1960s Art

Medium: lithograph (after the watercolor). Printed in 1962 at the Mourlot atelier for "Jerusalem Windows". This piece was executed by Chagall in preparation for his famous stained-gl...

Paper Size: 37 x 47 inches ( 93.98 x 119.38 cm ) Image Size: 37 x 47 inches ( 93.98 x 119.38 cm ) Framed: Yes Condition: A-: Near Mint, very light signs of handling Additional ...

Lithograph on paper realized in 1950s. Hand signed and numbered in pencil. Edition of 75. Very good condition.

Modern Mediterranean Figurative Painting – Red Fishing Boat and Female Figure – Textured Oil on Canvas Signed G. Girard This original painting signed G. Girard captures a poetic and ...

Artist: Warhol, Andy Title: Campbell's Soup Can on Shopping Bag Date: 1966 Medium: Color Screenprint on Shopping Bag Unframed Dimensions: 19" x 16.5" Framed Dimensions: 30" x 2...

Miguel Condé (Mexican/American, b. 1939) Untitled, 1968 Oil on canvas Signed and dated verso 59.5 x 49.5 inches Paint loss throughout - please reach out for a thorough condition rep...

Original vintage travel poster: Chicago - Fly TWA. UP UP and Away Trans World Airline. Artist: David Klein. Size 25" x 40" Dated 1960's. ...

This rare original poster by Pierre Alechinsky is a powerful artistic and historical document from the May 1968 Paris student protests. Printed on billboard paper using a home press,...

Original Soccer vintage sports poster. Linen backed in very good condition, ready to frame. Printed by Ortega Company in Valencia. This type of untitled vintage poster was commonly printed and the date of an upcoming game and team would be added at the bottom of the poster. Soccer games were played quite often, allowing the local team to advertise their events without reprinting a new poster for each game or event. This poster was printed as a full lithograph, so it was expensive to produce. There is no specific designation of which two teams are being shown here in this antique poster The poster has a nickname of ‘heads-up,” as two of the players are in the air as they position themselves to control the soccer ball. Valencia two main clubs, FC València and Levante UD, attract hordes of fans to their matches. Both clubs play in the First Division of La Liga...

Paper Size: 15 x 11 inches ( 38.1 x 27.94 cm ) Image Size: 15 x 11 inches ( 38.1 x 27.94 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Details: C...

"One Cent Life" is a renowned art portfolio and artist's book that was published in 1964 by artist Walasse Ting in collaboration with artist Sam Francis. This unbound book is notable...

6049 Vintage oversized oil painting seaside fmily gathering Ornate frame Image size 23.5x35.5"

Mid-Century Modern wrought iron sculpture a person with oversize top, shorts, and carrying a hat, signed, artist's monogram and cipher, further mounted on a plaster base. 28" H. This a unique piece. It is interesting in that it speaks of a transition, leading into the later aluminum public pieces that kind of defined his work in the 70's. According to his estate this is most probably cast bronze. It might possibly be wrought iron.. William Dickey King was born in 1925 in Jacksonville, Florida and grew up in the Coconut Grove neighborhood of Miami. As a boy, William King made model airplanes and helped his father and older brother build furniture and boats. “I was 19, 20, my mother gave me a hundred bucks, says, ʻGet out of this state and don’t come back until you’re 65; there is nothing here for you,’ ” Bill King recalled in a video interview for the Smithsonian museum. He came to New York, where he attended the Cooper Union and began selling his early sculptures even before he graduated. He later studied with the sculptor Milton Hebald and traveled to Italy on a Fulbright grant. He was a contemporary, at the Cooper Union, of Alex Katz and Lois Dodd, his first wife, and remained close in many ways to their common aesthetic grounding, shared also with younger sculptors such as Red Grooms and Marisol Escobar. The hallmark of King’s early work was radical experiment keeping company with social connection and hedonism. The mix of big, important, innovative ideas and immediate, sensory, in-the-moment experience was a kind of visual jazz. For this was not just the time of Franz Kline’s big open defiant brushstrokes and Jackson Pollock’s all-over mists of intricately drooling line, but of Charlie Parker and Dizzy Gillespie. If we look at the works that King made in the early 1950s when he got back from his Fulbright to Italy we see free, experimental, open forms that take their cue from jazz as much as art in their fusion of virtuosity and cool.American sculptor King is most noted for his long-limbed figurative public art sculptures depicting people engaged in everyday activities such as reading or conversing. He created his busts and figures in a variety of materials, including clay, wood, metal, and textiles. Mr. King worked in clay, wood, bronze, vinyl, burlap and aluminum. He worked both big and small, from busts and toylike figures to large public art pieces depicting familiar human poses — a seated, cross-legged man reading; a Western couple (he in a cowboy hat, she in a long dress) holding hands; a tall man reaching down to tug along a recalcitrant little boy; a crowd of robotic-looking men walking in lock step. Mr. King’s work often reflected the times, taking on fashions and occasional politics. In the 1960s and 1970s, his work featuring African-American figures (including the activist Angela Davis, with hands cuffed behind her back) evoked his interest in civil rights. But for all its variation, what unified his work was a wry observer’s arched eyebrow, the pointed humor and witty rue of a fatalist. His figurative sculptures, often with long, spidery legs and an outlandishly skewed ratio of torso to appendages, use gestures and posture to suggest attitude and illustrate his own amusement with the unwieldiness of human physical equipment. His subjects included tennis players and gymnasts, dancers and musicians, and he managed to show appreciation of their physical gifts and comic delight at their contortions and costumery. His suit-wearing businessmen often appeared haughty or pompous; his other men could seem timid or perplexed or awkward. Oddly, or perhaps tellingly, he tended to depict women more reverentially, though in his portrayals of couples the fragility and tender comedy inherent in couplehood settled equally on both partners. His first solo exhibit took place in 1954 at the Alan Gallery in New York City. William Dicky King was elected to the American Academy of Arts and Letters in 2003, and in 2007 the International Sculpture Center honored him with the Lifetime Achievement in Contemporary Sculpture Award. Mr. King’s work is in the collections of the Metropolitan Museum of Art, Guggenheim Museum, Whitney Museum and the Museum of Modern Art in New York and the Hirshhorn Museum at the Smithsonian American Art Museum in Washington, among other places, and he had dozens of solo gallery shows in New York and elsewhere. Reviews of his exhibitions frequently began with the caveat that even though the work was funny, it was also serious, displaying superior technical skills, imaginative vision and the bolstering weight of a range of influences, from the ancient Etruscans to American folk art to 20th-century artists including Giacometti, Calder and Elie Nadelman. The New York Times critic Holland Cotter once described Mr. King’s sculpture as “comical-tragical-maniacal,” and “like Giacometti conceived by John Cheever.” From an article by David Cohen "In a career that ran in tandem with the hegemony of formal abstraction in sculpture, Bill King inevitably struggled with the prejudice that sculpture full of humanity and humor can’t be quite as serious as sculpture devoid of them. But the tide has clearly turned in ways that ought to work in King’s favor, with an increasing number of sculptors, fêted internationally, who are producing work that looks remarkably close in spirit, if not quite as regal in sheer mastery of form, as his own. When art historians of the future connect the dots of modern sculpture then artists like Franz West, Stephan Balkenhol, Huma Bhabha...

Medium: original lithograph. Printed in Paris in 1967 at the atelier of Clot, Bramsen et Georges and published in an edition of 2500 for "Les Temps Situationistes" (The Situationist ...

Tranquil pasture watercolor scene with bright green fields and country homes by French artist R. Boutin, 1961. Signed lower right. Original artwork on paper displayed on a white m...

Signed lower right, 'J. J. Enwright' for Casper Hjalmar Amundsen (American, 1911 - 2001), painted circa 1965 and titled, verso, on stretcher bar "A Cape Cod Harbor". J.J. Enwright w...

"A Vase of Flowers" Eugene Paul aka Gen Paul (French, 1895-1975) Oil crayon on paper 20 1/2 x 14 (28 x 21 1/2 frame) inches "Gen Paul is undoubtedly the greatest representative, and...

This etching from David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio depicts the somewhat obscure story Old Rinkrank, which Hockney chose to illustrate beca...

6068 Oversized oil on canvas of Deft ceramics with lilies interior table setting Custom gilt wood frame Image size 31x23.5"

Artist: Georges Braque (1882–1963) (after) Title: Untitled (Sans titre), from Birds, Saint-John Perse Year: 1960 Medium: Collotype on velin paper Paper Size: 11 x 14 inches (27.94 x ...

Alexander CALDER Elephant and Rhinoceros, 1966 Lithograph Handsigned in pencil On Arches Vellum 38 x 28 cm (c. 15 x 11 in) Excellent condition, light text report on the lithograph ...

“Six Figures, c. 1965-70” by Sakti Burman (b. 1935). A wonderful example of Burman’s distinctive fusion of Indian folkloric imagery with European surrealist and fantastical sensibil...

Scarce and coveted 1960s Pop Art print: Robert Rauschenberg Test Stone #6 (Blue Cloud) from the Booster and 7 Studies Series (Foster, 45, G:33), 1967 Lithograph on domestic etching ...

James Bond Thunderball - Original 1965 Lobby Card Vintage 1965 Thunderball Lobby Card - James Bond heads to the Bahamas to recover two nuclear ...

Punctuated by documentary photo essays such as Black in White America, Fire Hydrant is one of Leonard Freed's most iconic in the Harlem, New York series. Two children enjoy a blissf...

Charcoal drawing on paper. Hand signed on rear. Or rear: another charcoal drawing. Good condition.

Artist Name: Barbara Kwasniewska Title: Anadyomine Year: 1969 Medium Type: etching Size-Width Size-Height: 22.5'' x 30" inches Signed Edition Size: Signed, Titled, and Numbered 5...

Signed lower right 'Jack Laycox' (American, 1921-1984); additionally signed, verso, titled, 'Gulls Near Carmel' and dated 1968. An exceptionally fine and atmospheric study of stor...

'Playboy Party' Guests of American publisher Hugh Hefner, December 1961. 60 x 40" inches / 152 x 102 cm paper size Estate Stamped Collection Edition to 150 Photo by Slim Aaro...

Screeh print with holes on BFK Rives. Realized in occasion of the exhibition at Galleria Il Quadro Biella. Published by Silvio Zamorani Editore.

This proof depicts one of Jim Dine's signatures motifs, a deep red heart, which drips down the page. Along the right side of the heart, hand-drawn text reads: “Red design for satin h...

Raoul DUFY (after) Hippodrome Ascot Stone lithograph after a painting (Mourlot workshop) Signed in the plate On Arches vellum 50 x 105 cm (c. 20 x 41 in) With fold as published Exc...

Josef Sudek Forest of Mionsi 17, 1962 Original gelatin silver print 9 x 14 cm (c. 3.5 x 5.5 in) Dated on the back Signed on the back by Petr Helbich (the assistant of Josef Sudek an...

5-3424 Figural painting Mixed media on artist board Image size 12x10" Displayed in a black wood frame Signed Vanzina

Medium: original lithograph. Printed on Arjomari paper in 1969 at the Mourlot Freres atelier and published by Editions Richelieu in a limited edition of 2400 for the L'Odyssee portfo...

Artist/ School: French School signed A.Bertin signed on back, dated 1965 Title: Period portrait of a woman Medium: oil on board, framed Framed: 18.5 x 12.5 inches Board : 18 x 12 ...

4067 Surreal multi figural Star Stars painting unframed

Original elaborate floral bouquet oil on canvas painting by the German artist Reinhard Michel. Signed Lowe right by the artist. Condition is very good. Circa 1960. Original gold o...

Original Hawaii Now, Fly United Air Lines Jets. Archival linen-backed in very fine condition, ready to frame. There is no restoration on this mint original United Airlines vintage...

A very interesting 1960's French oil on canvas portrait of a black man wearing a hat. The work is superbly painted and in very good original condition. Indistinctly signed lower righ...

Large Vintage American impressionist tropical landscape oil painting. Oil on canvas. Signed. Measuring: 47 by 55 inches overall, and 42.25 by 50.25 painting alone.

Lounging in Gstaad Holidaymakers in sun loungers on the slopes at at Gstaad, Switzerland, March 1961. Gorgeous print measuring 48 x 72" inches / c...

Medium: original lithograph. This Beaudin lithograph was printed in Paris in 1961 by the Mourlot Freres atelier and published by Editions Verve. Size: 11 1/2 x 8 3/8 inches (293 x 21...

Farmhouse and the Wheat Field at Sunset - Landscape Lithograph in Ink on Paper Rich and saturated landscape by Edward Ripley (British, b. 1929). A vibrant yellow sun hangs over a farm landscape, set against a bold red sky. The foreground is made up of yellow and red wheat, with a few red poppies in the very front. A two story farmhouse stands...

Color lithograph realized by Marc Chagall in 1960 to illustrate "The Bible".  Edition of 6500, published by Tériade in no. 33 and 34 of the Art Magazine Verve. Printed by Mourlot a...

A beautiful, fascinating painting depicting one of the figures from Frans Hals’s famous painting *The Banquet of the Officers of the St George’s Militia* The reverse bears the artist...

Pablo Picasso (1881-1973) - Picador Original lithograph from 1964. The edition of 6/245 on Arches paper. Dimensions of work: 35 x 26 cm. Dimensions of frame: 52 x 42 cm. Publishe...

Medium: original lithograph. Printed in 1967 for the art revue Derriere le Miroir (issue number 168) and published in Paris by Maeght. Size: 15 x 33 inches (378 x 837 mm). This work ...

Large vintage American modernist oil painting. Oil on canvas. Signed. Framed. Provenance from a Sag Harbor, NY collection. Handsomely framed. Excellent condition, ready to hang and ...

Firmado por el artista en la parte inferior Estado de conservación bueno La obra se presenta sin enmarcar Medidas obra: 73 cm altura x 92 cm ancho. ::::::::::::::::::::::::::::::...

This 1967 original travel poster was created by the painter Yves Brayer for the French national railway company SNCF. Produced as part of a series promoting tourism across France, th...

5175a Vintage colorful Fauvist gouche painting of fruits and glasses table setting Framed signed Image size 14x21"

Leonor Fini (1907-1996) Portrait with flowers, 1960 Lithograph 25 1/4 x 19 in (64 x 48 cm) With frame: 33 x 26 1/2 in (83,5 x 67,5 cm) Leonor Fini was born in 1907 in Buenos Aires a...

The picture of NYU was done in 1965 as a collection of photographs for a German book editor. Later a phonebook about NYU was published.

Artist: Marc Chagall Title: The Little Harlequins Medium: Lithograph in colors on Arches paper Date: 1962 Edition: 2/50 Frame Size: 23" x 26 1/2" Sheet Size: 14" x 18 1/2" Image Size...

Medium: offset lithograph (after the watercolor). Printed in 1969 at the Mourlot Freres atelier for the "Marc Chagall: dessins et aquarelles pour le Ballet" book. Sheet size: 13 3/4 ...

Artist: Salvador Dali Title: Passiflora laurigera (Le vine, Passionflower) Portfolio: 1968 Flora Dalinae Medium: Photolithograph, etching, and pochoir in colors on BFK Rives Date: 19...

Original first edition vintage U. S. movie poster: Let's Make Love, (20th Century Fox, 1960). Half Sheet (22" X 28"). Comedy. Japan acid-free backed. A very attractive price for a fine condition original compared to others. We work hard to find and present high-quality original vintage posters for your personal selections at reasonable prices. Starring Marilyn Monroe, Yves Montand, Tony Randall, Frankie Vaughn, Wilfrid Hyde-White, David Burns, Joe Besser, Mara Lynn, Bing Crosby, Gene Kelly, and Milton Berle...

Etching on chamois-colored laid paper, realized by Dalì in 1968/69. Plate from "Faust (La Nuit de Walpurgis), published by Argillet, Paris. Edition of 49/150, hand colored. Hand s...

Doris K. Mooney Hanna (American, 1931-2022) Untitled, 1960 Acrylic on canvas 49 x 36 in. Signed lower right: Doris K. Mooney Doris Mooney Hanna grew up in Phi...