1960s Art

G. Harvey (Gerald Harvey Jones) (1933-2017) San Antonio, Austin, and Fredericksburg Artist Image Size: 16 x 20 Frame Size: 25 x 29 Medium: Oil on Canvas Signed 1976 "Country Place" ...

Abstract composition is a fine and beautiful watercolor and tempera on paper realized by Mark Tobey in 1960. Signed and dated Tobey lower right. Certificate of authenticity by Mark ...

Danseuse Creole Nice Cote D'Azur after Henri Matisse Henri Matisse was a French artist known for his vibrant use of color and innovative design, playing a key role in the Fauvism m...

This captivating mid-century Spanish painting by Alfredo Opisso immerses the viewer in the lively atmosphere of a café or bar, where figures gather to drink, sing, and dance. Rendere...

Georges BRAQUE (1882-1963) Composition with Birds, 1965 Original lithograph (Mourlot workshop) Signed in the plate On vellum 30 x 24 cm (c. 11.8 x 9.4 in) REFERENCES : - Catalog r...

Etching and aquatint, 1960 Handsigned by the artist in pencil and numbered 31/50 61.00 cm. x 50.00 cm. 24.02 in. x 19.69 in. (paper) 42.00 cm. x 42.50 cm. 16.54 in. x 16.73 in. (im...

'Abstract Composition', oil on board (circa 1960s), by Edgar Stoëbel (1909-2001). In his very original style, artist Stoëbel's abstract image seems to form a human torso with the lively colours of a modernist work. The image has a pop art quality to it and was created just as that movement was emerging. Pop art challenged traditional painting by embracing colourful images from advertising, popular culture, comic books and mundane objects from everyday life. This artwork has a powerful intensity of tone and colour having somewhat faded with time. It speaks to Stoëbel's very distinctive style which remains completely approachable and appealing. In fact, this is not pop art. This is part of the post-war concrete abstract movement, or Constructive Art...

Allan D'Arcangelo (American/New York, 1930-1998), "Aspen Center of Contemporary Art", 1967 silkscreen, hand signed in pencil, dated, numbered "45/200" and blind stamped "Chiron Press, New York, NY" 32 in. x 24 in. Allan D'Arcangelo (1930-1998) was an American artist and printmaker, best known for his paintings of highways and road signs that border on pop art and minimalism, precisionism, Abstract illusionism and hard-edge painting, and also surrealism. His subject matter is distinctly American and evokes, at times, a cautious outlook on the future of this country. Allan D'Arcangelo was the son of Italian immigrants. He studied at the University of Buffalo from 1948–1953, where he got his bachelor's degree in history. After college, he moved to Manhattan and picked up his studies again at the New School of Social Research and the City University of New York, City College. At this time, he encountered Abstract Expressionist painters who were in vogue at the moment. After joining the army in the mid 1950s, he used the GI Bill to study painting at Mexico City College from 1957–59, driving there over 12 days in an old bakery truck retrofitted as a camper. However, he returned to New York in 1959, in search of the unique American experience. It was at this time that his painting took on a cool sensibility reminiscent of Roy Lichtenstein and Andy Warhol. His interests engaged with the environment, anti-Vietnam War protests, and the commodification and objectification of female sexuality. D'Arcangelo first achieved recognition in 1962, when he was invited to contribute an etching to The International Anthology of Contemporary Engraving: America Discovered; his first solo exhibition came the next year, at the Thiebaud Gallery in New York City. In 1965 he contributed three screenprints to Original Edition's 11 Pop Artists portfolio. By the 1970s, D'Arcangelo had received significant recognition in the art world. He was well known for his paintings of quintessentially American highways and infrastructure, and in 1971 was commissioned by the Department of the Interior to paint the Grand Coulee Dam in Washington state. However, his sense of morality always trumped his interest in art world fame. In 1975, he decided to quit the gallery that had been representing him for years, Marlborough Gallery, because of the way they handled Mark Rothko legacy. D'Arcangelo rejected Abstract Expressionism, though his early work has a painterly and somewhat expressive feel. He quickly turned to a style of art that seemed to border on Pop Art and Minimalism, Precisionism and Hard-Edge painting. Evidently, he didn't fit neatly in the category of Pop Art, though he shared subjects (women, signs, Superman) and techniques (stencil, assemblage) with these artists.He turned to expansive, if detached scenes of the American highway. These paintings are reminiscent of Giorgio de Chirico-though perhaps not as interested in isolation-and Salvador Dali-though there is a stronger interest in the present and disinterest in the past. These paintings also have a sharp quality that is reminiscent of the precisionist style, or more specifically, Charles Sheeler. 1950s, Before D'Arcangelo returned to New York, his style was roughly figurative and reminiscent of folk art. During the early 1960s, Allan D'Arcangelo was linked with Pop Art. "Marilyn" (1962) depicts an illustrative head and shoulders on which the facial features are marked by lettered slits to be "fitted" with the eyebrows, eyes, nose and mouth which appear off to the right in the composition. In "Madonna and Child," (1963) the featureless faces of Jackie Kennedy and Caroline are ringed with haloes, enough to make their status as contemporary icons perfectly clear. Select Exhibitions: Fischbach Gallery, New York, Ileana Sonnabend Gallery, Paris, Gallery Müller, Stuttgart, Germany Hans Neuendorf Gallery, Hamburg, Germany Dwan Gallery...

L'Oiseau Bleu By Marc Chagall Marc Chagall (1887–1985) was a Russian-French artist celebrated for his vibrant, dreamlike paintings that blend fantasy, folklore, and personal memor...

This early 1960s landscape photograph, captured by society photographer Slim Aarons, features holidaymakers at a ski lodge at Gstaad, Switzerland, March 1961. This is an estate stam...

Title Ceremony in Ibiza Artist Ignacio Gil Sala (1913–2003) Date 1960 Medium Oil on canvas Dimensions Height: 60 cm (23.63 in) Width: 73 cm (28.75 in) ...

Artist: Marc Chagall Medium: Original lithograph Title: Frontispiece from the Jerusalem Windows series Year: 1962 Edition: Unnumbered Framed Size: 20...

Ormond Gigli Girls in the Window, 1960 (printed later) Color coupler print 44 x 44 inches Signed, dated and numbered edition 22/45 Ormond Gigli: The Visionary Behind the "Girls in...

20th C French Impressionist landscape a Villa in the South of France or Rivera. Lucien Potronat was a French painter best known for his depictions of ...

Twiggy, British Vogue, 1967. Twiggy, British Vogue, 1967 Silver gelatin print Estate stamped and numbered edition of 21 on verso with certificate of authenticity Norman Parkinson (...

In 1967, the renowned French artist Pierre Soulages created an original lithograph titled Composition for the influential art magazine Revue XXe Siècle. This lithograph is emblematic...

Abstract oil on canvas, circa 1960s

Pablo Picasso (1881-1973) - Arlequin Lithograph from 1962. An unnumbered impression from a limited edition of 260. Dimensions of work: 48.5 x 36 cm Publisher: Leda, Éditions d'Ar...

Nicely painted mid century impressionist cityscape oil painting by Kamil Kubik (1930 - 2011) . Oil on canvas. Framed. Signed. Nice view of the Empire State Building!

"Wheel Shaft" - 1969 Abstract Geometric Composition Abstract oil painting titled "Wheel Shaft" by Bay Area artist Helen Konkoff (American, 1912-1988). Bright, abstract shapes flow t...

Far west original expressionist abstract paper painting. SIGNED ABOVE RIGHT CASTILLO, Jorge (Pontevedra, 1933). Since childhood, Jorge Castillo is passionate about drawing, and take...

Pablo Picasso (1881-1973) - Joueur de diaule et nu Lithograph from 1967. With two watermarks - one of the paper, second of the publisher. Dimensions of work: 41.5 x 53.5 cm Publi...

Salvador Dalí’s Divine Comedy is a series of 100 color wood engravings, each corresponding to a canto from Dante Alighieri’s epic poem. Created between 1960 and 1964, commissioned by...

Medium: original lithograph. Printed on Arjomari paper in 1969 at the Mourlot Freres atelier and published by Editions Richelieu in a limited edition of 2400 for the L'Odyssee portfo...

Created in 1965 by Lukyanov and Ostrovsky, Через миры и века “Through worlds and centuries” is a strikingly minimalist Soviet poster that reflects the poetic and ideological dimensio...

Signed oil on board seascape circa 1960 by English post impressionist painter Edward Brian Seago. The work depicts barges racing in the Harwich approaches - a busy deep water channel...

Marc CHAGALL Colorful Bouquet of Flowers Stone lithograph in colors (Mourlot workshop) Engraved by Sorlier under the supervision of Marc Chagall Printed signature in the plate On Arches vellum 38 x 28 cm (c. 15 x 11 in) INFORMATION : Edited for the portfolio Les Peintres mes amis (Les Heures Claires...

American photographer Leonard Freed enjoyed documentary storytelling and as a "concerned photographer" his photography demonstrated humanitarian concerns. Woman Protestor, March on Washington, 1963 by Leonard Freed, is a 14" x 11" gelatin silver photograph, signed and stamped on verso (back of photo) by the estate, Brigitte Freed (wife of the photographer). The photo is in Leonard Freed's book “This Is the Day: The March on Washington'' (p. 50). The photographer travelled to New York, Washington, D.C., and throughout the South, capturing the daily lives of African-Americans. Documenting the 1960s Civil Rights Movement from the East Coast to the Deep South, Freed’s photo essay culminated in the book Black in White America, which contributed to Freed's becoming a well-known documentary photographer of 20th Century America. After Freed’s death in 2006 his widow, Brigitte Freed was inspired to compile a book on the March on Washington from her late husband’s archive because she heard then-Senator former President Barack Obama remark to an audience of civil rights activists, “I stand here because you walked.” The March on Washington series is a powerful visual testimony, capturing protests that culminated in Dr. Martin Luther King Jr.’s “I Have a Dream'' speech, delivered at the base of the Lincoln Memorial. Provenance: Freed estate *** Artist’s Bio: Leonard Freed (1929-2006) was an American photographer from Brooklyn, New York. His "Black in White America" series made him known as a documentarian, a social documentary photographer. Freed worked as a freelance photographer from 1961 onwards and as a Magnum photographer Freed traveled widely abroad and, in the US, photographing African Americans (1964-65), events in Israel (1967-68, 1973), and the New York City police department (1972-79). Freed's coverage of the American civil rights...

Medium: original lithograph. Printed in 1960 for the "Poetes, Peintres, Sculpteurs" issue of the art revue Derriere le Miroir (No. 119) and published in Paris by Maeght. Size: 15 x 2...

This striking Mid-Century Modernist "Untitled Abstract" Vibrant Oil On Canvas Painting signed Cohn originates from the United States, Circa 1960. The painting exudes an untamed vibra...

A beautiful mid 20th century Belgian impressionist oil on board depicting a landscape in the South of France, by Robert Liard. Lovely quality and condition work by this influential B...

Mid Century Modern Chichen Itza Ruins Landscape Wonderful mid century modern abstracted landscape oil painting of the ruins at Chichen Itza by Jose Nacho (Mexican, 20th Century), 19...

Lithograph in colors on Arches wove paper. Hand signed lower right by Marc Chagall. Hand numbered 70/75 lower left. Sheet size: 19.62 x 14.12 inches. Image size: 12 x 9 inches. ...

Vintage American oil painting. Oil on canvas. Framed. Measuring: 14 by 11 inches overall, and 12 by 8.75 painting alone. Unsigned. Excellent condition, ready to hang and enjoy.

Etching on chamois-colored laid paper, realized in 1968/69. Plate from "Faust (La Nuit de Walpurgis), published by Argillet, Paris. Edition of 49/150, hand colored. Hand signed an...

Gouache on paper Francine Ledieu is a French artist born in 1931 who lives and works in Paris, France. In the 50s, she was a student of Maurice Rocher who specialized in Sacred art. In the ’80s, Francine was a student of Jean Bertholle from the Saint Roch Academy. The artist had personal exhibitions at Maison Mansart from 1989 to 1993 and at Étienne de Causans Gallery in 1997. In 1998 & 2009 she exhibited at La Petite Galerie. Francien Ledieu had three exhibitions at La Capitale Gallery in 2001, 2004, and 2007. She also showed her paintings at L’Oeil du Huit in 2011, 2013, 2016 & 2019. She participated in many group exhibitions as at Strasbourg Contemporary Art Fair in 2005. She exhibited also at Réalités Nouvelles in 2006, 2007, 2010 & 2011. She also worked in stained glass and mosaics in France. She achieved artworks in 1963 at Saint-Henri Pontoise chapel, Saint-Pierre des Louvrais church in Pontoise in 1969 & Mosaic in the same year at Jean Moulin...

Collection of inserts from the exhibition catalog, Homage to the Square: 40 New Paintings by Josef Albers, which took place at Sidney Janis Gallery, New York, 1964. Sold as a set of...

Asymmetric Abstract Composition is an original lithograph realized by Marcello Avalani between 1960s and 1970s. Hand-signed in pencil on the lower right margin and numbered in pencil...

A beautiful, large modernist cubist influence oil on canvas still life with potted plant by French artist Jef Friboulet. Striking and excellent quality work, presented in a box frame...

Open window to the city in spring, light, roofs, City, Interior MAYA KOPITZEVA (Gagra, Georgia, 1924 - 2005) Signature in the bottom right corner. Maya kopitzeva’s works have bee...

In-folio Oblong Dimensions : 29x39 cm. Paris Atelier Crommelynck 1968 Edition 35 of 200 copies including 12 original out-of-text etchings (7 etchings, 4 etchings and acquatint and ...

2001 A Space Odyssey Original Vintage 1968 Lobby Card Good condition with very minor signs of wear - see image Original vintage 1968 lobby card from the cult classic film 2001 A S...

Firmado por el artista en la parte inferior Estado de conservación bueno La obra se presenta sin enmarcar Medidas obra: 73 cm altura x 92 cm ancho. ::::::::::::::::::::::::::::::...

Etching and aquatint, 1964 Publisher : La Rose des Vents, Paris Printer : Jean Signovert Catalog : [Schneider XXV] 37.00 cm. x 27.00 cm. 14.57 in. x 10.63 in. (paper) 32.50 cm. x 23...

Oil on canvas, signed lower right. Gérard Souzay (né Gérard Marcel Tisserand le 8 décembre 1918 à Angers, Maine-et-Loire, et mort le 17 août 2004 à Antib...

Joan Miró Astre et Fumée (Star and Smoke), 1967 Etching, aquatint and carborundum in colours on Mandeure rag paper Hand signed lower right Edition HC Sheet size 75 x 56 cm Published ...

Lithograph, 1969 Handsigned by the artist in pencil and numbered 26/80 Publisher : Galerie Im Erker (Saint-Gallen) Printer : Erker-Press (Saint-Gallen) Catalog : [Schneider 76] 87....

From David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio, an image from the story of Rapunzel. This composition is sourced from Paolo Uccello’s St George and...

Picturesque landscape watercolor painting of a bird's eye view of a charming rural town by artist Wilhelm Kloden, circa 1960. Unsigned. Original one-of-a-kind vintage work of art on...

Color lithograph on Arches paper, edited in 1967. by Charles Sorlier after Marc Chagall 
Limited edition, numbered XLII/LXXV in lower left corner.
 Hand-signed by artist in pencil in...

Medium: original lithograph. Printed on Arjomari paper in 1969 at the Mourlot Freres atelier and published by Editions Richelieu in a limited edition of 2400 for the L'Odyssee portfo...

Medium: lithograph (after the drawing). Printed in 1966 for the art revue Derriere le Miroir (issue no. 161) and published in Paris by Maeght. Size: 15 x 11 inches (378 x 277 mm). Th...

CHARLES LEVIER – UNTITLED STREET SCENE Oil on Board ⚜ Signed Lower Right ⚜ Original Gilt Frame A VIBRANT MIDCENTURY CITYSCAPE BY A MODERN MASTER This original oil on board by Charle...

An original vintage gelatin silver portrait photograph depicting Jim Morrison (1943–1971), legendary frontman of The Doors, photographed by Linda McCartney in 1968. Captured during t...

19 Septembre 1968 (Peintre et modèle qui se cache le visage) is an artwork realized by Pablo Picasso in 1968. Black and white etching. Hand signed and numbered on the lower margin....

Medium: original lithograph. This is one of the Alexander Calder lithographs from his "Stabiles" series, printed in 1963 for the art revue Derriere le Miroir (issue number 141) and p...

Medium: original lithograph. Printed in Paris in 1967 at the atelier of Clot, Bramsen et Georges and published in an edition of 2500 for "Les Temps Situationistes" (The Situationist ...

This powerful original lithograph by Bernard Venet exemplifies the artist’s signature exploration of line, gesture, and abstraction. Renowned for his conceptual rigor and minimalist ...

Mane-Katz (1894-1962) Original Lithograph published by Andre Sauret, Monte Carlo, 1966, printed in France, by Mourlot. The ouvrage sheet is not included. this is from a limited editi...

Original Andrew Wyeth watercolor, "Station Road," 19.5 x 27.5 inches. Painted on Tom Clark's property in Chadds Ford, PA. Thomas "Tom" Clark (1876-1962) was a farmer and resident of ...