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Early 1900s Art

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Period: Early 1900s
Antique American Modernist Tropical Palm Tree Samoan Beach Landscape Painting
Antique American Modernist Tropical Palm Tree Samoan Beach Landscape Painting

Antique American Modernist Tropical Palm Tree Samoan Beach Landscape Painting

By Louis Michel Eilshemius

Located in Buffalo, NY

Important and rare American modernist Samoan Island landscape oil painting by Louis Michel Eilshemius (1864 - 1941). Oil on board. Signed. Framed. Measuring 12 by 14 inches overall a...

Category

Impressionist Early 1900s Art

Materials

Canvas, Oil

French School - Still Life Banana Starwars - Impressionist Pop
French School - Still Life Banana Starwars - Impressionist Pop

French School - Still Life Banana Starwars - Impressionist Pop

Located in Zofingen, AG

⭐Still life painting - Banana Starwars⭐ ⭐Structural analysis: Drippings creates movement. ⭐Technique: oil, acrylic, and ink on canvas 20 x 20cm (7,87x7,87 inch)⭐ ⏩》R E A D Y -...

Category

Tonalist Early 1900s Art

Materials

Oil, Gesso, Canvas, Mixed Media

H.O. Miethke Das Werk folio "Portrait of Emilie Flöge" collotype print
H.O. Miethke Das Werk folio "Portrait of Emilie Flöge" collotype print

H.O. Miethke Das Werk folio "Portrait of Emilie Flöge" collotype print

Portrait of Emilie Flöge, no. 10 from the first installment of Das Werk Gustav Klimts His confidante and life companion of more than 30 years, Klimt capt...

Category

Vienna Secession Early 1900s Art

Materials

Paper

German Autumn Landscape With Windmill, 1903
German Autumn Landscape With Windmill, 1903

German Autumn Landscape With Windmill, 1903

Located in Stockholm, SE

Reinhold Grohmann (1877-1915) was a German painter who studied at the Académie Julian in Paris, a renowned art school that attracted students from all over the world. Grohmann's wo...

Category

Post-Impressionist Early 1900s Art

Materials

Canvas, Oil

Farm in Fay-le-Bac
Farm in Fay-le-Bac

Farm in Fay-le-Bac

Located in LE HAVRE, FR

Georges THE BEST (1861 - 1945) Farm in Fay-le-Bac, Seine-et-Marne, 1908 Oil on canvas Dimensions of the painting: 89 x 116 cm Signed and dated lower left. Origin: - Tuffier Ga...

Category

Impressionist Early 1900s Art

Materials

Oil

French School Frieze me Impressionist th century Original Cat painting Indian XL
French School Frieze me Impressionist th century Original Cat painting Indian XL

French School Frieze me Impressionist th century Original Cat painting Indian XL

Located in Zofingen, AG

Animal Frieze me Large Portrait - Closeup of cat Technique: oil, acrylic, and ink on canvas F30 92x73cm ■■ 36,2x28,7 inch ⏩》R E A D Y -- T O -- H A N G《⏪ 🟢 → Original signed wor...

Category

Tonalist Early 1900s Art

Materials

Ink, Oil, Acrylic

Early 20th-century french propaganda poster : The Stateless… Here is the Enemy!
Early 20th-century french propaganda poster : The Stateless… Here is the Enemy!

Early 20th-century french propaganda poster : The Stateless… Here is the Enemy!

Located in PARIS, FR

This early 20th-century propaganda poster, titled Les Sans-Patrie… Voilà l’Ennemi! (The Stateless… Here is the Enemy!), is a striking testament to the heated nationalist and anti-republican sentiments that surged in France in the years leading up to World War I. Created by E. Millo and published by Le Petit Patriote, the poster presents an impassioned defense of French patriotism while identifying internal enemies—those deemed to lack allegiance to the nation. At the time of its creation, France was deeply divided between nationalists and republicans, between those who saw France as a Catholic, traditionalist nation and those who pushed for a secular, progressive Republic. The Dreyfus Affair (1894–1906) had left the country bitterly fractured, with intense debates over loyalty, national identity, and military values. This poster embodies the sentiments of right-wing conservatives who viewed the Republic’s secularism, its tolerance of political opposition, and its social reforms as signs of national decay. The target of their ire was the so-called Sans-Patrie—those accused of betraying France by undermining its traditional values. The poster’s dramatic black-and-white illustration is designed to evoke strong patriotic emotions. At its center stands a personification of France, likely inspired by Marianne, the symbolic female figure representing the French Republic. She holds a French flag and a sword, embodying strength and resistance against the perceived enemies of the nation. Surrounding her are figures from different walks of life—workers, mothers, soldiers, and historical figures—suggesting that true French citizens stand together against those who would weaken the country. The bold headline, “Les Sans-Patrie… Voilà l’Ennemi!”, leaves no room for ambiguity. It directly accuses those who lack national loyalty as traitors, rallying "true" French citizens to defend the homeland. The text addresses “Aux Vrais Français” (To True French People), making a direct appeal to patriotic sentiment. It warns readers about anti-national forces, particularly socialists, internationalists, and secularists, who are accused of corrupting French youth, undermining the military, and weakening national unity. Among its claims, the poster states that: French schools are being used to indoctrinate children against patriotism. Military service, a key element of national strength, is under attack by those who wish to weaken France. The nation’s historical heroes and martyrs are being forgotten, replaced by values that do not serve the country’s survival. The final rallying cry at the bottom, “À bas les sans-patrie & Vive la France...

Category

Early 1900s Art

Materials

Paper, Lithograph, Linen

Aglaé - Original Etching by Gustave Joseph Biot - 1900

Aglaé - Original Etching by Gustave Joseph Biot - 1900

Located in Roma, IT

Aglaé is an original etching realized by Gustave Joseph Biot d'aprés Cabanel (1900). The artwork is in good conditions except for worn and yellowed paper on the margins. Mounted on...

Category

Modern Early 1900s Art

Materials

Etching

Circa 1900 original poster by L. Vignères - Cycles Automobiles Gladiator Paris
Circa 1900 original poster by L. Vignères - Cycles Automobiles Gladiator Paris

Circa 1900 original poster by L. Vignères - Cycles Automobiles Gladiator Paris

Located in PARIS, FR

This impressive circa 1900 original poster by L. Vignères promotes the celebrated French manufacturer Gladiator, a company known at the turn of the 20th century for producing bicycles, motorcycles, and early automobiles. The poster reflects the optimism and technological enthusiasm of the Belle Époque, when personal mobility and mechanical innovation captured the public imagination. The striking central image shows a rider astride a rearing horse balanced atop a globe — a powerful allegory suggesting speed, strength, and global ambition. This symbolic imagery connects traditional horsepower with modern mechanical power, effectively positioning Gladiator as a leader in the transition from horse-drawn transport to motorized travel. Stylistically, the poster combines late 19th-century academic illustration with emerging advertising dynamism. The bold typography, dramatic composition, and vivid color contrasts make the image immediately eye-catching, typical of early commercial posters designed for urban display. Today, this poster stands as both a historical document of early automotive culture and a compelling example of Belle Époque advertising art, illustrating how industry, modernity, and artistic creativity converged at the dawn of the motor age. Original Poster Advertisement - Transportation - Automobile - France Horse Printed by Courbet...

Category

Early 1900s Art

Materials

Linen, Paper, Lithograph

Early 20th-Century English School, John Lovibond & Sons, Cannon Brewery, Fulham
Early 20th-Century English School, John Lovibond & Sons, Cannon Brewery, Fulham

Early 20th-Century English School, John Lovibond & Sons, Cannon Brewery, Fulham

Located in Cheltenham, GB

This charming early 20th-century English School oil painting depicts the Cannon Brewery at North End, Fulham, owned by John Lovibond & Sons Ltd. Founded in 1867, the brewery was...

Category

Folk Art Early 1900s Art

Materials

Canvas, Oil

H.O. Miethke Das Werk folio "The Three Ages of Woman" collotype print
H.O. Miethke Das Werk folio "The Three Ages of Woman" collotype print

H.O. Miethke Das Werk folio "The Three Ages of Woman" collotype print

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...

Category

Vienna Secession Early 1900s Art

Materials

Paper

Lever de soleil au Pont des Arts - Impressionist Landscape Oil by Ulisee Caputo
Lever de soleil au Pont des Arts - Impressionist Landscape Oil by Ulisee Caputo

Lever de soleil au Pont des Arts - Impressionist Landscape Oil by Ulisee Caputo

By Ulisse Caputo

Located in Marlow, Buckinghamshire

Signed and dated impressionist oil on board landscape by Neapolitan painter Ulisse Caputo. The work depicts a view of Pont des Arts bridge in Paris, France at sunrise in winter. The ...

Category

Impressionist Early 1900s Art

Materials

Oil, Board

'The Feather Boa, ' a large oil painting of Miss Crofton by Herbert Sidney
'The Feather Boa, ' a large oil painting of Miss Crofton by Herbert Sidney

'The Feather Boa, ' a large oil painting of Miss Crofton by Herbert Sidney

Located in London, GB

'The Feather Boa,' a large oil painting of Miss Crofton by Herbert Sidney British, 1901 Frame: height 193cm, width 115cm, depth 6cm Canvas: height 143, width 77cm, depth 3cm By the British artist Herbert Sidney, (1858-1923), this remarkable full length portrait also titled 'The Feather Boa,' depicts Miss Alice...

Category

Victorian Early 1900s Art

Materials

Canvas, Oil

Sevillanas
Sevillanas

Sevillanas

Located in Fairlawn, OH

Sevillanas Etching and color aquatint on laid watermarked paper, c. 1900 Signed by the artist in pencil lower right (see photo) Editioned in pencil lower left corner of sheet Publish...

Category

Post-Impressionist Early 1900s Art

Materials

Aquatint

A Terrier Oil Painting, Dutch School, Framed, Circa 1900, 31x26"
A Terrier Oil Painting, Dutch School, Framed, Circa 1900, 31x26"

A Terrier Oil Painting, Dutch School, Framed, Circa 1900, 31x26"

Located in St. Albans, GB

Simon Ludwig Ditlev Simonsen Canvas Size: 21 x 16" (52.5 x 40cm) Outside Frame Size: 31 x 26" (77.5 x 65cm) 1841-1928 Free Shipping An excellent example of his work in fantastic c...

Category

Dutch School Early 1900s Art

Materials

Oil

Escuela valenciana (XX) - Óleo sobre tabla - Paisaje con figura
Escuela valenciana (XX) - Óleo sobre tabla - Paisaje con figura

Escuela valenciana (XX) - Óleo sobre tabla - Paisaje con figura

Located in Sant Celoni, ES

Firmado por el artista en la parte trasera y fechado del año 1901 Se presenta enmarcada la obra con un marco de la época de la obra (algunas faltas visibles en la enmarcación) Medi...

Category

Impressionist Early 1900s Art

Materials

Oil

H.O. Miethke Das Werk folio "University of Vienna Murals" 3 collotype prints
H.O. Miethke Das Werk folio "University of Vienna Murals" 3 collotype prints

H.O. Miethke Das Werk folio "University of Vienna Murals" 3 collotype prints

This listing is for 3 collotypes: "Medicine", "Jurisprudence", and "Philosophy", pictured, from the Das Werk portfolio by Gustav Klimt and k.k. Hof-und Staatsdruckerei, published by H.O. Miethke. Gustav Klimt created glyphs, unique to each of these pieces, specifically for this portfolio. Further information below: About the portfolio: DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under each of the 50 prints is a gold signet intaglio printed on the cream paper each of which Klimt designed for the publication as unique and relating to its corresponding image; H.O. Miethke, Editor-Publisher; k.k. Hof-und Staatsdruckerei, Printer; printed in a limited edition of 300 numbered plus several presentation copies; Vienna, 1908-1914. The idea of collaboration in the arts is anything but new; however it has so often been viewed and assessed as somehow devaluing the intrinsic worth of art. It’s as if it was a dirty secret to be hidden away. More so even than the eroticism explored by Klimt, which divided public opinion, the artistic avant-garde began to boldly flaunt artistic collaboration beginning in the 19th century- which gained steam in the first part of the 20th century- to become a driving vehicle of contemporary artistic creation. Viewed in this context, the folios of collotype prints published by H.O. Miethke in Vienna between 1908-1914 known as Das Werk Gustav Klimts, are important art documents worthy of as much consideration for their bold stand they take on established ways of thinking about artistic collaboration as they are for their breathtakingly striking images. 1908 is indeed a watershed moment in the history of art. To coincide with the 60th anniversary of the reign of Emperor Franz Joseph I, Kunstschau opened in Vienna in May of that year. It was there that Klimt delivered the inaugural speech. Speaking about the avant-garde group’s unifying philosophy of Gesamtkunstwerk, or the synthesis of the arts, Klimt shared his belief that the ideal means to bring artists and an audience together was via “work on major art projects.” It was at Kunstschau 1908 that Klimt first exhibited his most iconic painting, The Kiss, as well as The Sunflower, Water Snakes I and II and Danae. It was at Kunstschau 1908 that Das Werk Gustav Klimts was first available for purchase. Thanks to Galerie Miethke’s organization, Kunstschau 1908 was possible. Miethke’s pioneering art...

Category

Vienna Secession Early 1900s Art

Materials

Paper

A Fine French 19th Century Parisian Watercolor & Gouache "Theatre du Chatelet"
A Fine French 19th Century Parisian Watercolor & Gouache "Theatre du Chatelet"

A Fine French 19th Century Parisian Watercolor & Gouache "Theatre du Chatelet"

By Eugene Galien-Laloue

Located in LA, CA

Eugène Galien-Laloue (1854-1941) "Theatre du Chatelet" watercolor and gouache on paper signed 'E Galien Laloue' lower left, within a giltwood and gesso carved frame and behind a prot...

Category

French School Early 1900s Art

Materials

Glass, Wood, Watercolor, Pencil

Bird of Prey in a Snow-Covered Mountain Landscape, 1902
Bird of Prey in a Snow-Covered Mountain Landscape, 1902

Bird of Prey in a Snow-Covered Mountain Landscape, 1902

Located in Stockholm, SE

This dramatic painting from 1902 was painted by Johan Johansson, a Swedish artist whose early twentieth-century career encompassed illustration, fine art, and decorative design. Born...

Category

Art Nouveau Early 1900s Art

Materials

Ink, Watercolor, Gouache

Still Life with Apples and Green Vase, Cleveland School
Still Life with Apples and Green Vase, Cleveland School

Still Life with Apples and Green Vase, Cleveland School

By Adam Lehr

Located in Beachwood, OH

Adam Lehr (American, 1853-1924) Still Life with Apples and Green Vase, 1902 Oil on canvas Signed and dated lower right 12 x 18 inches 15 x 21 inches, framed Known primarily as a sti...

Category

Early 1900s Art

Materials

Oil

1905 original document Jeu de la Casserole - Société Secrète Freemasonry
1905 original document Jeu de la Casserole - Société Secrète Freemasonry

1905 original document Jeu de la Casserole - Société Secrète Freemasonry

Located in PARIS, FR

The 1905 original document titled "Jeu de la Casserole - Société Secrète, Jeu Anti-Maçonnique" offers a unique glimpse into the political and social landscape of early 20th-century France. Produced by the Ligue patriotique des françaises (Patriotic League of French Women), this document reflects the fervent anti-Masonic sentiment that permeated French society during this period. At the heart of the document is the "Jeu de la Casserole" (Casserole Game), which served as a tool for spreading anti-Masonic propaganda and promoting the goals of the Patriotic League. Through caricatures, illustrations, and text, the document seeks to demonize Freemasonry and depict it as a secretive and subversive force undermining the values of the French nation. The imagery and language employed in the document are designed to evoke fear and suspicion towards Freemasons, portraying them as a shadowy cabal exerting undue influence over politics, finance, and culture. The use of symbols such as the Masonic compass...

Category

Early 1900s Art

Materials

Linen, Paper

Set of 4 Large French 19th Century Oil on Canvas Wall Panels Trumeau Paintings
Set of 4 Large French 19th Century Oil on Canvas Wall Panels Trumeau Paintings

Set of 4 Large French 19th Century Oil on Canvas Wall Panels Trumeau Paintings

Located in Stamford, CT

French 19th Century, Oil on Canvas, Wall Panels or Trumeau Paintings Set of 4 large 19th century oil on canvas wall panels Trumeau paintings. These finely painted panels are simply ...

Category

Early 1900s Art

Materials

Canvas, Wood

Venetian Canal
Venetian Canal

Venetian Canal

Located in Wiscasett, ME

An oil on canvas signed in the lower left and presented in a gilded frame under glass. A wonderful scene of a sunny day on the canal in Venice, Italy. Measuring 20.25" x 24.25" inclu...

Category

Impressionist Early 1900s Art

Materials

Oil Pastel, Oil

Mother & Children - Impressionist Figurative Oil by Jean-Francois Raffaelli
Mother & Children - Impressionist Figurative Oil by Jean-Francois Raffaelli

Mother & Children - Impressionist Figurative Oil by Jean-Francois Raffaelli

By Jean-Francois Raffaelli

Located in Marlow, Buckinghamshire

Signed oil on canvas figures in landscape by French impressionist painter Jean-Francois Raffaelli. The work depicts two young girls with their mother in a landscape overlooking boats...

Category

Impressionist Early 1900s Art

Materials

Oil, Canvas

"Serene Village"
"Serene Village"

"Serene Village"

By Samuel R. Chaffee

Located in Southampton, NY

Circa 1900 Signed lower right Sight size 12 x 18 in Overall size matted with period gold leaf frame 22 x 27.5 in

Category

Academic Early 1900s Art

Materials

Watercolor, Paper

La Loge (The Lodge) /// Post-Impressionist Figurative French Paris People Art
La Loge (The Lodge) /// Post-Impressionist Figurative French Paris People Art

La Loge (The Lodge) /// Post-Impressionist Figurative French Paris People Art

By Louis Legrand

Located in Saint Augustine, FL

Artist: Louis LeGrand (French, 1863-1951) Title: "La Loge (The Lodge)" Portfolio: Gazette des Beaux-Arts *Issued unsigned, though signed by LeGrand in the plate (printed signature) l...

Category

Post-Impressionist Early 1900s Art

Materials

Drypoint, Etching, Intaglio

A Summer Afternoon Rest
A Summer Afternoon Rest

A Summer Afternoon Rest

Located in Mc Lean, VA

19th Century Swedish, Oil on canvas

Category

Early 1900s Art

Materials

Canvas, Oil

Belveze du Razes - Neo-Impressionist Pointillist Oil, Landscape by Achille Lauge
Belveze du Razes - Neo-Impressionist Pointillist Oil, Landscape by Achille Lauge

Belveze du Razes - Neo-Impressionist Pointillist Oil, Landscape by Achille Lauge

By Achille Laugé

Located in Marlow, Buckinghamshire

Stunning pointillist landscape oil on panel by French neo-impressionist painter Achille Lauge. The work depicts a path leading to the small village of Belveze du Razes in the South of France on a bright spring day. To the left are white blossom trees in bloom and the houses of the village can be seen in the distance. Signature: Signed and dated 1909 lower left Dimensions: Framed: 28"x36" Unframed: 21"x29" Provenance: We kindly thank Mme. Nicole Tamburini for allowing us to state that the work is included in the Catalogue Raisonne of the artist which she is currently preparing. A certificate of authenticity from Mme. Tamburini is available upon request. Achille Laugé...

Category

Pointillist Early 1900s Art

Materials

Oil, Canvas

"Women Sleeping Face Down" by Gustav Klimt - Original Print from Courtesan Folio
"Women Sleeping Face Down" by Gustav Klimt - Original Print from Courtesan Folio

"Women Sleeping Face Down" by Gustav Klimt - Original Print from Courtesan Folio

By Gustav Klimt

Located in Palm Beach, FL

Plate #12 from Gustav Klimt's 1907 "Dialogues of the Courtesans" portfolio, consisting of 15 collotypes on cream japon paper. The drawings in this folio are said to be studies for Klimt's well-known Water Serpents paintings...

Category

Vienna Secession Early 1900s Art

Materials

Paper