Early 1900s Art

This lovely British Edwardian Impressionist portrait oil painting is by noted artist William George Robb. Painted circa 1901 the sitter is Louisa Ann Inglis, wife of Sir Charles Ingl...

Roofs, Summer Night. 1906. Etching. Morse catalog 137 state ii. 5 1/4 x 7 (sheet 9 1/2 x 12 1/8). Series: New York City Life. A fine impression on cream ...

English butterfly chromolithograph, circa 1900. Plate number top right. From an English series of illustrations of butterflies and moths. Butterflies / moths are numbered and there i...

Plate #4 from Gustav Klimt's 1907 "Dialogues of the Courtesans" portfolio, consisting of 15 collotypes on cream japon paper. The drawings in this folio are said to be studies for Kli...

Original collotype created from Gustav Klimt’s Death and Life, painted in 1908. Published and edited by Verlag H.O. Miethke and printed by k.k. Hof- und St...

Medium: original etching. This impression on laid paper was printed in 1901 for Gustave Geffroy's "La Vie Artistique". Image size: 4 1/4 x 3 inches (110 x 75 mm). Signed in the plate...

Merieanna Etching and aquatint, c. 1900 Signed by the artist in pencil lower right Titled in pencil lower right corner of sheet Annotated "4" lower left below image Publisher's dryst...

This striking British Edwardian oval portrait oil painting is by noted artist Maurice Greiffenhagen. Painted circa 1901 the sitter is Mrs Bury Barry from a landed gentry family. It is a half length portrait which combines Greiffenhagen's skill as a portraitist and his tendencies towards theatricality and romance, in part effectively conveyed by the dramatic lighting, which highlights the sitter's skin revealed by the low neckline of her dress, and the rose which she holds to her chest and which matches the red of her blushing cheeks. The brushwork, detail and colouring are superb. This is a lovely British Edwardian portrait and an excellent example of Greiffenhagen's work. Signed and inscribed 'MAURICE GREIFFENHAGEN / 2 LONDON RD N.W. / [PORTR]AIT OF MRS BURY BARRY' on the upper stretcher bar, Provenance. With the Art Exhibitions Bureau, London, label verso. Anon. sale, Christie's, London, 23 March 2016, lot 39. and also 14th Juky 1986 James Bourlet - label verso Condition. Oil on canvas, 36 inches by 28 inches and in good condition. Frame. Housed in an ornate gilt oval frame, 46 inches by 38 inches, in good condition. Maurice William Greiffenhagen, RA, British (1862-1931). Greiffenhagen worked as a painter, illustrator and graphic designer and taught at the Glasgow School of Art from 1906 to 1926. His output was widely varied, ranging from stylised graphic work, to more formal, restrained portraits, and to his somewhat fantastical mythical and allegorical scenes. One of his most celebrated works amongst contemporaries was his sensual and atmospheric 1891 painting...

Jim’s of Lambertville Fine Art Gallery is proud to present this piece by Daniel Garber (1880 - 1958). One of the two most important and, so far, the most valuable of the New Hope Sc...

Jim’s of Lambertville is proud to offer this artwork by: Edward Willis Redfield (1869 - 1965) Edward W. Redfield was born in Bridgeville, Delaware, moving to Philadelphia as a young child. Determined to be an artist from an early age, he studied at the Spring Garden Institute and the Franklin Institute before entering the Pennsylvania Academy from 1887 to 1889, where he studied under Thomas Anshutz, James Kelly, and Thomas Hovenden. Along with his friend and fellow artist, Robert Henri, he traveled abroad in 1889 and studied at the Academie Julian in Paris under William Bouguereau and Tony Robert-Fleury. While in France, Redfield met Elise Deligant, the daughter of an innkeeper, and married in London in 1893. Upon his return to the United States, Redfield and his wife settled in Glenside, Pennsylvania. He remained there until 1898, at which time he moved his family to Center Bridge, a town several miles north of New Hope along the Delaware River. Redfield painted prolifically in the 1890s but it was not until the beginning of the twentieth century that he would develop the bold impressionist style that defined his career. As Redfield’s international reputation spread, many young artists gravitated to New Hope as he was a great inspiration and an iconic role model. Edward Redfield remained in Center Bridge throughout his long life, fathering his six children there. Around 1905 and 1906, Redfield’s style was coming into its own, employing thick vigorous brush strokes tightly woven and layered with a multitude of colors. These large plein-air canvases define the essence of Pennsylvania Impressionism. By 1907, Redfield had perfected his craft and, from this point forward, was creating some of his finest work. Redfield would once again return to France where he painted a small but important body of work between 1907 and 1908. While there, he received an Honorable Mention from the Paris Salon for one of these canvases. In 1910 he was awarded a Gold Medal at the prestigious Buenos Aires Exposition and at the Panama-Pacific Exposition of 1915 in San Francisco, an entire gallery was dedicated for twenty-one of his paintings. Since Redfield painted for Exhibition with the intent to win medals, his best effort often went into his larger paintings. Although he also painted many fine smaller pictures, virtually all of his works were of major award-winning canvas sizes of 38x50 or 50x56 inches. If one were to assign a period of Redfield’s work that was representative of his “best period”, it would have to be from 1907 to 1925. Although he was capable of creating masterpieces though the late 1940s, his style fully matured by 1907 and most work from then through the early twenties was of consistently high quality. In the later 1920s and through the 1930s and 1940s, he was like most other great artists, creating some paintings that were superb examples and others that were of more ordinary quality. Redfield earned an international reputation at a young age, known for accurately recording nature with his canvases and painting virtually all of his work outdoors; Redfield was one of a rare breed. He was regarded as the pioneer of impressionist winter landscape painting in America, having few if any equals. Redfield spent summers in Maine, first at Boothbay Harbor and beginning in the 1920s, on Monhegan Island. There he painted colorful marine and coastal scenes as well as the island’s landscape and fishing shacks. He remained active painting and making Windsor style furniture...

Hayley Lever, 'After the Storm', also 'Sunny Afternoon', watercolor on watercolor paper, the full sheet, the image extending to the sheet edges; in very good condition. Signed 'Hayle...

Franz Bergmann, Austrian (1861 -1936) - Man on Persian Rug, Year: circa 1900, Medium: Cold painted Bronze sculpture, stamp signed on bottom, Size: 4.5 x 10 x 7 in. (11.43 x 25.4 x...

Postcard by Filiberto di Savoia is a vintage and historical postcard realized in 1904, with hand-written on the rear. Stamped on the rear. Good conditions.

Medium: original lithograph. Printed in Paris in 1902 for the special Felix Vallotton issue of L'Assiette au Beurre on the theme of Crimes et Chatiments (Crime and Punnishment). Size...

An auction at Drouot's in Paris. Oil on canvas. Signed lower right. Around 1900-1910. René François Xavier Prinet (31 December 1861, Vitry-le-François – 26 January 1946, Bourbonne-les-Bains) was a French painter and illustrator who drew his subjects from middle-class society. He was born to Henri Prinet, an Imperial Prosecutor in Vitry-le-François. A promotion led to him being posted in Paris, where they lived in a home not far from the École Nationale Supérieure des Beaux-Arts. His father painted as a hobby and was supportive of his desire to study art, having him seek the advice of Louis Charles Timbal [fr], a well-known church painter and friend of the family. Around 1880, he began his studies in earnest, in the studios of Jean-Léon Gérôme; remaining with him until 1885. That year, his painting "The Infant Jesus" was accepted for display at the Salon. This was followed by studies at the Académie Julian. At this time, he also became associated with a group of young artists known as the Bande Noire (Black Stripe), which included Lucien Simon, André Dauchez...

The Belle Epoque Lady French School, signed and dated 1907 oil painting on canvas: 24 x 19.5 inches antique original gilt frame: 29 x 24 inches condition:...

Marie Dieterle Artwork Size: 24 x 32" (61 x 81cm) Artwork Size with Frame: 32 x 40" (81 x 101cm) French 19/20th Century Dieterle established herself as...

Franz Bergmann, Austrian (1861 -1936) - Traveler with Camel, Year: circa 1900, Medium: Cold painted Bronze sculpture, Size: 4.75 x 6 x 3 in. (12.07 x 15.24 x 7.62 cm)

Evelyn Beatrice Longman was a trailblazing female artist getting major commissions at the very begining of the 20th century. Having lived in New York City, I used to walk by the life size version of this in Philip Johnson's ATT Building and it left me breathless every time. This classical bronze statue of a victorious and handsome young man is called "Victory...

Como pueden apreciar, la obra va firmada por el artista en la parte inferior (A.GROSZ) Se presenta enmarcada la obra (el marco presenta algunas faltas) El estado de la obra es buen...

The circa 1900 illustrated music sheet by Maurice Denis, titled Concerts du Petit Frère et de la Petite Sœur, is a delightful synthesis of fine art and music. This piece features a c...

A turn of the century view of the town of St. Austrell, Cornwall, in the morning mist of southern England. A beautifully subtle work, in muted earth tones, on buff wove drawing paper...

Harry Pennell ARCA Picture Size: 24 x 40" (61 x 102cm) Outside Frame Size 31 x 47" (79 x 120cm) Signed oil painting on canvas Exhibition Period 1900 – 1930 Harry Pennell (1879-193...

Franz Bergmann, Austrian (1861 -1936) - Merchant, Year: circa 1900, Medium: Cold painted Bronze sculpture, Size: 5.75 x 9.5 x 6 in. (14.61 x 24.13 x 15.24 cm)

Signed impressionist oil on canvas riverscape by French modern painter Auguste Herbin. The work depicts a view of the Pont Royal bridge over the River Seine in Paris. The shadowy fig...

The 1908 original poster by B. Capelle, created to promote the Exposition Franco-Anglaise, is a remarkable artifact of early 20th-century European cultural diplomacy. This exposition...

DANIEL HERNÁNDEZ Peruvian, 1856 - 1932 FAR AWAY THOUGHTS signed "Daniel Hernandez" (lower right) oil on canvas 27-1/2 x 19-1/4 inches (70 x 49 cm.) framed: 39-3/8 x 31-1/8 inches (100 x 79 cm.) Daniel Hernández Morillo...

This witty early 20th-century oil painting by British artist Edgar Bundy ARA RI RBA (1862-1922) depicts a young country woman visiting the home of her wealthy relatives, to much dism...

Anton Chotka, Austrian (1881 -1955) - Quran Teacher With Pupils, Year: circa 1900, Medium: Cold painted Bronze sculpture, stamped Austria, Size: 4.5 x 8 x 5 in. (11.43 x 20.32 x 1...

Crafted around the turn of the 20th century, the original poster advertising "The Ivanoff Troupe of Russian Singers & Dancers" at The Palace Theatre of Varieties evokes a captivating...

signed "A. Lepère" at lower left

Plate #13 from Gustav Klimt's 1907 "Dialogues of the Courtesans" portfolio, consisting of 15 collotypes on cream japon paper. The drawings in this folio are said to be studies for Klimt's well-known Water Serpents paintings...

Antique American impressionist seascape painting by Theodore Victor Carl Valenkamph (1868 - 1924). Oil on canvas, circa 1900. Signed....

Well-painted English early 20th-century beach scene landscape Daniel Sherrin 1868-1940 signed L. Richards This is a framed original oil painting on canvas by the late British painter Daniel Sherrin who painted under the pseudonym of L Richards. It is signed and was painted circa 1910 and is in excellent condition. BIOGRAPHY Daniel Sherrin (1868-1940) Daniel Sherrin was the son of John Sherrin...

Musee Grevin Avant La Lettre (Before Text), created in 1900, is one of the best known images by the great French artist, Jules Chéret. The poster advertises a show performance at the...

Medium: original etching and drypoint. Catalogue reference: Delteil 76. Printed in 1909 and published in Paris by H. Floury. Plate size: 8 3/8 x 6 1/2 inches (212 x 165 mm). Not sign...

Painter, draughtsman and poster artist, Louis Abel-Truchet (1857-1918) is, along with Henri de Toulouse-Lautrec, one of the most famous representatives of Parisian life at the end of...

Mademoiselle Sablon, MUSCIAL ACTRESS Lithograph, 1907 Unsigned Provenance: estate of the artist Reference: Belleroche No. K383 Albert Belleroche Log of lithographs...

Bulldog In A Landscape J White (British 19th/20th Century) oil on canvas, framed signed and dated 1908 framed: 32 x 25 inches canvas: 27 x 20 inches provenance: private collection, S...

Franz Bergmann, Austrian (1861 -1936) - Soldier, Year: circa 1900, Medium: Cold painted Bronze sculpture, Size: 5.5 x 3 x 2 in. (13.97 x 7.62 x 5.08 cm)

A fine impressionist landscape along the Seine River in France by American artist Chauncey Foster Ryder (1868-1949). Ryder grew up in New Haven, Connec...

French North African early 20th-century Impressionist, Fishermen coming ashore with their daily catch. André Humbert was born in Paris on the 27th of November. He was a student of t...

This bronze sculpture is a model of the one of the Naiads of the Fountain of the Naiads in Piazza Esedra, Rome, Italy. Realized by Mario Rutelli in 1905 ca. Very good condition.

⭐ La Défense ⭐ It's a cityscape, dominated by modern, high-rise buildings (Sky scrappers, office in Paris ) buried on snow.. The architecture suggests a contemporary urban environme...

This beautiful Scottish Impressionist Edwardian architectural oil painting is by noted artist James Kay. Painted circa 1900 the painting is of Exeter Cathedral in Exeter in Devon in ...

Jim’s of Lambertville is proud to offer this artwork. Signed lower left. Complemented by a hand carved and gilt frame. Illustrated in "Edward Redfield: Just Values and Fine Seeing" by Constance Kimmerle and the Pennsylvania Academy of the Fine Arts's Exhibition of Paintings by Edward Redfield (April 17 to May 16, 1909) brochure Edward Willis Redfield (1869 - 1965) Edward W. Redfield was born in Bridgeville, Delaware, moving to Philadelphia as a young child. Determined to be an artist from an early age, he studied at the Spring Garden Institute and the Franklin Institute before entering the Pennsylvania Academy from 1887 to 1889, where he studied under Thomas Anshutz, James Kelly, and Thomas Hovenden. Along with his friend and fellow artist, Robert Henri, he traveled abroad in 1889 and studied at the Academie Julian in Paris under William Bouguereau and Tony Robert-Fleury. While in France, Redfield met Elise Deligant, the daughter of an innkeeper, and married in London in 1893. Upon his return to the United States, Redfield and his wife settled in Glenside, Pennsylvania. He remained there until 1898, at which time he moved his family to Center Bridge, a town several miles north of New Hope along the Delaware River. Redfield painted prolifically in the 1890s but it was not until the beginning of the twentieth century that he would develop the bold impressionist style that defined his career. As Redfield’s international reputation spread, many young artists gravitated to New Hope as he was a great inspiration and an iconic role model. Edward Redfield remained in Center Bridge throughout his long life, fathering his six children there. Around 1905 and 1906, Redfield’s style was coming into its own, employing thick vigorous brush strokes tightly woven and layered with a multitude of colors. These large plein-air canvases define the essence of Pennsylvania Impressionism. By 1907, Redfield had perfected his craft and, from this point forward, was creating some of his finest work. Redfield would once again return to France where he painted a small but important body of work between 1907 and 1908. While there, he received an Honorable Mention from the Paris Salon for one of these canvases. In 1910 he was awarded a Gold Medal at the prestigious Buenos Aires Exposition and at the Panama-Pacific Exposition of 1915 in San Francisco, an entire gallery was dedicated for twenty-one of his paintings. Since Redfield painted for Exhibition with the intent to win medals, his best effort often went into his larger paintings. Although he also painted many fine smaller pictures, virtually all of his works were of major award-winning canvas sizes of 38x50 or 50x56 inches. If one were to assign a period of Redfield’s work that was representative of his “best period”, it would have to be from 1907 to 1925. Although he was capable of creating masterpieces though the late 1940s, his style fully matured by 1907 and most work from then through the early twenties was of consistently high quality. In the later 1920s and through the 1930s and 1940s, he was like most other great artists, creating some paintings that were superb examples and others that were of more ordinary quality. Redfield earned an international reputation at a young age, known for accurately recording nature with his canvases and painting virtually all of his work outdoors; Redfield was one of a rare breed. He was regarded as the pioneer of impressionist winter landscape painting in America, having few if any equals. Redfield spent summers in Maine, first at Boothbay Harbor and beginning in the 1920s, on Monhegan Island. There he painted colorful marine and coastal scenes as well as the island’s landscape and fishing shacks. He remained active painting and making Windsor style furniture...

Marine painter Warren W. Sheppard was born in Greenwich, New Jersey, to a ship captain father who instilled in his son a love and respect for the sea. He studied privately with Mauritz F. H. De Haas and took courses in drawing at Cooper Union in New York City. He traveled along the Mediterranean coast in 1879, sketching the ports of Naples, Gibraltar, Genoa and Messina. Sheppard’s foreign tours continued between 1888 and 1893, with stays in Paris and Venice, where he captured the architecture and busy canals of the Floating City. This fondness for travel also translated to his home country. He sailed along the East Coast from New Jersey to Maine in search of subjects and was an expert navigator, eventually writing the book Practical Navigation. Yacht design became a second career for Sheppard and he participated in a number of sailing competitions himself, most notably winning the New York-to-Bermuda race twice while skipper of the Tamerlane. Sheppard exhibited at the Denver Exposition, Chicago Exposition...

The 1909 original poster for "La Conquête de l'Air" (The Conquest of the Air), published by Le Petit Journal, celebrates the 1er Meeting Aérien de Reims (the First Aerial Meeting in ...

"Santiago in Nicho" is a carved and painted wooden retablo by an unknown Mexican folk artist. This piece features a man on a white horse inside a niche. The doors, which feature flow...

'Eggs' Antique English natural history chromolithograph. Key to eggs below the image. Tiny numbers in the margins to identify the eggs. Sheet 19cm by 12.5cm, image 13cm by 9.5cm.

Antique American watercolor painting, Bucolic Farm scene by Frank F. English (1854 - 1922), Bucks County, Pennsylvania, Circa 1910. A very attractive painting by the celebrated Pennsylvania artist Frank F. English, the location is in Point Pleasant, Bucks County, Pennsylvania. The painting depicts a scene of blue skies with two farmers tossing hay with pitchforks & two horses harnessed to a hay wagon, with barns to the background. The painting signed lower right " Frank F. English", condition is excellent and is ready to hang on your wall. Frank F. English was born in Louisville Kentucky in 1854. In the early 1880s, he studied for five years in the evening classes of the Pennsylvania Academy of the Fine Arts. His instructors included Thomas Eakins, James P. Kelly and Thomas Anshutz. However, English's reputation primarily rests with his outstanding facility as a watercolorist; most of his known paintings are executed in this medium. English's propensity for its use coincides, appropriately enough, with the watercolor's growing popularity among other American painters. The American Water Color Society brought the medium special prominence by the late 1860s, and acceptance on the level of oil painting in 1876. That same year, the society was invited to display its works at the Philadelphia Centennial Exposition. Its members exhibited 116 watercolors, and their public exposure was enormous. It is safe to assume that during the 159-day Centennial, Frank English was among the nearly 10 million exposition attendees, surpassing attendance records at all preceding world's fairs. At age twenty-two, English, traveled to Philadelphia to see works by the Society's notables such as Samuel Colman, R. Swain Gifford, Louis Comfort Tiffany, Albert Fitch...

A Large and impressive antique oil on canvas Pre-Raphaelite painting by the German artist, Hermann Frobenius (1871-1954), signed and dated 1900. Frobenius had classical training and studied both in Rome and Florence, he later was in the circle of Arnold Bocklin and Hans von Marees, he settle in Munich but also in Dresden briefly and latterly in Berlin. He, like many other European painters was fascinated with North Africa and painted many oriental scenes of Algiers, Tunis and Cairo, he was represented at many exhibitions, including the "Great German Art Exhibition" in Munich 1941. This painting (an early example of the artist's work) is very finely painted in the Pre Raphaelite style, depicting a medieval costumed...

Henri Fantin-Latour (1836-1904),Vérité (petite planche), 1900, lithograph. Hediard-Mason 156, first state (of 3). A proof of the first state before the edition published in La Revue...

Untitled (Woman Removing Her Stockings) Conte crayon on paper. c. 1905 Signed lower right: E Shinn Provenance: James Graham & Sons, New York (labels) Ronald C. Sloter, Columbus Colum...

Signed with initials M.P. (lower right); inscribed Article III. "Irrigation" water let in on a field of alfalfa (in the lower margin) Written on back "February of 1902. Hot Springs,...

Medium: Mixed Media on Board Signature: Unsigned Sight Size 28.00" x 19.75", Framed 39.00" x 30.75" Little kid looking out the window. Exhibitions: Allentown Art Museum, At the Edge: Art of the Fantastic (June 3- September 9, 2013) Literature: Aileen C. Higgins, Dream Blocks, New York, 1908, illustrated in color as frontispieceMichael S. Schnessel, Jessie Willcox Smith, Toronto, Canada, 1977, pp. 45, 94Edward D. Nudelman, Jessie Willcox Smith: A Bibliography, Gretna, Louisiana, 1989, A. 26, illustrated in color p. 50 Edward D. Nudelman, Jessie Willcox Smith: American Illustrator, Gretna, Louisiana, 1990, pp. 34, 48Alice A. Carter, The Red Rose Girls...

Wilhelm Feldmann (1859 Lüneburg - 1932 Lübeck), Sunny forest landscape, c. 1900. Oil on canvas, marouflaged on wood, 37 cm x 48 cm (inside dimensions), 42.5 cm x 53.5 cm (frame), sig...

'Eggs' Antique English natural history chromolithograph. Key to eggs below the image. Tiny numbers in the margins to identify the eggs. Sheet 19cm by 12.5cm, image 13cm by 9.5cm.

Wassily Kandinsky - Improvisation 11 1910 Lithograph in colors on Arches paper, 1990 Paper size 24" x 24" inches Image size 18" x 20" inches Stamped signature Blindstamps of the Russ...

This lovely British Edwardian Impressionist portrait oil painting is by female artist Sybil Maude. Painted circa 1905 the painting is a charming seated portrait of a young Cornish gi...