1950s Art

This mid-1950s portrait photograph, captured by society photographer Slim Aarons, features a woman sunbatheing, wearing a novelty straw sun hat with built-in sunglasses, Venice. Th...

Pablo Picasso (1881-1973) - Nu couché Lithograph from 1964. Dimensions of work: 17.7 x 9 cm. Plate signed. Publisher: Éditions Cercle d'Art, Paris. The work is in Excellent cond...

Antique American modernist street scene painting. OIl on board. Framed. Signed "Van Zandt 50". Really finely painted and an interesting subject as well!

Medium: lithograph (after the poster). Printed in Paris in 1950 by Mourlot Freres, this lithograph faithfully reproduces the original Toulouse-Lautrec poster in a smaller-size format...

Bad Luck Gloria 2nd April 1951: American actor Jose Ferrer (1912 – 1992) commiserates with Gloria Swanson after losing out in the contest for the Best Actress oscar, while the winner, Judy Holliday...

The Bird is an Original lithograph on ivory-colored paper realized by Giselle Halff in 1950 ca. Hand-signed by pencil on the rear. Good conditions.

Jose Vives-Atsara (1919-2004) San Antonio Artist Image Size: 30 x 40 Frame Size: 37 x 47 Medium: Oil on Canvas Dated 1954 "Atardecer" Acapulco, Mexico Biography Jose Vives-Atsara (1919-2004) His list of Pallbearers says it all. They were not just buyers of his art they were some of his closest friends. Pallbearers: E. Glenn Biggs, James M. Cavender, III, Tom C. Frost, Jr., James W. Gorman, Jr., George B. Irish, Joseph R. Krier, Robert L. Mooney and H. Bartell Zachry, Jr. Jose Vives-Atsara was born April 13, 1919, in Villafranca del Penedes near Barcelona, Spain. A native Spaniard, he developed a love of painting at an early age, and by age 11 had committed himself to becoming an artist. He studied at Colegio de San Ramon and had his first one-person show at age 14. The Spanish Civil interrupted his idyllic young life as he was forced to serve in the Communist Army, and then was imprisoned, suffering many hardships. Soon after the war he married Emilia Hill Domenech, and in 1947 set out to move with his wife and child aboard a tramp steamer to the United States. Unfortunately, immigration quotas did not allow them to move directly to the United States, and it was eight years before they achieved that goal. During this interim before obtaining temporary visas, he and his family lived first, in Caracas, Venezuela and then in Mexico City, Mexico. The family settled in San Antonio, Texas, where he had made friends on a previous visit. He and his wife and children gained citizenship in time for their first Christmas in the United States. He became such an exemplary immigrant citizen that officials of the U.S. District Court for the Western District Court regularly invited him to share his thoughts and advice for living in America with newly naturalized citizens Vives-Atsara also developed a close relationship with the Incarnate Word College, becoming, over the years, both a professor of art, and Artist in Residence. As a painter, he depicted many local scenes including San Antonio missions and the San Antonio River. For special guests such as Pope John Paul II, heads of state, and royalty from foreign countries, he was commissioned to provide paintings as gifts. His paintings were also commissioned for Frost Bank and the San Antonio Chamber of Commerce. For his vibrant oil paintings, he used only nine colors, mixed in a variety of ways. They have been described as both realistic and impressionistic. "Vives-Atsara believed that art is a reflection of the artist's soul, if this is true; his paintings reflect a beautiful, bright spirit." (Richardson) Jose Vives-Atsara died in San Antonio on January 13, 2004 and is buried there in Sunset Memorial Park Mausoleum. Jose Vives-Atsara was born in Vilafranca del Panades in the Catalonian region of Spain on April 30, 1919. As a small boy he loved to sketch with pencil and paper. He began painting at the age of eleven. His first one-man show came at the ripe old age of fourteen. From that time on, painting has been his love and his way of life. Jose studied art at Saint Raymond College and School of Fine Arts in Barcelona. He is quick to admit that his most inspirational teacher has been nature itself. Mr. Vives-Atsara came to San Antonio in 1956 where he has established his art career. His use of a palette knife in painting allows him to blend rich pure pigments to achieve his goal of creating a powerful statement of color directly on the canvas. This style is intended to produce works that are distinctively 'Vives-Atsara'. Vives-Atsara is represented in public collections including the Museum of Modern Art, Spain; Fort Worth Art Museum, Texas; His Royal Highness Juan Carlos...

Forest Oasis, Mid-Century Pool Under Redwood Trees Landscape Beautiful mid-century redwood forest scene by Vladimir Shkurkin (1900-1990), c.1950. This st...

Wonderful modernist landscape painting. Francis Kelly was born in 1927 in St. Paul, Minnesota. He received his early education in Chicago and California. He served in the United States Navy from 1944 to 1948 when he entered the Art Center School, Los Angeles. During 1951 in 1952 he lived in Paris, attending the Academie de la Grande, Chaumiere. In 1953 he went to the University of Hawaii, Honolulu, and then to the University of California at Los Angeles, where he was graphic laboratory assistant to John Paul Jones. Awarded a Fulbright Grant in 1955 he came to the Graphic Department of the Central School, London. The St. George's Gallery first introduced his etchings in Britain. In 1958 Kelly was awarded the Stacy Grant for painting. His work has been shown at Royal Academy Exhibitions and he has traveled extensively. In 1966 he was appointed Art organizer for the U.S. Embassy "Festival of Arts in Humanities". His paintings were shown in the exhibition "Five American Artists in Britain". During 1976 he acted in a similar capacity on behalf of Windsor & Newton Ltd., who sponsored an exhibition of American artists commemorating the U.S. Bicentennial. He appeared in the film Science in Art. Kelly has studied painting conservation at the Courtald Institute. In 1967 he was sent to the Italian Art and Archives Rescue Fund to Florence to restore flood damaged paintings. In 1971 his book, Art Restoration, was published by David and Charles and in the U.S. by McGraw-Hill. His second book, The Studio and The Artist was published in 1975. Kelly's work has been shown at 24 museums in Great Britain and numerous galleries. Acquisitions have been made by many public and private collections, universities and educational services. During more than 40 years in Britain he has found a growing affinity with the countryside, observing less the well-known landmarks but rather more the timeless rural lanes and by-ways as yet still unspoiled by building and industry. A member of the group in Brighton preserving Brighton's West Pier, he has produced a series of works recording the ravages of time on this finest of Victorian structures.

Antique American modernist abstract oil painting by Adele Becker. Oil on canvas. Framed. Signed.

Medium: lithograph (after the original lithograph poster). During the late 1940's and throughout the 1950's, Miro created a series of posters at the atelier of Mourlot Freres. The li...

Transformista 3 - Original Figurative Drawing by Jose Luis Cuevas (b. 1934 d. 2017.) This original ink drawing by Cuevas depicts two distorted figures pressing their faces together....

Hand Fans is an Original Linocut Print realized by Mino Maccari in 1951. Very good condition, not signed. Mino Maccari (1898-1989) was an Italian writer, pa...

The Holy Family is an Original Drawing in Pastel realized by Giselle Halff (1899-1971). Hand-signed by the artist on the lower right margin. Good conditions. Giselle Halff (1899-...

Artist: Henri Matisse (after) Title: Apollon Portfolio: The Last Works of Henri Matisse Medium: Lithograph Year: 1958 Edition: 2000 Frame Size: 21 1/2" x 26" Sheet Size: 14" x 21" S...

Gorgeous mid century still life in the style of Paul Cezanne of a fruit basket with a turquoise blue pitcher by Carmel and Hollywood artist Helen Gleiforst (American, 1903-1997), cir...

A fine oil by Modern British artist Christopher Sanders R.A. (1905-1991). painting : 52cmx61cm Good quality modern frame: 63cmx73cm The painting is a view of Le Baux...

Medium: original lithograph. Printed in 1952 for the art revue Verve (Volume 7, Number 27-28) and published in Paris by Teriade. Size: 13 7/8 x 10 3/8 inches (352 x 263 mm). There is...

Five Ideas for Sculpture Lithograph, 1981 Signed and numbered in pencil by the artist lower margin. (see photos) Edition: (35/50) 50 There were also 15 Roman Numeral artist's proofs....

Portrait of Anna Magnani (ANSA) is a vintage b/w photographic print on single-coated paper realized by Agenzia ANSA. Good condition. Dimension: 18x13 Anna Magnani was born in Rome...

Henri Matisse (1869-1954) - Frontispiece Lithograph from 1958. Dimensions of work: 35.5 x 26.4 cm. Plate signed. Publisher: Tériade, Paris. First, original edition. The work is...

This mid-1950s portrait photograph, captured by society photographer Slim Aarons, features a woman sunbatheing, wearing a novelty straw sun hat with built-in sunglasses, Venice. Th...

Antique American exhibited cubist nude portrait oil painting. Oil and casein on board. Framed. Signed. Exhibition label verso.

A modern abstract expressionist oil painting signed illegibly and dated 1956.

Lit d'épluchures is an original B/W lithograph realized by the French founder of Art Brut, Jean Dubuffet. Very good condition. Image Dimensions: 51 x 30 cm. The artwork represent...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art...

Wonderful scene of the Moulin Rouge cabaret nightclub at Place Pigalle in Paris. Painted in wonderful moody blue and red colors. Size includes frame. Abram Abraham Krol was born Jan...

Mid-century fauvist portrait of a girl with colorful, textured impasto by Mary Sheppard (American, 20th Century), 1956. Signed and dated "Mary Sheppard '56" lower right. Unframed. Im...

Lawrence Rothbort Belt Parkway, circa 1950 Oil on canvas 48 x 48 inches Lawrence Rothbort was born March 1920 in Brooklyn, New York. He was a model from infancy for his father, Amer...

BRUCE OF LOS ANGELES - classic mid 1950s gelatin silver photograph of popular physique model ROBERT KENDALL by celebrated 20th Century photographer BRUCE BELLAS also known as Bruce of Los Angeles. This is an original photograph from the beefcake "posing strap" era when nude photography was illegal. 'Bruce Los Angeles...

Medium: original lithograph. This lithograph was printed in 1956 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 19...

Antique American modernist cityscape oil painting. Oil on board. Signed. Framed. Image size, 16L x 11.5H.

Available Sizes: 24" x 24" $3,000.00 Edition of 15 30" x 30" $4,000.00 Edition of 20 45" x 45" $8,500.00 Edition of 7 Printing is done on Exhibition Photo Baryta 310gsm paper. ...

Pablo Picasso Bird with Worm, 1952 Original ceramic of Pablo Picasso, white faience earth, enamel and oxidized paraffin decoration Annotated on the Back : Empreinte originale Picass...

Artwork # 1 on 5 sold in limited edition in perfect condition Trafic Jam in Bangkok This is a Minimalist framing & presentation of the artwork : The Fine Art print on Baryta paper i...

Untitled is a wonderful China ink and watercolor original drawing on paper, realized in 1951 by the French artist, Marcel Gromaire (Noyelles-sur-Sambre, 1892 - Paris, 1971). Dated a...

Antique American modernist view of Venice by Enid Smiley. Oil on canvas. Framed. Signed.

An original modern abstract by American artist James Koenig. This work created in 1954 is featured in the Draw Near exhibition currently on view at Benjaman Gallery.

Portrait is an original drawing in pastel and watercolor on paper realized in 1957 by Erhard Klepper (1906-1980). with the inscription of the artist beside the drawing of man. The s...

David Klein was a noted poster designer whose body of work was prominent in the advertisements for TWA. In this 1958 design, we see the sites of Washington D.C. with the fireworks in...

Sz: 14 3/8"H x 23"W Alexander Warren Montel (1921-2002) Fashion illustrator for House of Lanvin Paris in the 1950s featured in Harper's Bazaar

Impressive early American modernist abstract expressionist oil painting. Framed. Oil on canvas board.

"King & I" Orig 1951 Broadway Drawing Published NYT Tony Awards Mid 20th Century Al Hirschfeld (1903 – 2003) "The King and I," 14 3/4 x 30 inches. Ink on board. Signed lower right. ...

William Henry Innes (1905-1999) Innes first exhibited his work during the Second World War while he was in the Royal Air Force. He showed extensively at the Royal Academy, New Engla...

Diana Kurz Thelo #5, circa 1959 Oil on canvas 22 x 20 inches Diana Kurz (born 1936) is an Austrian-born feminist painter. In 1938, Diana Kurz's family fled Austria, first to Englan...

Lepre is an original lithograph on watermarked paper "Arc". Abstract composition by the French artist Jean Dubuffet. From the album of "Cites et Chaussees" (1953-1959). In excellen...

Medium: offset lithograph (after the drawing). Printed in 1954 at the Mourlot Freres atelier for the "Suite de 180 Dessins de Picasso" portfolio (Verve issue No. 29-30) and published...

An original oil on board painting by American modernist John W. Hatch. This incredible cubist landscape was created in 1952. Estate stamped and dated on the reverse. Titled, "Nahant Rocks, Lynn, MA " with a partial exhibition label on the reverse. The painting comes housed in a black wood frame presentation. John Woodsum Hatch 1919-1998 During his fifty-year career as an artist, John Woodsum Hatch explored the people, the landscape, and the seascape around him. From his extensive travels to his years in New Hampshire, he developed a body of work that captures a sense of place. Through watercolor, ink and sand, he depicted the grandeur of the White Mountains. The crisp light and distinct topography of the Isles of Shoals and Great Bay Estuary are precisely and clearly documented in acrylic and tempera paintings. His ability to convey the sheer scale and longevity of the mountains and sea, and by comparison the fleeting nature of human life, conveys in a not-so-subtle way that the natural environment is to be revered and preserved. Hatch took his first teaching job at the University of New Hampshire in 1949, the same year he graduated from Yale University. He never left. A former student, Sam Cady, described his contributions: “He was a wonderful mix of jokester and sage. A teacher who obviously loved people, loved teaching, and had a great gift for it.” After retiring in 1985, he was made an honorary Professor Emeritus at UNH. Hatch contributed to New Hampshire's cultural life in three areas: his teaching, his art, and his community service. His effectiveness in these three areas can be traced his commitment to give something of himself to help others. Many artists teach by necessity and resent it as a drain on their creative energies but Hatch found his greatest fulfillment from a combination of teaching, making art, and being deeply involved with his community as an art historian and as an environmentalist. Hatch’s work can be seen in numerous public collections, including: the Addison Gallery of American Art; DeCordova Museum; Pennsylvania Academy of Fine Arts; State of New Hampshire's Living Treasures Collection, and the Portland Museum of Art in Maine. John Woodsum Hatch, New Hampshire's 1997 Living Treasure Award recipient, died on August 6, 1998, at the age of 78. Hatch was a draftsman, an artist and a muralist. His works can be found in public and private collections throughout the region. He exhibited at the New Hampshire Art...

Holidaymakers on the pier at the Lido in Venice, 1957. (Photo by Slim Aarons/Getty Images) Slim Aarons Venice Vacation Chromogenic Lambda print 1957, Printed Later Slim Aarons Estate Edition Complimentary dealer shipping to your framer, worldwide. Stamped and hand numbered by the Slim Aarons Estate. Certificate of Authenticity included. This artwork DOES include a certificate of authenticity from the authenticating body, the estate Collector will get the next number in the edition 40 x 40 inches $3950 30 x 30 inches $3350 24 x 24 inches $3000 12 x 12 inches $1800 Complimentary dealer shipping to your framer, worldwide. Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. Photograph is unframed Modern estate edition with estate blindstamp signature and hand number in lower margin Slide show includes a close-up of the Slim Aarons estate's stamp. Collector will get the next number in the edition * We are pleased to offer the entire archive of the Slim Aarons Estate, offering the official Slim Aarons Estate Edition (only offered in this edition of 150). * Undercurrent Projects, New York, is proud to represent Aarons' full collection of negatives and transparencies. Housed at Getty Images Hulton Archive in London, The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Internal: Slim Aarons Venice...

Medium: original lithograph. This lithograph was printed in 1956 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 19...

Pichet gravé gris Ed. 500 pcs, 1954 White clay with grey engobe painting, partially glazed in white and black with incised decor. H. 30 cm Stamped underside : Madoura, Edition Picass...

Medium: lithograph (after the drawing). Printed in Paris in 1951 at the atelier Dreux-Barry in an edition of 1000. Sheet size: 12 1/4 x 9 1/4 inches (310 x 235 mm). Signed in the pla...

Blue Profile is an original Contemporary Artwork realized in the half of the 20 Century. Original Drawing on cardboard. Colored Pastels. Mint conditions. Excellent work depicting...

Aubrey Schwartz, American (1928 - 2019) - Armadillo, Year: circa 1962, Medium: Lithograph on Arches, signed and numbered in pencil, Edition: 150, Image Size: 10 x 16 inches, Size: ...

Abstracted painting of a man and a woman, the paint has been applied to textured plastic. An abstracted painting of a couple applying paint to the textured plastic surface. Genre Expressionist Fauvist Subject People Medium Acrylic Plastic Surface Board Country United States Dimensions 24" x 11 1/2" She exhibited her painting at the famous Jewish art show held at the Dallas Museum Contemporary Fine Arts Exhibition of the American Jewish Tercentenary in 1955 alogside artists Aarons, George, Benn, Ben, Berkman, Aaron, Bloom, Hyman Bohrod, Aaron Gottlieb, Adolph, Gropper, William, Gross, Chaim Gurr, Lena amongst others. Born in 1899, Belle Golinko is a listed Jewish mid...

The 1953 original advertising poster by Ch. Guigain, titled "Cirages Ca Va Seul," is a captivating example of mid-20th century commercial art. This vibrant and playful poster was des...

Premium Rates Apply. A chauffeur unpacks a picnic hamper from a Rolls Royce, against the New York skyline. Slim Aarons Estate Edition, Certificate of Authenticity included Numbered...

PABLO PICASSO (1881-1973) Visage (A.R. 288) stamped and marked 'Edition Picasso / Madoura Plein Feu / Edition Picasso / Madoura' (underneath) white earthenware ceramic pitcher with c...

Diana Kurz Thelo #8, circa 1959 Signed lower left Signature and address on verso Oil on canvas 47 x 41 inches Diana Kurz (born 1936) is an Austrian-born feminist painter. In 1938, ...

The Soldier is an original artwork realized by Mino Maccari in the 1950s. Mixed colored tempera on cardboard. Includes a contemporary gilded wooden frame: 54.5 x 3.5 x 31 Mino Mac...