Early 1900s Art
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Period: Early 1900s
Georg Koch 1857-1936, "At the horse market" Oil on canvas circa 1900
By Georg Koch
Located in Berlin, DE
Large, enticing and very decorative painting.
Oil on canvas. Signed lower left. G. Koch. (Georg Koch)
Motive of a lively horse market.
Beautiful paintin...
Category
Impressionist Early 1900s Art
Materials
Canvas, Oil
Vase "Erable plane"
By Émile Gallé
Located in PARIS, FR
"Norway maple" Vase
by Émile GALLE (1846-1904)
Rare baluster-shaped vase,
multi-layered glass with powder and gold foil inclusions.
Wheel-carved cameo decoration,
ornated with mapl...
Category
Art Nouveau Early 1900s Art
Materials
Blown Glass
Portrait de Madame Luce - Post Impressionist Portrait Oil by Maximilien Luce
Located in Marlow, Buckinghamshire
Signed and dated oil on canvas portrait by post impressionist painter Maximilien Luce. The painting is of the artist's wife, Ambroisine "Simone" Bouin, seated in a chair with a vase ...
Category
Impressionist Early 1900s Art
Materials
Canvas, Oil
"The White House in Morocco, 1901" E. Baily Hilda (Austrian, 1855-1955)
Located in SANTA FE, NM
"The White in Morocco, 1901"
E. Baily Hilda (Austrian, 1855-1955)
Oil on panel
Signed and dedicated lower right, "To my cousin Louis, affectionate memory"
15 x 12 inches frame size
...
Category
Early 1900s Art
Materials
Oil, Panel
Alphonse Mucha's 1902 Documents décoratifs - Planche 30
Located in PARIS, FR
Alphonse Mucha's name shines like that of a visionary artist who left an indelible mark on the aesthetics of the early 20th century. The year 1902 saw the publication of "Documents d...
Category
Art Nouveau Early 1900s Art
Materials
Lithograph, Paper
Autumn Landscape in Sunlight - Indian Summer -
Located in Berlin, DE
Frederick Vezin (1859 Torresdale Philadelphia - 1933 Düsseldorf), Autumn Landscape in the Sunlight, oil on canvas, mounted on cardboard, 32 x 41 cm (inside measurement), 44 x 51 cm (frame), signed and dates lower right "F. Vezin. [19]05".
- Cardboard slightly curved, small inconspicuous retouch at the centre of the upper edge of the picture.
About the artwork
Although the painting appears to be a sketch, Frederick Vezin considered it to be a finished work of art, as evidenced by his signature on the lower right. And it is precisely this sketchy quality that leads to an understanding of the painting, which was certainly created in the landscape itself: the natural phenomena were to be depicted artistically at the moment of their observation. This is not done by meticulously sketching nature, but - and here Vezin follows the teaching of French Impressionism - by illustrating nature in its visual fullness. The artist's eye is, as it were, immersed in the visuality of nature, which is made visible by his hand. The painting is therefore not a reflection of the landscape, but its artistic intensification.
This intensification also includes the fact that the foreground of the painting - corresponding to the field of vision - eludes a detail-oriented close-up view. Instead, the spatula-like application of paint, the vertical structure of which corresponds to the structure of the floral growth, has the effect of making nature tangible in its colourful substance.
At the same time, the foreground, which remains indeterminate in its concrete objectivity, creates an atmospheric space that connects with the actual protagonist of the picture, the group of trees, which flares up in shades of red and brown. Here, too, the leaves are more speckled than clearly outlined. It is precisely this 'sketchiness' that opens up a visual experience that makes the landscape accessible in its visual fullness, thus revealing its essence.
In addition to this abundance, the landscape is presented as a structure of order in that the composition of the picture makes the composition of the landscape visible. For example, the group of trees forms a distinct dark green shadow, which is repeated in the shadows cast by the trees behind it. A patterned diagonal axis is created in the picture, which is composed in this way by the landscape itself.
Strictly speaking, this is a cultivated landscape: a fence at the bottom and a low stone wall at the top, running from left to right, are two elements that also have a strong compositional effect. And on the top of the hill, a stone house is embedded in the landscape as the brightest surface in the picture. Nature and culture here form a harmonious synthesis, giving the painting an Arcadian touch.
In order to give the landscape as much space as possible, the horizon line is raised, but the design of the sky is also crucial. The clouds, combined with the shapes of the trees, create a bright blue sky. To the European eye, such a sky is reminiscent of a summer landscape. Accordingly, within the seasonal cycle, the blue sky is reserved for summer, and French Impressionism is also primarily an ode to summer. In Vezin's painting, however, the brilliant blue sky stands above an autumnal landscape, some of the trees even defoliated. It can therefore be assumed that the painting was made not in Europe but in the United States, and that it illustrates the proverbial Indian summer, making Frederick Vezin a pioneer of American landscape painting.
About the artist
Frederick Vezin was the son of a French immigrant to the United States and a German-born mother. This predestined him to promote artistic exchange between the old and new worlds. Having spent part of his schooling in Germany, in 1876, at the age of 20, he enrolled at the Düsseldorf Academy of Art, where he studied with Peter Janssen the Elder, Eduard von Gebhardt and Wilhelm Sohn, among others. He graduated in 1883, settled in Munich and returned to Düsseldorf in 1895, where he lived until his death in 1933.
A native of the United States, he travelled to the country frequently and became a popular portrait and society painter. His artistic talent, however, was most evident in his landscape paintings. Trained in French Impressionism, he developed a virtuoso use of colour and a free brushwork that remained tied to the landscape motif, opening up the landscape itself in a new way. Frederick Vezin turned his attention primarily to the landscape of his homeland, becoming a pioneer of modern American landscape...
Category
Impressionist Early 1900s Art
Materials
Cardboard, Oil
$2,101 Sale Price
20% Off
'Nymph with a Centaur', French School, Academic, Greek Mythological Grisaille
Located in Santa Cruz, CA
'Nymph with a Centaur' by T.M.
French School, Academic, Framed Greek Mythological Grisaille
---
An exceptionally fine, brush and wash, mythological figural study showing a centaur i...
Category
Academic Early 1900s Art
Materials
Paper, Watercolor, Illustration Board
Antique American Impressionist Sunlit Forest Interior Rare Original Oil Painting
By Richard Kruger
Located in Buffalo, NY
Antique American impressionist landscape oil painting . Oil on canvas, circa 1910. Signed. Displayed in a period giltwood frame. Image, 16"L x 20"H.
Category
Impressionist Early 1900s Art
Materials
Canvas, Oil
Eggs, natural history chromolithograph, circa 1900
Located in Melbourne, Victoria
'Eggs'
Antique English natural history chromolithograph. Key to eggs below the image. Tiny numbers in the margins to identify the eggs.
Sheet 19cm by 12.5cm, image 13cm by 9.5cm.
Category
Naturalistic Early 1900s Art
Materials
Lithograph
Le Jardin de Lagny - Garden with young girl Post-impressionist
Located in Miami, FL
Le Jardin de Lagny
Provenance: Arthur Tooth, London Radon Gallery, NY
This beautiful evocation of a lyrical French landscape is a fine example of of Po...
Category
Post-Impressionist Early 1900s Art
Materials
Canvas, Oil
$212,000 Sale Price
20% Off
Untitled Art Nouveau Rondelle
Located in Fairlawn, OH
Unknown Artist, France, late 19th century
Anonymous c. 1900 Rondelle on antique laid paper
Ink, Watercolor and or Gouache
Unsigned
An Art Nouveau preliminary design for a decorative ...
Category
Art Nouveau Early 1900s Art
Materials
Ink, Watercolor, Pigment
American School Portrait of a Lady
Located in New York, NY
Portrait of a Lady, c. 1900
Oil on canvas
36 x 28 1/2 in.
Framed: 37 3/4 x 30 1/2 in.
Category
American Realist Early 1900s Art
Materials
Canvas, Oil
Suite 347
Located in BARCELONA, ES
Pablo Picasso
"Suite 347"
1968
Engraved
Hand signed.
Print run of 50 copies, 22/50.
45 x 58 cm.
Category
Abstract Early 1900s Art
Materials
Etching
A Bit of New England
Located in Fairlawn, OH
A Bit of New England
Oil on canvas,, 1908
Signed lower left corner: L. O. Griffith
Condition: Excellent
Canvas size: 26 x 38 inches
Frame size: 33 3/8 x 45 1/4 inches Note: origi...
Category
American Impressionist Early 1900s Art
Materials
Oil
"Elegant Figures Seated in a Park" 19th Century Oil on Panel by M. Alonso Pérez
Located in Madrid, ES
MARIANO ALONSO PÉREZ
Spanish, 1857 - 1930
ELEGANT FIGURES SEATED IN A PARK
signed, located and dated "Alonso Pérez, Paris ´91" (lower right)
oil o...
Category
Romantic Early 1900s Art
Materials
Oil, Wood Panel
New Years Baby, Saturday Evening Post Cover, 1907
Located in Fort Washington, PA
Medium: Oil Painting
Signature: Signed Lower Right
Sight Size 24.00" x 20.00", Framed 31.00" x 27.00"
The Saturday Evening Post cover illustration, December 1907
Category
Early 1900s Art
Materials
Oil
Etching of John Knox's House Hedley Fitton RA
By Hedley Fitton
Located in New York, NY
Hedley Fitton (British, c. 1857-1929)
John Knox's House, c. 1900
Etching
17 x 12 3/4 in.
Framed: 25 x 20 1/2 in.
Signed in the plate by Hedley Fitton
Sig...
Category
English School Early 1900s Art
Materials
Etching
"Fields in Jersey"
Located in Lambertville, NJ
Jim’s of Lambertville Fine Art Gallery is proud to present this piece by Daniel Garber (1880 - 1958).
One of the two most important and, so far, the most valuable of the New Hope Sc...
Category
American Impressionist Early 1900s Art
Materials
Canvas, Oil
"In Port"
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork by:
Edward Willis Redfield (1869 - 1965)
Edward W. Redfield was born in Bridgeville, Delaware, moving to Philadelphia as a young child. Determined to be an artist from an early age, he studied at the Spring Garden Institute and the Franklin Institute before entering the Pennsylvania Academy from 1887 to 1889, where he studied under Thomas Anshutz, James Kelly, and Thomas Hovenden. Along with his friend and fellow artist, Robert Henri, he traveled abroad in 1889 and studied at the Academie Julian in Paris under William Bouguereau and Tony Robert-Fleury. While in France, Redfield met Elise Deligant, the daughter of an innkeeper, and married in London in 1893.
Upon his return to the United States, Redfield and his wife settled in Glenside, Pennsylvania. He remained there until 1898, at which time he moved his family to Center Bridge, a town several miles north of New Hope along the Delaware River. Redfield painted prolifically in the 1890s but it was not until the beginning of the twentieth century that he would develop the bold impressionist style that defined his career. As Redfield’s international reputation spread, many young artists gravitated to New Hope as he was a great inspiration and an iconic role model. Edward Redfield remained in Center Bridge throughout his long life, fathering his six children there.
Around 1905 and 1906, Redfield’s style was coming into its own, employing thick vigorous brush strokes tightly woven and layered with a multitude of colors. These large plein-air canvases define the essence of Pennsylvania Impressionism. By 1907, Redfield had perfected his craft and, from this point forward, was creating some of his finest work.
Redfield would once again return to France where he painted a small but important body of work between 1907 and 1908. While there, he received an Honorable Mention from the Paris Salon for one of these canvases. In 1910 he was awarded a Gold Medal at the prestigious Buenos Aires Exposition and at the Panama-Pacific Exposition of 1915 in San Francisco, an entire gallery was dedicated for twenty-one of his paintings.
Since Redfield painted for Exhibition with the intent to win medals, his best effort often went into his larger paintings. Although he also painted many fine smaller pictures, virtually all of his works were of major award-winning canvas sizes of 38x50 or 50x56 inches. If one were to assign a period of Redfield’s work that was representative of his “best period”, it would have to be from 1907 to 1925. Although he was capable of creating masterpieces though the late 1940s, his style fully matured by 1907 and most work from then through the early twenties was of consistently high quality. In the later 1920s and through the 1930s and 1940s, he was like most other great artists, creating some paintings that were superb examples and others that were of more ordinary quality.
Redfield earned an international reputation at a young age, known for accurately recording nature with his canvases and painting virtually all of his work outdoors; Redfield was one of a rare breed. He was regarded as the pioneer of impressionist winter landscape painting in America, having few if any equals. Redfield spent summers in Maine, first at Boothbay Harbor and beginning in the 1920s, on Monhegan Island. There he painted colorful marine and coastal scenes as well as the island’s landscape and fishing shacks. He remained active painting and making Windsor style furniture...
Category
American Impressionist Early 1900s Art
Materials
Canvas, Oil
Moto-Flirt
Located in Fairlawn, OH
Moto-Flirt
Color lithograph, c. 1902
Signed in the stone lower right (see photo)
Published by Edmund Sagot (1857-1917), Paris
Printed by Atelier Chaix, Paris
Large edition with title...
Category
Art Nouveau Early 1900s Art
Materials
Lithograph
Circa 1900 Art Nouveau advertising poster for Fumar el papel JOB
Located in PARIS, FR
This circa 1900 Art Nouveau advertising poster, designed by Peruvian-born artist Daniel Hernández, is a stunning example of early 20th-century luxury brand marketing. Created for JOB cigarette rolling papers, the advertisement reflects the era’s elegant aesthetics and sophisticated lifestyle appeal. The slogan, "Fumar el papel JOB o dejar de fumar" ("Smoke JOB paper or stop smoking"), emphasizes the brand’s prestige and superior quality, making it seem indispensable for tobacco connoisseurs.
The artwork features a sensual and dreamlike composition, characteristic of the Belle Époque. A radiant red-haired woman, partially draped in sheer fabric, lounges in a relaxed pose, smiling seductively as she delicately holds a lit cigarette. The soft pastels, golden hues, and fluid lines create a warm, ethereal atmosphere, reinforcing the romantic and luxurious associations of the JOB brand. The swirling wisps of smoke, artistically integrated into the design, echo the organic, flowing forms typical of Art Nouveau illustration. The ornate green decorative border further enhances the visual richness, framing the central figure like a jewel in an exquisite setting.
At the turn of the century, tobacco advertising was at its peak, and brands relied on opulent, aspirational imagery to captivate consumers. JOB, a French rolling paper company founded in the 1830s, became known for collaborating with renowned artists to create highly collectible posters. This particular piece, executed with remarkable softness and luminosity, reflects Hernández’s mastery of portraiture and classical technique, which he refined during his studies in Europe. His ability to capture the sensuality and grace of the female form made him a sought-after artist for both fine art and commercial illustration.
Beyond its commercial function, this poster is an important example of the fusion between fine art and advertising, a defining feature of Art Nouveau poster design. It demonstrates how companies in the early 20th century elevated advertising into an art form, commissioning celebrated painters to craft exquisite promotional imagery. Today, original JOB posters...
Category
Early 1900s Art
Materials
Paper, Lithograph
Loch Eck, Scotland - Scottish Edwardian art landscape oil painting
By William Young
Located in London, GB
This breath taking Scottish Edwardian landscape oil painting is by much exhibited landscape artist William Young RSW. Entitled Loch Eck and painted circa 1908...
Category
Realist Early 1900s Art
Materials
Oil
$3,761 Sale Price
20% Off
Loguivy le Soir (Loguivy at Evening)
Located in New York, NY
Henri Rivière (French, 1864-1951), Loguivy le Soir (Loguivy at Evening), 1904,Plate 7 for Le Beau Pays de Bretagne. Published by Eugène Verneau, Paris. Color...
Category
Post-Impressionist Early 1900s Art
Materials
Lithograph
Andrew Thomas Schwartz Neoclassical Style Painting
Located in New York, NY
Andrew Thomas Schwartz (American, 1867-1942)
The Fates, c. 1900
Oil on canvas
30 x 30 in.
Framed: 39 1/4 x 39 in.
Andrew T. Schwartz was born in Louisville, Kentucky. His early education was in the public schools of his hometown, where he showed great promise as an artist. In 1890, he began intense art study with the famed Frank Duveneck at the Cincinnati ArtAcademy. He later studied with H. Siddons Mowbray at the Art Students League in New York, where he was awarded the Lazarus Scholarship for mural painting to study abroad, which resulted in three years of study in Italy, France, Germany and England. He was, at the time, only the second person to win that award. His work from the Lazarus trip was the subject of an individual show at the Pratt Institute in Brooklyn.
He returned to the United States to assist his teacher Mowbray in decorating the University Club and J. P. Morgan's private library in New York. He later worked independently and developed a following as a mural painter. His reputation was certainly enhanced by the mural Christ, the Good Shepherd for the Baptist Church in South Londonderry, Vermont, which was considered at the time one of the best examples of mural painting. Other murals were painted for the Courthouse of New York, the New York YMCA, the Atkins Museum of Fine Art in Kansas City and the Kansas City Life Insurance Company Building.
Schwartz also painted a number of other paintings in addition to his murals, including both figurative and landscapes. Many of his landscapes are views of New England. He exhibited extensively at the National Academy of Design, Pennsylvania Academy of the Fine Arts in Philadelphia, the Art Institute of Chicago, the Carnegie Institute in Pittsburgh, and other major cities.
He was a member of the National Society of Mural Painters, the Salmagundi Club, the Architectural League of New York, Allied Artists of America, American Watercolor Society, the Circolo Artistico of Rome, Italy, and the Union International Des Beaux Arts et Des Lettres of Paris, France.
A memorial show of Schwartz's work was held at the Lotus Club of New York City in 1944 through the efforts of the sculptor, Charles Keck. The dean of art critics of the time, Royal Cortissoz, viewed Schwartz's work before the exhibition in Keck's studio and wrote, "Schwartz could saturate an Italian scene in the handsome 'Roman Twilight' but when he came to paint the countryside of his native land he was moved solely by its racy sentiment. He had charm as well as craftsmanship."
Perhaps the best tribute one artist can give another was given Schwartz by the famed American artist, Elihu Vedder...
Category
Other Art Style Early 1900s Art
Materials
Canvas, Oil
Dam at Genetin - Impressionist Oil, Winter Riverscape by Armand Guillaumin
Located in Marlow, Buckinghamshire
Signed and dated impressionist landscape oil on canvas by French painter Jean Baptiste Armand Guillaumin. This simply stunning piece de...
Category
Impressionist Early 1900s Art
Materials
Canvas, Oil
Mele - Vintage Advertising Lithograph by L. Metlicovitz - 1900 ca.
Located in Roma, IT
Vintage Poster is a beautiful colored lithograph on cardboard, realized by the Italian artist Leopoldo Metlicovitz (Trieste, 1868 - Ponte Lambro, 1944) and printed around 1900 by G. Ricordi and C. Milano, Milan. Monogrammed on plate on the left at the center.
A wonderful and fashionable vintage Art Nouveau advertising poster of the Neapolitan tailoring company "Mele" in excellent condition except for three visible abrasions of the paper on the right margin do not affect the image.
This Modern and colorful poster shows the Metlicovitz's full mastery of the artistic medium, has the dignity of an object of art to collect and could be a sophisticated piece of your home furniture.
Leopoldo Metlicovitz (Trieste, 1868 - Ponte Lambro, 1944)
The Italian painter, illustrator, theatrical and advertising scenographer is considered one of the precursors of Futurism and, together with Leonetto Cappiello, Adolf Hohenstein, Giovanni Maria Mataloni and Marcello Dudovich, one of the fathers of modern Italian poster art.
He began his artistic career at the age of fourteen working as an apprentice in a typography in Udine, where he learned the technique of lithography. Here he is noticed by Giulio Ricordi, owner of the namesake Officine Grafiche, who invites him to Milan to work as a lithographer. In 1892, after collaborating with Tensi, a photographic product company, he returned to Ricordi as technical director. At the same time, he entered the theatrical environment and began his career as a set designer and costume designer at La Scala. The Mele di Napoli tailoring company entrusted him with the task of advertising his clothes and in 1906, on the occasion of the great Universal Exposition in Milan, he won the competition for the fair poster, establishing himself also as a poster artist and then collaborating with several magazines as an illustrator. For Ricordi he takes care of the illustrations of calendars, opera librettos, postcards. Other famous images created by him are those for the poster of the film Cabiria, a blockbuster of the silent film scripted by Gabriele D'Annunzio, and the trademark that is still used today by the Brothers Branca Distilleries, producers of Fernet Branca...
Category
Early 1900s Art
Materials
Lithograph
Portrait of young man - The artist's son
Located in BELEYMAS, FR
Auguste-Joseph Delécluse
(Roubaix 1855 - Paris 1928)
Portrait of the artist's son, Eugène Delécluse
Oil on canvas
H. 98 cm; W. 116 cm
Signed lower right
1903
Exhibition: 1903, Salon...
Category
French School Early 1900s Art
Materials
Canvas, Oil
Eggs, natural history chromolithograph, circa 1900
Located in Melbourne, Victoria
'Eggs'
Antique English natural history chromolithograph. Key to eggs below the image. Tiny numbers in the margins to identify the eggs.
Sheet 19cm by 12.5cm, image 13cm by 9.5cm.
Category
Naturalistic Early 1900s Art
Materials
Lithograph
Parc Bagatelle - Fauvist Landscape Oil Painting by Louis Valtat
By Louis Valtat
Located in Marlow, Buckinghamshire
Signed fauvist landscape oil on canvas by French painter Louis Valtat. This stunning piece depicts a view of Bagatelle Park in the north of France in summer. The trees and the flower...
Category
Fauvist Early 1900s Art
Materials
Oil, Canvas
A L'Ombre (In Shadow)
Located in Fairlawn, OH
A L'Ombre (In Shadow)
Etching & drypoint, 1905
Signed with the red stamp of the publisher Pellet (see photo)
Edition: 50 on velin paper, signed and numbered
Publisher: Gustav Pellet, Paris (his red stamp lower right, recto; Lugt 1193)
Condition: Excellent
Image/Plate size: 5-7/8 x 8-5/8" (14.8 x 21.8 cm.)
Sheet size: 11 5/8 x 17 1/8"
Reference: IFF 119
Exteens 229
Arwas 256 v/V
Louis Auguste Mathieu Legrand (29 September 1863 – 1951) was a French artist, known especially for his aquatint engravings, which were sometimes erotic. He was awarded the Légion d'honneur for his work in 1906.
Life
Legrand was born in the city of Dijon in the east of France. He worked as a bank clerk before deciding to study art part-time at Dijon's Ecole des Beaux-Arts. He won the Devosge prize at the school in 1883.[2] In 1884 Legrand studied engraving under the Belgian printmaker Félicien Rops.
Legrand's artworks include etchings, graphic art and paintings. His paintings featured Parisian social life. Many were of prostitutes, dancers and bar scenes, which featured a sense of eroticism. According to the Hope Gallery, "Louis Legrand is simply one of France's finest early twentieth century masters of etching." His black and white etchings especially provide a sense of decadence; they have been compared to those of Henri de Toulouse-Lautrec, though his drawings of the Moulin Rouge, the can-can dance and the young women of Montmartre preceded Toulouse-Lautrec's paintings of similar scenes. He made over three hundred prints of the night life of Paris. They demonstrate "his remarkable powers of observation and are executed with great skill, delicacy, and an ironic sense of humor that pervades them all."
Two of his satirical artworks caused him to be tried for obscenity. The first, "Prostitution" was a symbolic drawing which depicted a naked girl being grasped by a dark monster which had the face of an old woman and claws on its hands; the second, "Naturalism", showed the French novelist Émile Zola minutely studying the thighs of a woman with a magnifying glass. Defended by his friend the lawyer Eugène Rodrigues-Henriques (1853–1928), he was found not guilty in the lower court, but was convicted in the appeal court and then given a short prison sentence for refusing to pay his fine.
Legrand was made famous by his colour illustrations for Gil Blas magazine's coverage of the can-can, with text by Rodrigues (who wrote under the pseudonym Erastene Ramiro). It was a tremendous success, with the exceptional quantity of 60,000 copies of the magazine being printed and instantly sold out in 1891.
In 1892, at the instigation of the publishing house Dentu, Legrand made a set of etchings of his Gil Blas illustrations. The etchings were published in a book, Le Cours de Danse Fin de Siecle (The End of the Century Dance Classes).
Legrand took a holiday in Brittany, which inspired him to engrave a set of fourteen lithographs of simple country life called Au Cap de la Chevre (On Goat Promontory). It was published by Gustave Pellet who became a close friend of Legrand's. Pellet eventually published a total of 300 etchings by Legrand, who was his first artist; he also published Toulouse-Lautrec and Félicien Rops among others.
He did not only work in graphics; he exhibited paintings at the Paris salon of the Société Nationale des Beaux-Arts starting in 1902. In 1906 he was made a chevalier of the Légion d'honneur.
Legrand died in obscurity in 1951. A retrospective exhibition was held at the Félicien Rops museum in Namur, Belgium in 2006 to celebrate his graphic art. The art collector Victor Arwas published a catalogue raisonné for the occasion.
Books illustrated
de Maupassant, Guy: Cinq Contes Parisiens, 1905.
Poe, Edgar Alan: Quinze Histoires d'Edgar Poe...
Category
Art Nouveau Early 1900s Art
Materials
Etching
An auction at Drouot's in Paris.
Located in Paris, FR
An auction at Drouot's in Paris.
Oil on canvas. Signed lower right.
Around 1900-1910.
René François Xavier Prinet (31 December 1861, Vitry-le-François – 26 January 1946, Bourbonne-les-Bains) was a French painter and illustrator who drew his subjects from middle-class society.
He was born to Henri Prinet, an Imperial Prosecutor in Vitry-le-François. A promotion led to him being posted in Paris, where they lived in a home not far from the École Nationale Supérieure des Beaux-Arts. His father painted as a hobby and was supportive of his desire to study art, having him seek the advice of Louis Charles Timbal [fr], a well-known church painter and friend of the family.
Around 1880, he began his studies in earnest, in the studios of Jean-Léon Gérôme; remaining with him until 1885. That year, his painting "The Infant Jesus" was accepted for display at the Salon. This was followed by studies at the Académie Julian. At this time, he also became associated with a group of young artists known as the Bande Noire (Black Stripe), which included Lucien Simon, André Dauchez...
Category
Realist Early 1900s Art
Materials
Oil
Vase with Chrysanthemums
By Daum
Located in PARIS, FR
Vase with Chrysanthemums
by DAUM
Large vase decorated with Chrysanthemums flowers
Multi-layer blown-molded glass
Glass colored by vitrification of powders
Decor in reserve acid-etch...
Category
Art Nouveau Early 1900s Art
Materials
Blown Glass
Portrait of a Young Woman - British Edwardian art female portrait oil painting
Located in London, GB
An original oil on canvas on panel by Sir James Jebusa Shannon. The portrait dates to the Edwardian period and depicts a bold British Impressionist painting of a beautiful young woma...
Category
Impressionist Early 1900s Art
Materials
Oil
"Masturbating Woman on Couch" by Gustav Klimt - Original Print - Courtesan Folio
By Gustav Klimt
Located in Chicago, IL
Plate #5 from Gustav Klimt's 1907 "Dialogues of the Courtesans" portfolio, consisting of 15 collotypes on cream japon paper. The drawings in this folio are said to be studies for Kli...
Category
Vienna Secession Early 1900s Art
Materials
Paper
Bowl "Nature"
By Émile Gallé
Located in PARIS, FR
Bowl "Nature"
by Emile GALLE (1846-1904)
Exceptional bowl in multi-layered blown-molded glass,
decorated in interlayer with metal oxydes and powders.
Ornated with a glass marquetry,...
Category
Art Nouveau Early 1900s Art
Materials
Blown Glass
Demonstrators - Impressionist Oil, Figures in City Landscape by Andre Devambez
Located in Marlow, Buckinghamshire
Wonderful figures in night landscape oil on canvas circa 1904 by French impressionist painter and illustrator Andre Devambez. The piece depicts demonstr...
Category
Impressionist Early 1900s Art
Materials
Canvas, Oil
"The Canal"
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork.
Signed lower left. Complemented by a hand carved and gilt frame.
Illustrated in "Edward Redfield: Just Values and Fine Seeing" by Constance Kimmerle and the Pennsylvania Academy of the Fine Arts's Exhibition of Paintings by Edward Redfield (April 17 to May 16, 1909) brochure
Edward Willis Redfield (1869 - 1965)
Edward W. Redfield was born in Bridgeville, Delaware, moving to Philadelphia as a young child. Determined to be an artist from an early age, he studied at the Spring Garden Institute and the Franklin Institute before entering the Pennsylvania Academy from 1887 to 1889, where he studied under Thomas Anshutz, James Kelly, and Thomas Hovenden. Along with his friend and fellow artist, Robert Henri, he traveled abroad in 1889 and studied at the Academie Julian in Paris under William Bouguereau and Tony Robert-Fleury. While in France, Redfield met Elise Deligant, the daughter of an innkeeper, and married in London in 1893.
Upon his return to the United States, Redfield and his wife settled in Glenside, Pennsylvania. He remained there until 1898, at which time he moved his family to Center Bridge, a town several miles north of New Hope along the Delaware River. Redfield painted prolifically in the 1890s but it was not until the beginning of the twentieth century that he would develop the bold impressionist style that defined his career. As Redfield’s international reputation spread, many young artists gravitated to New Hope as he was a great inspiration and an iconic role model. Edward Redfield remained in Center Bridge throughout his long life, fathering his six children there.
Around 1905 and 1906, Redfield’s style was coming into its own, employing thick vigorous brush strokes tightly woven and layered with a multitude of colors. These large plein-air canvases define the essence of Pennsylvania Impressionism. By 1907, Redfield had perfected his craft and, from this point forward, was creating some of his finest work.
Redfield would once again return to France where he painted a small but important body of work between 1907 and 1908. While there, he received an Honorable Mention from the Paris Salon for one of these canvases. In 1910 he was awarded a Gold Medal at the prestigious Buenos Aires Exposition and at the Panama-Pacific Exposition of 1915 in San Francisco, an entire gallery was dedicated for twenty-one of his paintings.
Since Redfield painted for Exhibition with the intent to win medals, his best effort often went into his larger paintings. Although he also painted many fine smaller pictures, virtually all of his works were of major award-winning canvas sizes of 38x50 or 50x56 inches. If one were to assign a period of Redfield’s work that was representative of his “best period”, it would have to be from 1907 to 1925. Although he was capable of creating masterpieces though the late 1940s, his style fully matured by 1907 and most work from then through the early twenties was of consistently high quality. In the later 1920s and through the 1930s and 1940s, he was like most other great artists, creating some paintings that were superb examples and others that were of more ordinary quality.
Redfield earned an international reputation at a young age, known for accurately recording nature with his canvases and painting virtually all of his work outdoors; Redfield was one of a rare breed. He was regarded as the pioneer of impressionist winter landscape painting in America, having few if any equals. Redfield spent summers in Maine, first at Boothbay Harbor and beginning in the 1920s, on Monhegan Island. There he painted colorful marine and coastal scenes as well as the island’s landscape and fishing shacks. He remained active painting and making Windsor style furniture...
Category
American Impressionist Early 1900s Art
Materials
Canvas, Oil
Nocturne - Impressionist Figure in Landscape Oil Painting by Charles Lacoste
By Charles Lacoste
Located in Marlow, Buckinghamshire
Signed and dated figure in landscape oil on board by French impressionist painter Charles Lacoste. A truly stunning piece with depicts a nighttime view of a Parisian street with a single woman dressed in a black coat and hat standing in the centre of of dark square which is being dimly lit by the street lights overhead. The outline of trees and the city's buildings can be seen in the distance.
Signature:
Signed and dated 1904 lower right.
Dimensions:
Framed: 24.5"x31"
Unframed: 18.5"x25"
Provenance:
Wildenstein & Co - New York "Charles Lacoste: A Forgotten Nabi" 2002
This work is accompanied by the catalogue published to accompany the exhibition “Charles Lacoste: A Forgotten Nabi” held at Wildenstein in New York from January 30 to March 2, 2002
The son of a Bordeaux accountant and a creole mother, he met in high school the future poet Francis Jammes and Gabriel Frizeau the legendary art collector. He taught himself to paint and from 1894 to 1897 he made several important contacts: André Gide, Arthur Fontaine...
Category
Impressionist Early 1900s Art
Materials
Oil, Board
Wren's City, by Joseph Pennell
Located in Palm Springs, CA
WREN'S CITY (Wuerth. 504) by Joseph Pennell (1857-1926) . Mezzotint, 1909, signed and inscribed imp. in pencil, edition of approximately 75. Fine rich impression and condition, trimm...
Category
Early 1900s Art
Materials
Mezzotint
$2,500 Sale Price
28% Off
"Women Sleeping Face Down" by Gustav Klimt - Original Print from Courtesan Folio
By Gustav Klimt
Located in Chicago, IL
Plate #12 from Gustav Klimt's 1907 "Dialogues of the Courtesans" portfolio, consisting of 15 collotypes on cream japon paper. The drawings in this folio are said to be studies for Klimt's well-known Water Serpents paintings...
Category
Vienna Secession Early 1900s Art
Materials
Paper
Scottish Impressionist landscape with Geese in a farmyard with trees, hay bales
Located in Woodbury, CT
Outstanding Scottish landscape from the late 19th to early 20th century
oil on canvas.
Born in Scone, Frazer would participate in the growth and development of Scottish landscape painting during the late 19th and early 20th centuries.
Long desiring to compete with the artistic endeavors of England, Scotland was making sure to make its mark, investing heavily in its artists. Indeed, Frazer would attend the acclaimed Royal Scottish Academy to receive his art education, intended to compete with English schools such as the Royal Academy in London. When his studies were complete, he would then base himself out of Edinburgh as he pursued a professional career. Edinburgh was and remains, the art capital of Scotland, and there was no place better for budding artist to plant their roots.
Frazer’s work is a prime example of the growing influence of impressionism on Scottish landscape art...
Category
Impressionist Early 1900s Art
Materials
Canvas, Oil
Eggs, natural history chromolithograph, circa 1900
Located in Melbourne, Victoria
'Eggs'
Antique English natural history chromolithograph. Key to eggs below the image. Tiny numbers in the margins to identify the eggs.
Sheet 19cm by 12.5cm, image 13cm by 9.5cm.
Category
Naturalistic Early 1900s Art
Materials
Lithograph
Piper and Dancers, Orientalist Bronze Sculpture by Franz Bergmann
Located in Long Island City, NY
Franz Bergmann, Austrian (1861 -1936) - Piper and Dancers, Year: circa 1900, Medium: Cold painted bronze sculpture, Size: 3.5 x 5 x 3 in. (8.89 x 12.7 x 7.62 cm)
Category
Romantic Early 1900s Art
Materials
Bronze
Painting Salon BERNE-BELLECOUR Portrait Military oil wood 20th medical officer
Located in PARIS, FR
Etienne-Prosper BERNE-BELLECOUR
Boulogne-sur-mer, 1838 - Paris, 1910
Oil on wood panel (acajou)
46 x 33 cm (55 x 43 cm with the frame)
Signed lower right "To his friend doctor Daymard / E. Berne-Bellecour / 1903"
Painting exhibited at Salon des Artistes Français of 1904 (number 136. “Portrait of Mr. Major Daymard”)
Very good condition ( only a few and very small repaints)
As an academic painter, Berne-Bellecour worked for illustrated newspapers after failing at the Prix de Rome in 1859. In 1870, he enlisted in the Frankish Corps of Tirailleurs de la Seine and is decorated with the Military Medal. This will decide his career. Companion of Édouard Detaille and Alphonse de Neuville, he painted battle pictures and portraits of soldiers that made him very well known as a specialist military painter. "The Tirailleurs of the Seine in the battle field...
Category
French School Early 1900s Art
Materials
Oil
Original Vintage Art Nouveau Tender Temptation Print by Gaspar Camps c1900
By Gaspar Camps
Located in Boca Raton, FL
This image is the height of Art Nouveau styling. An elegant woman is draped in velvet, feathers, and flowers. Given the naturalistic background, it could be that she was meant to rep...
Category
Early 1900s Art
Materials
Lithograph
Antique Art Nouveau Female Carrara Marble Gilt Bronze Bust Statue Sculpture 1900
Located in Portland, OR
A very beautiful antique Art Nouveau bronzed Carrara marble sculpture bust of a young maiden circa 1900, by Gustave Van Vaerenbergh (1871-1927).
The sculpture portrays a beautiful young maiden made from Cararra marble, she is wearing a laurel wreath in her hair. She wears a bronzed bodice with leaf decoration in relief and is raised on a varigated grey & white socle base. The sculpture is signed to the rear " G. V. Vaerenbergh" and numbered "1173", the bust is in excellent condition.
Gustave Van Vaerenbergh attended classes at the Academy of Fine Arts in Ghent, Belgium from 1888 to 1890. Like many artists from a modest background (he was the son of a shoemaker) , Gustave Van Vaerenbergh went to work in companies where he could use his artistic talent and education for commercial purposes.
In 1901 he moved to Saint-Josse-ten-Noode , and a year later to Schaerbeek where he would live for the rest of his life. He went to work there as a " mouleur en plâtre " (modeller or maker of matrices for plaster statues) at the company A. Carli Frères in the L'Olivierstraat in Schaerbeek, a company that produced commercial statues. This successful company, which was active from the beginning to the middle of the twentieth century , initially had about 20 employees and at its peak about 100 employees. The statues were distributed worldwide. Antonio Carli, a sculptor, was the founder of the Atelier A. Carli Frères, together with family members. They came from Bagni di Lucca...
Category
Art Nouveau Early 1900s Art
Materials
Marble
Duke, a springer spaniel
Located in London, GB
Thomas Ivester Lloyd (1873-1942)
Duke, a springer spaniel
signed 'T IVESTER LLOYD' (lower right) and inscribed 'DUKE.' (lower left)
oil on board
7 ¾ x 9 ¼ in. (19.7 x 23.5 cm.)
frame...
Category
Realist Early 1900s Art
Materials
Oil, Board
Courtyard With Elegantly Dressed Couple, Original Oil Painting
Located in Stockholm, SE
This exquisite painting, "Courtyard With Elegantly Dressed Couple" by the Swedish artist Carl Johansson, is a vibrant illustration of life at the turn of the 20th century. Dating bac...
Category
Post-Impressionist Early 1900s Art
Materials
Oil, Wood Panel
Mädchen am Fenster. 1906-08.
Located in New York, NY
Mädchen am Fenster. 1906-08. Color lithograph printed on smooth card stock. Full margins. Tipped into a later presentaion folder, signed by the artist in pencil, on the recto. Published by the Wiener Werkstätte, Vienna, with the printed postcard text on verso. Among Kokoschka's earliest prints were a series of 14 postcards, the current work and the following lot that he produced for the Wiener Werkstätte. Wingler/Welz 4.
Oskar Kokoschka was an Austrian artist, poet and playwright best known for his intense expressionistic portraits...
Category
Vienna Secession Early 1900s Art
Materials
Lithograph
The Courtship, Success Magazine Cover
Located in Fort Washington, PA
Medium: Oil on Canvas
Signature: Signed Lower Left
Sight Size 22.00" x 15.50", Framed 31.00" x 24.00"
Success Magazine Cover, The Success Company, Ne...
Category
Early 1900s Art
Materials
Canvas, Oil
Cattle Series Study, Early 20th Century Bovine/Cow, Cleveland School artist
Located in Beachwood, OH
Henry George Keller (American, 1868-1949)
Cattle Series Study, 1901
Oil on canvas
Signed verso
22 x 26 inches
28.5 x 33 inches, framed
Keller, a leading painter in Cleveland, was born at sea, off Nova Scotia on April 3, 1869. His earliest training was in Karlsruhe, Germany under Hermann Baisch (1846-1894), then at the Cleveland School of Art...
Category
Early 1900s Art
Materials
Oil
David Bates, Behind The Village, Capel Curig
Located in Cheltenham, GB
This early 20th-century oil painting by British artist David Bates (1840-1921) depicts a rural view in Capel Curig, North Wales. Bates was an accomplished landscape painter who often...
Category
Victorian Early 1900s Art
Materials
Oil, Board, Canvas
Antique Fauvist "Still Life with Flowers and Skull" Louis Mathieu Verdilhan
Located in SANTA FE, NM
Antique Fauvist Vanitas "Still Life with Flowers and Skull"
Louis Mathieu Verdilhan (Provence, France, 1875-1928)
Circa 1910
Oil on canvas on ...
Category
Fauvist Early 1900s Art
Materials
Canvas, Wood, Oil
English Victorian 19th Horse Racing scene with Jockeys
Located in Woodbury, CT
Cecil Charles Windsor Aldin, was a British artist and illustrator best known for his paintings and sketches of animals, sports, and rural life. Aldin executed village scenes and rura...
Category
Victorian Early 1900s Art
Materials
Lithograph
$1,000 Sale Price
20% Off
The Rawhide Part III
Located in Fort Washington, PA
Medium: Oil on Paper Mounted to Board
Signature: Signed Lower Right, Signed Again and Dated August of 1904 on Reverse
The Rawhide Part III, 'He swung himself into the saddle and rode...
Category
Early 1900s Art
Materials
Paper, Oil, Board
Moto-Fuite
Located in Fairlawn, OH
Moto-Fuite
Color lithograph, c. 1902
Signed in the stone lower right (see photo)
Published by Edmund Sagot (1857-1917), Paris
Printed by Atelier Chaix, Paris
Large edition with titl...
Category
Art Nouveau Early 1900s Art
Materials
Lithograph
Peacock Vase by Paul Dachsel for Amphora, Art Nouveau c. 1900
Located in Chicago, IL
Ceramic vase designed by Paul Dachsel for Amphora featuring delicate gold cross-hatching and relief elements to evoke peacock feathers. Polished gold glaze around mouth, on handles, and base relief...
Category
Art Nouveau Early 1900s Art
Materials
Ceramic
Characterful Portrait French Man with Hat & Pipe Signed & Dated 1903 Oil Paint
Located in Cirencester, Gloucestershire
Portrait of a Man with a Hat holding a Pipe
French School, signed and dated 1903
oil on canvas, unframed
canvas: 21.75 x 18 inches
provenance: private collection, France
condition: s...
Category
Impressionist Early 1900s Art
Materials
Oil, Canvas
Circa 1900 original french advertising poster created for Parfumerie Colgate
Located in PARIS, FR
This circa 1900 original poster, created for Parfumerie Colgate, is a striking example of early 20th-century advertising that blends artistic charm with commercial appeal. Designed in an era when product quality was a major selling point, this poster promotes Colgate's shaving soap, emphasizing its gentle formula that does not dry out the skin.
The illustration features a young woman, elegantly dressed in period attire, presenting a handful of lather. Her warm smile and inviting gesture create an engaging, human-centered approach to advertising, drawing viewers in with a sense of trust and quality. The soft color palette and simple yet effective composition reflect the Art Nouveau influence, which was dominant in commercial design during this time.
The prominent placement of the Colgate name and the detailed product boxes in the corners suggest early brand marketing strategies still recognizable today. By using both visual appeal and strong textual reinforcement, this poster exemplifies the elegant and persuasive advertising methods of the Belle Époque.
Today, this rare and beautifully designed advertisement serves as a collectible piece of Colgate’s rich history, offering a glimpse into the evolution of branding, consumer culture, and product marketing at the turn of the 20th century.
Advertising - Childhood
Grand prix Paris...
Category
Early 1900s Art
Materials
Lithograph, Linen, Paper
Circa 1900 original advertising poster - Photography Kodak - Zeïss - Agfa
Located in PARIS, FR
This rare and striking poster from circa 1900 showcases the booming early market for amateur photography with a bold typographic design that celebrates innovation and accessibility. ...
Category
Early 1900s Art
Materials
Linen, Paper, Lithograph