, Cardboard

“Sunset Topeka, Kansas”
“Sunset Topeka, Kansas”

“Sunset Topeka, Kansas”

Located in Southampton, NY

Very well executed oil on masonite painting of a sunset in Topeka, Kansas by the American artist, Pauline Haynes Shirer. Signed lower right. Circa 1950. Condition is excellent. Recently professionally cleaned. Newly framed in a custom gallery frame. Overall framed measurements are 17.5 by 20.5 inches. Provenance: A Long Island, New York collector. Pauline Haynes Shirer (1894 - 1975), American Born in Topeka in 1894, Pauline is said to have been at least partially raised by her aunt, Hannah Haynes Headlee (Pauline’s mother died when she was 8 years old). By 16, she was living as a ward in the Topeka home of Elizabeth Cunningham, a dressmaker. After graduating from Topeka High School, she attended the New York School of Fine and Applied Art (later Parsons School of Design), completing a two-year course in one year (1913-1914). At the same time, she took weekend classes at the Art Students League. Returning to Topeka, she studied and taught at Washburn College (now University) from 1914 to 1915 and instructed summer sessions at Kansas State Teachers College, Pittsburgh, during the same period. Afterward, she returned to the New York School of Fine and Applied Art, where she taught and took classes (1915-1918). She spent the summer of 1916 as an instructor at the Skidmore School of Art, Saratoga Springs, New York. In 1917, Pauline married Hampton F. Shirer, an architect from MIT, who was also an artist and came from a prominent Topeka family. The couple later settled in Wellesley, Massachusetts in 1921, living in a house which they built and decorated themselves. During the next 16 years, they raised two children and Pauline also found time to illustrate promotional brochures and primary school texts. During the early years of her career, Pauline focused on the applied arts – such as watercolor designs for curtains, silk fabrics, wallpaper as well as poster designs, theater backdrops and book covers. Later she would transition into creating her own representational works of art. Shirer returned to Topeka in 1937. During her career as a painter in oils and watercolors, she sketched in Europe four times and did paintings of New England subjects. However, most of her paintings were of the West. She executed Kansas views first, and they continued to hold her interest throughout her life. Typical were her studies of rustic buildings on the plains, glimpses of the prairie country, and the historic buildings of Topeka. She also painted New Mexico landscapes and Colorado mountain scenes. Among her exhibitions, mostly solo but occasionally with her husband, were those held at the Harlow and Harland’s Gallery, Boston (1922); The Scattery, Wellesley, MA (1925); Vose Galleries, Boston (1931); Topeka Art Guild (1952); Copley Society...

Category

Post-Impressionist 1950s Art

Materials

Masonite, Oil

Le Styx
Le Styx

Le Styx

By Joan Miró

Located in Paris, FR

Etching and aquatint, 1958 Handsigned by the artist in pencil and numbered 27/75 Publisher : Maeght Editeur, Paris Printer : Crommelynck et Dutrou, Paris Catalog : [Dupin 159, p. 130...

Category

Abstract 1950s Art

Materials

Etching, Aquatint

San Francisco - 1950s - Phil Palmer - Photo - Contemporary

San Francisco - 1950s - Phil Palmer - Photo - Contemporary

Located in Roma, IT

San Francisco is a black and white photograph realized by the photographer Phil Palmer. Gelatin-silver print, photographer's credit stamp on the back. Includes frame. This vintage p...

Category

Contemporary 1950s Art

Materials

Photographic Paper

English Farmhouse - Mid 20th Century Impressionist Oil by William Henry Innes
English Farmhouse - Mid 20th Century Impressionist Oil by William Henry Innes

English Farmhouse - Mid 20th Century Impressionist Oil by William Henry Innes

By William Henry Innes

Located in Watford, Hertfordshire

William Henry Innes (1905-1999) Innes first exhibited his work during the Second World War while he was in the Royal Air Force. He showed extensively at the Royal Academy, New Engla...

Category

Post-Impressionist 1950s Art

Materials

Oil Pastel, Board

Che Guevara
Che Guevara

Che Guevara

By Osvaldo Salas 1

Located in Cologne, DE

Osvaldo Salas, widely recognized as one of the world’s great press photographers, was born in Havana, Cuba in 1914. At the age of fourteen, he left Havan...

Category

Modern 1950s Art

Materials

Silver Gelatin

Self Portrait on Holiday in Athens, Greece
Self Portrait on Holiday in Athens, Greece

Self Portrait on Holiday in Athens, Greece

By Slim Aarons

Located in Los Angeles, CA

Legendary photographer Slim Aarons relaxes in a self portrait shot in Athens, near the Acropolis. Slim Aarons said, "I love a solo holiday. It tends to refresh the part of oneself that is most depleted by modern life — patience. "Let me dispel a few myths. You will be lonely. No: you won’t. My solo travels in Paris have brought many perfect hours of being alone but not a moment of loneliness. People who depend on other people are often in hiding from themselves. Two and a quarter million people live in the City of Light: you will see many of them and you will pass them in the street, but when you see Notre Dame after dark and walk home and perhaps stop to have a drink in the Marais, you can feel that the only thing that is missing from your experience is the common dependency on someone to distract your attention. "I’ve had solo pints of Guinness in the pubs of County Kerry and County Cork. I’ve walked across the sage- and juniper-scented maquis of Corsica on a spring day, where you can still find the world of Napoleon’s childhood. More than once I went to the Isle of Iona in the Scottish Hebrides...

Category

Realist 1950s Art

Materials

Lambda

Pierre-Auguste Renoir, Maternity, 1951 (after)
Pierre-Auguste Renoir, Maternity, 1951 (after)

Pierre-Auguste Renoir, Maternity, 1951 (after)

By Pierre-Auguste Renoir

Located in Southampton, NY

This exquisite lithograph after Pierre-Auguste Renoir (1841–1919), titled Maternite (Maternity), from the album Les Lithographies de Renoir (The Lithographs of Renoir), originates from the 1951 edition published by Editions du livre, Monte-Carlo, under the direction of Andre Sauret, Monte-Carlo, in collaboration with Fernand Mourlot, Paris; rendered by Georges Duval, maître imprimeur, Paris; and printed by Mourlot Freres, Paris, March 25, 1951. Maternite expresses Renoir’s profound tenderness and humanism, portraying the intimate bond between mother and child with radiant color, warmth, and a timeless grace that epitomizes his vision of beauty and affection. Executed as a lithograph on grand velin Renage filigrane a la marque de l'editeur paper, this work measures 12.5 x 9.5 inches overall; 11.42 x 9.05 inches image. Signed in the plate and unnumbered as issued. The edition exemplifies the refined craftsmanship of Mourlot Freres and Georges Duval, and the exceptional production standards of Editions du livre, Monte-Carlo. Artwork Details: Artist: After Pierre-Auguste Renoir (1841–1919) Title: Maternite (Maternity), from the album Les Lithographies de Renoir (The Lithographs of Renoir) Medium: Lithograph on grand velin Renage filigrane a la marque de l'editeur paper Dimensions: 12.5 x 9.5 inches overall; 11.42 x 9.05 inches image (31.75 x 24.1 cm overall; 29 x 23 cm image) Inscription: Signed in the plate and unnumbered as issued Date: 1951 Publisher: Editions du livre, Monte-Carlo, under the direction of Andre Sauret, Monte-Carlo, in collaboration with Fernand Mourlot, Paris Printer: Mourlot Freres, Paris; rendered by Georges Duval, maitre imprimeur, Paris Condition: Well preserved, consistent with age and medium Provenance: From the album Les Lithographies de Renoir (The Lithographs of Renoir), published by Editions du livre, Monte-Carlo, 1951 Notes: Excerpted from the album, This album, produced by Andre Sauret and Fernand Mourlot, has been printed in MMM examples on grand velin Renage filigrane with the publisher's brand. It has been completed to print, March 25, 1951 on the presses of Mourlot Freres and Georges Duval, maitre imprimeur, in Paris. The typography is from L'Imprimerie Union. About the Publication: Les Lithographies de Renoir (The Lithographs of Renoir), published in Monte-Carlo in 1951 under the direction of Andre Sauret in collaboration with Fernand Mourlot, stands among the most elegant postwar tributes to Pierre-Auguste Renoir’s artistic legacy. Conceived as part of the distinguished series of fine art albums issued by Editions du livre, the publication united leading masters of lithography to honor Renoir’s enduring influence on modern art. Printed on grand velin Renage filigrane a la marque de l'editeur by the ateliers of Mourlot Freres and Georges Duval, the album combined technical precision with scholarly presentation, showcasing interpretive plates rendered with exceptional fidelity and tonal refinement. It embodies the collaborative spirit between printer, publisher, and artist that characterized the golden age of French art editions, joining other monumental projects such as those devoted to Matisse, Chagall, Braque, and Picasso. A hallmark of twentieth-century art publishing, Les Lithographies de Renoir preserves the warmth and radiance of Renoir’s aesthetic through the masterful lithographic techniques that made Mourlot Freres synonymous with excellence in fine art printing. About the Artist: Pierre-Auguste Renoir (1841–1919) was one of the most influential and beloved artists in the history of modern art, a French Impressionist master whose radiant color harmonies, sensual brushwork, and joyful depictions of life helped transform the course of painting. Born in Limoges, France, into a modest family, Renoir began his career as a porcelain painter before studying at the Ecole des Beaux-Arts in Paris and joining the avant-garde circle of Claude Monet, Alfred Sisley, and Frederic Bazille. Together they pioneered plein-air painting, capturing fleeting light and atmosphere with revolutionary immediacy. Renoir’s early works, such as La Loge (1874) and Bal du moulin de la Galette (1876), embody the luminous vitality of Impressionism, while his later period, influenced by the classical mastery of Raphael, Ingres, and Rubens, brought greater structure and sensuality to his figures. His art evolved into a vision of timeless beauty expressed through color, form, and emotion, celebrating humanity and intimacy with unmatched tenderness. Even when afflicted by severe rheumatoid arthritis, Renoir continued to paint daily, his hands bound with cloth, and collaborated with sculptor Richard Guino to translate his soft, fluid touch into bronze. His influence radiated across generations—Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray all drew inspiration from his dedication to expressive color and emotional depth. His sensual palette profoundly impacted Henri Matisse, Pierre Bonnard, Raoul Dufy, and Andre Derain, while later artists such as Marc Chagall and Balthus inherited his lyrical humanism and poetic approach to beauty. Renoir’s art, often described as a hymn to joy, found universality in its warmth, intimacy, and reverence for life’s everyday grace. Today, his works hang in major museums worldwide, including the Musee d’Orsay, the Louvre, the National Gallery, the Metropolitan Museum of Art, and the Art Institute of Chicago, continuing to inspire collectors and artists alike. The highest auction record for Pierre-Auguste Renoir was achieved with Bal du moulin de la Galette (1876), which sold for $78.1 million USD at Sotheby’s, New York, on May 17, 1990, securing his enduring legacy as one of the greatest masters of Impressionism and one of the most cherished figures in art history. Pierre-Auguste Renoir Maternite...

Category

Impressionist 1950s Art

Materials

Lithograph

Braque, Soleil et lune I, Derrière le miroir (after)
Braque, Soleil et lune I, Derrière le miroir (after)

Braque, Soleil et lune I, Derrière le miroir (after)

By Georges Braque

Located in Southampton, NY

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 115, 1959. Published by Aimé Maeght, Éditeur, Paris; pr...

Category

Modern 1950s Art

Materials

Lithograph

Framed Fauvist Town Art Fair American Modernist Framed Original Oil Painting
Framed Fauvist Town Art Fair American Modernist Framed Original Oil Painting

Framed Fauvist Town Art Fair American Modernist Framed Original Oil Painting

Located in Buffalo, NY

Antique American oil painting. Oil on board. Signed. Framed. Measuring: 24 by 30 inches overall, and 18 by 24 painting alone. Excellent condition, ready to hang and enjoy.

Category

Fauvist 1950s Art

Materials

Oil

Rome Landscapes - Phototype by Gino Croari - 1950s
Rome Landscapes - Phototype by Gino Croari - 1950s

Rome Landscapes - Phototype by Gino Croari - 1950s

Located in Roma, IT

Rome Landscapes is a "Suite of phototype reproductions of Drawings" realized by Gino Croari on paper in the 1950s. Including 12 prints with cover. Titled on the lower of each piece....

Category

Modern 1950s Art

Materials

Paper

Marc Chagall, The Angel, from Drawings for the Bible, 1956
Marc Chagall, The Angel, from Drawings for the Bible, 1956

Marc Chagall, The Angel, from Drawings for the Bible, 1956

By Marc Chagall

Located in Southampton, NY

This exquisite lithograph by Marc Chagall (1887–1985), titled L'Ange (The Angel), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litter...

Category

Expressionist 1950s Art

Materials

Lithograph

La Mère et les Enfants
La Mère et les Enfants

La Mère et les Enfants

By Pablo Picasso

Located in New York, NY

Signed by Picasso in pencil lower left. Numbered 32/50 in pencil lower right. Catalogue raisonne references: Bloch 739; Mourlot 239; Reuße 625. Framed print. Framed dimensions ...

Category

Cubist 1950s Art

Materials

Lithograph

"Late Sun" - Carmel by the Sea California Original Oil French Impressionism
"Late Sun" - Carmel by the Sea California Original Oil French Impressionism

"Late Sun" - Carmel by the Sea California Original Oil French Impressionism

Located in Soquel, CA

"Late Sun" - Carmel by the Sea California Original Oil French Impressionism Thick impasto and textured oil on linen circa 1962 by California artist Harry B. Lachman (American, 1886 - 1975). Besides being an American Impressionist, Harry was a honored French Impressionism artist as well. Lovely scene of Carmel by the Sea California of cottages and trees on a quiet lane. Some minor bowing of the canvas due to age and the heavy paints he used. Signed "Lachman" lower right Exhibited Dalzell Hatfield Galley, Beverly Hills 1959-1962 (partial Label on verso) Image, 18.25"H x 21.75"W Frame, 20.75"H x 24.5"W x 1"D A onetime magazine illustrator, Harry Lachman, born in LaSalle, Indiana June 29, 1886, became one of the leading European Post-Impressionist painters in the teens and twenties. By his late twenties, Lachman had established himself as an artist both in America and Europe. He exhibited in America at the National Academy of Design, New York, as well as the Pennsylvania Academy of Fine Arts. Early on in his career Lachman traveled to Europe to paint and eventually lived at various times in France, Italy, Spain and Switzerland. In Europe, the painter's works were accepted at the annual Parisian Salons. Lachman worked as a set designer with the equally artistically-inclined film maker Rex Ingram...

Category

Post-Impressionist 1950s Art

Materials

Linen, Oil, Stretcher Bars

Woman with Purple Hat Enameled Glass on Copper, Framed, Signed, 1950s
Woman with Purple Hat Enameled Glass on Copper, Framed, Signed, 1950s

Woman with Purple Hat Enameled Glass on Copper, Framed, Signed, 1950s

Located in Douglas Manor, NY

6200 Woman with purple hat. Made with enameled glass on copper plate. Wood frame Image size 4.5x6.5" Signed Walt LITI

Category

1950s Art

Materials

Copper, Enamel

Russian/Canadian Modernist Signed Fauvist Pointillist Landscape Oil Painting
Russian/Canadian Modernist Signed Fauvist Pointillist Landscape Oil Painting

Russian/Canadian Modernist Signed Fauvist Pointillist Landscape Oil Painting

Located in Buffalo, NY

Vintage modernist landscape painting. Oil on canvas, circa 1957. Signed "Olga" verso. Displayed in a modern frame. Image size, 36"L x 26"H.

Category

Pointillist 1950s Art

Materials

Canvas, Oil

Rome - Via Appia 1954
Rome - Via Appia 1954

Rome - Via Appia 1954

By Erich Andres

Located in Cologne, DE

Silver Gelatine Print by Erich Andres, ca 1950. Andres was born 1905 in Germany and passed away 1992. He started his career as a photographer in 1920. He was one of the first photogr...

Category

Modern 1950s Art

Materials

Silver Gelatin

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)

By Henri de Toulouse-Lautrec

Located in Southampton, NY

Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...

Category

Post-Impressionist 1950s Art

Materials

Lithograph, Stencil

Musee National d'Art Moderne (after) Wassily Kandinsky - Abstract
Musee National d'Art Moderne (after) Wassily Kandinsky - Abstract

Musee National d'Art Moderne (after) Wassily Kandinsky - Abstract

By Wassily Kandinsky

Located in New York, NY

This rare lithographic poster was printed in 1957 at the Atelier Mourlot in Paris. It was created to promote an exhibition of artworks by Kandinsky, on loan from the Guggenheim Museum to the National Museum of Modern in Paris. Certificate of Provenance: Each individual work of art carefully curated by Mourlot Editions comes with a Certificate of Provenance, signed, dated, stamped, and numbered by Eric Mourlot. This certificate guarantees the origin and authenticity of your personal lithograph. About the Artist: Kandinsky was a painter and art theorist, one of the first creators of pure abstraction in modern painting. After successful avant-garde exhibitions, he founded the influential Munich group Der Blaue...

Category

Abstract Geometric 1950s Art

Materials

Lithograph

Pietro Consagra, Untitled, from XXe Siecle, 1959
Pietro Consagra, Untitled, from XXe Siecle, 1959

Pietro Consagra, Untitled, from XXe Siecle, 1959

By Pietro Consagra

Located in Southampton, NY

This exquisite woodcut by Pietro Consagra (1920–2005), titled Sans titre (Untitled), from the album XXe Siecle, Nouvelle serie, XXIe Annee, N°13, Noel 1959, originates from the 1959 ...

Category

Modern 1950s Art

Materials

Woodcut

Abstract Composition in Pink and Black in Acrylic on Cardboard
Abstract Composition in Pink and Black in Acrylic on Cardboard

Abstract Composition in Pink and Black in Acrylic on Cardboard

By Honora Berg

Located in Soquel, CA

Abstract Composition in Pink and Black in Acrylic on Cardboard Dynamic abstract in black and pink by Honora Berg (American, 1897-1985). This piece is composed of multiple layers, with bright, bold colors at the bottom, building to black on top. Pink, magenta, yellow, and orange shine through a net of black. Unsigned, but was acquired with a collection of the artist's work. Estate stamp on verso "Estate of Honora Berg - Miller Fine Art" Numbered "246" on verso Unframed. Art size: 21.25"H x 14"W Honora Berg (American, 1897-1985) was an Abstract Expressionist and Bay Area Figurative School artist who studied at the San Francisco Art Institute with David Park, Elmer Bischoff and James Budd Dixon. Berg's friend Edith Truesdell — David Park's aunt — suggested a move to California in 1951 to study under Park. She exhibited at the 25th Annual Drawing, Print and Sculpture Exhibition at the San Francisco Museum of Modern Art, 1961. Provenance, Estate of Honora Berg - David Carlson Gallery, Larry Miller...

Category

Abstract Expressionist 1950s Art

Materials

Cardboard, Acrylic

Eifeltower, Paris, 1955
Eifeltower, Paris, 1955

Eifeltower, Paris, 1955

By Erich Andres

Located in Cologne, DE

Silver Gelatine Print by Erich Andres, 1955. Andres was born 1905 in Germany and passed away 1992. He started his career as a photographer in 1920. He was one of the first photograph...

Category

Modern 1950s Art

Materials

Silver Gelatin

Seated Nude Posing
Seated Nude Posing

Seated Nude Posing

By Moses Soyer

Located in Long Island City, NY

Artist: Moses Soyer, American (1899 - 1974) Title: Seated Nude Posing Year: circa 1950 Medium: Oil on Canvas, signed u.r. Size: 21 x 17 inches Frame: 26 x ...

Category

American Impressionist 1950s Art

Materials

Oil

Portrait of  Woman - Original Drawing by Véronique Veron - 1950s
Portrait of  Woman - Original Drawing by Véronique Veron - 1950s

Portrait of Woman - Original Drawing by Véronique Veron - 1950s

Located in Roma, IT

Portrait of Woman is an original artwork realized by Véronique Veron in about 1950. Pencil Drawing. Hand signed in pencil on the lower right margin. Passpartout cm 65x50. Good Conditions. Véronique Veron (1927) was born in Budapest on May 10, 1927. As a painter, she belongs to the Ecole Lyonnaise. She attended the Ecole des Beaux-Arts in Paris. Member of the Salon d'Automne and the Independents and the drawing and watercolor painting fair, she participated in the young Mediterranean painting...

Category

Modern 1950s Art

Materials

Pencil