1980s Art

Barbara Kruger Artists Space invitation announcement card, 1987: Rare folding announcement card for the Artists Space's Spring Benefit Party held at Federal Hall, New York City, Apri...

Portrait of Ingrid Bergman as a nun from "The Bells of St. Mary," rendered in Warhol's signature style published by Galerie Borjeson. Known for his bold, repetitive portrait style, W...

Serene seascape of sailboats in the harbor by Pacific Northwest Artist Ramona Hammerly (American, 20th Century). Presented in a giltwood fram...

NEW DECO by the woman artist Robin Morris, is an original handmade limited edition lithograph printed using hand lithography techniques on archival Arches paper, 100% acid free. NEW ...

Jagger 1980 - Dave Hogan Signed Limited Edition Pop star Mick Jagger gives the photographer the finger from inside a car, circa 1980. (Photo by Dave Hogan) Limited Edition Dave Hog...

This work is part of our exhibition Marina Stern Luminary, the first retrospective of the artist since 2007. Marina Stern was a multifaceted New York-based artist whose works ranged...

Paper Size: 23 x 22 inches ( 58.42 x 55.88 cm ) Image Size: 16.75 x 17 inches ( 42.545 x 43.18 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional...

Patricia Zippin Shades of Blue 1980s Mixed Media 15"x 11.5", unframed Signed in ink on lower right Patricia Jayne Zippin (1930-2015) She was born to Ben and Dorothy Schubert on Janu...

IAN HORNAK (1944–2002) Title: Very Baroque Flowerpiece with Red Birds of Paradise and Shining Parrot Date: 1989 Medium: Acrylic on Panel, with Artist Painted Frame Dimensions...

Space Bound, Large-Scale Gouache & Mixed Media Abstract, Signed Large-scale mixed media and gouache abstract by Nancy Louise Jones (American, 20th century), 1980. This large-sca...

Laughing Waters by Charles Magistro, (American, 1942) Date: circa 1980 Screenprint, signed and numbered in pencil Edition of 300, AP 45 Image Size: 31 x 24 inches Size: 39 in. x 29.5...

Bernard Buffet (1928-1999) - A Japanese woman Lithograph from 1981. Artsit's edition. On Arches paper. Dimensions of work: 53.5 x 39 cm. Hand signed. The work is in Excellent c...

Route 10 - Abstract Collage Abstract mixed media collage which pulls on motifs from color-field painting, cubism, and geometric abstraction. This piece has a warm quality to the col...

FLOWER BLOSSOMS, LIGHT BLUE VASE is an original hand drawn lithograph by the renowned Chinese born artist Walasse Ting (DING XIONGQUAN, Chinese, 1929-2010) printed on archival Somers...

Val Edwin Lewton (May 23, 1937 – April 24, 2015) was a painter and museum exhibition designer. As an artist, he created Realist acrylic paintings and watercolors of urban and suburba...

Milly Ristvedt has captured, in vivid colour, and expressive form the wonders of the ‘deep’ in this gorgeous abstract painting. Against a rich blue colour field, ethereal forms and g...

Portrait of Ingrid Bergman as a nun from "The Bells of St. Mary," rendered in Warhol's signature style published by Galerie Borjeson. Known for his bold, repetitive portrait style, W...

Reduced to angular shapes, the female model in this Pablo Picasso print is portrayed in the Cubist style founded and propagated by the artist himself. Relying on invented perspective...

G. Harvey (Gerald Harvey Jones) (1933-2017) San Antonio, Austin, and Fredericksburg Artist Image Size: 14 x 14 Medium: Bronze Sculpture 1982 "Proud & Protective" I am the largest G. ...

Vintage signed and numbered art deco sculpture by Erte. Painted Bronze cica 1987.

Astrological sign of leo is a screen print on grey paper realized by Sergio Barletta, in 1980s. Signed on the lower left margin. 68 x 49 cm. In good conditions except for fairl...

The clean, contemporary lines of this large graphic diptych were created by Canadian artist Yvonne Lammerich. This is one of a series of paint and paper collage pieces that were shown at the Maison des Congrés in Paris. Each side of the diptych mirrors...

Original GONE WITH THE WIND, U. S. 1 sheet Clark Gable, Vivien Leigh, de Havilland, all-time movie classic! Conservation linen backed and ready to frame. Original issue fold marks professionally touched up. Excellent condition. Film Description: Gone With the Wind, the classic 1939 Victor Fleming Civil War romantic melodrama epic ("The Greatest Motion Picture Ever Made!"; "In the New Screen splendor… The most magnificent picture ever!"; "David O. Selznick's production of Margaret Mitchell's story of the Old South"; "Screen play by Sidney Howard") starring Clark Gable (in his nominated for Best Actor Academy Award role; "as Rhett Butler"), Vivien Leigh (in her Best Actress Academy Award winning role; "and presenting Vivien Leigh as Scarlett O'Hara"), Leslie Howard ("as Ashley Wilkes"), Olivia de Havilland (in her nominated for Best Supporting Actress Academy Award role; "as Melanie"), Hattie McDaniel ("as Mammy"), Thomas Mitchell ("as Gerald O'Hara"), Butterfly McQueen, Ann Rutherford ("as Carreen O'Hara"), George Reeves, Victor Jory, Jane Darwell, Ward Bond, Ona Munson ("as Belle Watling"), Yakima Canutt, Harry Davenport ("as Dr. Meade"), Carroll Nye ("as Frank Kennedy"), Laura Hope Crews ("as Aunt Pittypat"), Alicia...

This mid-1980s photograph, captured by society photographer Slim Aarons, features a quiet bay in Conca dei Marini, on the Amalfi coast in Italy. This is an estate-stamped and hand-n...

Keith Haring Lucky Strike 1987: Vintage original 1980s Keith Haring poster designed & illustrated by Haring on behalf of the long-time cigarette brand, Lucky Strike. Catalog Raisonne...

Title: Zion Subject: Various biblical images depicting Creation and prayer 1922 Medium: woodcut Frame: 14" x 18" Image: 12.5" x 16.75" Provenance: owned and signed verso by Peter Keil. Central panel shows the Jewish star over a crown, with inscription in Hebrew: "When God comforts Zion, He will comfort all its ruins and make its deserts look like Eden," and "You have sanctified the seventh day, the goal of creation of Heaven and Earth." This is flanked by a Palestinian farmer pioneer on the left and a Jew praying on the right. The lower tier shows six vignettes of the days of creation from Genesis. Hermann Fechenbach was born in 1897 in Württemberg, Germany. He grew up in Bad Mergentheim where his parents had an inn, which served as a meeting place for the local Jewish community. He left school early and through family connections with clothing retailers received training in window dressing. His skill with brush writing was quickly recognised by a big firm in Dortmund where he was responsible for the displays in 10 large windows. He received his conscription papers in 1916 and recalls “being as patriotic as any other fool”. In August 1917 he was involved in a grenade attack in which he was the sole survivor. With serious injuries to both legs he struggled to safety and was eventually transported to a front line “slaughterhouse” where the first of a series of amputations was performed which led to the loss of his left leg. As a result of his injuries his father dropped his opposition to him becoming an artist. His formal art education started in 1918 with training at a Stuttgart handcraft school for invalids. He attended the Academies in Stuttgart and Munich to learn painting and restoration for 3 years. He was influenced at this time by Max Liebermann. He has been compared to Kathe Kollwitz and was a contemporary of Jakob Steinhardt and hermann Struck. In 1923 he went to Florence for a year. While in Florence he started to produce a series of miniature wood engravings to illustrate the stories of Genesis. This was followed by periods in Pisa, Venice, Vienna and Amsterdam. In 1924 he returned to Stuttgart to paint in the contemporary style “Die Neue Sachlichkeit”. (The New Objectivity was a movement in German art that arose during the 1920s Weimar republic as a reaction against expressionism. The term was coined by Gustav Friedrich Hartlaub, the director of the Kunsthalle in Mannheim, who used it as the title of an art exhibition staged in 1925 to showcase artists who were working in a post-expressionist spirit. These artists—who included Max Beckmann, Otto Dix, George Grosz, Christian Schad, Rudolf Schlichter and Jeanne Mammen) Every spring and autumn he exhibited at the “Kunstgebit” which served as the showcase for all serious artists of the period. His professional status “Kunstmaler und Grafiker” was recognised by Berlin in 1926. Practically all his work from this period was sold following exhibition. In 1926 he collaborated with an architect friend to build a bungalow in Hohenheim, a non-Jewish area and a suburb of Stuttgart. Hermann alternately lived in his country bungalow and his town studio, producing portraits for sale or barter and wood engravings for his own pleasure. In 1930 he married a non-Jewish professional photographer – Greta Batze. They had a studio in Stuttgart, which was used to teach art to a group of 12 students. In 1933 the Nazi influence removed his name from the official state register together with the right to exhibit. By spending most of his time in his bungalow out of the Jewish quarter the Fechenbachs escaped being registered by the Nazis for some years. They were ostracised and abused by their non-Jewish neighbours. Hermann made weekly visits to friends in town to teach them the practical skills they would need assuming they were to escape from Germany. His energies were directed towards protection and survival. Ultimately the Nazi persecution forced the Fechenbachs to flee their homeland. They moved to Palestine for 3 months in 1938, but found the political and physical environment unsustainable. Greta arrived in England penniless in January 1939 to work as a domestic servant and to find a guarantor for her husband. Hermann arrived in May 1939. They moved to Blackheath a few months later. Hermann resumed his painting and engraving as a means of earning a living. He raised enough money to get his parents out of Germany to join his brothers in Argentina but was unable to save his twin sister Rosa who died in a Nazi concentration camp. In 1940 Hermann was interned in Bury as a suspect alien. He protested about his treatment by starting a hunger strike. Because of his persistence he was moved to a prison in Liverpool. From Liverpool he was moved to the Hutchinson Camp in the Isle of Man with fellow artist Kurt Schwitters. Arrangements were made for Greta to be accommodated near by. While interned he commenced work on “Refugee Impressions”, a series of linocut prints (no wood was available). In 1941 when released from internment the Fechenbachs came under the sponsorship of Dr. Bela Horovitz, the Austrian art publisher who in turn made an introduction to Professor Tancred Borenius. They were offered lodgings with a family in Oxford. Hermann had his first public exhibition for many years in a small gallery in Oxford in 1942. A second exhibition of oils, pencil drawings, coloured linocut and woodblock prints held later in the year was opened by the mayor of Oxford and critically acclaimed. In 1944 the first London exhibition took place at the Anglo-Palestinian club in Piccadilly. There were two exhibitions at the Ben Uri Art gallery during this period. In 1948 a second exhibition at the Anglo Palestinian club was inaugurated by a member of the Rothschild family and several members of Parliament. This was a great success. In 1944 the Fechenbachs moved to a top floor studio flat in Colet Gardens. Open exhibitions were held each Spring at the Embankment from 1946 to 1951. Movietone News produced a short feature on the artist, which was shown in cinemas in England and Germany. In 1969 he published the Genesis story in a hard back volume containing 137 prints. He started to research the fate of the entire Jewish community of Bad Mergentheim during the period of the second world war, liaising with historian Dr. Paul Sauer and Professor Max Miller, historian and theologian. In 1972 Kohlhammer published his partly autobiographical book “The last Jews of Mergentheim”. He exhibited at the Anglo-Palestinian Club & the Ben Uri Gallery in the 1940s. His works only came to prominence during the last year of his life when he exhibited at Blond Fine Art. Peter Keil part of the Junge Wilde. In 1978, the Junge Wilde painting style arose in the German-speaking world in opposition to established avant garde, minimal art and conceptual art. It was linked to the similar Transavanguardia movement in Italy, USA (neo-expressionism) and France (Figuration Libre). They were also known as the Neue Wilde. Artists included; Austria: Siegfried Anzinger, Erwin Bohatsch, Herbert Brandl, Gunter Damisch, Hubert Scheibl, Hubert Schmalix...

Signed twice, verso, on stretcher 'Marsha Straus' for Marsha Rogow Strauss (American, 1944-2008) and painted circa 1995. A substantial and vibrant oil abstract comprising massed, ov...

Marco Cingolani was born in Como in 1961 and moved to Milan at a very young age, in 1978. He began to frequent the underground creative environment, where art was mixed with fashion ...

Paris, houses and tree is a beautiful artwork realized by Orfeo Tamburi during the 1980s. Mixed colored lithograph. Edited and printed by Graphics Arte, Livorno Original title: Pa...

Joel Perlman Silver Square, 1983 With stamped initials and date Bronze 18 x 14 x 4 inches New York–born sculptor Joel Perlman has spent more than three decades creating abstract me...

"Etch A Sketch Sampler" - 1989 Multimedia on Paper Lithograph titled "Etch A Sketch Sampler" by Lilya Vorobey. From a suite of prints from College of San Mateo class of 1989, instru...

Chateau Mouton Rothschild label (hand signed), 1984 Offset lithograph Autographed twice in black and red by the artist on the front Frame Inc...

Barone Bettino Ricasoli 1983 - Slim Aarons Estate Stamped Winemaker Barone Bettino Ricasoli poses holding up a wine glass beside a table, on which stands three bottles of wine and a...

Artist: Gene Davis, American (1920 - 1985) Title: Royal Curtain Year: 1980 Medium: Screenprint in Colors on Arches, signed and numbered in pencil Edition: 250 Paper Size: 29.75 x 21...

Elizabeth Osborne (b.1936). Irises, 1966. Casein and charcoal pencil on paper, sheet measures 10.5 x 12 inches. Unframed. Excellent condition with no fading or damage. A very tiny area of paper loss in lower right corner. Biography: Elizabeth Osborne, born in Philadelphia PA, has exhibited extensively throughout the United States for over forty years. She lives and works in Philadelphia. Her work is included in the collections of the Philadelphia Museum of Art; the Pennsylvania Academy...

Red Note Edition of 25 signed and numbered by the artist This still-life picture of a Music Note consists of an olive, mint leaf and a toothpick. It was shot on Polaroid Polachrome ...

Chateau Saint-Martin 1986 by Slim Aarons Slim Aarons Limited Estate Edition Breakfast on the verandah of the Chateau Saint-Martin, a luxury hotel in Vence on the Cote d’Azur, Fran...

San Jose Hills Watercolor on paper An Americana view of the Hills around San Jose by Robert Sugita (American, b- 1938). A Cupertino artist, Robert went ...

Beach, Italy, 1984 by Leonard Freed is an 8" x 10" black and white photograph, a gelatin silver RC press print from the Freed archive, signed verso (on back of photograph) by the photographer. Provenance: Freed Estate Leonard Freed discovered Little Italy in New York...

Oil on wood sold with frame Total size with frame 61x81 cm Jean Krillé is a Swiss artist from Geneva, recognized for his significant contributions to contemporary art. Born in the 2...

An abstract acrylic on canvas executed in bright, primary red, blue and yellow by Post War artist Jack Roth. Signed, dated and titled verso, "ROTH81 "NEW SYNTHESIS - 15".

Beautiful scene of the ocean shore, with light from the sunset shining through the waves by Evelyn Woodward (American, 20th Century). Signed lower right: "Evelyn Woodward." Displayed...

Joan Miro La Mélodie Acide, 1980 The complete portfolio of 14 Lithographs In Original Slip Case Hand Numbered. 184 / 1500 Plate signed Published by Ediciones Poligrafa Reference: M. 1212-1225 Acquire a unique and valuable piece of surrealist art with Joan Miró’s Melodie Acide...

'Abaco Holiday' 1986 Slim Aarons Limited Estate Edition Print College student Jan Woods relaxes in a hammock at the Abaco Inn on Elbow Cay, one of the A...

Minami, Keiko (Japanese, 1911-2004) DEUX ARBRES. Etching and aquatint in colors, 1981. Signed and Numbered 98/100. (plate), framed to 14 X 14 inches . In excellent condfition.

Signed lower left, 'McCullough' for Jane McCullough (American, 20th century) and painted circa 1985. Jane McCullough was an avid California plein air painter, exhibiting and took ar...

Vintage Vinyl Record Art by Keith Haring with bright, lush colors that make for stand-out wall art within reach: Year: 1986. Off-Set Lithograph on record jacket, vinyl record. Dimen...

Paris, rue des Solitaires, oil painting by Pierre Coquet Reference number F489 The painting is framed with a natural oak floated frame. 65 x 50 cm (70 x 55 cm frame included) This work is painted with oil on a paper that is laid on a board and placed in a made to measure wood strectcher. It is signed in the low right Paris is one of Pierre most important subjects. Pierre's Paris is always depicted in a grey atmosphere. Buildings are stylized but the city is recognizable with its typical grey galvanised steel and orange terracota chimneys. The composition here is a little atypical, as there is a certain symmetry between the top and bottom of the painting. You could almost turn it upside down, there's a kind of mirror effect. The support for the painting is a cardboard box salvaged from the art school where he taught (Corvisart-Paris). The students used it to protect their tables. Pierre kept them and painted on them, and we can see little drawings or annotations made by students who had fun scribbling on them. Provenance : Workshop of the artist (stamped and numbered on the back) About Pierre : Pierre Coquet (1926-2021) is a French painter who was born in Limas near Lyon, France. He entered the Ecole des Beaux Arts in Lyon in 1942 and followed the teaching of Antoine Chartres, Henri Vielly and René Chancrin...

Artist: Michael Knigin, American (1942 - 2011) Title: Art Deco 1925 Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: AP Size: 33.5 x 21 in. (85.09 x 53.34 cm)

Girl With Blue Ribbon Tribute To Picasso Signed near base "Omaggio A Picasso' or as a tribute to Picasso. Measures 16"H x 10"W x 7"D. Walter Furlan was born in 1931 in Chioggia, a s...

Edna Andrade Mirage (de-accessioned from the Reader's Digest Art Collection), 1988 Original Collage painting on board Signed, titled & dated on the front; the back bears labels from Marian Locks Gallery & Readers Digest Association with inventory (RDA) number Original frame included with collection and gallery labels verso This is a unique work Exquisite 1980s collage on board painting (framed) titled "Mirage" by renowned female Op artist Edna Andrade...

Colorful two-sided watercolor; a still-life of brightly colored flowers with a bowl of fruit, and a coastal seascape on verso, by Les (Leslie Luverne) Anderson (American, 1928-2009)....

Zero in Blue by Peter Max, German/American (1937) Date: 1985 Acrylic on Canvas, signed u.r. Size: 24 in. x 18 in. (60.96 cm x 45.72 cm) Frame Size: 26.5 x 20.5 inches

© Michael Putland Prince Prince performs at small London club gig after show at Wembley Arena, London 1986 Limited edition Estate print. Edition 20 only this size. Limited edi...

"Untitled Abstract I" is an Original Oil on Canvas by G. CURTIS. The piece is part of a set. It measures 37.5 x 49.5 x 1 inches with frame. It is signed and dated by the artist. The ...

This original 1980 poster by Salvatore Scarpitta, from the collection of the esteemed Leo Castelli, represents a significant piece of contemporary art history. Designed for an exhibi...

Whimsical and bright limited edition abstract silkscreen print with fun colors and bold geometric shapes arranged in a lively, dynamic composition by Harvey Daniels (English, 1936-20...

Théo Tobiasse Title: Jerusalem roule le long de ma gorge Signed and Numbered Dimensions: 57 x 76 cm Information : Edition of 175 Condition : Excellent

Screen print realized by Mino Meno in 1980s. Hand signed lower right. Numbered lower left. Edition of 100. Excellent condition.

Cicciolina Puppet - Vintage Photograph is a black and white photograph realized in the 1980s. Good conditions with slight foxing.