Early 1900s Art

This elegant 1903 lithograph by Charles Léandre presents a refined portrait of a young woman seated in an intimate interior. The composition captures the quiet elegance of the Belle ...

James Roy Hopkins Interior of Église Saint-Sulpice, Paris, 1908 Signed and dated lower left and inscribed "Paris" Oil on canvas 17 3/4 x 14 3/4 inche...

Early 20th Century Mt. Shasta Landscape in Oil on Illustration Board A beautiful and substantial painting of a distant view of snow capped Mount Shasta "in the style of" Lorenz Grif...

Alphonse Mucha's name shines like that of a visionary artist who left an indelible mark on the aesthetics of the early 20th century. The year 1902 saw the publication of "Documents d...

Bucolic watercolor landscape of a unpaved road rounding past hay fields, two rabbits graze nearby by artist Evelyn Coombe, 1906. Signed and dated lower left. Original one-of-a-kind ...

Oil Painting by Maurice Levis "Le Moulin de Jarcy" S.F.A 1860 - 1940 French painter of landscapes and town views, pupil of Harpignies and member of the French Artists where he was a...

Medium: original lithograph. This impression was printed in 1902 and published in Paris by the Revue de l'Art ancien et moderne. Image size: 9 3/4 x 7 inches (245 x 178 mm). This wor...

Original vintage poster made around 1900 to promote Veuve Amiot champagne on the Chinese market. It was Elisa Amiot who founded the Veuve Amiot house in 1...

Original “Brasserie Schneider” horizontal vintage poster. Professional archival linen backed in very good to excellent condition. Art no...

Eugène Galien-Laloue (1854-1941) "Theatre du Chatelet" watercolor and gouache on paper signed 'E Galien Laloue' lower left, within a giltwood and gesso carved frame and behind a prot...

Osiris, French School, Circa 1900 Patinated Bronze Statuette 12.25 in. (31 cm) High A striking and highly decorative bronze depiction of Osiris, the ancient Egyptian god of resurrec...

Antique American impressionist ashcan school pastel painting. Pastel and gouache on paper. Signed. Framed.

This elegant poster belongs to the transitional moment between late Art Nouveau and early modern commercial design. Its composition is built around a single refined female figure, se...

Oil Painting by Henry Yeen King "Stourhead" 1855-1924 Painter of soft impressionistic landscapes and domestic genre scenes. Prolific exhibitor and member of the Royal society and R.I...

A 1910s beautiful and extremely rare terracotta sculpture, Our company has been present on this platform for many years, with numerous sales made and just as many excellent reviews ...

Ceramic vase in a blue and green metallic lustre glaze by master of iridescence Clement Massier, with clusters of grapes and leaves in deep purple. Signed MCM in the base, and number...

Urban view with sunset Technique: oil, acrylic, ink on wood frame 40x40cm / 15,7x15,7inch ⏩》R E A D Y -- T O -- H A N G《⏪ 🟢 → Original signed work. Certificate of authenticity i...

Reflections in the Stream is an original Belgian landscape oil painting by Georges De Sloovere (1873–1970), dating to circa 1910. Signed at the lower left, this antique work depicts ...

Signed "Carlos Schwabe" Note: Due to the size, weight, and/or value of this piece, we require shipping through 1stDibs, for its cost effectiveness, full insurance coverage, and reli...

Walter Meegan (1859-1944) 'Moonlight on the Thames' ‍ Oil on canvas 36 x 51 cm, 44.5 x 59.8 cm (framed) Signed lower left

Royal Investiture of the Order of the Lion and Sun Iran, Qajar dynasty, reign of Mohammad ʿAli Shah Qajar (r. 1907–1909) Dated 20 Shawwal 1325 AH / 26 November 1907 Ink, opaque wate...

Walpi Hopi Village, Arizona First Mesa Landscape by Marion Kavanaugh Wachtel. Significant southwestern painting of Hopi at Walpi Mesa in Arizona...

The painting depicts a tranquil forest landscape rendered in a realist style. In the foreground lies a still pond stretching across the base of the composition, its dark, glassy wate...

Medium: original etching. Printed in 1906 at the Alfred Porcabeuf atelier and published in Paris by Gazette des Beaux-Arts. Image size: 6 1/2 x 5 7/8 inches (165 x 149 mm). Signed in...

Johan (John Kindborg) (1861-1907) Sweden Nordic Winter Twilight, 1901 oil on canvas signed and dated Kindborg 01. unframed: 48.5 x 33 cm (19 1/8 x 13 in) framed: 58 x 43 cm (22 7/8...

Wonderful American school impressionist family portrait oil painting. Oil on canvas. Image size, 38H by 30L.

Colour lithograph on paper, from the celebrated French fashion periodical Journal des Demoiselles, depicting three elegantly dressed ladies in the height of Belle Époque style. The c...

Gaspar Camps, the Catalan artist born in 1874, made a lasting impression with his 1904 poster, "Élégante au Plume de Paon" (Elegant Woman with a Peacock Feather). This vintage master...

"Inundation" after Carl Fredrik Kiörrboe - Dogs During a Flood Oil on linen painting of a family of dogs in a flood by an unknown artist, unsigned, after an engraving of the painting...

Edwin Douglas 1848-1914 Scottish Elders at the Kirk Signed and dated “E Douglas / 1907” (lower left) Oil on canvas A tender and highly engaging work by Edwin Douglas, Elders at t...

For sale is a captivating painting by the Swedish artist, Rikard Lindström (1882-1943). Depicting a picturesque water canal, with charming houses lini...

'Eggs' Antique English natural history chromolithograph. Key to eggs below the image. Tiny numbers in the margins to identify the eggs. Sheet 19cm by 12.5cm, image 13cm by 9.5cm.

White Horse Animal portrait closeup. Technique: oil, acrylic, and ink on old book pages on wooden frame 40x40cm ■■ 15,8x15,8 inch Sustainability: Wooden frame is made by the arti...

Number 382 in the Schoonover raisonné. Signed and dated 1909. Beautifully reframed in custom 23 karat gold leaf frame.

Marie-Paule Carpentier French, 1876-1915 Versailles Pastel / Paper 12 by 16 in. W/frame 18 by 22 in. Signed on lower left Marie-Paule Carpentier Marie-Paule Carpentier painted i...

Wonderful watercolor depicting a plant/flower. These were used at a Belgium University to teach the students about botany. Dating from the early 20th century. They are watercolor on ...

Original Alphonse Mucha decorative panel. Linen backed in very good condition A-/B+ condition. This lovely poster looks just like an oil painting. It is a rare design by Alphonse ...

This atmospheric early 20th-century landscape depicts a quiet river bend bordered by leafless trees, rendered in a restrained tonal palette of soft greens, muted blues, warm browns, ...

Frederick Vezin (1859 Torresdale Philadelphia - 1933 Düsseldorf), Autumn Landscape in the Sunlight, oil on canvas, mounted on cardboard, 32 x 41 cm (inside measurement), 44 x 51 cm (frame), signed and dates lower right "F. Vezin. [19]05". - Cardboard slightly curved, small inconspicuous retouch at the centre of the upper edge of the picture. About the artwork Although the painting appears to be a sketch, Frederick Vezin considered it to be a finished work of art, as evidenced by his signature on the lower right. And it is precisely this sketchy quality that leads to an understanding of the painting, which was certainly created in the landscape itself: the natural phenomena were to be depicted artistically at the moment of their observation. This is not done by meticulously sketching nature, but - and here Vezin follows the teaching of French Impressionism - by illustrating nature in its visual fullness. The artist's eye is, as it were, immersed in the visuality of nature, which is made visible by his hand. The painting is therefore not a reflection of the landscape, but its artistic intensification. This intensification also includes the fact that the foreground of the painting - corresponding to the field of vision - eludes a detail-oriented close-up view. Instead, the spatula-like application of paint, the vertical structure of which corresponds to the structure of the floral growth, has the effect of making nature tangible in its colourful substance. At the same time, the foreground, which remains indeterminate in its concrete objectivity, creates an atmospheric space that connects with the actual protagonist of the picture, the group of trees, which flares up in shades of red and brown. Here, too, the leaves are more speckled than clearly outlined. It is precisely this 'sketchiness' that opens up a visual experience that makes the landscape accessible in its visual fullness, thus revealing its essence. In addition to this abundance, the landscape is presented as a structure of order in that the composition of the picture makes the composition of the landscape visible. For example, the group of trees forms a distinct dark green shadow, which is repeated in the shadows cast by the trees behind it. A patterned diagonal axis is created in the picture, which is composed in this way by the landscape itself. Strictly speaking, this is a cultivated landscape: a fence at the bottom and a low stone wall at the top, running from left to right, are two elements that also have a strong compositional effect. And on the top of the hill, a stone house is embedded in the landscape as the brightest surface in the picture. Nature and culture here form a harmonious synthesis, giving the painting an Arcadian touch. In order to give the landscape as much space as possible, the horizon line is raised, but the design of the sky is also crucial. The clouds, combined with the shapes of the trees, create a bright blue sky. To the European eye, such a sky is reminiscent of a summer landscape. Accordingly, within the seasonal cycle, the blue sky is reserved for summer, and French Impressionism is also primarily an ode to summer. In Vezin's painting, however, the brilliant blue sky stands above an autumnal landscape, some of the trees even defoliated. It can therefore be assumed that the painting was made not in Europe but in the United States, and that it illustrates the proverbial Indian summer, making Frederick Vezin a pioneer of American landscape painting. About the artist Frederick Vezin was the son of a French immigrant to the United States and a German-born mother. This predestined him to promote artistic exchange between the old and new worlds. Having spent part of his schooling in Germany, in 1876, at the age of 20, he enrolled at the Düsseldorf Academy of Art, where he studied with Peter Janssen the Elder, Eduard von Gebhardt and Wilhelm Sohn, among others. He graduated in 1883, settled in Munich and returned to Düsseldorf in 1895, where he lived until his death in 1933. A native of the United States, he travelled to the country frequently and became a popular portrait and society painter. His artistic talent, however, was most evident in his landscape paintings. Trained in French Impressionism, he developed a virtuoso use of colour and a free brushwork that remained tied to the landscape motif, opening up the landscape itself in a new way. Frederick Vezin turned his attention primarily to the landscape of his homeland, becoming a pioneer of modern American landscape...

Leon Foster Jones Corner of my Garden, 1902 Signed and dated lower left Oil on canvas 26 x 25 inches Provenance Goldfield Galleries, Los Angeles, California Private Collection, Virginia Beach, Virginia Leon Foster Jones was a painter of landscapes, an etcher, a lithographer, and an educator. He was born in Manchester, New Hampshire, his father held the position of overseer in one of the hosiery mills in the Manchester area. In approximately 1901, he married Josephine Currier. During the initial years of their marriage, the couple resided in Concord, New Hampshire. They made Port Jefferson, Long Island, New York their permanent home in 1910, although the artist had begun working there as early as 1907. Numerous sources indicate that throughout his life, Jones gained recognition primarily for his paintings and etchings featuring historical sites across Long Island. His artistic education included four years at the Cowles Art School in Boston, Massachusetts, where he studied under Joseph Rodefer DeCamp...

Le Resesquement a l'Advocats (The Legal Reservation) Pastel on paper, c. 1910 signed lower right Image size: 10 3/4 x 14 inches Frame size: 23-1/2 x 26-1/2 x 2-3/8 inches Condition: ...

Plate #6 from Gustav Klimt's 1907 "Dialogues of the Courtesans" portfolio, consisting of 15 collotypes on cream japon paper. The drawings in this folio are said to be studies for Klimt's well-known Water Serpents paintings...

Ben Foster Autumn Landscape Signed lower right Oil on canvas 18 x 22 inches Ben Foster was a late bloomer. For financial reasons, he did not begin his career as a painter until he ...

Paul César Helleu (Vannes, 1859 - 1927, Paris) Five Studies of the Head of Jeanne Tachard, c. 1900 Signed lower right: Helleu Black, red and white chalk on paper 19 3/4 x 26 3/8 i...

Here is a painting that will lift you - one feels happy every time one looks at it. It is such a lovely, unusual twist to the theme of the floral still life: here we have flowers, not in a vase, but attached to a wooden front door. I wonder if the artist did this with actual flowers, perhaps for a sweetheart, and then decided to paint the scene? At any rate: who wouldn't want to come home to find a large bunch of glorious lilac as they come home? The artist is Emile Baudoux (1850 -1929), who studied with Humbert and Cabanel. Paris-born, he liked to work in Normandy, where he had his studio. He exhibited his work at the "Salon des Artistes Français" until 1927, where he obtained a gold medal in 1910. The important oil on canvas presented here, dating from 1901, may have been shown at the Salon, as it bears an exhibition number "30" at the upper right of the canvas. It is signed and dated at the lower left as seen in the photos. Measuring 81 x 60 cm, the overall size including its original large oak frame...

Note: Due to the size, weight, and value of this piece, we require shipping through 1stDibs, for its cost effectiveness, full insurance coverage, and reliable handling. While standar...

Pencil drawing on paper realized by Martini in between 1908 and 1909. Titled in the front, not signed. Ref. Alberto Martini, Mostra Antologia Palazzo della Permanent, Milan, 1985, ...

Gorgeous late 19th-century snowscape titled "After the Snow," by artist Constantin Alexandrovitch Westchiloff (1877-1945) Signed on the bottom right corner and titled on edge (the color differences in the signature letters are original to the painting prior to cleaning, and have not been modified or augmented). Unframed. Image size: 14.25"H x 20.25"W Westchiloff is an American-Russian artist. He was born in Russia in 1877, and studied at the Academy of Fine Arts in St. Petersburg; as an artist, he traveled extensively in Europe and in the USA. He finally settled in New England, where he died in 1945. He is probably best-known for seascapes (particularly of the New England coastline) but was also well regarded for his landscapes, portraits and figures, and genre subjects. His work, especially after his travels in Europe and then in America, is closest to Impressionist in style. His favored medium was oil, which was well suited to his confident and strong technique. This, in turn, imbued his paintings of the rugged landscapes and seascapes of New England...

Victor Heinrich Seifert (1870 – 1953) Die Trinkende, c. 1900, cast 1906 H 26.25 in. x W 8 in. x D 11.38 inch Bronze with brown patina Original stone pedestal with 1906 inscribed on ...

Plate #2 from Gustav Klimt's 1907 "Dialogues of the Courtesans" portfolio, consisting of 15 collotypes on cream japon paper. The drawings in this folio are said to be studies for Klimt's well-known Water Serpents paintings...

Signed divisionist landscape oil on canvas by Belgian post impressionist painter Modest Huys. This stunning piece depicts workers on the bank of a river loading flax onto barges. Signature: Signed lower right Dimensions: Framed: 23"x27" Unframed: 15"x19" Provenance: Private collection - Belgium Modest Huys (25 October 1874, in Zulte – 30 January 1932, in Zulte) was a Flemish impressionist and luminist painter, who is regarded as one of the greatest Belgian painters of the 20th century. From a young age, Modest Huys worked in his father's painting and decorating business and later studied at the "Gentse Nijverheidschool" (Ghent Industrial School). In 1891 or 1892, he came into contact with Emile Claus, who encouraged his artistic inclinations. In 1900, he enrolled at the Royal Academy of Fine Arts where his teachers were Eugène Joors and Frans Van Leemputten but he never completed his studies. It was about this time that he became lifelong friends with the author Stijn Streuvels. In 1902, he debuted at the Sint-Lucasgilde in Kortrijk and began to exhibit more widely. He spent time in Meetjesland, painting landscapes. From 1905, he participated in the exhibitions of Vie et Lumière...

Kershaw SCHOFIELD Signed Kershaw Schofield Oil painted on board. A very good example of Schofield's work which is illustrated in the Dictionary of British Artists 1900 - 1950 by G W...

This charming early 20th-century English School oil painting depicts the Cannon Brewery at North End, Fulham, owned by John Lovibond & Sons Ltd. Founded in 1867, the brewery was...

This elegant circa 1900 poster, created after Misti (the pseudonym of Georges Meunier), promotes the Cleveland Car—an early electric automobile—at a time when motorized transport was...

Charming turn-of-20th Century interior painting that takes the viewer back to simpler times with grandmother, grandfather, mother sewing and a young girl playing with her greyhound a...

Signature bottom left - Edvard Alexander (Alexis) Ankarcrona (1825 - 1901), was a Swedish painter and military (this is one of the last works of the artist!). This artwork perfectly ...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. William Nicholson (1872-1949) Christ Church Library, Oxford Signed and numbered 34, published by Stafford Gallery with blind stamp Lithograph 26 x 34.5cm Probably best known through his graphic works, as a book designer and illustrator, Nicholson was greatly encouraged in his landscapes by Whistler from about 1900. In 1902-03 he produced a series of watercolour, chalk and pen drawings of Oxford which were published in 1905 by the Stafford Gallery as two portfolios of lithographs, with descriptions by Arthur Waugh – father of Evelyn Waugh...

Alameda River Below Mt. Tamalpais - Early 20th Century Landscape in Watercolor Substantial and Beautiful early 20th century landscape of the Alameda River below Mt. Tamalpais by Mari...

Amedeo Modigliani, After, Italian (1884 - 1920) - L'Amazone, Year: of original: 1909, Medium: Lithograph, stamp signed and numbered in pencil, Edition: 101/150, Size: 30.25 x 22....

Painted with warmth and precision, this 1907 portrait by Oscar Brown depicts a pair of Clumber Spaniels posed atop a boldly striped Witney blanket. With their dense, feathered coats ...