1960s Art

Mid Century Modern abstract expressionist oil painting. Oil on canvas, circa 1960. Unsigned. Unframed.

Antique American school vegetable still life painting. Oil on canvas, circa 1960. Unsigned. Image size, 20L x 10H. Housed in a period modern heydenryk frame.

Medium: original lithograph. Printed in 1964 and published by Eberhard Kornfeld for the 1 Cent Life portfolio in an edition of 2000. Size: 16 x 11 3/8 inches (408 x 289 mm). There is...

Image dimensions: 70x50 cm. Hand signed and numbered. Edition of 50 prints, numbered and hand signed. Dedicated to Nesto Jacometti. Ref. Abrams n.80. Rare and in excellent conditions.

A beautiful 1960's English oil on canvas depicting a surrealist landscape with rainbow and gilt framed painting on a wall. A stunning and unusual painting presented in a bespoke gilt...

Lithograph in colors on Arches wove paper. Hand signed lower right by Marc Chagall. Hand numbered 70/75 lower left. Sheet size: 19.62 x 14.12 inches. Image size: 12 x 9 inches. ...

Fauvist Grapes and Bananas, Mid Century Modern Impasto Fruit Still-Life Wonderful vibrant fauvist mid century modern still-life of a plate with grapes and bananas by California arti...

Sigmund Shawkey (American, 1914-2000) Reflections, c. 1960 Tempera on paper Signed lower right 18.5 x 24.75 inches 25.75 x 29.25 inches, framed Exhibited: The 42nd Annual May Show,...

Title Ceremony in Ibiza Artist Ignacio Gil Sala (1913–2003) Date 1960 Medium Oil on canvas Dimensions Height: 60 cm (23.63 in) Width: 73 cm (28.75 in) ...

Aubrey Schwartz, American (1928 - 2019) - Wild Flowers VII, Year: 1966, Medium: Etching, signed and numbered in pencil, Edition: 28/100, Image Size: 4.75 x 3.75 inches, Size: 14 x 1...

Le Buste, from the Series "Faust" (La Nuit de Walpurgis), is an artwork realized in 1968/69. Etching, Drypoint, Watercolor and Roulette on Japon Paper. Hand signed and numbered. Ed...

French watercolor scene of day at the races, circa 1960. Original artwork on paper displayed on a white mat with a gold border. Mat fits a standard-size...

Antique American modernist abstract oil painting. Oil on canvas. Framed. Signed. Measuring 48 by 48 inches overall and 40 by 40 painting alone. In excellent original condition. Hands...

A beautiful large c.1960 French oil on paper laid on board cubist influenced landscape by Oleg Zinger. The work depicts a summer landscape with white build...

Abstract composition is a fine and beautiful watercolor and tempera on paper realized by Mark Tobey in 1960. Signed and dated Tobey lower right. Certificate of authenticity by Mark ...

André DUNOYER DE SEGONZAC (1884-1974) The Little Road, 1965 Lithograph (Mourlot workshop) Signed in the plate On vellum 50 x 65 cm (c. 19.7 x 25.6 in) Excellent condition

Vintage abstract expressionist etherial oil painting by Piry Rame (1921 - 2001). Oil on canvas, circa 1960. Signed on verso. Image size, 21L x 16H. Housed in a period frame.

Pedro Lazcano (1909-1970) San Antonio Artist Image Size: 16 x 20 Frame Size: 23 x 27 Medium: Oil on Canvas "Bluebonnet and Huisache" Texas Hill Country Pedro Lazcano (1909-1970) I wa...

Lithograph from the book ' The Posters of Toulouse-Lautrec', lithography by Mourlot Freres. Aristide Bruant was a French cabaret singer, comedian, and nightclub owner. He has been c...

Staircase in Taormina Sicily 1967 Artist signed lower right corner, canvas size (36x 40). Original vintage frame. Nicola Simbari was born in Italy and grow up in Rome. He studied a...

Vibrant Landscape With Three Suns Canvas 30x36 inches, 22K gold leaf Motyka frame 38.5x44.5 inches, artist signed lower right corner.. One of Sobel best and also early landscape pai...

This captivating mid-century Spanish painting by Alfredo Opisso immerses the viewer in the lively atmosphere of a café or bar, where figures gather to drink, sing, and dance. Rendere...

4009 Colorful bouquet of flowers on canvas

Henri Matisse Tree Lithograph in colors (printed in Atelier Mourlot) Signed in the plate Edition of 250 copies On Arches vellum 38 x 28 cm (c. 15 x 11 in) Very good condition INFO...

Mid Century Don Quixote Portrait Spanish Catalan Expressionist Oil TECHNICAL SHEET Oil on canvas Mid-20th century 55 × 33 cm (21.7 × 13 in) Frame: 58 × 36 cm (22.8 × 14.2 in) Signed lower right Metal frame with matte finish Very good overall condition DESCRIPTION Striking Mid-Century modernist interpretation of Don Quixote by Jaume Muxart, executed in a strong Catalan Neo-Figurative Expressionist language characteristic of Spanish post-war painting. The elongated vertical figure is constructed through palette-knife structure and dense impasto, reducing Cervantes’ legendary knight to a symbolic psychological presence rather than a literal portrait. The helmet-like white head emerging from a deep burgundy background creates a dramatic apparition typical of Muxart’s mature figurative period. The figure represents Don Quixote as an existential literary archetype frequently explored in Spanish modern painting and particularly within the renewal of Catalan modern art associated with artists connected to the Grupo Taüll, one of the key movements in the evolution of post-war avant-garde painting in Barcelona. Compact in scale but visually intense, the painting combines strong decorative presence with the intellectual depth characteristic of Muxart’s Quixote interpretations. ARTIST BIO Jaume Muxart (1922–2019) was a major Catalan painter and founding member of the influential Grupo Taüll, alongside Antoni Tàpies, Modest Cuixart, Josep Guinovart and Joan-Josep Tharrats. After early exhibitions in Barcelona in the late 1940s he travelled to Paris on scholarship, where he encountered the international avant-garde that shaped his expressive language. He later represented Spain at the São Paulo Biennial and exhibited widely across Europe and the Americas. Muxart served as professor and later dean of the Faculty of Fine Arts at the University of Barcelona and became a member of the Royal Catalan Academy of Fine Arts of Sant Jordi. His work is held in numerous institutional and private collections. ARTISTIC CONTEXT / INSPIRATION This painting belongs to the expressive Neo-Figurative tradition developed in post-war Spain and Catalonia, where literary archetypes such as Don Quixote became vehicles for psychological and symbolic exploration. Comparable resonances can be found in the structural figuration of Bernard Buffet, the expressive intensity of Antonio Saura, and the material experimentation associated with Antoni Tàpies, Modest Cuixart and Josep Guinovart within the post-war Catalan avant-garde. don quixote painting...

circa 1964: New York DJ Slim Hyatt at work in Shepheard's night club whose decor recreates a famous Cairo bar. Two gold and turquoise sphinxes flank the DJ, who is posed behind two record players and before a glittering sculpture. Hyatt is often credited as the first disco DJ in the US. Initially hired by Oliver Coquelin upon the opening of Le Club, Hyatt quickly became one of the most revered figures in the emerging disco scene. He also DJed at Doubles from 1984 to 1995, and has been called by the painter and bandleader Peter Duchin “the first discotheque artist in New York." Slim and Sphinx, 1964 Slim Aarons Estate Edition Photograph Stamped and hand numbered by the Slim Aarons Estate. Certificate of Authenticity included. Chromogenic Lambda C-type print on Fuji Crystal Archive Paper Crisp detail, continuous tone and brilliant color Paper weight 210gms Matte Satin Surface Printed Later Collector will get the next number in the edition Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure, a history of glamour that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. Complimentary dealer shipping to your framer. Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Aarons began his career as a combat photographer in World War II. Though he earned a Purple Heart for his service, he declared that combat had taught him that the only beach worth landing on was decorated with beautiful people enjoying themselves in the sun. Increasingly known for his influence, Aarons's casually glamorous jetset aesthetic can be seen today in fashion, art, and celebrity photography. Recent articles credit his work with inspiring the casually flawless style of top Instagram influencers, full of sunshine and escapism. Photograph is unframed Slide show includes a close-up of the Slim Aarons estate's stamp. Collector will get the next number in the edition * We are pleased to offer the entire archive of the Slim Aarons Estate, offering the official Slim Aarons Estate Edition (only offered in this edition of 150). Please contact us for additional photographs from Slim Aarons * Internal: Vintage New York, Vintage glamour, 60's glamour, Vintage DJ...

Vintage impressionist dock scene painting. Oil on canvas. Framed. No signature found.

An original mid century impressionist painting depicting midtown Manhattan and a view of the Empire State Building by Chinese American artist Chuck Fee Wong. Benjaman Gallery...

Original oil on canvas painting of the Moulin Rouge located in Paris, France. Rocco is an Italian born artist known primarily for his paintings of Paris landmarks and street scenes ...

“Wash Day” subject by Louisiana folk artist Clementine Hunter (1887-1988). This work is oil on board measuring 10 x 12. Frame is 10 3/4 x 12 3/4. The work is well done and a good rep...

Artist: Ellsworth Kelly (1923–2015) Title: Green, Yellow (Vert, Jaune) Year: 1964 Medium: Lithograph on velin paper Paper Size: 15 x 11 inches (38.1 x 27.94 cm) Condition: Well prese...

'Nude Woman at Home', oil on fine paper (1969), by Raymond Debiève. In a clear nod to Picasso's influence both stylistically and in terms of subject matter (Picasso painted many work...

'Bouquet of Flowers', oil on canvas, by the French artist Isis Kischka (1963). This work reflects a post-war French modernist sensibility, with a graphic treatment of form and restra...

Salvador Dali (1904-1989) - Tete de Veau (Calf's Head) Drypoint etching and watercolor from 1968. The edition 25/145. Dimensions of work: 38.5 x 28.5 cm. Hand signed. The work i...

Robert Indiana Purim: The Four Facets of Esther (I) (Sheehan, 36), 1966 Color silkscreen on off white wove paper Printed by Stephen Poleskie, Chiron Press, New York. Published by The...

Artist: John Kinnear, Canadian (1922 - 2003) Title: Highland Figures Medium: Acrylic on masonite, signed lower right Date: circa 1960 Image Size: 22 x 38 ...

Le Peintre Flamand is an original contemporary artwork realized in 1969 by Antoni Clavé. A mixed colored lithograph on vélin d'Arches. Artist Proof...

Etching and drypoint with roulette on Japanese paper from the Series "Faust" (Walpurgis Night). Image dimension 32x24 cm. Hand signed in pencil Artist proof. Blindstamp "Dali", ou...

A. Rigollot (France, 20th Century) designed this superb post-cubist and colorist abstract oil on board painting. Colorist painting is characterized by intense color use, which become...

First edition exhibition poster designed and created by Man Ray for the opening of the Los Angeles County Museum of Art in 1966. It is unsigned and not numbered. An undetermined amou...

1960s Italian Signed Dated and Autenticated Painting Mino Maccari work Three stylized figures Work by the Sienese artist Mino Maccari, signed at the bottom right Maccari 1969. Mixed ...

6048 French oversized rosed filled boquet Set in an ornate frame. Image size 23,5x29.5"

Antique American school abstract oil painting. Oil on board. Signed verso. Framed. Measuring: 31 by 34 inches overall, and 26.5 by 29.5 painting alone. Excellent condition, ready to...

Artist: Ludwig Wilding, German (1927 - 2010) Title: Untitled - Circle Year: 1967 Medium: Lithograph, signed and numbered in pencil Edition: 38/100 Image Size: 15.5 x 15.5 inches Size...

Artist: Marc Chagall (after) Title: Carnaval of Flowers Portfolio: Nice and the Cote d'Azur Medium: Lithograph Date: 1967 Edition: Unsigned and unnumbered proof (aside from the editi...

Pietro Consagra (Italian, 1920-2005). Hand signed in pencil and numbered limited edition color lithograph on Magnani paper. Embossed stamp with limited edition numbers in pencil to lower left, and having artist pencil signature to lower right. (from a limited edition of 80 with 15 artist's proofs) Published by Stamperia 2RC, Rome Italy and Marlborough Gallery, Rome, Italy. Abstract Modernist work in colors, produced in the style of the Forma art movement of Postwar Italy, of which the artist was a prominent member. Pietro Consagra (1920 – 2005) was an Italian Post war artist working in painting, printmaking and sculpture. In 1947 he was among the founding members of the Forma 1 group of artists, proponents of structured abstraction. (similar to the Art Informel and Art Brut in France and the Brutalist artists) Consagra was born on 6 October 1920 in Mazara del Vallo, in the province of Trapani in south-western Sicily, to Luigi Consagra and Maria Lentini. From 1931 he enrolled in a trade school for sailors, studying first to become a mechanic, and later to become a captain. In 1938 he moved to Palermo, where he enrolled in the liceo artistico; despite an attack of tuberculosis, he graduated in 1941, and in the same year signed up at the Accademia di Belle Arti, where he studied sculpture under Archimede Campini. After the Invasion of Sicily and the Allied occupation of Palermo in 1943, Consagra found work as a caricaturist for the American Red Cross club of the city; he also joined the Italian Communist Party. Early in 1944, armed with a letter of introduction from an American officer, he travelled to Rome. There he came into contact with the Sicilian artist Concetto Maugeri, and through him with Renato Guttuso, who was also Sicilian and who introduced him to the intellectual life of the city and to other postwar artists such as Leoncillo Leonardi, Mario Mafai and Giulio Turcato. Consagra signed up at the Accademia di Belle Arti di Roma in September 1944 and studied sculpture there under Michele Guerrisi, but left before completing his diploma. In 1947, with Carla Accardi, Ugo Attardi, Piero Dorazio, Mino Guerrini, Achille Perilli, Antonio Sanfilippo and Giulio Turcato, Consagra started the artist's group Forma 1, which advocated both Marxism and structured abstraction. Steadily Consagra's work began to find an audience. Working primarily in metal, and later in marble and wood, his thin, roughly carved reliefs, began to be collected by Peggy Guggenheim and other important patrons of the arts. He showed at the Venice Biennale eleven times between 1950 and 1993, and in 1960 won the sculpture prize at the exhibition. During the 1960s he was associated with the Continuità group, an offshoot of Forma I, and in 1967 taught at the School of Arts in Minneapolis. Large commissions allowed him to begin working on a more monumental scale, and works of his were installed in the courtyard of the Foreign Ministry in Rome and in the European Parliament, Strasbourg. His work is found in the collections of The Tate Gallery, London, in Museo Cantonale d'Arte of Lugano and the Museum of Modern Art, Paris, and the National Gallery of Art in Washington, D.C.. Consagra returned to Sicily where he sculpted a number of significant works during the 1980s. With Senator Ludovico Corrao, he helped created an open-air museum in the new town of Gibellina, after the older town had been destroyed in the earthquake of 1968. Consagra designed the gates to the town's entrance, the building named "Meeting" and the gates to the cemetery, where he was later buried. In 1952 Consagra published La necessità della scultura ("the need for sculpture"), a response to the essay La scultura lingua morta ("sculpture, a dead language"), published in 1945 by Arturo Martini. Other works include L'agguato c'è ("the snare exists", 1960), and La città frontale ("the frontal city", 1969). His autobiography, Vita Mia, was published by Feltrinelli in 1980. In 1989 a substantial retrospective exhibition of work by Consagra was shown at the Galleria Nazionale d'Arte Moderna in Rome; in 1993 a permanent exhibition of his work was installed there. In 1991 his work was shown in the Hermitage Museum in St. Petersburg. In 2002 the Galerie der Stadt Stuttgart opened a permanent exhibition of his work. He was one of ten artists invited by Giovanni Carandente, along with David Smith, Alexander Calder, Arnaldo Pomodoro, Lynn Chadwick, and Beverly Pepper, to fabricate works in Italsider factories in Italy for an outdoor exhibition, "Sculture nella città", held in Spoleto during the summer of 1962. He was included in the The 1962 International Prize for Sculpture the jury included Argan, Romero Brest and James Johnson Sweeney the former director of the Solomon R. Guggenheim Museum in New York. The participants included Louise Nevelson and John Chamberlain for the United States; Lygia Clark for Brazil; Pietro Consagra, Lucio Fontana, Nino Franchina, and Gió Pomodoro for Italy; Pablo Serrano for Spain; and Eduardo Paolozzi, William Turnbull, and Kenneth Armitage for England. Gyula Kosice, Noemí Gerstein...

Pablo Picasso Grande Tête De Femme Au Chapeau Orné (Woman’s Big Head with Decked Hat), 1964 A.R. 518 is a remarkable and beautiful work. It represents Picasso’s most important relati...

Impressive early American modernist abstract oil painting. Framed. Oil on board. Image size, 36H by 28L.

Etching on chamois-colored laid paper, realized by Dalì in 1968/69. Plate from "Faust (La Nuit de Walpurgis), published by Argillet, Paris. Edition of 49/150, hand colored. Hand s...

Vintage American modernist surreal figural painting. Oil on canvas. Signed. Framed. Provenance from a Sag Harbor, NY collection. Measuring: 23 by 29 inches overall. Handsomely frame...

Artist: Ellsworth Kelly Title: Composition (Axsom No. I-A) Year: 1964 Dimensions: 15in. by 11in. Mount Board Size Inches: 20 x 16 inches Mount Board Color: White/Black Print Border...

This is the original, historic silkscreen poster from Robert Indiana's historic 1966 LOVE exhibition at the Stable Gallery in New York. The print itself was published in a very limit...

Clarence Holbrook Carter (American, 1904–2000) Over and Above: No. 6, 1963 Oil, sand & fish bones on canvas Signed and dated upper left 53 x 31 inches Clarence Holbrook Carter achie...

A beautiful large 1960's Modern Belgian surrealist oil on board depicting a skull, bottles and other objects in a landscape, by Noëlle Verheggen. The work signed lower right and pr...

Signed lower left, 'Marguerite Bordet' (French, 1909-2014) and painted circa 1965. Titled, on old label, 'Le Modele'. Previously with: Crocker Galleries, CA From an early age, Marguerite Bordet avidly pursued both drawing and painting. In the late 1930's and early '40s, she attended the Académie de la Grande Chaumière in Paris where she studied with the sculptor, Antoniucci Volti (Italian, 1915-1989). After several years, and feeling increasingly disconnected with the academic atmosphere of the Salon, she left to develop her independent artistic style. Bordet's first public exhibition took place at the Galerie Claude (1947) and, for the next forty years, she continued to exhibit widely with success, both throughout France and internationally, including in Cairo (1955), Geneva (1960) and the United States (1966). A 1962 exhibition of her work showed a thematic rejection of the Academy's influence and the artist's shift to a more personal and spiritually driven style. Bordet continued to take frequent study trips to Italy, especially to Florence, where she was inspired by the Renaissance Masters. She also visited England (1975-76) where the works of J.M.W.Turner and John Martin at the Tate Museum had a pronounced impact on her development. In an interview with Hervé Serane, Marguerite Bordet described her artistic process in these words: "I start my painting with spots. Sometimes I cover it completely and everything is dark. But then it's stronger than me, I can't bear that there isn't an opening. Immediately, I place a Light. I need the shadow to bring out the Light. So I start with the shadow to create this Light. I cannot define why I need this Light so much. It's stronger than me. It's something that dominates me without my being able to explain it intellectually. It is for me an absolute necessity to seek the Light in the darkness.. You have to open like you open a window. You have to reveal. I remove the stains that obscure my painting to find the luminous background of the canvas.... I only paint with transparent colors and I apply several layers of glaze to preserve this light." Partial Exhibition Record: 1947 Paris, Galerie Claude 1951 Paris, Galerie Breteau - Cairo, Galerie Adam - Alexandria, l'Atelier 1954 Paris, Galerie Simone Bdinier 1955 Cairo, l'Atelier 1959 Paris, Galerie A. Weil 1960 Geneva, Galerie Motte 1962 Paris, Marignan Gallery 1964 Paris, Ror Volmar Gallery 1966 San Rafael (U.SA) International Museum 1966 Cagnes-sur-Mer, Castle Gallery...

Sunny seascape of seagulls over ocean waves breaking on the coast by Joe Hazel Conrad (American, 20th century). Presented in a wood frame. Signed ...

Anne Youkeles Gemini, ca. 1969 Three-dimensional mixed media silkscreen on folded sheets of thin card Hand-signed by artist in pencil, titled and annotated Artist's Proof I from the ...

"Figures" is an original woodcut artwork realized in 1969 by Mino Maccari (1898-1989). Hand-signed on the lower right in pencil, dated and numbered on the lower left, edition of 48...

Impressive early American modernist abstract geometric oil painting. Framed. Oil on canvas.

#5-2752b Tuscan Country House Landscape, a country scene painting , oil on artist board displayed in a gilt-silver wood frame, signed lower left by Wane. Image size 17 H x 12.5 W