1980s Art

Ara Waya Nac Sergio Gonzales-Tornero, Chilean (1927–2020) Date: 1983 Screenprint, signed, numbered, titled and dated in pencil Edition of 250 Image Size: 24 x 30 inches Size: 28 x 34...

Sophie & Carl - Signed limited edition archival pigment print - Edition of 5 A naked man and woman in profile kissing This image was captured on film in 1998. The negative was sc...

One of Steve McCurry's most iconic images, this portrait features a young Afghan girl with piercing green eyes wearing a red head scarf. Afghan Girl by Steve McCurry is a 24 x 20 i...

Marko Spalatin Title: Quantum VII (Abstract Geometric Composition) Medium: Color silkscreen Signed, numbered and titled by hand Edition: 70 Size: 20.5 × 20.3 on 28.9 × 25.0 inches CO...

Original vintage French poster: Christian Dior Homage. (Homage à Christian Dior) Artist: Rene Gruau. Mint condition Original. Size: 15.75" x 24" Very fine condition; read...

Serigraph on paper from Jalons portfolio. Hand signed and numbered by the artist. Image size 25.75 x 24.5 inches. Sheet size 33.25 x 29.75 inches. From the main edition of 250. Add...

From the "ADS" portfolio. Screen print on lenox museum board Hand signed and numbered by the artist. Edition PP 5/5 (There is a main edition of Edition of 190, 30 AP, 5 PP, 5 EP, 1...

This striking original abstract oil painting, titled Mesa Verde, was created by artist Wilma Fiori (1929–2019) on November 17, 1988. The piece is a vibrant...

Signed lower right, 'Barnes' for David P. Barnes (American, 20th Century) and painted circa 1985 A substantial, oil seascape showing a dramatic view of the oc...

Andy Warhol's involvement in movie posters, particularly for "Querelle," directed by Rainer Werner Fassbinder, is notable in the context of his broader artistic career. Warhol create...

M.C. Escher’s Belvedere is framed in a shiny black metal frame with a 3/8-inch front profile and a 7/8-inch side profile, lending it a sleek, contemporary appearance. The overall dim...

Héliogravure on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Man Ray, Electa Editrice Portfolios, 1980. Published and printed ...

Diane Sawyer Archival pigment print image size: 48 x 48 inches Signed and numbered edition of 25 William Coupon is an American photographer, born in New York City, known principally...

A woman sits admiring a variety of objects above and below an open cabinet door in this print by Sunol Alvar. A trio appear to be singing in the top right and a duo playing music bel...

Jerusalem Israeli landscape cityscape with the Har Habayit, The Temple Mount. Size includes frame. canvas is 37.5 X 42.5 Edward Ben Avram (born 1941) is an Indian - Israeli artist who was born in Bombay, India and immigrated to Israel as a teenager. He graduated from the Bezalel School of Art and Design in 1965 and continues to call Jerusalem his home. Most of Ben Avraham oil painting and watercolors portrays Israeli cities, particularly the old city of Jerusalem with its architecture and orientalist domes and arches, religious festivals, and Bible stories. He paints in creamy sensual tones incorporating symbols such as doves, a menorah, and Shabbat candles. With his penchant for filigreed designs and bright colors, Edouard Ben Avram betrays some influences of his Indian boyhood. But the subjects that he paints so gracefully with a touch of Oriental lyricism are scenes of Jerusalem, his home for over 20 years. Exhibitions 1964 Group exhibitions in the United States and Canada 1977 Safrai Gallery, Jerusalem (a prestigious gallery that shows Abel Pann, Mordecai Ardon, Samuel Bak, Abraham Binder...

Arnaldo Pomodoro Plaque (Placca), 1980 Bronze 3 4/5 × 3 4/5 inches Edition of 500 Incised signature on the front top left, and foundry mark on the bottom; Rotary Club of Palermo plaq...

Landscape is an artwork realized by F. Hundertwasser around 1980s. The screen printing is made of metal foil embossing and high gloss lacquer finishing, on a black background. Ci...

Original 1980s Keith Haring Record Art: Keith Haring 'The Baby Beat Box' 1986: Rare highly sought after 1980s Keith Haring record album art featuring a Haring boombox man, a bold Ke...

Artist: Ian Hornak (1944-2002) Title: Marcia’s Meadow (Vermont) Year: 1983 Medium: Acrylic on Canvas Size: 50 x 72 inches Condition: Excellent Inscription: Signed recto; signed, date...

Wifredo Lam Wifredo Lam Pastels: vintage Galerie Lelong poster, 1988 Offset lithograph Plate signed on the front 26 1/2 × 19 1/2 inches Unframed, unnumbered Offset lithograph poster...

Mystery Italian Artist Untitled (Portrait of a Topless Woman), 1983 Oil on canvas 27 1/2 x 23 1/2 in. Framed: 28 1/2 x 24 1/2 in. Signed lower right

Artist: Antoni Tapies Title: Art 6 '75 Year: 1975 Medium: Lithograph Signed and numbered 114/150 bottom left with publisher's blindstamp In excellent condition. Dimensions: 35.25 x ...

Renowned artists and designers April Greiman and Jayme Odgers 1984 Olympic Games Print (Hand Signed by both April Greiman and Jayme Odgers), 1982 Offset Lithograph Poster - art in sports - Signed in graphite pencil on the front. Accompanied by a letter of authenticity from the publisher Also accompanied by Certificate of Guarantee issued by Alpha 137 Gallery 36 x 24 inches Unframed Accompanied by a letter of authenticity from the publisher on Olympic letterhead. This is one of 750 hand signed lithographic posters (though fewer than 200 said to be extant), published in 1982 to celebrate the 1984 Los Angeles Olympics . April Greiman is an American designer widely recognized as one of the first designers to embrace computer technology as a design tool. Greiman is also credited, along with early collaborator, the late artist Jayme Odgers, with helping to import the European New Wave design style to the US during the late 70s and early 80s." The Olympic Committee commissioned 15 nationally known artists, including April Greiman and Jayme Odgers to create unique designs to promote the event. The complete list of artists is: Sam Francis, David Hockney, Richard Diebenkorn, Carlos Almaraz, Robert Rauschenberg, Jennifer Bartlett, Jonathon Borofsky, Roy LIchtenstein, April Gornik, Raymond Saunders, Martin Puryear, John Baldessari, Lynda Benglis, Billy Al Bengston and Garry Winogrand. This was Greiman and Odger's contribution to the portfolio. In 2017, the Olympic Museum in Lausanne Switzerland...

St. Louis and the Arch Vintage Photograph St. Louis and the Arch: titled, initialed, dated 1981, copyright 1982, and editioned 4/20 to verso. Provenance: US Bank Visual Arts Department Images: 15 x 19 in. (16 X 20), frames: 22 1/2 x 28 1/2 in Meyerowitz first drew acclaim for his remarkable ability to capture subtle qualities of light with the 1978 publication of Cape Light, which went on to become a color photography classic. Joel Meyerowitz (born March 6, 1938) is a street photographer, and portrait and landscape photographer. He began photographing in color in 1962 and was an early advocate of the use of color during a time when there was significant resistance to the idea of color photography as serious art. In the early 1970s he taught the first color course at the Cooper Union in New York City where many of tod...

John Sex c. 1980s Signed and titled in ink, recto Vintage gelatin silver print 12 x 17 inches (30.5 x 43.2 cm), image 16 x 20 inches (40.6 50.8 cm), sheet ...

Vintage signed American abstract landscape oil painting. Oil on canvas. Signed. Framed. Image size, 24L x 24H.

Screenprint in colours, 1988, on Lenox Museum Board, signed and dated in pencil, numbered from the edition of 100, published by Martin Lawrence Limited Editions, New York, with their...

Abstract expressionist portrait of a blonde woman with a gold earring by Harvey C. Parks (American, b. 1948 - 2107), 1980. This is a compelling example of Park's abstract expressionist portraiture that shows the hallmarks of his emotionally resonant and stylized portraiture. The sitter’s elongated features, stark contrasts, and muted yet moody palette Medium: Oil on canvas Signed and dated "Parks '80" Condition: Good; minor missing paint (lower edge) retouched. Image size: 20"H x 16"W. Presented in painted wood frame of the period Canvas size: 20"H x 16"W Framed size: 24"H x 20"W Harvey Parks...

Portrait of Dave Winfield Edward Avedisian 20 x 14 inches, acrylic on stretched canvas Armenian-American artist, Avedisian was best known for his work made in New York City during the 1960s: brilliantly colored, boldly composed canvases that combined Minimalism’s rigor, Pop’s exuberance and the saturated tones of Color Field painting. He was largely recognized for a series of Beach Ball paintings that emerged in the early 1960's and into the later 1960's the artist began painting larger horizontal paintings, featuring vertically intersecting beacon-like stripes that highlighted characteristics from both the Post-Painterly and Color Field movements. In this portrait, Avedisian using his signature use of color, combining bright rusty reds and oranges against a metallic green gold backdrop. A major work from Avedesian's color-stripe series was featured on the cover of Artforum's January 1969 issue (pictured here). Also pictured are photographs of the artist c. 1970 in his studio in New York City and catalog pages from Avedisian's inclusion in the American Painting Now Expo at the Institute of Contemporary Art in Boston, MA in Dec 1967 - Jan 1968. The exhibition, organized by art critic Alan Solomon, featured one of Avedisian's signature Beach Ball paintings alongside large works by Robert Motherwell and Jim Rosenquist. About the subject: Dave Winifield is American former Major League Baseball right fielder born in 1951 and who played for six teams (San Diego Padres, New York Yankees, California Angels, Toronto Blue Jays, Minnesota Twins, and Cleveland Indians) during his 22 year long career. He had the winning hit in the 1992 World Series with the Blue Jays over the Atlanta Braves. Winfield retired in 1996 and was elected to the Baseball Hall of Fame in 2001, in his first year of eligibility. About the Artist: In the 1960’s, Edward Avedisian was one of the youngest of those luminaries producing a grand new abstract painting. Shown first at Ivan Karp and Dick Bellamy’s Hansa Gallery and then at Robert Elkon, Avedisian’s insouciant mix of pop playfulness, color field cool and high formalist style put his art in a unique, and at the time generously rewarded, position. Paintings made it onto the cover of Artforum, were purchased by all the major museums, were among the few abstract works shown as representative of America’s post-war achievement at Expo 67 in Montreal and comprised a cornerstone in histories of the period written by Barbara Rose, among others. The artist was largely influenced by his Color-Field predecessors, Mark Rothko and Barnett Newman. Throughout the 1960's and into the mid 1970's the artist was celebrated in the Manhattan art scene, contributing to the Post-Painterly Abstraction movements with contemporaries Helen Frankenthaler, Andy Warhol, Jules Olitski, and Larry Poons. Museum Collections: Albright-Knox Art Gallery, Buffalo, New York Brooklyn Museum, New York Chrysler Art Museum, Norfolk, Virginia Denver Art Museum, Colorado Flint Institute of Arts, Michigan Jack S. Blanton Museum of Art, Austin, Texas The Larry Aldrich Museum, Ridgefield, Connecticut Metropolitan Museum of Art, New York Minneapolis Institute of Arts Minneapolis Society of Fine Arts Neuberger Museum of Art, State University of New York, Purchase Los Angeles County Museum, California Neuberger Museum, SUNY, Purchase, New York Parrish Art Museum, Water Mill, New York Solomon R. Guggenheim Museum *above description text is supported by Alexandra C. Anderson's article on Edward Avedesian in Artforum's January 1969 issue. NY Times Obituary, published Aug 23, 2007 by Roberta Smith: Mr. Avedisian was best known for his work in the 1960s: brilliantly colored, boldly composed canvases that combined Minimalism’s rigor, Pop’s exuberance and the saturated tones of Color Field painting. A frequent motif was a cluster of bright seedlike orbs corralled at the center of a vibrant monochrome field by larger rings of color, creating an image that could resemble a buoyant cross-section of some unknown fruit. Mr. Avedisian was born in Lowell, Mass., in 1936 and studied art at the Boston Museum School. By the late 1950s he was living in New York, part of a generation of promising young painters that included Frank Stella, Larry Poons and Darby Bannard. From 1958 to 1963 Mr. Avedisian had six solo shows in New York galleries, including two at the Robert Elkon Gallery, where he continued to show almost every year until 1975. By the early 1960s Mr. Avedisian was a rising star. During that decade, his work appeared on the cover of Artforum, in “The Responsive Eye” exhibition of Op Art at the Museum of Modern Art and in four annuals at the Whitney Museum of American Art. His paintings were widely sought by collectors and acquired by major museums in New York and elsewhere. In the mid-1970s Mr. Avedisian moved to Hudson and became less visible. His paintings soon began shifting toward representation; he took to calling his abstract paintings “a period style.” But he continued to be well served by his feeling for color, scale and surface. His landscapes described his surroundings in blunt, flat shapes and singing hues reminiscent of those of Marsden Hartley and Paula Modersohn...

A lively and important work that would bring animation to any interior. Though he has been called “the world’s best public sculptor,” by art critic Ken Johnson, Tom Otterness’ playfu...

Bold French gouache fashion sketch of a flowing wrap dress in deep red with floral detailing. Signed lower right. Original artwork on paper displayed on a white mat with a gold bor...

Lower right "N.Brahma", inscribed verso "Nada Brahma" and titled "Refracted Sunset". A large watercolor seascape showing an abstracted view of jade and cobalt waves beneath a scarle...

Charming vintage oil painting of the iconic La Canada Building on the corner of North Santa Cruz Ave and W. Main Street in downtown Los Gatos, California by ...

Edward Ruscha: New Paintings, Leo Castelli Gallery, 1980 Offset lithograph poster 22.5 x 18 inches Unframed Published by Leo Castelli Gallery Good vintage condition with some handli...

Janet Jennings Oil Painting on Canvas Peace and Plenty, 1989. Hand signed Dimensions: Canvas, 65 1/2" x W: 59 1/2". framed 68 X 62 inches Janet Jennings received her BFA from the University of Dayton and attended The Dayton Art Institute, Antioch College and The Art Students League. Her paintings are in numerous corporate and private collections worldwide. She has exhibited at numerous galleries on Long Island, the Hamptons and New York City including The New York Design Center, Hampton Road Gallery, Pamela Williams Gallery, Folioeast, Lizan-Tops Gallery, Chase Edwards Gallery, Gallery North, Elaine Benson Gallery, Glenn Horowitz Gallery, Mark Humphrey...

Slim Aarons' Pool at Porto Rotundo, an Estate Edition photograph, is a vintage scene of pleasure yachts moored in a sandy cove at Porto Rotondo, Sardinia, July 1990. Visual Description: Yachts moored in a turquoise cove offset by deeper blue sea, surrounded by the dramatic cliffs of a rocky shore. Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure, a history of glamour that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. Saint-Tropez, France is a glamorous vacation destination west of Nice and east of Marseille in the Var department of the Provence-Alpes-Côte d'Azur region, Southern France. The adjacent narrow body of water is the Gulf of Saint-Tropez. Increasingly known for his influence, Aarons's casually glamorous jetset aesthetic can be seen today in fashion, art, and celebrity photography. Recent articles credit his work with inspiring the casually flawless style of top Instagram influencers, full of sunshine and escapism. Reference: "Dive in: how Slim Aarons art directed the poolside summer. French brand Maje are the latest label to take inspiration from Slim Aarons’ pictures of the jetset on holiday." Slim Aarons Saint-Tropez Beach Chromogenic Lambda print Printed Later Slim Aarons Estate Edition Complimentary dealer shipping to your framer, worldwide. Stamped and hand numbered by the Slim Aarons Estate. Certificate of Authenticity included. Collector will get the next number in the edition 72 x 48 inches $4900 60 x 40 inches $3950 40 x 30 inches $3350 30 x 20 inches $3000 Complimentary dealer shipping to your framer, worldwide. Photograph is unframed Slide show includes a close-up of the Slim Aarons estate's stamp. Collector will get the next number in the edition * We are pleased to offer the entire archive of the Slim Aarons Estate, offering the official Slim Aarons Estate Edition (only offered in this edition of 150). * Undercurrent Projects, New York, is proud to represent Aarons' full collection of negatives and transparencies. Housed at Getty Images Hulton Archive in London, The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Internal: Slim Aarons Poolside Photography, Porto Rotondo, Vintage Seascape, Vintage Sardinia, Vintage Yachts...

Untitled, Sarayevo Winter Olympic Games 1984, is an etching with aquatint and lithograph in colors realized by Cy Twombly on the occasion of the Winter Olympics Games 1984 in Sarajev...

Artist: Fritz Scholder (Native American, 1937-2005) Title: "ASU Portrait II" Portfolio: Arizona State University Centennial Portfolio *Signed by Scholder in pencil lower right Year: 1984 Medium: Original Lithograph on Arches Cover buff paper Limited edition: 49/100 Printer: Joseph M. Segura of the Print Research Facility, School of Art, Arizona State University, Tempe, AZ Publisher: the Print Research Facility, School of Art, Arizona State University, Tempe, AZ Reference: "Collaborative Works: Recent Work and Catalogue Raisonné of the Visual Arts Research Institute" - ASU/VARI No. 121, page 98 Sheet size: 20.25" x 15" Condition: Never framed, has been professionally stored away within its original portfolio case for decades. In mint condition Not a single example of this work has ever appeared at auction in over 40 years. Extremely rare Notes: Provenance: one owner ever - private collection - Scottsville, AZ; acquired directly from the publisher the Print Research Facility, School of Art, Arizona State University, Tempe, AZ upon its release in 1984. Numbered by Scholder in pencil lower left. Comes from the 1984 "Arizona State University Centennial Portfolio" of eighteen prints in various mediums by Daniel R Britton, R. E. (Ron) Gasowski, Arthur W. Hahn, James Hajicek, Jules Heller...

Forest edge at winter. 1983. Oil on cardboard, 40x50 cm Winter landscape Alfejs Bromults (1913.3.IV - 1991.11.I) His first professional education was at National University at stud...

In the field. Oil on cardboard, 57x81 cm

Cher Icon Gay Diva Superstar Oscar Grammy Contemporary Godess of Pop Music Al Hirschfeld (1903 - 2003) Cher Sight: 21 1/2 x 14 1/4 Frame: 30 x 22 1/2 inches...

Grace Jones is a black and white vintage photo, realized in April 11th. 1989. The photo depicts the Singer, actress Grace Jones, emerges from a Jamaican magistration court with a la...

"Sade Ade" by Express Newspapers Nigerian-born British singer and songwriter Sade (Helen Folasade). Unframed Paper Size: 24"x 20'' (inches) Printed 2022 Silver Gelatin Fibre Print

Medium: offset lithograph (after the monotype). This is an offset lithograph reproducing one of Jasper Johns' Savarin monotypes, and it was printed by Norman Lithographers in 1982 an...

Unique Trial Proof, from the Endangered Species Portfolio. Authenticated by Andy Warhol Foundation with supporting paperwork, blindstamp lower left. This is an unsigned and unnumbere...

Ulrik Trojaborg was a dancer with the New York City Ballet in the 1980s and among Andy Warhol's circle of dancer friends, which included Heather Watts, J...

AP, printed on aluminum. Includes flush mounted frame "Suzanne in Chair" is among Joyce Tenneson's most famous works from her "Transformations" series. Tenneson's style has been des...

Vintage signed and numbered art deco sculpture by Erte. Painted Bronze cica 1987.

Etching and aquatint on Auvergne paper, edited in 1980. Limited edition of 200 copies, numbered 129/200 in lower left. Hand signed by Salvador Dali in pencil in the lower right margi...

Pierre Coquet - Tin cans Reference number F455 Framed with a natural oak floated frame 35 x 40 cm frame included (30 x 35 cm without frame) This work is painted with oil on a paper t...

Frame: 16.5 x 15.5 x 1 Picture: 6 x 4.5 Picture in excellent condition Frame has one big scratch and the rest is minor wear

This work was acquired directly from The Andy Warhol Foundation for the Visual Arts. The work is in pristine condition and has never been framed. This is a unique work which comes w...

Jean-Michel Basquiat 1987 (printed later) Archival pigment print 48 x 48 inches Signed and numbered edition of 40 William Coupon is an American photographer, born in New York City, ...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘ Table Top ‘ who was captured on film i...

11 x 14" vintage silver gelatin photograph of Martha Graham Company "Phaedra's Dream", 1988, with Donlin Foreman, Christine Daikin, and Kenneth Topping. Signed by Jack Mitchell on th...

Marc Chagall La Peintre et son double Artist: Marc Chagall Medium: Lithograph Title: La Peintre et son double (Derrière le Miroir #246) Portfolio: Derrière le Miroir Year: 1981 Editi...

George McNeil Untitled Figure, 1986 Lithograph on paper. Publisher's and Printer's Blind Stamps Hand-signed, numbered 78/84 and dated by the artist on the front with publisher's and...

The Seine at the Louvre. Oil on canvas, 50 x 65 cm Serge Mendjisky was born in 1929 in Paris. His father, Maurice Mendjisky, was a painter from the School of Paris, this is how Serge became acquainted with the world of arts since childhood. After completing his studies at the School of Fine Arts of Paris, he soon became a recognized artist and his work was exposed in Europe, Japan and the United States. He used photography to make his preliminary studies in painting. By decomposing and recomposing the horizons of some of the most famous cities of the world like New York and Paris, Serge Mendjisky creates new urban landscapes which put into question our perceptive faculties. Volumes, lights and colors create different visual rhythms which create new connections between time and space. Through Serge Mendjisky's creativeness, Broadway becomes an explosion of colored lights...