1960s Art

Artist: Ellsworth Kelly (1923–2015) Title: Red, Green (Rouge, Vert) Year: 1964 Medium: Lithograph on velin paper Paper Size: 15 x 11 inches (38.1 x 27.94 cm) Condition: Well preserve...

Artist: Marc Chagall (after) Title: Carnaval of Flowers Portfolio: Nice and the Cote d'Azur Medium: Lithograph Date: 1967 Edition: Unsigned and unnumbered proof (aside from the editi...

Pablo Picasso (1881-1973) - Escultor y escultura Etching from 1965. Edition of 255. Dimensions of work: 48 x 38 cm. Imprimée à Mougins. Référence : Bloch 1187; Baer 1156. The w...

Artist: Joan Mitchell (American, 1925-1992) Title: "Untitled" (Page 92-93) Portfolio: One Cent Life *Unsigned edition Year: 1964 Medium: Original Lithograph on wove paper Limited edi...

Artist: Ellsworth Kelly Title: Composition (Axsom No. I-A) Year: 1964 Dimensions: 15in. by 11in. Mount Board Size Inches: 20 x 16 inches Mount Board Color: White/Black Print Border...

Artist: Marc Chagall (1887–1985) Title: Sarah and Abimelech (Sara et Abimelech) Year: July 29, 1960 Medium: Lithograph on velin du Marais paper Paper Size: 14 x 10.5 inches (35.56 x ...

Richard Schmid (1934-2021) California, Vermont, Colorado, Illinois, New Hampshire Artist Image Size: 12 x 16 Frame Size: 18 x 22 Medium: Oil on Canvas 1963. Signed "Palamino And Col...

Marc Chagall (1887-1985) - Le bouquet du peintre (The Painter’s Bouquet) Lithograph from 1967. The edition of 74/75 on Arches paper. Dimensions of work: 75.9 x 57.7 cm. Hand sign...

Saint Tropez Etching with aquatint, printed in colors, 1964 Signed in ink and numbered in pencil Edition: 71/100 Issued for the album St. Tropez et la Provence, in 1966 Reference: Lo...

Medium: original lithograph. Printed in 1964 for the special edition of Derriere le Miroir (No. 144-145-146) devoted in homage to Georges Braque, and published in Paris by the Maeght...

Artist: John Kinnear, Canadian (1922 - 2003) Title: Highland Figures Medium: Acrylic on masonite, signed lower right Date: circa 1960 Image Size: 22 x 38 ...

Pietro Consagra (Italian, 1920-2005). Hand signed in pencil and numbered limited edition color lithograph on Magnani paper. Embossed stamp with limited edition numbers in pencil to lower left, and having artist pencil signature to lower right. (from a limited edition of 80 with 15 artist's proofs) Published by Stamperia 2RC, Rome Italy and Marlborough Gallery, Rome, Italy. Abstract Modernist work in colors, produced in the style of the Forma art movement of Postwar Italy, of which the artist was a prominent member. Pietro Consagra (1920 – 2005) was an Italian Post war artist working in painting, printmaking and sculpture. In 1947 he was among the founding members of the Forma 1 group of artists, proponents of structured abstraction. (similar to the Art Informel and Art Brut in France and the Brutalist artists) Consagra was born on 6 October 1920 in Mazara del Vallo, in the province of Trapani in south-western Sicily, to Luigi Consagra and Maria Lentini. From 1931 he enrolled in a trade school for sailors, studying first to become a mechanic, and later to become a captain. In 1938 he moved to Palermo, where he enrolled in the liceo artistico; despite an attack of tuberculosis, he graduated in 1941, and in the same year signed up at the Accademia di Belle Arti, where he studied sculpture under Archimede Campini. After the Invasion of Sicily and the Allied occupation of Palermo in 1943, Consagra found work as a caricaturist for the American Red Cross club of the city; he also joined the Italian Communist Party. Early in 1944, armed with a letter of introduction from an American officer, he travelled to Rome. There he came into contact with the Sicilian artist Concetto Maugeri, and through him with Renato Guttuso, who was also Sicilian and who introduced him to the intellectual life of the city and to other postwar artists such as Leoncillo Leonardi, Mario Mafai and Giulio Turcato. Consagra signed up at the Accademia di Belle Arti di Roma in September 1944 and studied sculpture there under Michele Guerrisi, but left before completing his diploma. In 1947, with Carla Accardi, Ugo Attardi, Piero Dorazio, Mino Guerrini, Achille Perilli, Antonio Sanfilippo and Giulio Turcato, Consagra started the artist's group Forma 1, which advocated both Marxism and structured abstraction. Steadily Consagra's work began to find an audience. Working primarily in metal, and later in marble and wood, his thin, roughly carved reliefs, began to be collected by Peggy Guggenheim and other important patrons of the arts. He showed at the Venice Biennale eleven times between 1950 and 1993, and in 1960 won the sculpture prize at the exhibition. During the 1960s he was associated with the Continuità group, an offshoot of Forma I, and in 1967 taught at the School of Arts in Minneapolis. Large commissions allowed him to begin working on a more monumental scale, and works of his were installed in the courtyard of the Foreign Ministry in Rome and in the European Parliament, Strasbourg. His work is found in the collections of The Tate Gallery, London, in Museo Cantonale d'Arte of Lugano and the Museum of Modern Art, Paris, and the National Gallery of Art in Washington, D.C.. Consagra returned to Sicily where he sculpted a number of significant works during the 1980s. With Senator Ludovico Corrao, he helped created an open-air museum in the new town of Gibellina, after the older town had been destroyed in the earthquake of 1968. Consagra designed the gates to the town's entrance, the building named "Meeting" and the gates to the cemetery, where he was later buried. In 1952 Consagra published La necessità della scultura ("the need for sculpture"), a response to the essay La scultura lingua morta ("sculpture, a dead language"), published in 1945 by Arturo Martini. Other works include L'agguato c'è ("the snare exists", 1960), and La città frontale ("the frontal city", 1969). His autobiography, Vita Mia, was published by Feltrinelli in 1980. In 1989 a substantial retrospective exhibition of work by Consagra was shown at the Galleria Nazionale d'Arte Moderna in Rome; in 1993 a permanent exhibition of his work was installed there. In 1991 his work was shown in the Hermitage Museum in St. Petersburg. In 2002 the Galerie der Stadt Stuttgart opened a permanent exhibition of his work. He was one of ten artists invited by Giovanni Carandente, along with David Smith, Alexander Calder, Arnaldo Pomodoro, Lynn Chadwick, and Beverly Pepper, to fabricate works in Italsider factories in Italy for an outdoor exhibition, "Sculture nella città", held in Spoleto during the summer of 1962. He was included in the The 1962 International Prize for Sculpture the jury included Argan, Romero Brest and James Johnson Sweeney the former director of the Solomon R. Guggenheim Museum in New York. The participants included Louise Nevelson and John Chamberlain for the United States; Lygia Clark for Brazil; Pietro Consagra, Lucio Fontana, Nino Franchina, and Gió Pomodoro for Italy; Pablo Serrano for Spain; and Eduardo Paolozzi, William Turnbull, and Kenneth Armitage for England. Gyula Kosice, Noemí Gerstein...

Salvador Dali (1904-1989) - Abricot chevalier (Apricot Knight) Lithograph with drypoint etching from 1969. The edition LVIII/CL on Auvergne paper. Dimensions of work: 74.5 x 54.5 ...

Max Ernst, German (1891 - 1976) - Les Chiens Ont Soif VII, Portfolio: Les Chiens Ont Soif, Year: 1964, Medium: Lithograph, Edition: 165/320, Size: 17 x 24.5 in. (43.18 x 62.23 c...

Framed 24 x 21 in No. 400 in the Catalogue Raisonne of Chagall's lithographs This lithograph came from "The Lithographs of Chagall: Volume II" by Fernand Mourlot and Marc Chagall....

André Masson, French (1896 -1987) - Place de Concorde, Year: 1962, Medium: Lithograph, unsigned, Image Size: 15 x 11.5 inches, Size: 15.25 x 11.75 in. (38.74 x 29.85 cm), Descrip...

Medium: original lithograph. Printed by Mourlot and published in Paris by Teriade for Verve in 1960 for a special edition devoted exclusively to Chagall's original Bible art. Size: 1...

Baie Des Anges after Marc Chagall 1962 Stone lithograph 39 2/5 × 26 in 100 × 66 cm

A mid-century modern geometric abstract painting by American artist Richard Huntington. Richard Huntington (b. 1936) is an American painter, printmaker, and writer, is Critic Emerit...

Etching on paper. Hand signed and numbered. Edition of 102 copies (16/102). Excellent condition. Belongs to the portfolio "Galleria Grafica Contemporanea", published by Associazi...

Medium: original lithograph. Printed in 1964 and published by Eberhard Kornfeld for the 1 Cent Life portfolio in an edition of 2000. Size: 16 x 11 3/8 inches (408 x 289 mm). There is...

Les Visages Georges Rouault (after), French (1871–1958) Date: 1968 Lithograph, restrike by the Collectors Guild Size: 6 x 7.75 in. (15.24 x 19.69 cm) Frame Size: 15.5 x 17.25 inches

Rey, Margaret and H.A. CURIOUS GEORGE GOES TO THE HOSPITAL. Houghton Mifflin, Boston, 1966. 1st Printing stated. INSCRIBED in ink on the front free endpaper "To Edith Bell from the R...

4009 Colorful bouquet of flowers on canvas

Vintage American modernist abstract expressionist oil painting. Oil on canvas. Framed. Provenance from a Sag Harbor, NY collection. Measuring: 25 by 19 inches overall. Handsomely fr...

ARTIST: Salvador Dali TITLE: Salom, Herod, and The Head of John The Baptist Original Drawing in "The Secret Life of Salvador Dali" Book MEDIUM: Original Drawing SIGNED: Hand Signe...

Mid Century Mendocino Mountain Horse Pasture Landscape This plein air painting depicts a tranquil Northern California landscape, where rolling green hills, oak trees, and a soft coa...

John Philip Capello (American, b. 1939), "The Game of Time", Oil on Canvas, 1967, signed lower right, signed, titled, dated, and artist's stamp verso, giltwood frame. Image: 28.5" H...

ARTIST: Salvador Dali TITLE: Faust Chevalier a Genou MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: 9/95 MEASUREMENTS: 15.3" x 11.4" YEAR: 1969 FRAMED: No CONDITION: Ex...

Medium: original lithograph. Printed on Arjomari paper in 1969 at the Mourlot Freres atelier and published by Editions Richelieu in a limited edition of 2400 for the L'Odyssee portfo...

Sigmund Shawkey (American, 1914-2000) Reflections, c. 1960 Tempera on paper Signed lower right 18.5 x 24.75 inches 25.75 x 29.25 inches, framed Exhibited: The 42nd Annual May Show,...

Fauvist Grapes and Bananas, Mid Century Modern Impasto Fruit Still-Life Wonderful vibrant fauvist mid century modern still-life of a plate with grapes and bananas by California arti...

Etching on chamois-colored laid paper, realized in 1968/69. Plate from "Faust (La Nuit de Walpurgis), published by Argillet, Paris. Edition of 49/150, hand colored. Hand signed an...

Antique American modernist portrait oil painting. Oil on canvas. Signed. Framed. Measuring: 19 by 17 inches overall, and 13 by 11 painting alone. Excellent condition, ready to hang ...

Jack Mitchell vintage mid-20th Century photograph of modern dancer Louis Falco in his classic work "Timewright". Copyright stamped and dated 1969 and personally signed by Jack Mitche...

Artist: Salvador Dali Title: Divine Comedy Heaven Canto 14 Decomposition Medium: Woodcut Measurements: Paper: 10.5" x 13" Frame: 13.75" x 17.5" Condition: Excellent. This piec...

Artist: After Henri Matisse Medium: Lithographic Poster, 1965 Dimensions: 40 x 26.50 in, 101.6 x 67.3 cm Classic Poster Paper - Good Condition A Matisse's signature cutout style...

This is a three-dimensional paper construction mounted onto a double-page photolithograph; when the folded sheet is opened the construction pops up. Created by Andy Warhol and publis...

Rodherst Theatre New York Hand Signed by Yoko Ono

Lithograph in colors on Arches wove paper. Hand signed lower right by Marc Chagall. Hand numbered 70/75 lower left. Sheet size: 19.62 x 14.12 inches. Image size: 12 x 9 inches. ...

Color etching and aquatint realized in 1969/71. Hand signed and numbered in pencil. Edition of 99. Published by Georges Visat, Paris. Ref. Anselmino 29E Very good condition.

Danseuse Creole Nice Cote D'Azur after Henri Matisse Henri Matisse was a French artist known for his vibrant use of color and innovative design, playing a key role in the Fauvism m...

André DUNOYER DE SEGONZAC (1884-1974) The Little Road, 1965 Lithograph (Mourlot workshop) Signed in the plate On vellum 50 x 65 cm (c. 19.7 x 25.6 in) Excellent condition

Roger Lersy, French (1920 - 2004) Oil on canvas Signed, R. Lersy, dated 1961 lower right Measuring 35 X 31 Matted and framed. sight 26 X 21.5 Roger Lersy was born in Paris, France ...

'Bouquet of Flowers', oil on canvas, by the French artist Isis Kischka (1963). This work reflects a post-war French modernist sensibility, with a graphic treatment of form and restra...

Lithograph from the book ' The Posters of Toulouse-Lautrec', lithography by Mourlot Freres. Aristide Bruant was a French cabaret singer, comedian, and nightclub owner. He has been c...

Jacqueline Lee "Jackie" Kennedy Onassis (July 28, 1929 – May 19, 1994) was an American socialite, writer, and photographer who became First Lady of the United States as the wife of P...

6048 French oversized rosed filled boquet Set in an ornate frame. Image size 23,5x29.5"

Robert Kennedy (RFK) and his wife Ethel Kennedy, campaigning in a small town in Indiana USA in 1968 is a color photograph, 16” x 24,” an archival pigment...

Original drawing painted in wax by Joan Miro. Certified by Jacques Dupin, official certifier of the artist's work. The work is a wax painted on two continuous pages of a book publish...

Pablo Picasso (1881-1973) (d'après) - Portraits Imaginaires 26.3.69 III Lithograph from 1969. The edition: F 37/250. Dimensions of work: 65.5 x 50 cm. Plate signed. Publisher: É...

Mid Century Don Quixote Portrait Spanish Catalan Expressionist Oil TECHNICAL SHEET Oil on canvas Mid-20th century 55 × 33 cm (21.7 × 13 in) Frame: 58 × 36 cm (22.8 × 14.2 in) Signed lower right Metal frame with matte finish Very good overall condition DESCRIPTION Striking Mid-Century modernist interpretation of Don Quixote by Jaume Muxart, executed in a strong Catalan Neo-Figurative Expressionist language characteristic of Spanish post-war painting. The elongated vertical figure is constructed through palette-knife structure and dense impasto, reducing Cervantes’ legendary knight to a symbolic psychological presence rather than a literal portrait. The helmet-like white head emerging from a deep burgundy background creates a dramatic apparition typical of Muxart’s mature figurative period. The figure represents Don Quixote as an existential literary archetype frequently explored in Spanish modern painting and particularly within the renewal of Catalan modern art associated with artists connected to the Grupo Taüll, one of the key movements in the evolution of post-war avant-garde painting in Barcelona. Compact in scale but visually intense, the painting combines strong decorative presence with the intellectual depth characteristic of Muxart’s Quixote interpretations. ARTIST BIO Jaume Muxart (1922–2019) was a major Catalan painter and founding member of the influential Grupo Taüll, alongside Antoni Tàpies, Modest Cuixart, Josep Guinovart and Joan-Josep Tharrats. After early exhibitions in Barcelona in the late 1940s he travelled to Paris on scholarship, where he encountered the international avant-garde that shaped his expressive language. He later represented Spain at the São Paulo Biennial and exhibited widely across Europe and the Americas. Muxart served as professor and later dean of the Faculty of Fine Arts at the University of Barcelona and became a member of the Royal Catalan Academy of Fine Arts of Sant Jordi. His work is held in numerous institutional and private collections. ARTISTIC CONTEXT / INSPIRATION This painting belongs to the expressive Neo-Figurative tradition developed in post-war Spain and Catalonia, where literary archetypes such as Don Quixote became vehicles for psychological and symbolic exploration. Comparable resonances can be found in the structural figuration of Bernard Buffet, the expressive intensity of Antonio Saura, and the material experimentation associated with Antoni Tàpies, Modest Cuixart and Josep Guinovart within the post-war Catalan avant-garde. don quixote painting...

This early 1960s landscape photograph, captured by society photographer Slim Aarons, features holidaymakers at a ski lodge at Gstaad, Switzerland, March 1961. This is an estate stam...

5050 Heavy impasto figurative oil painting Set in a hand carved 19th century wood frame Image size 17.5x 13.5"

Color lithograph on Arches paper, edited in 1967. by Charles Sorlier after Marc Chagall 
Limited edition, numbered XLII/LXXV in lower left corner.
 Hand-signed by artist in pencil in...

SEAN CONNERY. “007, JAMES BOND: GOLDFINGER” [1964] (Goldfinger), directed by GUY HAMILTON. A great shot of Sean Connery on set as the secret agent - together with the infamous Aston...

Pablo PICASSO (1881–1973) (after) Woman Lying Down and a Guitarist with a Hat, 1962 Linocut (Arnera studio) On vellum 32 x 37 cm ( c. 12.6 x 14.6 in) Published by the Cercle d’Art i...

These beautiful and colorful lithographic posters were hand reproduced by the Mourlot Studio's Master Printer Henri Deschamps in 1969. They are not to be mistaken with later cheap digital and giclée reproductions. Ed. 1,500 In December of 1894, Mucha visited a print shop contracted to create a new advertising poster for a play featuring Sarah Bernhardt, the most famous actress in Paris at the time. Mucha volunteered to produce a lithographic poster within two weeks, and on January 1, 1895, the advertisement for the play Gismonda by Victorien Sardou was posted in the city, where it attracted much attention. Bernhardt was so satisfied with the success of this first poster that she signed a six-year contract with the artist. Written by Alexandre Dumas (son) when he was 23 years old, and first published in 1848, "La Dame aux Camélias...

Abstract composition is a fine and beautiful watercolor and tempera on paper realized by Mark Tobey in 1960. Signed and dated Tobey lower right. Certificate of authenticity by Mark ...

"Sophia Loren in A Countess from Hong Kong" by John Springer Sophia Loren stars as the Russian countess turned Hong Kong hostess Natascha in the film A Countess from Hong Kong. Movi...