Early 1900s Art

Frans Van Leemputten (1850-1914) 'A Sunday Morning in September' ‍ Pencil and chalk on paper 78 x 64 cm, 98 x 84 cm framed Signed lower right Frans Van Leemputten sought to capture...

Original chromolithograph teaching chart by Heinrich Jung G. Ton Koch, and F. Quentell. Darmstadt, Verlag Frommann & Morian, circa 1902.

Work on canvas without frame Painter, illustrator born in 1875 in Geneva - Died in 1937

With La Jupe Ôtée (1906), Manuel Robbe once again captures the delicate boundary between modesty and sensuality—a recurring theme in his celebrated Belle Époque prints. The title, wh...

Medium: original lithograph. This impression was printed in 1902 and published in Paris by the Revue de l'Art ancien et moderne. Image size: 9 3/4 x 7 inches (245 x 178 mm). This wor...

Original Saxoleine Petrole de Surete, artist Jules Cheret. Linen-backed turn-of-the-century original stone lithograph poster advertising Saxoleine, a lamp oil. The glow from this l...

Leon Foster Jones Corner of my Garden, 1902 Signed and dated lower left Oil on canvas 26 x 25 inches Provenance Goldfield Galleries, Los Angeles, California Private Collection, Virginia Beach, Virginia Leon Foster Jones was a painter of landscapes, an etcher, a lithographer, and an educator. He was born in Manchester, New Hampshire, his father held the position of overseer in one of the hosiery mills in the Manchester area. In approximately 1901, he married Josephine Currier. During the initial years of their marriage, the couple resided in Concord, New Hampshire. They made Port Jefferson, Long Island, New York their permanent home in 1910, although the artist had begun working there as early as 1907. Numerous sources indicate that throughout his life, Jones gained recognition primarily for his paintings and etchings featuring historical sites across Long Island. His artistic education included four years at the Cowles Art School in Boston, Massachusetts, where he studied under Joseph Rodefer DeCamp...

ROBERTSON 20th Oil on canvas 60 x 73 cm (69 x 82 cm with frame) Signed and dated lower left "RBTSN / 1909" Very good condition Beautiful black frame with black edging This symbolist...

"Portrait of a Basset Hound" Léon Espinasse (French, c. 1870 to 20th century) Watercolor on paper Signed lower left 12 x 9 3/8 (23 ¾ x 21 frame) inches A stunning exercise in comple...

An elegant male profile portrait dating from the early 20th century in France. This is a simple yet meticulous drawing on small-format paper depicting a male figure, elegantly dress...

Erhard & Söhne, 19th Century Art Nouveau Jugendstil Casque with Inlaid Brass Rose Design, c. 1904 6 x 9 x 6 inches The company Erhard & sons was established by Carl Gottlieb Erhard ...

Medium: original etching. Printed in 1900 and published in Leipzig, Germany for Zeitschrift für Bildende Kunst. This impression is printed on cream wove paper, and the image size is ...

An original oil on canvas on panel by Sir James Jebusa Shannon. The portrait dates to the Edwardian period and depicts a bold British Impressionist painting of a beautiful young woma...

Gaspar Camps, the Catalan artist born in 1874, made a lasting impression with his 1904 poster, "Élégante au Plume de Paon" (Elegant Woman with a Peacock Feather). This vintage master...

Original oil painting on mahogany wooden panel attributed to the hand of Ella Buchanan. Signed indistinctly lower right . Condition is good. Circa 1900. Presently unframed. Frami...

Léon Schulman Gaspard (Vitebsk, Belarus, 1882 – Taos, New Mexico, 1964) The Musicians 1909 Oil on panel 21.5 × 27 cm Signed, dated and located “Léon Schulman 1909 Paris” lower ri...

Medium: original etching. This impression in sepia on watermarked laid paper was printed in 1907 and published in Paris for the Revue de l'art ancien et moderne. Plate size: 6 1/8 x ...

Medium: original lithograph. Published in Paris in 1904 by Revue de l'art ancien et moderne. This impression was printed on china paper, and mounted along the top edge by the publish...

This stunning British Edwardian portrairt oil painting is by noted 19th century born portrait painter Ralph Peacock .Painted circa 1900 it is a seated portrait of a lady in a black dress with shiffon sleeves and beautiful pink flowers in her lap. She is wearing considerable jewellery suggesting her wealth; an ornate ring, fleur de lys broach, a long string of pearls...

Here is a painting that will lift you - one feels happy every time one looks at it. It is such a lovely, unusual twist to the theme of the floral still life: here we have flowers, not in a vase, but attached to a wooden front door. I wonder if the artist did this with actual flowers, perhaps for a sweetheart, and then decided to paint the scene? At any rate: who wouldn't want to come home to find a large bunch of glorious lilac as they come home? The artist is Emile Baudoux (1850 -1929), who studied with Humbert and Cabanel. Paris-born, he liked to work in Normandy, where he had his studio. He exhibited his work at the "Salon des Artistes Français" until 1927, where he obtained a gold medal in 1910. The important oil on canvas presented here, dating from 1901, may have been shown at the Salon, as it bears an exhibition number "30" at the upper right of the canvas. It is signed and dated at the lower left as seen in the photos. Measuring 81 x 60 cm, the overall size including its original large oak frame...

Colour lithograph on paper, from the celebrated French fashion periodical Journal des Demoiselles, depicting three elegantly dressed ladies in the height of Belle Époque style. The c...

Signed lower right, 'Magyar-Mannheimer' for Gustav Magyar-Mannheimer (Hungarian, 1859-1937) and painted circa 1900. Exhibited: Ernst Museum, Budapest (from label, verso) Provenance: ...

Signed oil on board figures in landscape circa 1907 by French Post Impressionist painter Maximilien Luce. The work depicts several workers on a dock of the River Seine in France on a...

Estate stamped, lower right, 'Arthur B. Davies' for Arthur Bowen Davies (American, 1862-1928) inscribed, 'Per NMD' and created circa 1900. Born in Utica, New York, Arthur Davies att...

Charming impressionistic painting with allegorical theme of pale horse coming to shore by Cash Arthur Bond (American, 1876 - 1952), circa 1900. Signed "C.A. Bond" lower left corner. ...

Antique American school winter impressionist landscape oil painting. Oil on board. Nicely framed. Signed. Image size, 16L x 12H.

Both pictures unsigned. Presented in period water-gilded Watts-style frames, these two works are highly decorative and full of character, and excellent examples of Edward Aistrop's ...

Medium: etching (etched by Jacques-Felix Schnerb after the Renoir painting). Printed in 1908 at the Alfred Porcabeuf atelier and published in Paris by Gazette des Beaux-Arts. Image s...

PS 251 Beauty and the Beast The painting features a young woman with striking, vivid features and deep blue hair, holding a small black and tan dachshund. The background is composed...

IN THE WOOD - Italian oil on board framed painting, Italy, xx sec, Raffaele Tafuri. External measurement cm.66x59 Raffaele Tafuri (1857-1929) was an I...

Set of four lithographs enhanced with gouache by Maurice Dufrene. Four original plans from "Interieur Moderne d'une Famille Française" by Maurice Dufrene in 1906. These four plans ar...

André Eugène Costilhes (1865-1940) Portrait of a Lady bears the stamp of the studio of André Eugène Costilhes in the lower right-hand corner pencil red chalk and heightenings of whi...

Sunflower, no. 10 from the third installment of Das Werk Gustav Klimts Created during his residency in Litzlberg on Attersee, where Klimt and the Floge family summered from 1900-1907, Klimt explores nature’s transcendental qualities. His single sunflower is human-like, it’s golden halo is like a ring of sun-kissed hair surrounding a bald pate. It’s known that at the same time Klimt was creating this image, he was also at work on a photo essay about the Floge sisters’ clothing from their fashion salon. Their fashion house was best known for its “reform dresses” which featured loose-fitting long robes which billowed at the arms and torso. Viewed with this in mind, it is not a hard leap to imagine the lone sunflower as a self-portrait from reverse. Klimt’s balding head crowned in a golden corona forms the apex of a pyramidal flowing gown of foliage and flowers. By orienting the anthropomorphic flower at the garden’s central foreground and adorning it with repetitive motifs of round flowers of varying sizes, Klimt’s sunflower...

Original vintage poster: Uncle Tom's Cabin. Original lithograph. Museum Linen Backed. Date: c. 1900 Printer: Ackermann-Quigley, Kansas City. This Uncle Tom's Cabin is an Original Vintage Poster; it is not a reproduction. This poster is conservation-mounted, linen-backed, and in good condition. A Certificate of Authenticity comes with all of our posters. Ready to frame This poster is for the stage performance of Uncle Tom's Cabin. The man depicted in the image is 'Marks' who was one of the slave clatters in this novel. Harriet Beecher Stowe...

Hayley Lever (1876 - 1958) Concarneau, Brittany, France, 1905 Oil on panel 6 3/4 x 9 1/2 inches Signed by the artist lower left Inscribed by another hand on the reverse Provenance: Clayton-Liberatore Galleries, Bridgehampton, New York Hayley Lever’s (1875-1958) versatility has worked against his posthumous reputation. He was never associated with a single artistic movement, instead producing impressionist, post-impressionist, and expressionist works. While best known as a painter of post-impressionist marine scenes, his subject matter included landscapes, urban scenes, and still lifes across his 60-year career. This lack of a singular style or subject has given him an amorphous place in U.S. art history despite his obvious accomplishments. [Richard] Hayley Lever was born in Bowden, South Australia in 1875. He excelled in painting classes at Prince Alfred College (1883-91) and Norwood Art School (1891-93) in Adelaide. In the 1890s, Lever moved to England, studying art in London and painting at St. Ives, a fishing port and popular artistic colony on the Cornish coast. In St. Ives, Lever shared a studio with Frederick Waugh, and studied painting with Albert Julius Olsson and Algernon Talmage. Lever was a plein air painter particularly interested in the effect of sunlight on the sea. He painted in a distinctive style, strongly influenced by the works of Vincent van Gogh, that might now be called post-impressionism. He used a limited palette to paint the St. Ives harbor, particularly at dusk or in the moonlight. His strong contrasting colors and thick use of paint created a crisp and physical surface that earned him acclaim in Europe. Lever’s many St. Ives seascapes are among his most popular works. In 2017, his painting entitled “The Old Lighthouse and Fleets of St. Ives” sold at auction for $162,500. In 1912, Lever moved to New York to test the art market in the United States. In Manhattan, Lever met prominent U.S. painters such as Ernest Lawson, Robert Henri, William Glackens, John Sloan, and George Bellows. Lever exhibited with this group regularly in New York City, painting parks, streets, bridges and the Manhattan waterfront. However, he soon discovered the scenic potential of Gloucester, Rockport, and Marblehead in the Cape Ann area of Massachusetts...

This stunning romantic exhibited Scottish Edwardian Impressionist portrait oil painting is by noted Scottish artist James Wallace. Painted in 1908 with excellent provenance, the brus...

Medium: Oil on Canvas Signature: Signed Lower Left Sight Size 22.00" x 15.50", Framed 31.00" x 24.00" Success Magazine Cover, The Success Company, Ne...

Bold, playful, and instantly iconic, this original 1907 poster for Cognac Pellisson by the legendary Leonetto Cappiello is a masterclass in early modern advertising. Known as the fat...

Johan (John Kindborg) (1861-1907) Sweden Nordic Winter Twilight, 1901 oil on canvas signed and dated Kindborg 01. unframed: 48.5 x 33 cm (19 1/8 x 13 in) framed: 58 x 43 cm (22 7/8...

Signed post impressionist landscape oil on panel by popular French painter Georges D'Espagnat. The piece depicts the beach at Belle Ile, an island off the coast of Brittany in France, at sunset. An exceptional early painting by D'Espagnat which shows the precursor influence of Fauvism which was to dominate his paintings in the following few years. Signature: Signed lower right Dimensions: Framed: 23"x26" Unframed: 15"x18" Provenance: Private French collection A certificate of authenticity from Mr. Jean-Dominique Jacquemond is available upon request. This work will be included in the catalogue raisonne of Georges D'Espagnat under preparation by Mr. Jacquemond From the beginning of his career, it was a constant concern of Georges d'Espagnet to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France. In 1903, d'Espagnet was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont's Evil Prayers ( Oraisons mauvaises) (1896), The Saints of Paradise ( Les Saintes du paradis) (1898), Simone (1907), Sistine ( Sixtine) (1922); Alphonse Daudet's The Immortal ( L'Immortel) (1930); André Gide's The Pastoral Symphony ( La Symphonie pastorale); Francis Jammes' Clearings in the Sky ( Chairières dans le ciel) (1948). D'Espagnet belongs to the group of artists who made the Courrier Français so successful. The drawings of his which are published in it are strongly expressive and some bear comparison with the designs of the great Renaissance masters. He also contributed to L'Image. He often placed cheerful nudes in a landscape, reminding us that, though he moved away from the Fauves, he retained their freedom of colour and arabesque. He painted many portraits, including those of Albert André, André Barbier, Victor Boucher, Déodat de Séverac, Albert Marque, André Marty and Albert Roussel. He also painted mural decorations, including a wall for the Palais de la Découverte (1937), the ceiling of the Victor Hugo Room in the Palais du Luxembourg (1939), a decorative panel for the Palais de Justice, Toulouse (1941) and interior decorations for private houses. His landscapes are Impressionist in inspiration, and work for a certain sobriety, an intimacy, both in their composition - one, two or three sketched figures and large open spaces - and in the choice of colours and treatment with the special hazy brushstroke that marks his style. D'Espagnet took part in a number of annual Parisian exhibitions, including the Salon des Indépendants, the Salon de la Société Nationale des Beaux-Arts, the Salon d'Automne (from 1903 to 1949, except in special circumstances), the Salon de la Libre Ésthétique, Brussels (1899, 1901), the Berlin Secessionists (1940). He also exhibited at the first Salon de la Société de la Gravure sur Bois. Among other exhibitions were 1912, A Century of French Art ( Centenaire de l'art français), St Petersburg; 1916, Kunstverein, Winterthur; 1918, 1926, Galerie M. Bertheim, Paris; 1930, Contemporary French Art...

PABLO PALAZUELO ‘Sigilla VIII’ 1977 Silkscreen on paper. Copy E.A. (epreuve d'artiste) Signed and justified. 91 x 63,5 cm

Here for your consideration is a beautiful watercolor still life on heavy paper by the German artist, E. Riehle. Signed and dated lower right, 1903. In good condition with it's orig...

English moth chromolithograph, circa 1900. Plate number top right. From an English series of illustrations of butterflies and moths. Butterflies / moths are numbered and there is an ...

English butterfly chromolithograph, circa 1900. Plate number top right. From an English series of illustrations of butterflies and moths. Butterflies / moths are numbered and there i...

Exhibited, well painted,fall impressionist scene of Mt Greylock, Massachusetts painted by Holger Wenzel Jensen. Exhibition label attached verso. Exhibited, Chicago Galleries Associ...

Image Dimensions : 22 x 16 cm. Hand signed. Passepartout included : 49 x 34 cm Edgar Chahine was a French painter, engraver and illustrator.

This circa 1900 original poster by Firmin Bouisset, titled Jeune fille à la tresse dans un décor de feuillages, is a delicate and enchanting example of early Art Nouveau design. It f...

Antique Pastoral Scene - Miniature Oil Painting Charming landscape painting which appears to be of the British Isles by American painter Joseph J. Hollenbeck (b. 1877 d. c. 1970.) T...

Medium: original etching. Printed in 1906 at the Alfred Porcabeuf atelier and published in Paris by Gazette des Beaux-Arts. Image size: 6 1/2 x 5 7/8 inches (165 x 149 mm). Signed in...

This original poster, "Union du Tonkin à la France," designed by E. Conrad, is a striking example of colonial-era propaganda art, commemorating France's expansion into Southeast Asia...

Colour lithograph on paper, from the celebrated French fashion periodical Journal des Demoiselles. Hand-coloured fashion plate (pochoir colouring), printed by Imp. Falco(n)er, Paris...

Alberto Ludovici (British, 1852–1932) Elegant Figures and Horses in Hyde Park, London Circa 1900 Oil on canvas Signed lower left A refined and atmospheric view of Hyde Park at the ...

The classic hard luck, independent kid, maybe 8 or 10 years old here, selling the day’s papers out on the grubby streets of early 1900s New York City. He’s paused in a quiet spot, ap...

Antique American impressionist oil painting of a fall landscape. Oil on canvas, circa 1900. Apparently unsigned. Displayed in a period giltwood frame. Image size, 50"L x 30"H, ov...

The painting we are offering for sale, executed by Swedish artist Erik Tryggelin on May 3, 1907, presents a striking and atmospheric view of Sankt Matteus Church in Stockholm. It sta...

George Oberteuffer Rouen, circa 1905 Signed lower right Oil on canvas 30 x 38 inches Born in Philadelphia, George Oberteuffer is best remembered for his Impressionist landscapes an...

Signed and inscribed ‘Mac/WH Wheeler’ (lower right) This striking portrait by Walter Herbert Wheeler presents a dignified black terrier in crisp profile, its wiry coat and alert ears...

Ernest Rouart (1874–1942), Girl with a dog 60 x 50 cm. French Impressionist in the Degas–Manet circle The painting is signed lower right with rosaceous red letters, preserved on its...

Sir Francis Dicksee (English, 1853-1928) Untitled (Portrait of a Woman), c. 1900 Oil on canvas; period frame Sight: 13 1/4 in. Framed: 21 1/8 x 21 1/8 x 3 3/8 in. Frank Dicksee was a member of a noted artistic family, his father, brother, and sister Margaret were all well-known painters, and the family lived in the Bloomsbury area of London. He was initially trained by his father, before entering the Royal Academy schools in 1870. Amongst the visiting lecturers who trained him, were the famous senior academicians Leighton [1830-1896] and Millais [1829-1896]. Dicksee was a star student, earning many distinctions and medals. Like many other artists of the day his early career was largely spent in book illustration, as well as some stained glass window design. He started exhibiting at the RA in the mid 1870s, and also exhibited at the Grosvenor Gallery, though his real base was always the Academy. Dicksee made his reputation with Harmony, exhibited at the Academy in 1877, and bought by the Chantry Bequest. Frank Dicksee was elected ARA in 1881, and became a full RA ten years later. Many of his pictures were of dramatic historical and legendary scenes. He also was a noted painter of elegant, highly-finished portraits of fashionable women, which of course helped to bring him material success. Many of these portraits are so beautiful, it is really difficult to disapprove of them - happy was the fashionable lady whose portrait was painted by Dicksee! He also painted landscapes. Dicksee lived in St John's Wood, and remained a bachelor. He was, of course, one of the nineteenth century artists who outlived his time, and was, to his credit, very unhappy with developments in the early twentieth century. Rather surprisingly, Dicksee was elected President of the Royal Academy in 1924, fulfilling the role with panache and tact. Physically he was a tall, good-looking, patrician figure, with a charming easy-going manner. Like his predecessor but one Edward Poynter...

This 1904 original poster, produced during the Russo-Japanese War (1904–1905), presents a detailed cross-section view of a modern armored battleship. Combining technical illustration...