1960s Art

Original Air France Grece vintage travel poster. Linen-backed original travel poster by Air France to Greece. Stylized Greek columns and the Parthenon in Athens, Greece sit on a mediterranean blue background. Very good condition, A- Ready to frame. Edges were trimmed at the time of linen backing. The creation of this poster was part of a larger series initiated by Pierre Sautet, the Deputy Commercial Director of Air France. Mathieu began working on these posters a year earlier and completed the series in 1967. Air France is France's flag carrier airline, one of the world's largest and most well-known airlines. Established in 1933, the airline has a rich history and has played a significant role in the development of international air travel. Air France often featured a distinctive style that reflected the cultural and artistic trends of the time. From the Art Deco elegance of the 1930s to the vibrant colors and bold designs of the 1960s, these posters represent the changing aesthetics over the decades. Due to their artistic quality and historical significance, Air France vintage posters...

This late 1960s photograph, captured by society photographer Slim Aarons, features women in colourful hats at an apres ski party in Snowmass Village, in Pitkin County, Colorado, in M...

Punctuated by documentary photo essays such as Black in White America, Fire Hydrant is one of Leonard Freed's most iconic in the Harlem, New York series. Two children enjoy a blissf...

SADAO WATANABE (Japanese 1913-1996) GIRLS WITH LOTS OF QUAILS, 1965 鶉と少女 Hand colored stencil print on momigami textured paper. Signed and numbered in white. Edition 50, Image 17 x 2...

Scarce and coveted 1960s Pop Art print: Robert Rauschenberg Test Stone #6 (Blue Cloud) from the Booster and 7 Studies Series (Foster, 45, G:33), 1967 Lithograph on domestic etching ...

Salvador DALI (1904-1969) Casanova : Birdy on the Tongue, 1967 Original etching Printed signature in the plate On Rives vellum 38 x 28 cm (c. 14.9 x 11 inch) REFERENCES : - Catalog...

This exquisite lithograph by Marc Chagall (1887–1985), titled Nocturne a Vence (Nocturne in Vence), from the album The Lithographs of Chagall, Volume II, originates from the 1963 edi...

Vintage American modernist abstract oil painting. Oil on board. Framed. Provenance from a Sag Harbor, NY collection. Handsomely framed in minimal molding. Excellent condition, rea...

Pablo Picasso (1881-1973) - Matadores Lithograph with quadrochromy from 1961. Dimensions of sheet: 37.9 x 27 cm Dimensions in frame: 53.2 x 43.2 cm Publisher: Éditions Cercle d'A...

Listing is for an unframed print and includes free shipping to the continental US and 14-day return policy. Julian Wasser Eve Babitz and Marcel Duchamp pl...

This striking 1966 Soviet poster, proclaiming “Шлях до Місяця прокладено” (“The path to the Moon is traced”), is a bold visual statement from the height of the Space Race. Created at...

This exquisite lithograph after Andrew Wyeth (1917–2009), titled Burning Off, originates from the distinguished 1962 folio The Four Seasons: Paintings and Drawings by Andrew Wyeth. Published and printed by Art in America Company, Inc., New York, the edition captures Wyeth’s poetic meditation on atmosphere and transformation. Burning Off depicts a summer morning’s sea fog gradually lifting from the landscape, revealing the tranquil geometry of field and horizon. Through restrained tonal contrasts and delicate textural nuance, Wyeth conveys both the mystery and stillness of the natural world in transition. Executed on velin paper, this lithograph measures 17 x 13 inches (43.2 x 33 cm). As issued, it is unsigned and unnumbered, representing the folio’s authentic format. The Four Seasons series was conceived by the editors of Art in America in collaboration with Andrew and Betsy Wyeth, who selected drawings from the artist’s studio and personal collection to embody the cyclical poetry of the seasons. Each image reflects Wyeth’s profound sensitivity to light, time, and emotion—his ability to evoke the spiritual essence of landscape through quiet realism. Artwork Details: Artist: After Andrew Wyeth (1917–2009) Title: Burning Off, from The Four Seasons, Paintings and Drawings by Andrew Wyeth, 1962 Medium: Lithograph on velin paper Dimensions: 17 x 13 inches (43.2 x 33 cm) Inscription: Unsigned and unnumbered, as issued Date: 1962 Publisher: Art in America Company, Inc., New York Printer: Art in America Company, Inc., New York Condition: Well preserved, consistent with age and medium Provenance: From the 1962 folio The Four Seasons, Paintings and Drawings by Andrew Wyeth, published and printed by Art in America Company, Inc., New York Notes: Excerpted from the 1962 folio: "In 1962 the editors of Art in America proposed to Wyeth a portfolio of images of his recent dry-brush drawings. The artist and his wife suggested the theme, 'The Four Seasons,' because of the essential role played in his work by the cycle of the seasons. The drawings were selected by Andrew and Betsy Wyeth from works in the house and studio at Chadds Ford, supplemented by some owned by friends. With a few exceptions they had never been exhibited or reproduced. The plates were made directly from the originals. In these drawings Wyeth's loving concentration on the object is fully revealed. But as always in his work, this concern with the tangible is balanced by sensibility to mood, to the emotion arising from the actual. They are pervaded with a sense of the season—the exact time of year, the hour of the day, the quality of the light. To the truth and subtlety with which he captures these intangible factors, these drawings owe their poignant poetry." About the Artist: Andrew Wyeth (1917–2009) was an American visual artist and one of the best-known painters of the mid-20th century. Although he considered himself an abstractionist, Wyeth’s work is characterized by a meticulous realism imbued with psychological depth and atmosphere. He often painted the landscapes and people surrounding his homes in Chadds Ford, Pennsylvania, and Cushing, Maine, creating an intimate record of American rural life. The son of the celebrated illustrator N. C. Wyeth, Andrew trained under his father before developing his own deeply personal visual language inspired by Winslow Homer, Henry David Thoreau, and King Vidor. His wife, Betsy Wyeth, was both his muse and career manager, while his son Jamie Wyeth continued the family’s artistic legacy. Among Wyeth’s best-known works is Christina’s World (1948), housed in the Museum of Modern Art, New York—a quintessential image of 20th-century American art. His other notable series include The Helga Pictures and his window studies, each reflecting a profound meditation on solitude, memory, and perception. Wyeth was the first painter to receive both the Presidential Medal of Freedom and the Congressional Gold Medal, and was elected to the French Académie des Beaux-Arts in 1980. In 2022, Andrew Wyeth's painting Day Dream sold for USD 23.29 million at Christie’s New York, setting a world record for the artist. Andrew Wyeth lithograph...

“Untitled, 1966” by Carolee Schneemann (American, 1939-2019) A rare, early collage by Carolee Schneemann composed of ribbons, film, and gift-wrapping paper. The piece is an explosio...

This exquisite lithograph after Rene Magritte (1898–1967), titled Ma Mere lOye (My Mother Goose), from the folio Les Enfants Trouves de Magritte (The Found Children of Magritte), 1968, originates from the edition published by A.C. Mazo et Cie, Paris, and printed by Mourlot Freres, Paris, on November 20, 1968. The work embodies Magrittes sustained inquiry into semiotics and visual epistemology, translating his characteristic strategies of displacement, symbolic inversion, and conceptual ambiguity into an image that operates as both a poetic metaphor and a philosophical proposition concerning the instability of meaning. Executed as a lithograph on grand velin dArches paper, this work measures 17.5 x 23.5 inches (44.5 x 59.7 cm). Signed in the plate by the artist; hand signed by Fernand Mourlot, Editeur. The edition exemplifies the technical mastery of the Mourlot atelier. Artwork Details: Artist: After Rene Magritte (1898–1967) Title: Ma Mere lOye (My Mother Goose), from the folio Les Enfants Trouves de Magritte (The Found Children of Magritte) Medium: Lithograph on grand velin dArches paper Dimensions: 17.5 x 23.5 inches (44.5 x 59.7 cm) Inscription: Signed in the plate by the artist; hand signed by Fernand Mourlot, Editeur Date: 1968 Publisher: A.C. Mazo et Cie, Paris Printer: Mourlot Freres, Paris Catalogue Raisonne: Magritte, Rene, et al. Rene Magritte: Catalogue Raisonne, Vol. 3. Menil Foundation; Philip Wilson Publishers; Distributed in the USA and Canada by Rizzoli International, 1992, nos. 791–792 and 1056; vol. 5, p. 218, Bibliography entry 68.28. Condition: Well preserved, consistent with age and medium Provenance: From the folio Les Enfants Trouves de Magritte, 1968 Notes: Excerpted from the folio (translated from French), Finished printing in Paris on November 20, 1968, on the presses of Mourlot, for the lithographs. The unpublished text by Louis Scutenaire was composed in Elzevir Casion corps 28 and printed by Fequet et Baudier, typographers. The unpublished compositions numbered from I to IV were specially made by Rene Magritte for this album. The compositions of the Enchanted Domain, are the renderings of the eight paintings of the mural of the Casino de Knokke. They were printed with the benevolent authorization of Mr. Gustave J. Nellens. Justification of the draw, this album was taken from CCCL examples on grand velin dArches numbered from I to CCCL, plus a few examples for collaborators and assistants. About the Publication: Les Enfants Trouves de Magritte (The Found Children of Magritte), published in 1968 by A.C. Mazo et Cie, Paris, represents one of the most significant late life print projects devoted to Rene Magrittes work. Conceived as both a literary and visual tribute, the folio pairs texts by the Belgian writer Louis Scutenaire, Magrittes close friend and fellow Surrealist, with lithographic interpretations produced at the Mourlot atelier, the premier lithographic workshop of twentieth century France. The album includes compositions by Magritte alongside lithographic renderings of the celebrated Enchanted Domain mural from the Casino de Knokke, printed with the authorization of Gustave J. Nellens, who commissioned the original mural. Issued in a single edition of CCCL examples on grand velin dArches, the folio stands as a testament to the collaboration between artist, writer, publisher, and master printer, and remains one of the most culturally important Surrealist print albums of the post war era. About the Artist: Rene Magritte (1898–1967) was a Belgian Surrealist painter whose visionary, intellectual, and poetic imagery redefined twentieth century art and forever changed how the world perceives reality and illusion. Celebrated for his calm precision and thought provoking juxtapositions of ordinary objects in extraordinary contexts, Magritte used painting as a philosophical tool, transforming the everyday into visual paradoxes that challenged the boundaries between what is seen and what is known. Born in Lessines, Belgium, and trained at the Academie Royale des Beaux Arts in Brussels, he absorbed early influences from Cubism, Futurism, and Symbolism before embracing Surrealism, where he found his true voice. In Paris, he became part of the avant garde circle that included Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—all artists whose radical ideas helped him forge his distinctive synthesis of logic and mystery. Unlike Dalis dream...

Signed and titled fauvist oil on canvas figures in landscape circa 1965 by Spanish painter Carlos Nadal. The work depicts a view of bathers and beach huts along a golden stretch of s...

ARTIST: Salvador Dali TITLE: Flora Dalinae Lilium Musicum MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: 26/200 MEASUREMENTS: 30.25" x 22" YEAR: 1968 FRAMED: No CONDITI...

This exquisite lithograph by Andre Dunoyer de Segonzac (1884–1974), titled Paris le Pont Neuf (Paris, the Pont Neuf), from Regards Sur Paris (Views of Paris), originates from the Jan...

The picture is an edition ( Edit. of 50) and part of a book about NYC, which Kallay done in 1965 for a German book publisher.

This is a limited edition 16 x 20 inch print of Joan Didion by photographer Julian Wasser shot for her iconic interview with TIME in 1968. Listing includes free shipping to the continental US and a 14-day return policy. Please inquire for framing options or international shipments. We offer framing services through our New York location. Joan Didion by Julian Wasser Gelatin Silver Print Paper Size: 16 x 20 inches Image Size: 11.5 x 17.5 inches Edition 9 of 15 Signed and on the back by Julian Wasser and editioned on adhesive certificate History Behind the Photograph - Julian Wasser started his career in photography in the Washington DC bureau of the Associated Press where he met and accompanied the famous news photographer Weegee – who would become a lasting influence on him. In the mid-60s Wasser moved to Los Angeles as a contract photographer for TIME, LIFE, and FORTUNE magazines and becoming internationally known as the go to guy for getting candid but memorably composed photographs. (His iconic images of Jack Nicholson and Anjelica Huston; Marcel Duchamp and Eve Babitz...

Marc Chagall (1887-1985) - Le Verger (The Orchard) from Daphnis and Chloë. Lithograph from 1961. The edition of 34/60 on Arches paper with wide margins. Dimensions of work: 53.7 x...

This exquisite lithograph by Pablo Picasso (1881–1973), titled Masque (Mask), from the album Picasso Lithographe IV, 1956-1963 (Picasso Lithographer IV, 1956-1963), originates from t...

Medium: lithograph (after the watercolor). Printed in 1962 at the Mourlot atelier for "Jerusalem Windows". This piece was executed by Chagall in preparation for his famous stained-gl...

Medium: original lithograph. Printed in 1961 for Derrière le Miroir (issue number 124) and published in Paris by Maeght. Image size: 8 x 10 1/2 inches. Sheet size: 15 x 11 inches (37...

This exquisite lithograph by Marc Chagall (1887–1985), titled Vision de Paris (Vision of Paris), from The Lithographs of Chagall I, originates from the October 1960 issue published b...

This exquisite lithograph by Marc Chagall (1887–1985), titled Paradise II (Paradise II), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. X, No. 37-38, originates from the July 29, 1960 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1960. This visionary composition reflects Chagall’s poetic interpretation of the biblical paradise, evoking a realm of harmony, innocence, and divine presence through his luminous color and dreamlike symbolism. The flowing forms and radiant imagery convey a sense of spiritual unity and transcendence, capturing the timeless serenity and mystical beauty of Eden within Chagall’s distinctive visual language. Infused with movement and lyricism, the work transforms sacred narrative into a meditative vision of paradise and the enduring connection between humanity and the divine. The piece forms part of Chagall’s celebrated series of lithographs and drawings created for Dessins Pour La Bible, a monumental project uniting art, scripture, and mysticism in one of the artist’s most important achievements. Executed as a lithograph on velin du Marais paper, this work measures 14 x 10.5 inches (35.56 x 26.67 cm). Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of the Mourlot Freres atelier, renowned for its collaborations with the greatest modern masters of the 20th century. Artwork Details: Artist: Marc Chagall (1887–1985) Title: Paradise II (Paradise II), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. X, No. 37-38, July 29, 1960 Medium: Lithograph on velin du Marais paper Dimensions: 14 x 10.5 inches (35.56 x 26.67 cm) Inscription: Unsigned and unnumbered as issued Date: 1960 Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne references: Chagall, Marc, et al. Chagall Lithographe. Andre Sauret, 1960-1986, illustration 230-276. Cramer, Patrick, and Meret Meyer. Marc Chagall: Catalogue Raisonne des Livres Illustres. P. Cramer ed., 1995, illustration 42. Condition: Well preserved, consistent with age and medium Provenance: From Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. X, No. 37-38, published by Editions de la revue Verve, Paris, 1960 Notes: Excerpted from the folio (translated from French), This double issue of Verve includes the drawings that Marc Chagall executed in 1958 and 1959 on biblical themes that he had not generally dealt with in his illustration for the Bible, engraved with etching and which were included in issue 33/34 of Verve. This album has 96 renderings in black and 24 color litbographies as well as the cover that were specially made for this album. It was completed printing on July 29, 1960 by Draeger Freres for black gravures and by Mourlot Freres for color lithography. About the Publication: Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), published as Verve Vol. X, No. 37-38 on July 29, 1960, represents a significant continuation and expansion of Chagall’s profound engagement with biblical imagery and spiritual narrative. Conceived and directed by the visionary publisher Teriade, the publication builds upon the earlier Verve issue devoted to Chagall’s Bible illustrations by presenting a new body of work executed in 1958 and 1959, exploring themes and episodes that had not been fully addressed in the initial series. Printed in Paris by Draeger Freres for black gravures and Mourlot Freres for color lithography, the edition demonstrates an exceptional level of technical refinement and artistic collaboration. The publication includes an extensive suite of ninety six black reproductions and twenty four color lithographs, as well as specially created cover imagery, reflecting Chagall’s continued innovation in translating sacred themes into graphic form. As part of the broader tradition of Verve, one of the most important artistic and literary publications of the twentieth century, this issue exemplifies the fusion of text, image, and craftsmanship at the highest level. Today, Verve Vol. X, No. 37-38 stands as a major achievement within Chagall’s graphic oeuvre, reaffirming his role as one of the foremost interpreters of biblical narrative in modern art. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style merging elements of Cubism, Fauvism, Expressionism, and Surrealism defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, artists who sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately 28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Paradis...

"A Vase of Flowers" Eugene Paul aka Gen Paul (French, 1895-1975) Oil crayon on paper 20 1/2 x 14 (28 x 21 1/2 frame) inches "Gen Paul is undoubtedly the greatest representative, and...

3938 French Figural park landscape oil on canvas in a gilt wood frame Image size 19.5x29.5" I

'Mont Sainte-Victoire', oil on canvas, by Yves Brayer (circa 1960s). For Cezanne (1839-1906), his famous works depicting Sainte-Victoire Mountain were an ongoing study and a constant...

Muscle Boy is an iconic image by Leonard Freed who was a pioneer in documentary photography. In this photo a boy flexes his muscles for the camera perhaps making a statement about...

This exquisite lithograph by Jean Cocteau (1889–1963), titled Sans titre (Untitled), originates from the 1964 album Recettes pour un ami, illustrations de Jean Cocteau (Recipes for a...

Pierre Coquet (1926–2021) – "In the Studio Alcove", Oil on hardboard, circa 1960, 17¾ × 24 in. (45 × 61 cm); 21⅝ × 28 in. (55 × 71 cm) framed. "In the studio Alcove" is an intimate ...

This proof depicts one of Jim Dine's signatures motifs, a deep red heart, which drips down the page. Along the right side of the heart, hand-drawn text reads: “Red design for satin h...

Paper Size: 15 x 11 inches ( 38.1 x 27.94 cm ) Image Size: 15 x 11 inches ( 38.1 x 27.94 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Details: C...

Office Party by Leonard Freed is a 13" x 19" limited-edition photograph. The print Ed. 4/5 is signed verso (back of photo) by Brigitte Freed (wife of the ...

A vibrant mid-century abstract expressionist work, signed and titled verso. Housed in it's original wood strip frame. Framed size is 24.5 x 36.5 inches. Canvas is 24 s 36 inches.

"Meadowlands" California Curving Stream in the Springtime by O. Lawrence Hansen Lawrence Hansen (American, 1918-1987) Born in Minnesota in 1918 Fremont, California area artist. One...

Vintage American modernist abstract expressionist oil painting. Oil on canvas. Framed. Provenance from a Sag Harbor, NY collection. Measuring: 25 by 19 inches overall. Handsomely fr...

Artist: Andy Warhol (American, 1928-1987) Title: "Lincoln Center Ticket" Series: Lincoln Center Posters *Unsigned edition Year: 1967 Medium: Original Screenprint, Poster on wove pape...

This exquisite lithograph by Alexander Calder (1898–1976), titled Sans titre (Untitled), from the folio Derriere le miroir, No. 156, originates from the 1966 edition published by Mae...

Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 8.96 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, In Memory of M...

Poster study for Nine Discourses on Commodus by Cy Twombly at Leo Castelli. This is a lithographic poster that Cy Twombly realized for the exhibition “Nine discourses on Commodus”  ...

This exquisite lithograph by Joan Miro (1893–1983), titled La chasseresse (The Huntress), originates from the December 1965 folio Derriere le Miroir, No. 155, published by Maeght Edi...

"Peek-A-Boo Beatles" by R. McPhedran 14th June 1965: The British rock group The Beatles stand in a window at Twickenham Film Studios, Middlesex. L-R: Georg...

Black and white Print by Erich Andres, ca 1960. The image captures an iconic view of the New York City skyline in the 1960s, presented in black and white, taken from an elevated road...

Medium: original lithograph. Printed in Paris in 1962 by the atelier of Fernand Mourlot. Size: 10 x 7 inches (253 x 175 mm). There is text on verso, as published. Not signed.

Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 8.96 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, In Memory of My Feelings,...

Screeh print with holes on BFK Rives. Realized in occasion of the exhibition at Galleria Il Quadro Biella. Published by Silvio Zamorani Editore.

A charming signed original Swedish abstract cityscape from the 1960s! The compelling geometry and warm color palette make this mid century painting feel incredibly modern. The visibl...

Pablo Picasso (1881-1973) - Don Quichote Lithograph with quadrochromy from 1961. Dimensions of sheet: 37.9 x 27 cm Dimensions in frame: 53.2 x 43.2 cm Refrence: Cramer 112; Orozc...

Vintage American modernist abstract oil painting. Oil on canvas. Framed. Provenance from a Sag Harbor, NY collection. Measuring: 20 by 16 inches image alone. Handsomely framed in w...

Large vintage American modernist oil painting. Oil on canvas. Signed. Framed. Provenance from a Sag Harbor, NY collection. Handsomely framed. Excellent condition, ready to hang and ...

Artist: Roy Lichtenstein Title: Pistol (from Banner, Multiples Calendar) Medium: Screenprint in colors Date: 1969 Edition: Unnumbered Frame Size: 19 1/4" x 19 3/8" Sheet Size: 15 3/...

Lithograph, 1968. Signed by the artist and inscribed "e'preuve d'artiste" in pencil, lower right. This is an artist's proof, aside from the regular edition of 200. Framed. 23.75 ...

Garden Party. An elegant garden party in Miami, Florida, 1970. Huge oversize 60 x 60" inches / 152 x 152 cm paper size Estate Stamped Collection Edition to 150 Photo by Slim Aaro...

Richard Anuszkiewicz: 1930-2020. Very important and well listed American artist. He has auction results as high as $250,000. He was the leader of what would be called OP Art short fo...

This stunning original lithograph from around 1960 presents one of Vincent Van Gogh’s most iconic compositions: the Portrait du Père Tanguy, originally painted in 1887. The piece off...

Pablo Picasso (Spanish, 1881-1973), "Picasso-Dessins" Lithograph in Colors on BFK Rives paper, 1969, numbered edition "2/150" lower left, signed in pencil lower right, silver-tone fr...

Salvador Dali (1904-1989) Hell 24 - The Thieves Original woodcut Printed signature in the plate 1960/63 Printed on paper Vélin BFK Rives Size 32,8 x 26,4 cm (c. 13 x 10") REFERENCE...

Henrietta Berk Taos Road, circa 1966 Signed lower left Oil on canvas 54 x 47 inches Provenance The artist The Carter Gallery, Los Angeles Phyllis and Stanley Goldberg, Palm Springs,...

“The Horse Race" #50 A Pierre Bosco, (1909-1993) Oil n canvas Signed lower right 12 x 15 inches “The savage art of Bosco bears its rudeness and its mystery. It is an art of pure ex...