Early 1900s Art

Here for your consideration is an antique fine copy of an earlier original painting by the well known 18th century French artist, Jean Baptiste Greuze. This painting is an oil paint...

Original color lithograph with hand-coloring and additional pochoir process coloring. By acclaimed automobile artist Ernest Montaut of an 1895 race. Published in "10 Ans de Courses,"...

Stella, Joseph (American, 1877-1946). MAN PLAYING PICCOLO. Pencil on paper, 1908. Signed and dated, lower right. 6 1/4 x 7 inches, framed to 14 x 14 inches. Identified on labels of D...

Pyramus and Thisbe Etching, c.1906 Signed along bottom edge in pencil "Augustus E John" Edition: 25 Reference: Dodgson 91 ii/II Condition: Excellent Plate: 5 1/8 x 4" (13.02 x 10.16 ...

FRANCOIS-RAOUL LARCHE 1860 SAINT-ANDRÉ-DE-CUBZAC - 1912 PARIS Signed on the base with "RAOUL LARCHE," foundry mark "SIOT DECAUVILLE PARIS FONDEUR," and number "R 276." Total height...

Villon, Jacques. CAKE WALK DES PETITES FILLES. GP.102, second state of four. Drypoint and aquatint in colors, 1904. Edition of only 10 (there was an edition of 30 in state 4, with th...

Lithograph from Carlos Schwabe’s series of hand-colored Symbolist fantasy illustrations for Catulle Mendès’ Hésperus, published in 1904 by Société de pr...

Plate #12 from Gustav Klimt's 1907 "Dialogues of the Courtesans" portfolio, consisting of 15 collotypes on cream japon paper. The drawings in this folio are said to be studies for Klimt's well-known Water Serpents paintings...

This captivating portrait oil painting is by noted artist Georges Van Den Bos. Painted circa 1905, it is a half length portrait of a young girl wearing a peach dress with lace bodice...

A bit of a mystery scholarly sanguine drawing. Very well executed portrait of a Lady dated either 1904, 1907, or 1909 in Venice. It is signed but I cannot make it out. The paper meas...

Harry McCormick, American (1942 - ) - Paloma. Year: circa 1990, Medium: Screenprint, signed and numbered in pencil, Edition: 250, Size: 26 in. x 40 in. (66.04 cm x 101.6 cm)

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...

This beautiful Edwardian Scottish floral oil painting is by noted Scottish female artist Louise Ellen Perman. Perman exhibited 28 floral oil paintings at the Royal Scottish Academy f...

According to Edward Nudelman, a leading expert on the artist and author of Jessie Willcox Smith: A Bibliography, the artwork is chronologically and stylistically related to Smith's i...

La Grande Cascade de Saint Cloud Color aquatint on watermarked Arches J Perrigot paper, 1905 Signed by the artist in pencil lower right. (see photo) Edition: 100. Numbered "39" in ...

Antique landscape oil painting with a blazing sunset. Oil on canvas-board, circa 1900. Displayed in a period giltwood frame. Image, 17.5"L x 11.5"H.

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...

C. Pelgen early 20th century fruit still life painting, 1906 Oil on canvas in Frame. 18 x 26 unframed, 22.75 x 30.5 framed

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...

A fine large oil painting by Scottish listed artist William Strang. This is a super evocative oil on canvas which depicts a family at "The Foot of the Statue". It was exhibited in 1904 in Bradford exhibition of fine arts lent by L W Hodson of Wolverhampton who was a patron of his work. This is a fine example of an early 20th century Scottish oil with good subject. It is a good size and signed. This wouldn't be out of place in Kelvingrove Gallery in Glasgow. Signed lower left. Provenance. Bradford Art Gallery 1904. Sotheby 19th June 2002 Guide price £20000-30000GBP. Condition. Oil on canvas. Image size 30 inches by 25 inches and in excellent condition. Housed in a fine period frame, 39 by 34 inches framed and in good condition. William Strang (1859-1921) was born at Dumbarton, the son of Peter Strang, builder, and educated at the Dumbarton Academy. He worked for fifteen months in the counting-house of a firm of shipbuilders before going to London in 1875 when he was sixteen. There he studied art under Alphonse Legros at the Slade School for six years. Strang became assistant master in the etching class, and had great success as an etcher. He was one of the original members of the Royal Society of Painter-Etchers, and his work was a part of their first exhibition in 1881. Some of his early plates were published in The Portfolio and other art magazines. He worked in many manners, etching, dry point, mezzotint, sand-ground mezzotint, and burin engraving. Lithography and wood-cutting were also used by him to create pictures. He cut a large wood engraving of a man ploughing, later published by the Art for Schools Association. A privately produced catalogue of his engraved work contained more than three hundred items. Amongst his earlier works were Tinkers, St. Jerome, A Woman Washing Her Feet, An Old Book-stall with a Man Lighting His Pipe from a Flare, and The Head of a Peasant Woman on sand-ground mezzotint. Later plates such as Hunger, The Bachelor's End and The Salvation Army were also important. Some of his best etchings were done as series—one of the earliest, illustrating poet William Nicholson's Ballad of Aken Drum, is remarkable for clear, delicate workmanship in the shadow tones, showing great skill and power over his materials, and for strong drawing. Another praised series was The Pilgrim's Progress, revealing austere sympathy with John Bunyan's teaching. Samuel Taylor Coleridge's Ancient Mariner and Strang's own Allegory of Death and The Plowman's Wife, have served him with suitable imaginative subjects. Some of Rudyard Kipling's stories were also illustrated by him, and his likeness of Kipling was one of his most successful portrait plates. Other etched portraits included those of Ernest Sichel and of J.B. Clark, with whom Strang collaborated in illustrating Baron Munchausen...

negative number "110-00" in plate lower left Platinum print Image 16" x 12", Matted 24" x 20"

Bloques (Road Block) Color lithograph, 1905 Signed and numbered in pencil lower right; signed and dated in the stone lower right (see photo) Edition: 100, first edition (33/100) Publ...

A shallow naturalistic bowl with organic bone-like design elements and a mottled glaze of blue, gray, and green. Stamped Amphora in the base, and numbered; added RStK bottom marking ...

"Manege rue Caulaincourt ou Le Petit Manege Aux Chevaux De Bois" is an original etching and aquatint signed by Jacques Villon. The artist signed the piece in the lower right. This is an artist proof in brown & black on arches paper. This piece depicts a number of figures on a horse-drawn carousel going through the street. 21 7/8" x 28 1/2" art 29 1/4" x 33 1/2" frame Jacques Villon (French, 1875 - 1963) French painter, printmaker and illustrator. The oldest of three brothers who became major 20th-century artists, including Raymond Duchamp-Villon and Marcel Duchamp, he learnt engraving at the age of 16 from his maternal grandfather, Emile-Frédéric Nicolle (1830-94), a ship-broker who was also a much appreciated amateur artist. In January 1894, having completed his studies at the Lycée Corneille in Rouen, he was sent to study at the Faculty of Law of the University of Paris, but within a year he was devoting most of his time to art, already contributing lithographs to Parisian illustrated newspapers such as Assiette au beurre. At this time he chose his pseudonym: Jack (subsequently Jacques) in homage to Alphonse Daudet’s novel Jack (1876) and Villon in appreciation of the 15th-century French poet François Villon; soon afterwards this new surname was combined with the family name by Raymond. Marcel Duchamp and their sister Suzanne Duchamp...

Harry McCormick, American (1942 - ) - The Chinese Screen. Year: circa 1990, Medium: Screenprint, signed and numbered in pencil, Edition: 250, Size: 26 in. x 30 in. (66.04 cm x 76.2 cm)

Odilon Redon, French (1840 - 1916) - Paul Serusier, Year: 1903, Medium: Lithograph on Japon, dated in the plate, Image Size: 7 x 5 inches, Size: 12.25 x 9.5 in. (31.12 x 24.13 cm),...

WILLIAM WIEHE COLLINS (1862-1951) That’s Me Signed l.l.: W W Collins; signed, inscribed with title and the artist’s address on the reverse: That’s Me / W W...

Harry McCormick, American (1942 - ) - Balloons in Central Park. Year: circa 1990, Medium: Screenprint, signed and numbered in pencil, Edition: 19/200, Size: 22 in. x 29 in. (55.88 cm...

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...

Artist: John Parker Davis, American (1832 - 1910) Title: Cow Farm Landscape Year: 1905 Medium: Oil on Canvas, signed and dated l.l. Size: 12 x 18 in...

French School circa 1900 Studies of characters, four drawings in a same frame Pencil on paper Sizes of the drawings (from left to right and from top to bottom) A couple at a table ...

John Marin (1870-1953), St. Germain-Des-Pres, Paris, etching, 1906. Signed in pencil lower right and titled lower left [also signed and dated in the plate]. Zigrosser 47, only state,...

Antique impressionist painting of Castillo De Los Tres Reyes Del Morro in Cuba. Oil on canvas, circa 1908. Signed. Displayed in a period giltwood frame. Image, 18"L x 12"H, overa...

"The actress" presumed portrait of Sarah Bernhardt by Paul François BERTHOUD (1870-1939) A very rare symbolist style bust made up of a white Carrara marble head and a patinated bron...

George Hornemann, is an unknown painter of either Swiss, Austrian or German extraction. Our curators have so far been unable to trace this artist where we are wondering if the name a...

Artist: John Parker Davis, American (1832 - 1910) Title: Cow Farm Landscape Year: 1905 Medium: Oil on Canvas, signed and dated l.l. Size: 12 x 18 in...

Plate #1 from Gustav Klimt's 1907 "Dialogues of the Courtesans" portfolio, consisting of 15 collotypes on cream japon paper. The drawings in this folio are said to be studies for Kli...

Harry McCormick, American (1942 - ) - Flower Market. Year: circa 1990, Medium: Screenprint, signed and numbered in pencil, Edition: 200, Size: 28 in. x 40 in. (71.12 cm x 101.6 cm)

Paul Ludwig Kowalczewski (1865 Mieltschin - 1910 Berlin), Field worker with rake, around 1900. Brown and brown-greenish patinated bronze with ...

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...

Maurice Bouval French Art Nouveau Gilt and Silvered Bronze Figural Vide Poche Cast from a model by Maurice Bouval, cast by Jollet & Cie., Paris, circa 1900 Modeled as a maiden in a ...

French School, early 20th century Portrait of Charles Maurras (1868–1952) Charcoal H. 37.5 cm; W. 27 cm Signed and dated lower left (19)09 It would serve little purpose to attempt, ...

Plate #6 from Gustav Klimt's 1907 "Dialogues of the Courtesans" portfolio, consisting of 15 collotypes on cream japon paper. The drawings in this folio are said to be studies for Klimt's well-known Water Serpents paintings...

A very dear and special work by Francis Luis Mora done while he was in Spain. An important trip early in his career, this is a gem of American Impressionism in technique and history...

Dreamy watercolor landscape of a figure heading to the shore to fetch water under a dazzling sky, circa 1910. Original artwork on paper displa...

To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." Reginald Hallward (1858 - 1948) Stained glass memorial design for Chelford Chu...

A pair of exceptional earthenware vases by Clément Massier in a unique rectangular form, featuring albino peacock feathers enhanced by accents of purple and gold glazing. As Massier ...

La dernière danse des tournesols - The last dance of Sunflowers In this evocative mixed-media composition, it brings to life a haunting yet tender portrayal of a solitary young woman...

Old Houses in Amsterdam Drypoint, 1909 Signed and dedicated in pencil lower right. "A Mr. H. A. Webster, bien sympathiquement, T.F. Simon, Paris 26/10" Simon...

LADIES DRESS SHOES. Plate X. The charming color lithograph from “Ladies’ Dress Shoes of the Nineteenth Century” was assembled by the antiquarian/shoe ...

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...

Jean-Baptiste Robie (1821 Brussels - 1910 ibid.). Still life with meadow flowers. Oil on wood, 24.5 x 18.5 cm (inside measurement), 37 x 31 cm (frame), signed and dated (difficult to...

Anne Ramsdell Congdon Chrysanthemums, 1900 Signed and dated lower right Watercolor on paper 26 x 19 inch Provenance Matthew O'Connell, Gloucester, Massachusetts Anne Ramsdell Congdon studied art at a young age in Worcester. Originally a watercolorist, she attended the Académie de Lécluse in Paris in 1891, and later with Rhoda Holmes Nichols (1854–1938), an assistant to William Merritt Chase (1849-1916), at a summer extension to Chase’s Shinnecock School of Art in Oguinquit, Maine. She also studied with Boston and Oguinquit marine painter and etcher Charles H. Woodbury (1864–1940), who taught his students to “paint in verbs, not nouns,” thus advocating the quick stroke of a brush. She was active in Nashua as a watercolorist until she married a New Hampshire surgeon and Nantucket native, Dr. Charles E. Congdon, in 1902. She reportedly suspended her art career to maintain an antiques shop in Nashua, her birthplace, while raising two sons. By the mid-1920s, she was attending the summer classes in oil painting with Frank Swift Chase (1886-1958) on Nantucket, and she rapidly became a plein air painter in the bold style of her new mentor. The Boston Herald observed, “Her work is direct, facile, and without mannerisms.” She painted a series of waterfront paintings...

Emil Nolde (1876-1956), Abschied (Parting), etching and aquatint (tonal effects), 1906, signed in pencil lower right. Reference: Schiefler/Mosel 20, third state (of 3). One of only...

Antique American impressionist ashcan school pastel painting. Pastel and gouache on paper. Signed. Framed.

Conditions : Original canvas. Signed lower right. Magnificent 19th Frame in excellent Conditions, Minor retouching on the arm and two minor holes almost invisible. Composition: mode...

vintage platinum print 9.5" x 7.5" print; 18" x 13.75" mount, mat 20" x 16"

"Oil On Canvas "reflections In The Stream" By Georges De Slovere Impressionist Painter " Biography: De Slovere Georges was born on August 4, 1873 in Bruges. He studied at the Academ...

Ceramic vase designed by Paul Dachsel for Amphora featuring delicate gold cross-hatching and relief elements to evoke peacock feathers. Polished gold glaze around mouth, on handles, and base relief...

Paul Lecomte (1842-1920) A village street with a calvary Signed lower left Watercolor on paper 29 x 23.5cm Framed : 46.5 x 420cm In quite good condition, light traces of a former fr...