1980s Art

Elizabeth Taylor Exhibition Vintage Art Poster Andy Warhol, a leading figure in the Pop Art movement, revolutionized the art world with his iconic works that celebrated consumer cu...

Scarce, original offset lithograph poster published on the occasion of the Pin-up Exhibition for the Alex Rosenberg Gallery December 1980- January 1981. DESIGN - Marshall Berland Poi...

Large acrylic painting by Pat Rosenstein, American Woman Artist, graduate of Pratt Institute whose work has been exhibited extensively. Rosenstein, whose work is sometimes described...

CY Twombly Paris 1986: Vintage 1980s announcement card published on the occasion of Cy Twombly Yvon Lambert Paris, September 20th - November 6th, 1986. Medium: Offset printed anno...

Gobardhan Ash - Untitled Gouache on Paper 13 x 8 inches ( Framed & Delivered ) In this tender composition, Gobardhan Ash captures an intimate moment of familial connection through s...

'Woman with Blue Eyes', oil on board, by Peter Robert Keil (1985). A topless redhead gazes out to the viewer with her intense blue eyes. A mysterious blue hand sneaks into view from ...

Tribute to Robert Motherwell - Expressionist Composition in Acrylic on Paper A bold abstract painting by California-based artist, Ricardo de Silva (American/Brazil, 20th C). Drawing...

Artist Name: Philippe Noyer Title: Le Singe: Medium Type: Lithograph Size-Width Size-Height: 35" x 25" Signed Edition Size: signed in pencil and marked EA XVII/XXX Unframed in...

San Jose Hills Watercolor on paper An Americana view of the Hills around San Jose by Robert Sugita (American, b- 1938). A Cupertino artist, Robert went ...

Henriette Wyeth-Hurd Hand signed, Collotype, Limited Edition of 490 Image Size: 20" x 26" framed 28.5 X 34.5 Provenance: printed at Triton Press and has their certificate of authenticity verso. Henriette Wyeth Hurd (1907 – 1997) was an American artist noted for her portraits and still life paintings. The eldest daughter of illustrator N.C. Wyeth, she studied painting with her father and brother Andrew Wyeth at their home and studio in Chadds Ford, Pennsylvania. Henrietta Wyeth was born in Wilmington, Delaware, into an artistic family. Wyeth was the eldest of the five children of noted illustrator N.C. Wyeth and his wife Carolyn Bockius. Her siblings Carolyn and Andrew also became artists, and all three studied with their father. Andrew Wyeth became the most well-known artist of this family. Henriette contracted polio at age 3, which altered her health and use of her right hand. As a result, she learned to draw with her left hand and paint with her right. She grew up on the family farm in Chadds Ford, Pennsylvania, and attended local Quaker schools. She and her siblings were eventually homeschooled because their father distrusted the public school system. She began formal art lessons with her father at age 11, making charcoal studies and geometric shapes. A child prodigy, at age 13 Wyeth was enrolled in the Normal Arts School in Boston, Massachusetts. The next year, in 1921, she entered the Boston Museum of Art Academy. Two years later she moved to Philadelphia to study painting at the Pennsylvania Academy of Fine Arts. By age 16, she was well known as a portraitist and received commissions for paintings of Wilmington residents. Deeply influenced by her father's unique realistic style, she rejected early 20th-century painting styles such as Impressionism and Cubism. She was also socially and politically conservative. As a result, later in life she rejected the progressive movements of the 1960s and 1970s, including the women's movement. She often criticized television and modern culture. At age 21, in 1929 Wyeth married artist Peter Hurd, a fellow student at the Pennsylvania Academy and her father's apprentice. The couple had three children together: Peter Jr., Carolyn, and Michael Hurd...

Landscape is an artwork realized by F. Hundertwasser around 1980s. The screen printing is made of metal foil embossing and high gloss lacquer finishing, on a black background. Ci...

Lowell Blair Nesbitt's depiction of a snowy-white iris framed by a slate-colored background and border is reflective of the artist's realistic style. Artist: Lowell Blair Nesbitt, ...

' Cola Café ' Limited Edition Archival Pigment Print Children wait outside a cafe with Pepsi Cola sign in Tegucigalpa, Honduras, Central America, 1981. Note all prints are limit...

Gottfried Honegger (Swiss, 1917 - ) - Biseautage, Year: circa 1988, Medium: Screenprint and Collage on Arches, signed and numbered in pencil, Edition: 30, Image Size: 24 x 19 inche...

This colourful abstract painting on paper by Milly Ritsvedt has a green backdrop. In the 1980s, Milly Ristvedt’s artistic journey continued to embrace colour and abstract form as he...

Pachter has often used the tent as a symbol of the country, of military history, and the journey implied by the use of the tent, and of course, the primary symbolism of the pyramid. ...

Abstract Expressionist Composition in Acrylic on Paper A bold abstract composition by California-based artist, Ricardo de Silva (American/Brazil, 20th C). A bold black character tak...

A large minimal abstract painting on paper by Yasmin Brandolini. Artist: Yasmin Brandolini d'Adda, South African/Italian (1929 - ) Title: 6C Year: 1984 Medium: Tempera on Paper, sig...

Cortina d'Ampezzo by Slim Aarons Isa Genolini and Maria Antonia in the main street of Cortina d’Ampezzo, Italy, March 1982. (Photo by Slim Aarons) Limited edition estate stamped pr...

A bright and vibrant still life by pop artist Hunt Slonem. The silkscreen print is hand-signed and numbered in pencil, nicely framed. Spell III by Hunt Slonem, American (1951) Date:...

Delicate watercolor, pen and ink floral study of a cyclamen blending into line drawing, with brilliant attention to detail and a signature delicate style, by California artist Debora...

Keith Haring's original poster for "Crack Down!" in 1986 is a powerful artistic statement against the growing drug crisis, particularly that of crack cocaine, which plagued some urban communities in the USA at the time. Haring, an iconic artist of the urban art movement and the fight against AIDS, used his distinctive style of clean lines and energetic shapes to evoke a powerful image. The "Crack Down!" poster features an emaciated, tormented figure, symbolizing the devastation caused by drug addiction. The message is clear and direct, highlighting the ravages of drugs on individuals and communities. Haring created this poster to raise awareness and mobilize the public in the face of this serious social crisis. The impact of the "Crack Down!" poster was not limited to its striking aesthetics, but also helped draw attention to the need for action to combat drugs and their devastating consequences. The work reflects Keith Haring's social commitment, as he used his art to champion important humanitarian causes. To this day, Keith Haring's "Crack Down!" poster remains a powerful symbol of the artist's commitment to social justice and his ability to use art...

Portrait of a Woman - Painting - Monotype - Collage Figurative by Mary Laporte Figurative work by American artist Mary Laporte. Layered Collage and Monotype print with brush work thr...

Barone Bettino Ricasoli 1983 - Slim Aarons Estate Stamped Winemaker Barone Bettino Ricasoli poses holding up a wine glass beside a table, on which stands three bottles of wine and a...

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Personnage et Colombe". The original painting was completed in 1913. In the 1970's after Pic...

Black Sun in the Red and White Sky - Acrylic on Paper Bold abstract by Ricardo de Silva (American/Brazil, 20th C). A large black and yellow orb sits in a swirling white and yellow s...

Eduardo Chillida (Spain, 1924-2002) 'Bilbao – Mundial 1982', 1982 silkscreen on japanese paper 37.5 x 23.7 in. (95 x 60 cm.) Edition of 150. P/A: 25, H.C.: 50 Publisher: Maeght Unframed ID: CHI1038-010 Hand-signed by author ____________________________________________________ He began his career in 1943 studying architecture at the University of Madrid, but in 1947 he dedicated himself to drawing and sculpture, and in 1948 he moved to Paris, then the world capital of the arts. Although he abandoned his studies, his work betrays his architectural training, showing an underlying sense of structural organization, as well as discipline in materials, planning of spatial relationships, and scale of elements. Over the years, the artist turned to materials that showed his investigations into conceptual questions and metaphysical concerns. Chillida's first stone and plaster creations oscillated between the human world and the natural world using figures and images of landscapes. Consistently guided by the quality of space, density and rhythm, his works consider ways in which mass and volume contain space. His public works, which exist on a more massive scale, not only inhabit the space but also determine a qualifying space of their own. His monumental sculptures, designed for both urban and more secluded spaces, are permanently installed internationally and constitute an important facet of his artistic production. The main retrospectives of Chillida's graphic and sculptural work have been mounted by the Museum of Fine Arts in Houston (1966); Carnegie Institute, Pittsburgh (1979); National Gallery of Art, Washington, DC (1979); Guggenheim Museum (1980); Miramar Palace, San Sebastián (1992); and Museo Nacional Centro de Arte Reina Sofía, Madrid (1999). Chillida received numerous awards, including the Grand International Prize for Sculpture at the Venice Biennale (1958), the Kandinsky Prize (1960), the Carnegie Prize for Sculpture (1964), the Andrew Mellon...

Limited Edition of 20 Archival Pigment Print

Richard Andres American, 1927-2013 Summer Idyl, c. 1985 acrylic and ink on paper mounted on canvas signed lower right, signed and titled verso 44.75 x 62.75 inches Richard Andres wa...

Ted Jeremenko, Yugoslavian/American (1938 - ) - Lighthouse I. Year: 1986, Medium: Screenprint, signed and numbered in pencil, Edition: 175, C, Image Size: 11 x 16 inches, Size: 17 x ...

Objects is an original contemporary artwork realized in 1981 by the Italian artist Bruno Conte (Rome, 1939). Original pastel drawing on black cardboard. Passepartout included (cm 3...

Projects for private rites. London 1980, by Alvaro Herazo Fine prints Image size: 20 H x 30 W in. LE 3/10 Unframed Herazo belonged to Grupo 44, an artistic collective created in th...

ARNALDO POMODORO Double Sided Gold Plated Medallion, 1985 Bronze with Gold Patina 2 7/10 × 2 7/10 × 3/10 inches Limited Edition of 500 Signed by artist with incised signature; Stampe...

Duquesa de Alba. Resin sculpture measures with base 20x20x38 cm Lluís Llongueras represents the disagreement that corresponds directly to the personality of the artist, always versat...

Peter Max, German/American (1937 - ) - Zero's Friend, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 165, HC, Image Size: 22.5 x 19 inches, Size: 27 in....

Signals is an original artwork realized in 1984 by the Italian Contemporary artist Leo Guida (1992 - 2017). Original lithograph on cardboard Hand-signed on the lower left in penc...

screenprint printed in color ink on wove paper. New York City subway station interior. Anthony Velonis (1911 – 1997) was an American painter and designer born in New York City who he...

color lithograph, linocut, and screenprint with hand-coloring collage on T.H. Saunders and hand-cut Somerset paper Edition 48 of 60 signed, dated, and numbered in pencil (sheet) 52....

Textured abstract landscape achieved through layered materials by Annis Allen (American, 1922-2018). Signed by the artist, lower left: "Annis Allen." Presented in a dark mauve paint...

Title: Fleetwood Mac #1 Photo (Mick Fleetwood & Stevie Nicks) 1983, live in Los Angeles.  Artist: Richard E. Aaron Year: 1983 Estate Edition: Hand nu...

Head No.2, 1984 Leon Kossoff Etching, on wove paper Signed, titled, dated and numbered from the edition of 25 in pencil Sheet: 23 × 17 cm (9.1 × 6.7 in)

"This is one of my earliest sculptures. I depicted a naked girl at the waterfall. She bathes under jets of water. The fabric of clothing hugs her body and lies down to her feet. The ...

Mary Spain (American, 1934-1983) Sphinx and Moon (Self Portrait), c. 1980 Pastel on paper 9 x 16.5 inches 17. 5 x 25 inches, framed Set in a realm of fantasy, Mary Spain’s work ex...

HOPES FOR PEACE is a handmade color lithograph by the internationally recognized Spanish artist Cristóbal Gabarrón printed on archival Arches printmaking paper in 1986. HOPES FOR PEACE is an imaginative composition depicting an abstract bird expressed in airbrush colors as a dove symbolizing world peace. HOPES FOR PEACE is a visually appealing handmade lithograph printed in soft rainbow shades of purple, yellow, magenta pink, blue green, beige, light orange, gray and black. Print size - 11.0" x 8.5" unframed, vivid colors, excellent condition, hand signed and numbered in pencil by Cristóbal Gabarrón Edition size - 500, Certificate of Authenticity included Cristóbal Gabarrón - HOPES FOR PEACE was specially commissioned by The World Federation of UN Associations (WFUNA) in 1986 - the International Year of Peace. Operating within the framework of the theme, "To Safeguard Peace and the Future of Humanity", the program for this special year was composed of the three primary components: Peace and Disarmament, Peace and Development and Preparation for Life in Peace. Cristóbal Gabarrón is a celebrated Spanish artist known for his work with the United Nations whose personal convictions are based on the individual human life, and the coexistence and the development of human values. Artist statement: “There is nothing as pure and innocent as a child’s creative imagination. Children are the future of our societies. We learn a lot from each other when interacting across generations and cultures on such issues that bind us together, such as human rights,” Artist bio - Cristóbal Gabarrón was born in the town of Mula (Murcia) in 1945, although at the age of six he moved with his family to live in Valladolid. He dedicated himself to painting from a very young age performing his first exhibitions, at the Galería Castilla de Valladolid and at the Galería Macarrón in Madrid. His work evolved from figuration to informalism, to the abstracción "symbolic and "postmodern," a "symbolic." In 1967, at the age of 22, Gabarrón exhibited at the Leob Gallery in New York and the Arts Perspective Gallery in Paris. His work has been marked by his life experience, humanism and his nomadic personality, which give him a unique, very personal style. A creation in continuous experimentation and evolution with strokes from its multiple rooms and exhibitions in different parts of the world. He currently resides between Bueu, on the Ria de Pontevedra and Valladolid, although he continues to be connected to his place of origin, the city of Mula. He received his first artistic training in Valladolid before continuing his career in France, Italy and the United States. Gabarrón's work is focused on his interest in humanism, for people's lives in harmony with their natural environment, for their peaceful coexistence and the development of human values. Their collaboration with international organizations, such as the International Olympic Committee or the United Nations, has led to a very fruitful period that lasts, following the exhibition of the Universe of Light (Enlightened Universe) inaugurated on 24 October 2015 at the famous Central Park in New York, by the UN Secretary General, Mr. Ban Ki-moon on the 70th Anniversary of the creation of the United Nations and which every year travels cities from all over the world, to commemorate UN and Human Rights Day: Geneva (2016), Amsterdam (2017), Brussels (2018), Valladolid (2020), La Valeta (2022). His work has been the same center of analysis within retrospectives such as those dedicated to the Chelsea Art Museum, the IVAM, the Museum of Modern Art of Gdansk, in Poland, the National Museum of Art of China in Shanghai, or the Herrerian Patio Museum of Contemporary Spanish Art...

Summer Pastoral Contemporary Regionalism Rural Modern American Scene Art Realism Roger Medearis (1920 – 2001) Summer Pastoral (1984) Acrylic on canvas stretched over board 27 × 40 i...

Queen on Stage 1986 - Dave Hogan Signed Limited Edition Singer Freddie Mercury (1946 - 1991) performing with Queen at Wembley Stadium, London, July 1986. The band played two nights ...

Larissa 1983 Inscribed, “Merry Christmas Trey” in ink, recto; Signed and dated in black ink, verso; Artist stamp in red ink, verso Gelatin silver print 3.75 x 4.5 inches, image 9 ...

Original gouache and oil pastel figure drawing by celebrated, twentieth-century California impressionist landscape painter, Ronald Shap. Nude woman laying sideways with washes of tea...

Mireille Kramer, Egyptian/American (1932 - ) - Maison de l'Amour III, Year: circa 1980, Medium: Etching, signed and numbered in pencil, Edition: 300, Image Size: 10 x 20 inches, ...

125.5 x 135.5 cms (49.41 x 53.35 ins) Edition of 58 Signed in pencil, inscribed 'Bon a tirer'. Published by 2RC Edizioni d'Arte, Rome Printed by Vigna Antoniniana, Rome, with t...

Vladan Stiha: 1908-1992. Well listed New Mexico artist with auction records over $12,000. He was born in Yugoslavia and tried to emigrate to the U.S. during WW11 but could not get in...

Paper Size: 23.25 x 32 inches ( 59.055 x 81.28 cm )?Image Size: 15.25 x 22 inches ( 38.735 x 55.88 cm )?Framed: No?Condition: B: Very Good Condition, with signs of handling or age??A...

Georges Mathieu - "Voile d'Etoiles" acrylic on canvas 81 x 100 cm (32 x 39 in.) signed lower left Provenance: Acquired from the Art Collection gallery 91 rue du Faubourg St Honore,...

Face After Picasso - Tropical Storm Two Sided Abstract Watercolor Acrylic Paper Bold Face after Picasso with a storm of bold abstract colors on verso, by California-based artist Ric...

Space Bound, Large-Scale Gouache & Mixed Media Abstract, Signed Large-scale mixed media and gouache abstract by Nancy Louise Jones (American, 20th century), 1980. This large-sca...

'Bouquet de Fleurs', oil on board, by Louis Toncini (1982). Painted towards the end of his career, this piece belongs to that part of his body of work which was lighthearted, optimistic and pleasing. It is a stunning still life characterised by Toncini's vibrant colours and textured layers of oil paint deftly applied. This vase holds the flowers of Toncini's native Provence and is a love letter from the artist to the viewer. In good overall condition. It is newly framed with a French-style linen slip. It is signed by the artist in the lower left hand. Upon request, a short video of this piece may be provided. (NB - On the reverse of this painting is another called 'Landscape in Saint Clément on the Durance' which is currently covered by the backing board. Image with accompanying photos to this listing. About the Artist: Louis Toncini (1907-2002), born in Marseille, France and was one of a group of artists who founded the 'peintres prolétariens', or later, the painters of the people. He painted the world of workers and depicted such subjects as factories, warehouses, train stations and working ports, etc. After the war his work took a more optimistic turn with paintings of still lifes, bouquets and country landscapes. In 1936, along with fellow artists Antoine Serra, François Diana...

Lithograph in colors on Rives BFK paper Image: 47 5/8 x 38 1⁄8 in. Sheet: 50 x 40 in. Numbered, signed, and dated lower right Publishers blindstamp lower right Edition 20 of 36 Edit...

Robin Winters (American, born 1950), Untitled (Red Face) from "Cherry Block Series" 1986, monotype, pencil signed and dated lower right, plate: 6"h x 8.5"w, overall (with frame): 22.25"h x 18.25"w. Provenance: Property from a Private Collection, San Francisco. Winters was invited to make monotypes at Experimental Workshop in San Francisco, (they printed Richard Bosman, Sam Francis, Claire Falkenstein, Deborah Oropallo and Kenneth Noland and many more greats). Winters chose to paint on wood blocks rather than the more usual metal plates in order to capture the organic quality of the natural material. He exploited a salient characteristic of the monoprint in Ghost Story by adding new painted elements onto the increasingly faint ghost images that result from successive impressions from a single block. In so doing he achieved the effect of transparent layers of color and shadow imagery. Winters's brightly-colored monotypes portray an array of figures and landscapes (and an occasional still-life) that, although can be seen in the context of a general trend away from abstraction that has marked the 1980s, defy strict stylistic categorization. They are neither realistic nor abstract, psychological self-examinations nor narrative fictions, but they contain elements of all of these approaches. Like Jonathan Borofsky, Winters derives much of his subject matter from dreams, believing that through his private fears and obsessions he can touch similar emotions in others. Although at first glance Winters's images look as if they could have been made by a child, closer attention reveals sly art historical references to Jackson Pollock and Pattern Painting (the drip and splatter backgrounds), Mark Rothko (the three-part horizontal compositions) and Minimalism (the gridded Cherry Block Series: Bread Beat). Robin Winters (born 1950 in Benicia, California) is an American conceptual, multi-disciplinary, artist and teacher based in New York. Winters is known for creating solo exhibitions containing an interactive durational performance component to his installations, sometimes lasting up to two months. Winters first emerged in the burgeoning Soho NYC art scene of the 1970s. An early practitioner of the Relational Aesthetics (social interaction as an art medium) Winters also created in works through sculpture, installation, performance, painting, drawing and prints. His art maintains a whimsical spirit, and he often returns to ongoing themes involving faces, boats, cars, bottles, hats and jesters or fools. Winters has incorporated such devices as blind dates, double dates, dinners, fortune telling, and free consultation in his performances. Throughout his career he has engaged in a wide variety of media, such as performance art, film, video, writing prose and poetry, photography, installation art, printmaking, drawing, painting, ceramic sculpture, bronze sculpture, and glassblowing. Winters was born in Benicia, California in 1950 to lawyer parents. As a child his hobby was collecting glass bottles found on the beach and under old buildings, which would later influence him as an artist. In 1968, Winters had his first durational performance, entitled Norman Thomas Travelling Museum. The artist drove a Volkswagen bus decorated in collage, many of the images relating to current events and politics. Inside was what the artist described as a “reliquary” containing many objects, including a bottle collection. Winters took the van to shopping centers and even as far as Mexico. That same year, Winters opted not to register for the military draft. Although he was deemed fit to serve, Winters refused. In 1975 the resulting legal proceedings finally came to a close after it was proven that the artist had been harassed by the local draft board. In his teens and early twenties, Winters became acquainted with several local artists who helped shape his aesthetic, most notably Manuel Neri and Robert Arneson. By the early 1970s, Winters was studying at the San Francisco Art Institute (SFAI) and had relocated to San Francisco. At this time Winters became friends with the Bay Area conceptual artists Terry Fox and Howard Fried, and participated in several of Fried's performance works. In 1972 Winters was accepted into the Whitney Independent Study Program in New York City. After coming to New York City, Winters helped support himself by working for various artists, among them the performance artist Joan...

The original lithograph by Foré, hand-signed and numbered 5/465, is a testament to the artist's artistic talent and technical precision. Lithography, a printing process that involve...

Manolo Valdés Blasco (Valencia, Spain, March 8, 1942). "Count-Duke of Olivares". 1982. Painting on burlap. 200 x 150 cm. Signed on the reverse “M. Valdes”. Provenance - Private...