19th Century Art

Artist: John Hutchins (English, 1698-1773) Title: "Southwest View of Sherborne Abbey Church" (Plate 15) Portfolio: The History and Antiquities of the County of Dorset Year: 1861-1870...

“Gathering Poppies,” set beneath a brooding sky, is a delightful landscape by the Glasgow-born artist Sir David Murray. The work is signed, dated, and carries a Christie’s Auction Ho...

This remarkable double-sided devotional painting on copper showcases exceptional craftsmanship and deep spiritual reverence. On the recto, a finely rendered portrait of Saint Bernade...

➡️Vivid Landscape⬅️ ➡️Impressionist Scene⬅️ ⏩It is signed Jeanneau.⏪ Possibly Fernand Jeanneau, ⭐Medium:⭐ Oil on canvas ⭐Technique: ⭐Impasto painting with expressive brushwork. H...

Watercolor on heavy gauge watercolor paper, 14 x 9 3/4 inches (352 x 248 mm), the full sheet. Titled in pencil in the lower left margin. With a garden landscape in watercolor on the ...

George William Mote (1832–1909) Landscape with Cattle on a Country Path, 1887 A luminous and richly detailed late-19th-century landscape by George William Mote, dated 1887, showcasi...

☀️Dachshund Fashion Week Mondrian☀️ In the artistic world, animals have always been key protagonists in expressing the power and beauty of the wild. Artists often use animals as sym...

Anglers at Sunset by Edwin Henry Boddington (1836–1905) signed and indistinctly dated 18?? oil on canvas, framed framed: 17 x 30 inches canvas : 12 x 24.5 inches Provenance: private...

The Close of Day by Edwin Henry Boddington (1836–1905) signed lower front corner oil on canvas, framed framed: 30 x 42 inches canvas : 24 x 36 inches Provenance: private collection,...

Wreckers on the Beach by Charles Webster (British. 19th century) signed, oil on canvas, unframed canvas : 24 x 42 inches Provenance: private collection, England Condition: very good ...

The Old Cottage Garden by Eva Walbourn (1872-1927) *see notes below signed oil on canvas, framed framed: 15.5 x 19 inches canvas : 10 x 14 inches Provenance: private collection, Engl...

The Shipwreck English School, indistinctly signed dated 1884 oil on canvas, framed framed: 29.5 x 48 inches canvas : 26 x 44.5 inches Provenance: private collection, UK Condition: v...

The Sportsman and his Dogs Scottish School, early 19th century, unsigned oil on canvas, framed in antique gilt frame framed: 20 x 24.5 inches canvas : 16.5 x 20.5 inches Provenance: ...

Bisque Porcelain and Gilt Candelabras Figures of putti supporting the arms, porcelain floral candle cups. 24 x 11.5 inches A matched pair of bisque porcelain and gilt-bronze candela...

Antique oil on wood portrait of a woman by Belgium artist, Eugine Smits 1800s. This delightful painting in its rich and powerful tones and scultured impressionist paint layers is ve...

A beautiful late 19th century oil on board portrait of a terrier in a landscape, by H. Jackson. The work is inscribed by the artist on the reverse and dated 1898. Presented in it's original gilt frame and in very good original condition. A superb Victorian dog painting...

After Jean-Antoine Houdon (French, 1741-1828) Bust of Diana Bronze Signed on side, Susse Frères foundry stamp on base 28.5 x 16.25 inches Jean-Antoine Houdon's bust of Diana is an 1...

19th Century original antique landscape oil painting on wood by French artist Charles Albert Porcher (1834-1895). This wonderful old and atmospheric oil on wood is by a renown and r...

The Highland River by William Lakin Turner (1867-1936) signed oil on panel, framed framed: 18 x 21 inches panel : 10 x 14 inches Provenance: private collection, England Condition: th...

Attributed to George Earl (English, 1824–1908) Portrait of a Dachshund Oil on canvas, circular format Circa 1870–1880 Signed left centre (as visible) ⸻ A finely observed Victorian...

☀️Cat curled up☀️ In the artistic world, animals have always been key protagonists in expressing the power and beauty of the wild. Artists often use animals as symbols to convey dee...

A finely executed and richly symbolic portrait by Dutch artist Thomas van Leent (1807-1882). A young woman sits in a stone niche holding a book in her lap whilst a parrot in a gilded...

Unsigned. Well presented in a swept gilt frame with foliate ornamentation. On tin. Image size: 23 x 18cm.

Cuzco (Cusco) School, 19th century, Peru Ángel Arcabucero (Angel with Arquebus) oil on canvas unframed 58 × 41 cm (22.8 × 16.1 in) framed 66 × 49 cm (26.0 × 19.3 in) No signature Provenance: Acquired in Peru in 1986 by the previous owner. Essay: This painting portrays a celestial figure identified as an ángel arcabucero – literally an “arquebus-bearing angel,” shown as an archangel wielding an early firearm (arquebus) instead of the traditional sword. The angel is richly attired in the fashion of an Andean noble or Spanish aristocrat, with an ornate embroidered coat, lace collar, and billowing sleeves, in keeping with the distinctive iconography of these militaristic angels. Such ángeles arcabuceros emerged in the late 17th century in colonial Peru and were especially popular in Cuzco School painting, replacing the sword of Catholic warrior-angels with a gun to signify the heavenly army’s power in a modern guise. The graceful figure, dressed as a nobleman yet serving a divine role, underscores the fusion of earthly authority and celestial protection – a sartorial and symbolic innovation unique to the Andean region’s religious art. This iconography, found only in Spanish colonial territories, resonated with local believers and visually confirmed the angel’s identity as a heavenly soldier guarding the faithful, his delicate hands cradling a long-barreled arquebus as if it were a sacred instrument. The Ángel Arcabucero exemplifies the visual hallmarks of the Cuzco School, a major Peruvian painting...

Boats under the Trees French Impressionist, late 19th century period, unsigned oil on board board : 13 x 16 inches Provenance: private collection Condition: the edges and corners are...

'Clearing the Hedge' by Francois Duyk (Belgian, late 19th century) oil on canvas, framed framed: 22.5 x 32.5 inches canvas : 20 x 30 inches Provenance: private collection, the Cotswo...

An extremely fine nineteenth-century oil portrait of a young lady in profile, dating to the second half of the century. The sitter wears a silky cerulean dress adorned with delicate ...

Still Life of Flowers French Impressionist, circa 1890-1900 period oil on canvas, framed framed: 31.5 x 38 inches canvas: 27 x 24 inches Provenance: private collection, Cotswolds, En...

The Country Lane by Henry Harris (1852-1926) signed oil on canvas, framed framed: 12 x 10 inches canvas : 10 x 8 inches Provenance: private collection, England Condition: very good ...

Louis Étienne Timmermans. Belgian ( b.1846 - d.1910 ). A Fisherman’s Burial At Sea. Oil On Panel. Signed Lower Left. Image size 17.5 inches x 25 inches ( 44.5cm x 63.5cm ). Frame siz...

'Clearing the Pond' by Francois Duyk (Belgian, late 19th century) oil on canvas, framed framed: 22.5 x 32.5 inches canvas : 20 x 30 inches Provenance: private collection, the Cotswol...

Abundant Still Life of Flowers in a Classical Setting French School, early/ mid 19th century, unsigned Follower of Jean-Baptiste Monnoyer (Franco-Flemish, 1636-1699) oil on canvas, f...

Flodlandskap i Månsken (“River Landscape in Moonlight”) is an evocative landscape depicting the ruins of a medieval castle on a forested island, rendered with remarkable sensitivity to light and atmosphere. The composition centres on the dramatic silhouette of a crumbling fortress, possibly inspired by Kronoberg Castle or Stegeborg Castle, rising above a quiet stretch of water at dusk. In the foreground, a man holding a burning torch has just stepped aboard a small wooden boat. The warm, flickering firelight illuminates the rocky shoreline and creates a vivid contrast with the cool, ethereal glow of the moonlit sky and river. Roselli orchestrates a sophisticated interplay between two distinct light sources: the warm blaze of the torch and the soft radiance of the full moon. The torchlight casts amber reflections across the stones, boat, and figure, pulling the viewer into the immediate drama of the scene. In contrast, the moonlight suffuses the landscape with a calm, silvery luminosity, outlining the ruined walls and drifting clouds. This dual lighting creates a striking depth and atmosphere, demonstrating Roselli’s exceptional command of nocturnal effects. The Artist Frans Johan Roselli was a Swedish landscape painter active during the height of Romanticism in the mid-19th century. Born in Småland in 1833, he began his artistic training early and later studied under Marcus Larson...

A scale version grand tour size carved in white alabaster of Psyche Revived by Cupid's Kiss, carved in Italy probably in Florence in the 19th century. The original Psyche Revived by ...

Ernest Peel Law (British, Late 19th Century) Circa 1890 Fisherman at Sunset Oil on canvas, signed lower right Ernest Peel Law’s Fisherman at Sunset is a masterful evocation of eveni...

'Bringing them Home' English School, 19th century signed by the artist, 'F. Thomas' oil on canvas, framed framed: 25 x 35 inches canvas : 20 x 30 inches Provenance: private collectio...

Watercolor on cream wove paper mounted to light weight card stock, 3 3/4 x 5 1/2 inches (94 x 138 mm), the full sheet. In good condition with minor uniform toning. Sophia Beale was...

Loading the Hay Cart English School (19th century) inscribed verso, oil on canvas, framed framed: 11 x 15 inches canvas : 7 x 11 inches Provenance: private collection, England Condit...

This oil on canvas by Anton Genberg, signed and dated 1894, portrays a Scandinavian summer landscape bathed in gentle light. The composition features lush green meadows in the foregr...

Eugene Galien Laloue (French, 1854-1941) The Banks of the Seine near Chatelet Gouache and watercolor on paper Signed lower left 9.5 x 12.75 inches 16.5 x 21 inches, framed Provenance...

In this neoclassical oil on canvas signed and dated “Otto Bache 1864”, the artist depicts Psyche standing with her back turned to the viewer beside a red draped table. Her hair is arranged in a tight knot, secured with a hairpin adorned with two large pearls. She holds a light drapery that covers her legs, while the rest of her body remains nude. With her head turned toward the right, she gazes downward toward the table, where a blue gown or drapery lies, the garment she is about to put on. Her softly illuminated profile emerges as she turns in the light falling from the upper left, creating a striking backlight that heightens the contrast along the contours of her body. On the richly red draped table before her rest her jewellery and, to her left, a large amphora-shaped jug and a tazza bowl. The light descending from above to the left defines the composition with sharp contrasts between brightness and shadow, revealing the delicate modelling of Psyche’s form and lending the scene a quiet sense of introspection and grace. Exhibited: Winkel & Magnussen October 1915 no. 5, ill. p. 5. Otto Bache was born in 1839 in Roskilde, Denmark, and died in 1927 in Copenhagen. At the age of only eleven he was admitted to the Royal Danish Academy of Fine Arts in Copenhagen where he studied drawing and painting under the supervision of artists such as Wilhelm Marstrand. His early training gave him a basis in the Danish “Golden Age” tradition of realism and naturalism, but he went on to travel and extend his horizons. In 1866 he received an Academy travel-scholarship and went to Paris, then Italy (1867–68). The influence of Paris is often noted: his palette became richer, his handling freer, his light stronger, and his subjects broader. Later in his career, from around 1887, he held the post as professor and on various occasions director of the Royal Danish Academy. Bache’s early work reflects his rigorous academic training: careful drawing, subdued palette and interest in genre scenes and rural life. After his travel in Paris and Italy he adopted a somewhat more robust handling of color and light, but still remained essentially realist and narrative in approach. He painted portraits, animal and hunting subjects, genre scenes, and large history-paintings depicting key moments from Danish history. In particular, during the 1880s and 1890s when he was commissioned to execute large history canvases for the Museum of National History at Frederiksborg Castle and similar institutions, depicting events such as the exploits of Danish soldiers...

Signed and dated indistinctly, lower left, and painted circa 1850. Framed dimensions: 39 W x 4 D x 34.5 W inches Displayed in a fine and substantial, late 19th Century, carved giltwo...

Irish School, circa 1820-1830 period Portrait of an Officer of the 75th (Stirlingshire) Regiment of Foot, circa 1820-1830, unsigned. believed to be depict John Duncan King, (Lieuten...

William Thornley (British, 1857–1935) Fishing Boats off the Coast near Dover, Kent, circa 1890 Oil on canvas Signed lower left ⸻ A classic late 19th-century English coastal scene ...

Still Life of Fruit by George Clare (1830-1900) *see notes below signed oil on canvas, framed framed: 12 x 14 inches canvas : 7 x 9 inches Provenance: private collection, UK Conditio...

Three Terrier Dogs in Landscape English artist, mid 19th century circle of George Armfield (English dog painter, 1808-1893) oil on canvas, framed framed: 17 x 21 inches canvas: 8 x 1...

John Rabone Harvey ( 1966 - 1922) graphic and chalk deep green artist paper , unframed artist paper : 5.5 x 7 inches Provenance: private collection Condition: very good condition Ha...

John Rabone Harvey ( 1966 - 1922) graphic and chalk deep green artist paper , unframed artist paper : 5.5 x 7 inches Provenance: private collection Condition: very good condition Ha...

This intimate oil painting presents a young boy viewed from a three-quarter rear angle, caught in a quiet, reflective moment. The child’s back is turned gently toward the viewer, ren...

Egron Lundgren (1815–1875) Monk in a Monastic Cell signed and dated Egron Lundgren Rom 1848 oil on relined canvas unframed 62 x 50 cm (24 ½ x 19 ¾ in.) framed 79 x 68 cm (31 x 26 ¾...

John Rabone Harvey ( 1966 - 1922) graphic and chalk deep green artist paper , unframed artist paper : 5.5 x 7 inches Provenance: private collection Condition: very good condition Ha...

John Rabone Harvey ( 1966 - 1922) graphic and chalk deep green artist paper , unframed artist paper : 5.5 x 7 inches Provenance: private collection Condition: very good condition Ha...

Watercolor with graphite on heavy gauge watercolor paper, 9 3/4 x 7 1/4 inches (249 x 185 mm), the full sheet. Titled and dated August 27, 1896 in pencil in the lower right margin. I...

Medium: original etching. This impression on laid paper was printed in 1880 for Philip Gilbert Hamerton's very scarce "Etching and Etchers". Plate size: 9 1/4 x 6 1/4 inches (237 x 1...

Portrait of Princess Olga Gorchakov by female 19th century artist Elise Hügel. An oval portrait of Princess Olga Gortschakoff (1838–1926), here pictured soon after her marriage to Baron Friedrich Adeldagus Felix von Meyendorff, becoming Baroness von Meyendorff, signed Elise Hügel and dated 1858. Executed in oil on canvas, the work shows a young Olga in her early 20´s...

Pausing for Refreshments English School, circa 1870's oil on canvas, framed framed: 18 x 26.5 inches canvas : 13 x 21.5 inches Provenance: private collection, England Condition: very...

An atmospheric sunset after the rain. The light reflected on the still-wet street is creating the most beautifully shimmering light. Two village women carrying baskets are chatting, ...

John Rabone Harvey ( 1966 - 1922) graphic and chalk deep green artist paper , unframed artist paper : 5.5 x 7 inches Provenance: private collection Condition: very good condition Ha...

Medium: lithograph (after the poster). Printed in 1897 on smooth wove paper and published in Paris by Librairie Nilsson. Image size: 9 1/2 x 5 inches (240 x 125 mm). Sheet size: 12 3...

A bucolic woods landscape with an ivy-covered country manor. Watercolor and graphite on heavy gauge watercolor paper, 4 7/8 x 7 inches (125 x 178 mm), the full sheet. In very good c...