1960s Art

ARTIST: Salvador Dali TITLE: Flora Dalinae Viola Cogitans/Self Portrait Pansy MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: 7/200 MEASUREMENTS: 29.9" x 22.3" YEAR: 1968 ...

Ex Aegypto Vocavi Filium Meum is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and...

A beautiful poster made for the 50th anniversary of the creation of the Bauhaus at the National Museum of Modern Art, by Herbert Bayer 🇺🇸 (1900-1985), a designer, painter, architec...

GEORGE BARRIS 5I FROM "THE LAST PHOTOS" ORIGINAL PHOTO FROM ORIGINAL NEGATIVE 20 X 16 INCHES HAND SIGNED BY ARTIST PRINTED IN 1987 This piece is an original photograph of Marilyn Mo...

Vintage American geometric oil painting . Oil on canvas. Unsigned. Measuring: 22 by 48 inches overall. Excellent condition, ready to hang and enjoy.

Edna Hibel: 1917-2015. Well listed important American artist. Mostly associated with Florida and Massachusetts. There is a Hibel Museum in Florida. Some called her the latter 20th ce...

Nicely painted large geometric abstract painting. Oil on canvas. Framed. Image size, 48 by 36 inches.

Affiche avant Lettre (Mujer Suite) Rufino Tamayo Mexican (1899–1991) Date: 1969 Lithograph Poster, signed in the plate Size: 32.5 x 24 in. (82.55 x 60.96 cm)

Medium: original lithograph. Printed in Paris in 1968 by the Mourlot Freres atelier. Size: 12 1/4 x 9 1/2 inches (310 x 240 mm). There is printed text on the back, as issued. Signed ...

Artist: Alexander Calder (1898-1976) Title: Cinq Boules et Deux Serpents Year: 1965 Medium: Lithograph in colors on wove paper Edition: 90, plus proofs Size: 20.5 x 28.75 inches Cond...

Mid Century Modern, American Abstract Expressionist Painting on Masonite. This wonderful work in exciting colors is housed in a contemporary white wood frame presentation.. The art...

1964 Offset lithograph in colors, on wove paper Sheet: 23 x 23 in. (58.4 x 58.4 cm) Edition of 300 Signed and dated in black ink, lower right

Artist: Alexander Calder Title: Plate 1 Portfolio: Derriere le Miroir #173 Medium: Lithograph Year: 1968 Edition: Unnumbered Frame Size: 21 1/4" x 17 1/4" Sheet Size: 15" x 11" Image...

'Camelback Inn' A view of the Camelback Inn, Scottsdale Arizona, April 1967. Paper Size 24x20 inches / 60 x 50 cm Estate Stamped Collection Edition to 150 Photo by Slim Aaron...

Pablo Picasso (1881-1973) (d'après) - Portraits Imaginaires 26.3.69 III Lithograph from 1969. The edition: F 37/250. Dimensions of work: 65.5 x 50 cm. Plate signed. Publisher: É...

Pope John XXIII - Vintage b/w Photo realized in 1963. In the photo: Pope John XXIII, records Easter Message to the world in his private library in the Vatic...

SALE ONE WEEK ONLY UNTITLED by Fanny Rabel a Mexican artist who was born in Poland in 1922 is a soul wrenching work depicting among other things, the children killed by Nazi bombing in Spain during the Second World War. The lavender and purple surrounding the seated female figure and the kneeling child suggest both grief for the innocents' deaths and the prayers being offered for an end to the carnage. The bright gold and red can be read as either explosions or the hopeful light of redemption after death. Like Picasso's Guernica from 1937, this painting from 1965 can stand as a powerful anti-war statement. Numerous key galleries and museums such as Morton Auctions, Cerro de Mayka have featured Fanny Rabel's work in the past. Her anti-Nazi and anti-Fascism politics resulted in her participation in a mural called Retrato de la Burguesía in 1940 for the Sindicato Mexicano de Electricistas building on Alfonso Caso Street in Mexico City. Rabel met a group of exiled Spaniards in Mexico along with Antonio Pujol, who invited her to take part in a mural project headed by him, David Alfaro Siqueiros, Joseph Renau, Luis Arenal, Antonio Rodríguez Luna and Miguel Prieto. The artist died in 2008. Fanny Rabel born August 27, 1922, in Poland born Fanny Rabinovich, was a Polish-born Mexican artist who is considered to be the first modern female muralist and one of the youngest associated with the Mexican muralism of the early to the mid-20th century. She and her family arrived in Mexico in 1938 from Europe and she studied art at the Escuela Nacional de Pintura, Escultura y Grabado "La Esmeralda", where she met and became friends with Frida Kahlo. She became the only female member of “Los Fridos” a group of students under Kahlo’s tutelage. She also worked as an assistant and apprentice to Diego Rivera and David Alfaro Siqueiros, painting several murals of her own during her career. The most significant of these is "Ronda en el tiempo" at the Museo Nacional de Antropología in Mexico City. She also created canvases and other works, with children often featured in her work, and was one of the first of her generation to work with ecological themes in a series of works begun in 1979. She is considered to be the first female muralist in Mexico. She was an assistant to Diego Rivera while he worked on the frescos for the National Palace and an apprentice to David Alfaro Siqueiros. Her most important mural is Ronda en el tiempo located in the Museo Nacional de Antropología, which was created from 1964 to 1965. She also created murals at the Unidad de Lavaderos Público de Tepalcatitlán (1945), Sobrevivencia, Alfabetización in Coyoacán in 1952 Sobrevivencia de un pueblo at the Centro Deportivo Israelita (1957) Hacia la salud for the Hospital Infantil de México (1982), La familia mexicana at the Registro Público de la Propiedad (1984) (which Rabel preferred to title Abolición de la propiedad privada) and at the Imprenta Artgraf. In collaboration with other artists, she participated in the creation of the murals at the La Rosita pulque bar (disappeared) and at the Casa de la Madre Soltera. She entered the Escuela Nacional de Pintura, Escultura y Grabado "La Esmeralda" shortly after it was established in 1942, taking classes with José Chávez Morado, Feliciano Peña and Frida Kahlo, with whom she became close friends. She changed her last name from Rabinovich to Rabel during her career. Rabel married urologist Jaime Woolrich and had two children Abel and Paloma Woolrich, both of whom became actors. The first exhibition of her work was in 1945 with twenty-four oils, thirteen drawings, and eight engravings at the Liga Popular Israelita with Frida Kahlo writing the presentation. In 1955, she had an individual exhibition at the Salón de la Plástica Mexicana. She had a large exhibition at the Museum of the Palacio de Bellas Artes to commemorate a half-century of her work. Her last exhibition was in 2007 at the Universidad Autónoma Metropolitana. Her work can be found in collections in over fifteen countries including those of the New York Public Library, the Library of Congress in Washington, D.C., the Royal Academy of Denmark, the National Library in Paris, the Casa de las Américas in Havana, the Benemérita Universidad Autónoma de Puebla and the Museo de Arte Moderno in Mexico City. A retrospective of her work after her death called Retrospectiva in Memoriam, Fanny Rabel (1922-2008) was held at the Museum of the Universidad Popular Autónoma del Estado de Puebla . She is considered to be the first modern female muralist in Mexico although she also did significant work in painting, engraving, drawing, and ceramic sculpture. Her work has been classified as poetic Surrealism, Neo-expressionism and is also considered part of the Escuela Mexicana de Pintura (the dominant art movement of the early to mid 20th century in Mexico) as one of the youngest muralists to be associated with it along with Arnold Belkin and José Hernández Delga. Rabel was more drawn to depicting mankind’s pain rather than happiness, sharing other Mexican muralists' concerns about social injustice. However, she stated to Leopoldo Méndez that she could not create combative works, with clenched fists and fierce faces, and she wanted to leave the Taller de Gráfica Popular. Méndez convinced her to stay, saying that more tender images are important to political struggle as well. Children with Mexican faces...

Artist: Joan Miro, Spanish (1893 - 1983) Title: Joan Miro und Katalonien Year: 1969 Medium: Lithograph on Arches, signed in the plate Size: 20 in. x 26 in. (50.8 cm x 66.04 cm) Frame...

Large scale and dramatic, ""Langostina" - an abstract painting by Harold Black (American, 1913–1993). This piece is vibrant and colorful, bordering on cubist in execution. Warm areas...

Tete de Femme after Modigliani, produced by Austin Productions in 1961. Austin Productions started in Brooklyn in 1952 and began manufacturing reprodu...

Artist: Ellsworth Kelly (1923–2015) Title: Red, Green (Rouge, Vert) Year: 1964 Medium: Lithograph on velin paper Paper Size: 15 x 11 inches (38.1 x 27.94 cm) Condition: Well preserve...

Photolithograph on paper, realized in 1963 for the french Art Review Derrière le Miroir. Not signed. Very good condition.

Picasso Les Banderilles from A los toros avec Picasso, 1961 Lithograph on wove paper. Hand signed lower right Numbered 21/50 lower left Lower left in the print dated and inscribed: 6...

Marc Chagall (1887-1985) - Enlèvement de Chloé (Chloe is carried off by the Methymneans), from "“Daphnis & Chloe" Lithograph from 1961. The edition of 55/60 on Arches paper wit...

Nicely painted mid century abstract cubist oil painting. Great color and composition. Framed.

Medium: original lithograph. Printed in 1960 and published in Paris by Maeght for the back cover of the art revue Derrière le Miroir (issue number 120). Size: 15 x 11 inches (377 x 2...

Robert Indiana Title: NUMBERS Folio - 10 (ten) Loose Silkscreen Prints accompanied by Poems Folio includes numbers: ONE, TWO, THREE, FOUR, FIVE, SIX, SEVEN, EIGHT, NINE, ZERO Medium:...

Vintage Photo. The American Actor Burt Lancaster.

The Rolling Stones "Mick Feeding Goat" - Outtake from the famous photo shoot of The Rolling Stones for their Beggars Banquet album at Sarum Chase mansion, Hampstead, London, 1968, si...

El Balcon, the courting couple flirting over the balcony railing ala Romeo and Juliet. Hand signed lower right. Hand signed label verso Eliana Menassé is a Mexican painter and memb...

Framed 26 x 23 in No. 578 in the Catalogue Raisonne of Chagall's lithographs This lithograph came from "The Lithographs of Chagall," Julien Cain, Boston Book and Art Shop, Inc, Bos...

Young debutantes in Palm Beach, Florida, 1968. Slim Aarons Palm Beach Debutantes Chromogenic Lambda print Slim Aarons Estate Edition Complimentary dealer shipping to your framer, wo...

Allan D'Arcangelo (American/New York, 1930-1998), "Aspen Center of Contemporary Art", 1967 silkscreen, hand signed in pencil, dated, numbered "45/200" and blind stamped "Chiron Press, New York, NY" 32 in. x 24 in. Allan D'Arcangelo (1930-1998) was an American artist and printmaker, best known for his paintings of highways and road signs that border on pop art and minimalism, precisionism, Abstract illusionism and hard-edge painting, and also surrealism. His subject matter is distinctly American and evokes, at times, a cautious outlook on the future of this country. Allan D'Arcangelo was the son of Italian immigrants. He studied at the University of Buffalo from 1948–1953, where he got his bachelor's degree in history. After college, he moved to Manhattan and picked up his studies again at the New School of Social Research and the City University of New York, City College. At this time, he encountered Abstract Expressionist painters who were in vogue at the moment. After joining the army in the mid 1950s, he used the GI Bill to study painting at Mexico City College from 1957–59, driving there over 12 days in an old bakery truck retrofitted as a camper. However, he returned to New York in 1959, in search of the unique American experience. It was at this time that his painting took on a cool sensibility reminiscent of Roy Lichtenstein and Andy Warhol. His interests engaged with the environment, anti-Vietnam War protests, and the commodification and objectification of female sexuality. D'Arcangelo first achieved recognition in 1962, when he was invited to contribute an etching to The International Anthology of Contemporary Engraving: America Discovered; his first solo exhibition came the next year, at the Thiebaud Gallery in New York City. In 1965 he contributed three screenprints to Original Edition's 11 Pop Artists portfolio. By the 1970s, D'Arcangelo had received significant recognition in the art world. He was well known for his paintings of quintessentially American highways and infrastructure, and in 1971 was commissioned by the Department of the Interior to paint the Grand Coulee Dam in Washington state. However, his sense of morality always trumped his interest in art world fame. In 1975, he decided to quit the gallery that had been representing him for years, Marlborough Gallery, because of the way they handled Mark Rothko legacy. D'Arcangelo rejected Abstract Expressionism, though his early work has a painterly and somewhat expressive feel. He quickly turned to a style of art that seemed to border on Pop Art and Minimalism, Precisionism and Hard-Edge painting. Evidently, he didn't fit neatly in the category of Pop Art, though he shared subjects (women, signs, Superman) and techniques (stencil, assemblage) with these artists.He turned to expansive, if detached scenes of the American highway. These paintings are reminiscent of Giorgio de Chirico-though perhaps not as interested in isolation-and Salvador Dali-though there is a stronger interest in the present and disinterest in the past. These paintings also have a sharp quality that is reminiscent of the precisionist style, or more specifically, Charles Sheeler. 1950s, Before D'Arcangelo returned to New York, his style was roughly figurative and reminiscent of folk art. During the early 1960s, Allan D'Arcangelo was linked with Pop Art. "Marilyn" (1962) depicts an illustrative head and shoulders on which the facial features are marked by lettered slits to be "fitted" with the eyebrows, eyes, nose and mouth which appear off to the right in the composition. In "Madonna and Child," (1963) the featureless faces of Jackie Kennedy and Caroline are ringed with haloes, enough to make their status as contemporary icons perfectly clear. Select Exhibitions: Fischbach Gallery, New York, Ileana Sonnabend Gallery, Paris, Gallery Müller, Stuttgart, Germany Hans Neuendorf Gallery, Hamburg, Germany Dwan Gallery...

Jean Ekert (French, 20th Century) Coastal Landscape, circa 1960 Oil on board, signed lower right This vibrant coastal view by Jean Ekert captures the warmth and energy of the Medite...

Signed lower right, "Eral" for Eral Leek (American, 20th century) and dated 1962. A substantial, mid-century oil abstract comprising bold, overlapping rectangular compositional elem...

Impressive early American modernist abstract oil painting. Framed. Oil on canvas. Signed. Image size, 20H by 24L. Excellent ready to hang condition. Impressive colors and compo...

Original oil on canvas by listed Italian artist Araldo Ariano (20th century), signed lower right and dated 1969. This large-scale work presents an atmospheric historical Italian genr...

Impressive early American impressionist landscape oil painting. Framed. Oil on board. Image size, 11H by 14L.

Salvador Dali (1904-1989) - Abricot chevalier (Apricot Knight) Lithograph with drypoint etching from 1969. The edition LVIII/CL on Auvergne paper. Dimensions of work: 74.5 x 54.5 ...

The Couple is a China Ink Drawing realized by Mino Maccari (1924-1989) in the 1960s. Monogrammed on the lower. Good condition. Mino Maccari (Siena, 1924-Rome, June 16, 1989) was ...

Palm Beach Idyll 1963 C-Print Estate signature stamped and hand numbered edition of 150 with certificate of authenticity from the estate. A couple sunbathing by the sea at Palm B...

Medium: original lithograph. Printed in Paris in 1967 at the atelier of Clot, Bramsen et Georges and published in an edition of 2500 for "Les Temps Situationistes" (The Situationist ...

Etching and aquatint on Japan paper. Hand signed and numbered in pencil. Edition of 23/35 prints. Excellent condition. Ref. Cramer, Marc Chagall, The Illustrated Books, no. 6

This original artwork by Mark Tobey is a Monotype with tempera, heightened with tempera on paper. Signed Tobey lower right Signed Mark Tobey with the remark GOOD! on the back. Prove...

Luminary Nights James Hiroshi Suzuki, Japanese/American (1932) Date: 1960 Oil on Canvas, signed lower right, dated and titled on verso Size: 23 x ...

Guy Peellaert's "Pravda with Françoise Hardy" poster, created in 1968, is a remarkable work distinguished by its strongly comic-book-influenced style. Guy Peellaert was a Belgian art...

Etching on chamois-colored laid paper, realized in 1968/69. Plate from "Faust (La Nuit de Walpurgis), published by Argillet, Paris. Edition of 49/150, hand colored. Hand signed an...

Nicely painted mid century impressionist oil painting by Kamil Kubik (1930 - 2011). Oil on board. Housed in a nice giltwood impressionist frame. Signed.

Medium: original lithograph. Printed in 1964 for the special edition of Derriere le Miroir (No. 144-145-146) devoted in homage to Georges Braque, and published in Paris by the Maeght...

Jean Jansem, French (1920 - 2013) - Three Children, Year: circa 1960, Medium: Lithograph, signed in the plate lower right, Image Size: 12.5 x 9.5 inches, Frame Size: 20.25 x 17.2...

This mid-1960s photograph, captured by society photographer Slim Aarons, features film producer Kevin McClory taking his wife Bobo Sigrist and their family for a drive in an 'Amphica...

This piece is an original linoleum cut in color by Pablo Picasso, 1962. It is hand signed and numbered 40/50 from the edition of 50; there were also 35 ar...

Rare 1960s Andy Warhol Record Art: set of 2 works: This set includes two original vintage pressings: 'This Is John Wallowitch' by John Wallowitch and 'The Academy In Peril' by John ...

Color lithograph with drypoint etching on Auvergne paper from the series 'Flordali (Les Fruits)', edited in 1969. Limited edition, numbered as LXXXI/CL in lower left corner. Hand-sig...

Nicely painted American school abstract expressionist painting. Oil on canvas. Framed. Signed verso. Measuring 30 by 30 overall and 24 by 24 painting alone.

Antique American modernist portrait oil painting. Oil on canvas. Signed. Framed. Measuring: 19 by 17 inches overall, and 13 by 11 painting alone. Excellent condition, ready to hang ...

Modernist artist studio scene. Framed. Oil and watercolor on paper. Signed. Image size, 22.5H by 17.5L.

The Wounded One (El Herido) from Violence (La Violencia) 1969 signed, dated and titled in pencil Dimensions: sheet: 22 1/16 x 30 1/16" (56 x 76.4cm) Rafael Canogar ( Toledo , 1935...

Vintage American modernist abstract expressionist oil painting. Oil on canvas. Framed. Provenance from a Sag Harbor, NY collection. Measuring: 25 by 19 inches overall. Handsomely fr...

Mid Century Mendocino Mountain Horse Pasture Landscape This plein air painting depicts a tranquil Northern California landscape, where rolling green hills, oak trees, and a soft coa...