1960s Art

Cuban Socialists - Historical Photo is a black and white vintage photograph realized in the 1960s. It belongs to historical album including photo reportages of historical events and ...

"The Three Sisters" in the Blue Mountains of New South Wales, Australia by Australian Artist, Alan Robert Colquhoun Grieve (1910-1970). Signed on lower right. Original, oil on canvas. Art measures 21 x 17 inches Frame measures 28 x 24 inches (Original ornate period frame is commensurate with age) Vintage 1960's Born in Sydney in 1910, Alan Robert Colquhoun Grieve studied at the Julian Ashton School and the East Sydney Technical College and with Australian artist Herbert Edward Badham. Alan Grieve has notably exhibited at Royal Arts Society in Sydney and was Vice President of the Australian Arts Society. His work is held in private collections the world over, including The Art Gallery of New South Wales, The Fred & Elinor Wrobel Collection in Sydney and the Howard Hilton Collection. He has won numerous art prizes during the 20th Century. This painting was bought from Gordon Galleries in Double Bay, Sydney, New South Wales in circa 1962 by Major General Sir Douglas Kendrew KCMG, CB, CBE, DSO - Governor of Western Australia from 1963 to 1974. The Three Sisters are an unusual rock formation in the Blue Mountains of New South Wales, Australia, on the north escarpment of the Jamison Valley. They are located close to the town of Katoomba and are one of the Blue Mountains' best known sites, towering above the Jamison Valley. The Legend: The Aboriginal dream-time legend has it that three sisters, 'Meehni', 'Wimlah' and 'Gunnedoo' lived in the Jamison Valley as members of the Katoomba tribe. These beautiful young ladies had fallen in love with three brothers from the Nepean tribe, yet tribal law...

Pablo Picasso (1881-1973) - Jacqueline Lithograph with quadrochromy from 1961. Dimensions of sheet: 37.9 x 27 cm Dimensions in frame: 53.2 x 43.2 cm Publisher: Éditions Cercle d'...

Dollie Nabinger (1905-1988) Victoria, Harlingen, Nacogdoches, Fredericksburg, Carrollton, Painter Dollie Nabinger (1905-1988) Victoria, Harlingen, Nacogdoches, Fredericksburg, Carrol...

Lithograph, 1962 Handsigned by the artist in pencil and numbered 14/40 LCD5614

This exquisite lithograph by Joan Miro (1893–1983), titled Oiseau devant le solei (Bird Before the Sun), originates from the April 1961 folio Derriere le Miroir, No. 125-126, published by Maeght Editeur, Paris, under the direction of Aime Maeght, and printed by Imprimerie Arte, Paris, 1961. The composition exemplifies Miro’s poetic use of symbolic imagery, where the bird and sun function as elemental forces within his visual language. Through gestural line, saturated color, and spatial freedom, the work reflects Miro’s fusion of cosmic imagery, instinctive mark making, and lyrical abstraction. Executed on velin paper, this lithograph measures 33 x 15 inches (83.82 x 38.1 cm), with bifold, as issued. Unsigned and unnumbered as issued. The edition reflects the refined technical standards and craftsmanship of Imprimerie Arte, Paris. Artwork Details: Artist: Joan Miro (1893–1983) Title: Oiseau devant le solei (Bird Before the Sun), from Derriere le Miroir, No. 125-126, April 1961 Medium: Lithograph on velin paper Dimensions: 33 x 15 inches (83.82 x 38.1 cm), with bifold, as issued Inscription: Unsigned and unnumbered as issued Date: 1961 Publisher: Maeght Editeur, Paris Printer: Imprimerie Arte, Paris Catalogue raisonne reference: Miro, Joan, et al. Joan Miro Lithographe. Maeght, 1972–1992, illustration 1722 Condition: Well preserved, consistent with age and medium Provenance: From the April 1961 folio Derriere le Miroir, No. 125-126, published by Maeght Editeur, Paris About the Publication: Derriere le Miroir (translated as "Behind the Mirror") was an iconic French art periodical published from 1946 to 1982 by Maeght Editeur, one of the most influential art publishers of the twentieth century. Founded by Aime Maeght in Paris, the publication was conceived as a visual and literary collaboration between leading modern artists, poets, and critics. Each issue functioned as both an exhibition catalogue and an autonomous work of art, featuring original lithographs printed directly from the artists stones or plates alongside essays, poems, and critical texts. Over more than three decades, Derriere le Miroir produced over 250 issues and presented an extraordinary range of artists including Henri Matisse, Marc Chagall, Georges Braque, Alexander Calder, Fernand Leger, Pierre Bonnard, Alberto Giacometti, Eduardo Chillida, Ellsworth Kelly, Francis Bacon, Antoni Tapies, Pierre Alechinsky, Pol Bury, Bram van Velde, and many others. Printed by master ateliers such as Mourlot and Arte, the series established new standards of excellence in modern lithography and graphic design. Closely linked to exhibitions at Galerie Maeght, each issue served as a lasting document of postwar modernism, uniting image, text, and philosophy into a uniquely influential publication that remains among the most important and collectible achievements in twentieth century art publishing. About the Artist: Joan Miro (1893–1983) was a Catalan painter, sculptor, printmaker, and ceramicist whose visionary imagination and lyrical abstraction made him one of the most influential and beloved artists of the twentieth century. Born in Barcelona, Miro drew inspiration from Catalan folk art, Romanesque frescoes, and the luminous landscapes of Mont-roig del Camp, developing a deep connection to nature that infused his work with vitality and symbolism. After formal training at the Escola d'Art in Barcelona, he absorbed the lessons of Post-Impressionism and Cubism before moving to Paris in the early 1920s, where he became a leading figure in the Surrealist movement. There, Miro forged a personal visual language of biomorphic shapes, floating symbols, and radiant color harmonies that reflected both spontaneity and spiritual depth. In creative dialogue with peers such as Alexander Calder, Alberto Giacometti, Salvador Dali, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he helped revolutionize modern art by dissolving the boundaries between abstraction and dream imagery. Miro's inventive approach extended far beyond painting, embracing sculpture, ceramics, and monumental public commissions that redefined how art could interact with space and emotion. His expressive freedom and gestural abstraction profoundly influenced later artists including Jackson Pollock, Mark Rothko, Alexander Calder, Jean Dubuffet, Antoni Tapies, and Joan Mitchell, inspiring generations who sought to merge instinct, color, and imagination. Today, Miro's work remains a cornerstone of modernism, prized by collectors and celebrated in major museums worldwide. His highest auction record was achieved by Peinture (Etoile Bleue) (1927), which sold for approximately 37 million USD at Sothebys, London, on June 19, 2012. Joan Miro Oiseau...

This exquisite heliogravure after Nicolas de Stael (1914–1955), titled Composition Celadon (Celadon Composition), from the folio Nicolas de Stael, Peintres d'aujourd'hui (Nicolas de ...

Celebrate a piece of artistic history with this original poster by James Rosenquist for the 1967 Aspen Jazz Festival, held on Easter Sunday, March 26. Featuring Rosenquist's signatur...

Jimi Hendrix poses with a cigarette, 1967 — Signed Limited Edition Print by Gered Mankowitz Legendary guitarist Jimi Hendrix is pictured head-on during a session at Mankowitz's st...

Mixed media on paper realized by Sirio Pellegrini in 1960s. Oil, oil pastel, tempera and watercolor. Includes a wooden frame realized by the Artist cm. 75.5x66

A luminous 1968 Southwestern oil painting depicting After Storm, Taos–Questa Road, capturing the dramatic stillness of the New Mexico high desert immediately following a passing stor...

Vintage American modernist abstract painting titled "Praying Mantis". Oil on canvas, circa 1970. Signed. Image size, 12L x 16H. Housed in a period wood frame.

Signed center left, 'S. Calpestri' for Shirley Calpestri (American, 1915-2002) and painted circa 1965; additionally signed, verso, on canvas with artist label. Shirley Calpestri fi...

This exquisite heliogravure after Maria Helena Vieira da Silva (1908–1992), titled Marine (Seascape), from the folio Vieira da Silva, Peintres d'aujour...

Salvador Dali - Raspberry - Original Hand-Signed Lithograph 1969 Dimensions: P. 57 x 37 cm Sheet: 75 x 56 cm Handsigned, EA (Epreuve d'Artiste) Excellent Condition Reference: Field...

1960s Brutalist sculpture by Texas artist Dr. Sam Jagoda. This beautiful abstract work has a plant-like form that also has bird and insect qualities. Perfect for indoors or outdoors....

John Altoon (American, 1925-1969) From the 'About Women' Series. Color lithograph 1965/66, Hand signed and editioned in pencil with the chop mark of Gemini G.E.L. publishers John Altoon (1925 - 1969), an American artist, was born in Los Angeles to immigrant Armenian parents. From 1947–1949 he attended the Otis Art Institute, from 1947 to 1950 he also attended the Art Center College of Design in Los Angeles, and in 1950 the Chouinard Art Institute. Altoon was a prominent figure in the LA art scene in the 1950s and 1960s. Exhibitions of his work have been held at the Museum of Contemporary Art San Diego, Whitney Museum of American Art, New York, Corcoran Gallery, Washington D.C, Fine Arts Museums of San Francisco, The Baxter Museum, Pasadena, and The Los Angeles County Museum of Art (LACMA). Altoon's work was influenced by the Abstract Expressionism Movement although he is best known for his figurative drawings of the 1960s, with as Leah Ollman describes "a vocabulary of vaguely figurative, botanical and biological forms that he pursued until his death." He was part of the "Ferus group" of artists so called for their association to the Ferus Gallery that operated in Los Angeles in 1957–1966. Some of the other artists included in this group are Edward Kienholz, Larry Bell, Robert Irwin, Billy Al Bengston. He was featured in the Cool School documentary, a film about Altoon and other Ferus Gallery artists such as Walter Hopps and Ed Kienholz...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with quadfold, as issued. Notes: From Derrière le miroir, N° 161, 1966. Published by Aimé ...

Joan Didion photographed by Julian Wasser for TIME magazine in 1968. This is a 20 x 24 inch platinum print made in 2022 at Weldon Labs in Los An...

Edward Zutrau Untitled, 2/17/1963 Signed and dated on verso Oil on linen 25 1/2 x 21 inches Edward Zutrau is among the American artists who worked within the whirlwind of diverse a...

The Infinite Beauty of Beatrice is a woodcut print realized in 1963. Very Good conditions. Not signed. Prov. Private Collection, Rome. Between 1951 and 1960, Dali was invited by...

The May 1968 political poster titled "La police s'affiche aux beaux arts, Les beaux arts affichent dans la rue" encapsulates the fervor and social upheaval of the iconic May 1968 pro...

lithograph on Japon paper, edited in 1969 Limited edition, numbered V.3 (third version) in lower left corner. Hand signed by artist in pencil in the lower right corner. Very good con...

We are presenting a rare opportunity to acquire one of Leroy Neiman's best and most compelling paintings. It is a statement piece. A combination of enticing subject matter with a mon...

Impressive early American modernist abstract oil painting. Framed. Oil on board. Image size, 36H by 28L.

This exquisite lithograph after Alberto Giacometti (1901–1966), titled L'Atelier (The Studio), from the folio Derriere le miroir, No. 127, originates from the 1961 edition published ...

"Little Boy" - charming 1960s silkscreen rarely seen on the market would look perfect in a child's room - or in any room in the house! Karel Appel Little ...

This exquisite lithograph after Marc Chagall (1887–1985), titled Tribe of Levi, from the album Marc Chagall, The Jerusalem Windows, originates from the 1962 edition published by Andr...

Artist: Joan Miro Medium: Lithograph, 1961, Annotated by printer, Trial proof aside from regular edition of 75 prints in color on Rives Dimensions: 20 x 24 in

Artist: Dali, Salvador Title: Bust Series: Faust Date: 1969 Medium: drypoint Framed Dimensions: 22.5" x 18.5" Signature: Pencil signed Edition: 49/145 Literature: Albert Fie...

Nativity Scene with Blessed Mary, Kneeling Joseph, Angel, One Shepherd, One King, Manger, Baby Jesus, and Two Animals. The figures range in height from 18.5" to 12"; animals are 3" ...

Original oil on canvas painting of the book sellers along the Seine in Paris with the iconic Notre Dame cathedral in the background. Signed lower left by the artist. Circa 1960. Cond...

A modern impressionist American painting depicting a homestead in Boca Raton, FL with an iconic gumbo limbo tree in the foreground of the painting. This work is signed illegibly and...

Sku: EF9863 Artist: Christian Berard Title: Galerie Lucie Weill Year: 1965 Signed: No Medium: Lithograph Paper Size: 25 x 19 inches ( 63.5 x 48.26 cm ) Imag...

Snowmass Picnic - Slim Aarons Estate Stamped A stand-up fondue picnic for fashionable skiers at Snowmass-at-Aspen, Colorado which has more than fifty miles of trails and snowfields....

Medium: lithograph (after the watercolor). Printed in 1962 at the Mourlot atelier for "Jerusalem Windows". This piece was executed by Chagall in preparation for his famous stained-gl...

This early 1960s photograph, captured by society photographer Slim Aarons, features skiers walking up a mountain in Cortina D'Ampezzo, a ski resort in northern Italy. This is an est...

Hanna Seidel (1925 to 2005) lived and worked in Argentina for many years. She was a world traveller, journeying to South America in the 1950s and to Central America, Japan, India, an...

Modern oil on canvas painting by the Russian/American artist, Nahum Tschacbasov.. Signed top right and dated 1960. Condition is very good; no restorations.. Presently unframed. Provenance: Estate of the artist, Nahum Tschacbasov. Nahum Tschacbasov was born in Russian in 1899 but moved to Chicago when he was a young boy. He moved to New York City as a young man and spent over 50 years living and working from a series of apartments in the Chelsea Hotel. He learned to paint as a young man in France with his early teacher being Georges Rouault. Tschacbasov returned to New York and for years exhibited at ACA gallery, Perls Gallery and later with John Heller...

Horst Janssen — Hand-Signed Poster “München (Galerie Wolfgang Ketterer, Villa Stuck)”, Original Zinc Etching, 1966–67 — Framed Powerful hand-signed exhibition poster by Horst Jansse...

This exquisite lithograph by Ellsworth Kelly (1923–2015), titled Ovale et rectangle (Oval and Rectangle), originates from the historic 1964 folio Derriere le Miroir, No. 149. Publish...

This late-1960s photograph, captured by society photographer Slim Aarons, features Jill Council relaxing with a drink by a swimming pool in Bermuda, November 1969. This is an estat...

This deftly rendered mid-20th-century ink drawing on paper board was apparently done on assignment for a fashion brand that was most likely published in a newspaper or catalog. Signe...

Signed lower right, 'Paul England' (American, 1918-1988) and painted circa 1965. With old label, verso, bearing title, 'Gutenburg'. Framed in a period wh...

This exquisite lithograph after Marc Chagall (1887–1985), titled Mozart et Moussorgsky (Mozart and Mussorgsky), from the album Le plafond de l’Opera de Paris par Marc Chagall (The Ce...

This mid-1960s landscape photograph, captured by society photographer Slim Aarons, features sailing boats in the Out Islands of the Bahamas, April 1964. This is an estate stamped an...

In the realm of aviation aesthetics, Nikolaus Schwabe's 1961 poster for Swissair flights to the USA emerges as a masterpiece, encapsulating the spirit of travel with an air of timeless elegance. This original poster is not merely an advertisement but a visual journey into the golden age of air travel. Schwabe's artistic strokes breathe life into the Swissair poster...

The Nine Drawings Portfolio is a strong example of Shahn’s commitment to the struggle for social justice and racial equity. It was “published and distributed as part of a fund-raisin...

This early 1960s portrait photograph, captured by society photographer Slim Aarons, features two skiers inspecting their skis on the slopes of the Sugarbush Mountain ski resort in Wa...

Original Poster from Lee Conklin. Lee Conklin is an artist best known for his psychedelic posters from the late 1960s and particularly for his iconic cover of Santana's first album. At the time, photography was the basis of advertising, while psychedelic graphics were done by hand and were mostly based on an illustration concept. The posters of this movement claim a new aesthetic: the flashy and warm colors, the shapes and moving typography and the density of the motif that invades the space translate the psychedelic vision, often associated with the taking of substances such as LSD. The psychedelic experience was evident in Ten Years After and Country Weather entangled in the branches of the island tree, but this was not a classic tree-of-life image. Fillmore West hung from the branches on spider web threads. Brotherhood of Light - Bill Graham, Tea Lautrec Litho...

Ella Jane Fitzgerald (April 25, 1917 – June 15, 1996) was an American jazz singer, sometimes referred to as the "First Lady of Song", "Queen of Jazz", and "Lady Ella". She was noted ...

British actress Jane Birkin and French poet, singer, and actor Serge Gainsbourg around the release of their single "Je t'aime... moi non plus" in 1969. Taken at the Sunday Times Stu...

This richly detailed Historical Map of Scotland, created around circa 1960 by Leslie George Bullock, stands as a celebrated example of mid-20th-century pictorial cartography. Bullock...

This late 1960s portrait photograph, captured by society photographer Slim Aarons, features artistic denizens gathered in the lobby of the Chelsea Hotel on W. 23rd Street, Manhattan,...

Ernest Tino Trova Limited Edition of 2000 Silkscreen on heavy art paper Unframed This exclusive poster, created by renowned American artist Ernest Trova as an edition for Pace Columbus, is a testament to his profound influence in contemporary art and his longstanding association with Pace Gallery...

Artist: Alberto Giacometti Title: 'Nu Assis' Year: 1961 Medium: Original Lithograph on vélin paper Dimensions: 15in. by 11in. Edition: From the rare limited edition Reference : Lust,...

Salvador Dali (1904-1989) Purgatory 19 - Dante's Dream Woodcut on paper Signature printed in the image 1960/63 Printed on paper Vélin BFK Rives Size 32,8 x 26,4 cm (c. 13 x 10 in) ...

Michael Rothenstein Clench – 1969 Print – Colour linocut, photo screenprint black 23” x 31.25” Edition: Signed in pencil and marked 44/125 Unframed in Good Condition. Condition no...

Portrait of Man (16) John F. Leonard American (1921–1987) Date: circa 1965 Oil on Canvas, unsigned Size: 16 in. x 12 in. (40.64 cm x 30.48 cm)

'Abstract in Red' by Carmélio' Rodrigues Cruz, 1966. Brasil, São Paulo Bienniale, MoMA Resende, New York, Chicago ---- Signed twice, verso, 'Carmélio' and 'Carmélio Cruz' for Carmélio' Rodrigues Cruz (Brazilian, born 1924) and dated 1966. Carmélio Rodrigues Cruz first studied art with the Brazilian painter, Jacinto de Souza (1935-1940). In 1944, he was invited to participate in the Sociedade Cearense de Artes Plásticas (SCAP), alongside other Latin American Modernists including Antonio Bandeira...