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Early 2000s Art

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Period: Early 2000s
"Sunset Pt. Lobos, CA" Coastal Landscape in Oil on Linen
"Sunset Pt. Lobos, CA" Coastal Landscape in Oil on Linen

"Sunset Pt. Lobos, CA" Coastal Landscape in Oil on Linen

By Max Flandorfer

Located in Soquel, CA

"Sunset Pt. Lobos, CA" Coastal Landscape in Oil on Linen Oil painting of a coastal landscape by Max Flandorfer (American, b. 1962). Large trees along a path are at the edge of a cliff overlooking the water. The cliff is covered in green grass. Below, there is a dark blue ocean...

Category

American Impressionist Early 2000s Art

Materials

Linen, Oil

Heart on Blends, Peter Max
Heart on Blends, Peter Max

Heart on Blends, Peter Max

By Peter Max

Located in Fairfield, CT

Artist: Peter Max (1937) Title: Heart on Blends Year: 2005 Edition: 500/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 12.75 x 10 inches Condition: Excellent Inscri...

Category

Pop Art Early 2000s Art

Materials

Lithograph

"Desert Days", Southwestern Geometric Abstract
"Desert Days", Southwestern Geometric Abstract

"Desert Days", Southwestern Geometric Abstract

Located in Soquel, CA

Bright, monochromatic abstract in warm, glowing desert tones by Marianne K. Brown (American, 1928-2019), 2000. The free flowing color field background is accented with areas of patterns evoking the Southwest. Signed "Marianne K. Brown" in the lower right and was acquired with a collection of Brown's work. Title "Desert Days" and date 2000 are written on verso. No frame. Marianne K. Brown (American, 1928-2019) has taught watercolor and design for thirty years. Her work has been shown in many art magazines, including Watercolor Magic and The International Artist Magazine, and several books on watercolor painting. She was elected secretary of Orange County Art Association in 1964. Listed in the National Watercolor Society. Author, Watercolor by Design Member, East Bay Watercolor Society 1964 - 3rd Place, non-figurative exhibit of Orange County Art Association 1978 - Honorable Mention, Central California Art...

Category

Abstract Geometric Early 2000s Art

Materials

Paper, Watercolor, Gouache

Flying Doves, Peter Max

Flying Doves, Peter Max

By Peter Max

Located in Fairfield, CT

Artist: Peter Max (1937) Title: Flying Doves Year: 2002 Edition: 451/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 4.87 x 4.5 inches Condition: Excellent Inscripti...

Category

Pop Art Early 2000s Art

Materials

Lithograph

Take Me Home, 12x8" oil, framed

Take Me Home, 12x8" oil, framed

By Lu Haskew

Located in Loveland, CO

"Take me Home" by Lu Haskew Oil 19x16" framed, 12x8" image size Signed lower left A young child very apparently ready to go home from their intense yet cute look. The child is weari...

Category

American Impressionist Early 2000s Art

Materials

Canvas, Oil

Church of Life-Giving Trinity in Serebryaniki.
Church of Life-Giving Trinity in Serebryaniki.

Church of Life-Giving Trinity in Serebryaniki.

By Simon Kozhin

Located in Zofingen, AG

This view of the square in the Tagansky district from the monument to Dmitry Donskoy in the sketch shows only the cross on the Church of the Life-Giving Trinity in Serebryaniki on a...

Category

Impressionist Early 2000s Art

Materials

Oil, Cardboard

Plane close call (Stranger than Paradise)

Plane close call (Stranger than Paradise)

By Stefanie Schneider

Located in Morongo Valley, CA

Plane close call - 2008 40x40cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory #4657. Not moun...

Category

Contemporary Early 2000s Art

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Reflections
Reflections

Reflections

Located in Atlanta, GA

Tracy Burtz is a figurative painter whose still-lifes and paintings of women explore intimate moments of everyday life and the emotions those moments evoke. They project a variety of...

Category

Early 2000s Art

Materials

Linen, Oil

Large Mixed Media Collage Painting Great Jewish Feminist Artist Miriam Schapiro
Large Mixed Media Collage Painting Great Jewish Feminist Artist Miriam Schapiro

Large Mixed Media Collage Painting Great Jewish Feminist Artist Miriam Schapiro

By Miriam Schapiro

Located in Surfside, FL

Miriam Schapiro, "Curtain Call" 2002 Hand signed, dated and titled verso and signed and dated recto. acrylic paint, digital images, glitter and textile fabric on canvas, tooling with gold leaf embossing around self edge of painting. size: 60 x 50 in Miriam Schapiro (or Mimi Schapiro) (November 15, 1923 – June 20, 2015) was a Canadian-born artist based in America. She was a painter, sculptor and printmaker. She was a pioneer of feminist art. She was also considered a leader of the Pattern and Decoration art movement. Schapiro's artwork blurs the line between fine art and craft. Her paintings contain craft elements because crafts and decoration is associated with women and femininity. She used icons that are associated with women such as hearts, floral decorations, geometric patterns and the color pink. In the 1970s she made a small woman's object, the fan, heroic by painting it six feet by twelve feet. This bears the influence of the Pattern and Decoration movement artists such as Brad Davis, Mary Grigoriadis, Joyce Kozloff, Robert Kushner, Kim MacConnel, Sonya Rapoport, Miriam Schapiro and Valerie Jaudon. Shapiro was born in Toronto, Ontario, Canada. Her father was an industrial design artist who fostered her desire to be an artist and served as her role model and mentor. Her mother was a stay at home mother who worked part-time during the depression. As a teenager, Schapiro was taught by Victor d’Amico, her first modernist teacher at the Museum of Modern Art. In the evenings she joined WPA classes for adults to study drawing from the nude model. In 1943, Schapiro entered Hunter College in New York City, but eventually transferred to the University of Iowa. At the University of Iowa, Schapiro studied painting with Stuart Edie and James Lechay. She studied printmaking under Mauricio Lasansky and was his personal assistant, which then led her to help form the Iowa Print Group. Lasanky taught his students to use several different printing techniques in their work and to study the masters' work in order to find solutions to technical problems. At the State University of Iowa she met the artist Paul Brach, whom she married in 1946.. By 1951 they moved to New York City and befriended many of the Abstract expressionist artists of the New York School, including Joan Mitchell, Larry Rivers, Knox Martin and Michael Goldberg. Schapiro worked in the style of Abstract expressionism during this time period. Shapiro and Brach lived in New York City during the 1950s and 1960s. During this period Shapiro had a successful career as an abstract expressionist painter in the hard-edge style. In December 1957, André Emmerich selected one of her paintings for the opening of his gallery. Schapiro not only honored the craft tradition in women's art, but also paid homage to women artists of the past. In the early 1970s she made paintings and collages which included photo reproductions of Mary Cassatt's and Georgia O'keefe's paintings. Early in her career, Schapiro started looking for maternal symbols to unify her own roles as a woman. Her series, Shrines (1963), was her first artistically successful attempt at compartmentalizing her life roles. Her painting, Big Ox No. 1, from 1968, references Shrines, however no longer compartmentalized. The center O takes on the symbol of the egg which exists as the window into the maternal structure with outstretched limbs. Her series, Shrines was created in 1961–63. It is one of her earliest group of work that was also an autobiography. Each section of the work show an aspect of being a woman artist. They are also symbolic of her body and soul. In 1964 Schapiro and her husband Paul both worked at the Tamarind Lithography Workshop. One of Schapiro's biggest turning points in her art career was working at the workshop and experimenting with Josef Albers' Color-Aid paper, where she began making several new shrines and created her first collages. In the 1970s, Schapiro and Brach moved to California so that both could teach in the art department at the University of California. Subsequently, she was able to establish the Feminist Art Program at the California Institute of the Arts, in Valencia with Judy Chicago. The program set out to address the problems in the arts from an institutional position. They wanted the creation of art to be less of a private, introspective adventure and more of a public process through consciousness raising sessions, personal confessions and technical training. She participated in the Womanhouse exhibition in 1972. Schapiro's smaller piece within Womanhouse, called "Dollhouse", was constructed using various scrap pieces to create all the furniture and accessories in the house. Each room signified a particular role a woman plays in society and depicted the conflicts between them. Along with Nancy Spero, Joan Snyder, Joyce Kozloff, Audrey Flack and Judy Chicago, she is from that first generation of Jewish American feminist women artists and includes Judaica in her work. Schapiro's work from the 1970s onwards consists primarily of collages assembled from fabrics, which she called "femmages". As Schapiro traveled the United States giving lectures, she would ask the women she met for a souvenir. These souvenirs would be used in her collage like paintings. Her 1977-1978 essay Waste Not Want Not: An Inquiry into What Women Saved and Assembled - FEMMAGE (written with Melissa Meyer) describes femmage as the activities of collage, assemblage, découpage and photomontage practised by women using "traditional women's techniques - sewing, piercing, hooking, cutting, appliquéing, cooking and the like..." She was involved in Abstract expressionism, Minimalism, Computer art, and Feminist art. She worked with collage, printmaking, painting, femmage [fr] – using women's craft in her artwork, and sculpture. Schapiro not only honored the craft tradition in women's art, but also paid homage to women artists of the past. In the early 1970s she made paintings and collages which included photo reproductions of past artists such as Mary Cassatt. In the mid 1980s she painted portraits of Frida Kahlo on top of her old self-portrait paintings. In the 1990s Schapiro began to include women of the Russian Avant Garde in her work. The Russian Avant Garde was an important moment in Modern Art history for Schapiro to reflect on because women were seen as equals. Schapiro also did collaborative art projects, like her series of etchings Anonymous was a Woman from 1977. She was able to produce the series with a group of nine women studio-art graduates from the University of Oregon. Each print is an impression made from an untransformed doily that was placed in soft ground on a zinc plate, then etched and printed. Her image is included in the iconic 1972 poster Some Living American Women Artists by Mary Beth Edelson...

Category

Contemporary Early 2000s Art

Materials

Glitter, Mixed Media, Fabric, Acrylic, Digital

Dahlias. 2009, oil on canvas, 92x70 cm

Dahlias. 2009, oil on canvas, 92x70 cm

By Edgars Vinters

Located in Riga, LV

Dahlias. 2009, oil on canvas, 92x70 cm Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in different seasons and ...

Category

Impressionist Early 2000s Art

Materials

Oil, Cardboard

Orbit

Valerie BellerOrbit, 2008

$4,000Sale Price|20% Off

Orbit

By Valerie Beller

Located in Three Oaks, MI

Valerie Beller’s abstract paintings encourage visual exploration. Organic forms are both revealed and concealed amidst layers of paint. The streaked and stained surfaces of the canva...

Category

Abstract Early 2000s Art

Materials

Canvas, Oil

Equilibres
Equilibres

Equilibres

By Peter Fischli & David Weiss

Located in New York, NY

Peter Fischli / David Weiss Equilibres 1984–85/2006 Limited-edition book with photograph in linen-bound portfolio Photograph: 12 1/4 x 9 1/8 inches; 31 x 23 cm Book: 9 1/4 x 7 3/4 x 7/8 inches; 24 x 20 x 2 cm Portfolio: 15 x 11 1/2 x 1 1/2 inches; 38 x 29 x 4 cm Edition of 60 Photograph signed and numbered in ink (lower verso) Book signed and numbered in graphite on title page For Equilibres, the well-known series of photographs from the mid-1980s, Peter Fischli and David Weiss balanced everyday household items on top of each other in an absurd equilibrium. The Equilibres photographs anticipate Fischli and Weiss...

Category

Contemporary Early 2000s Art

Materials

Linen, Mixed Media, Photographic Paper, Black and White, Archival Pigment

ENCOUNTER

ENCOUNTER

By Lorena Villalobos

Located in Los Angeles, CA

LORENA VILLALOBOS "ENCOUNTER" OIL ON CANVAS, SIGNED COSTA RICA, DATED 2005 39 X 29 INCHES Lorena Villalobos Villalobos was born in Costa Rica in 1961. She studied Fine Arts at...

Category

Modern Early 2000s Art

Materials

Canvas, Oil

Red Poppies, Aug 17, 2022 (Ed: 22/50)
Red Poppies, Aug 17, 2022 (Ed: 22/50)

Red Poppies, Aug 17, 2022 (Ed: 22/50)

By Donald Sultan

Located in Los Angeles, CA

Donald Sultan is an American painter, sculptor, and printmaker. He is particularly well-known for large-scale still life paintings, and one of the first to employ a wide range of ind...

Category

Abstract Early 2000s Art

Materials

Screen

Two Hearts at Sunset
Two Hearts at Sunset

Two Hearts at Sunset

By Jim Dine

Located in New York, NY

Signed, dated, and numbered in white pencil Color lithograph on Rives BFK paper 19 x 25.5 inches Edition 62 of 200

Category

Early 2000s Art

Materials

Lithograph

Dashboard Palm Trees (Sidewinder) - Polaroid, 21st Century, Landscape, Color

Dashboard Palm Trees (Sidewinder) - Polaroid, 21st Century, Landscape, Color

By Stefanie Schneider

Located in Morongo Valley, CA

Dashboard Palm Trees (Sidewinder) 2005, 50x50cm, Edition 1/10 digital C-Print, based on a Polaroid. Signature label and Certificate. Artist Inventory No. 3031.01. Not mounted. The...

Category

Contemporary Early 2000s Art

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Kiss, Contemporary Ceramic Sculpture by Mirkò Guida
Kiss, Contemporary Ceramic Sculpture by Mirkò Guida

Kiss, Contemporary Ceramic Sculpture by Mirkò Guida

By Mirko Guida

Located in Long Island City, NY

Artist: Mirkò Guida (Italian, b. 1980) Title: Kiss Year: 2006 Medium: Painted terracotta artistic vase, signed and dated Size: 31 x 19 x 13 in. (78.74 x 48.26 x 33.02 cm)

Category

Cubist Early 2000s Art

Materials

Ceramic, Terracotta

'55 Oldsmobile 88, Hemsby, Norfolk - Classic Car Color Photography
'55 Oldsmobile 88, Hemsby, Norfolk - Classic Car Color Photography

'55 Oldsmobile 88, Hemsby, Norfolk - Classic Car Color Photography

By Richard Heeps

Located in Cambridge, GB

1955 Oldsmobile 88, a yellow classic American car taken outside the Mirage in Hemsby Norfolk. Photograph from Richard Heeps 'Man's Ruin' series. This artwork is a limited edition of...

Category

Contemporary Early 2000s Art

Materials

Photographic Paper, C Print, Color, Silver Gelatin

El Mirage, California - American Landscape Photography
El Mirage, California - American Landscape Photography

El Mirage, California - American Landscape Photography

By Richard Heeps

Located in Cambridge, GB

El Mirage Lake, where the Southern Californian Timing Association, Land Speed Racing event, tracks in the ground from the previous days racing, adding a beauty to the natural landsca...

Category

Contemporary Early 2000s Art

Materials

Photographic Paper, C Print, Color, Silver Gelatin

Florescence, Panamint Valley, Death Valley National Park - Nature Photography
Florescence, Panamint Valley, Death Valley National Park - Nature Photography

Florescence, Panamint Valley, Death Valley National Park - Nature Photography

By Richard Heeps

Located in Cambridge, GB

'Florescence', photograph from Richard Heeps' 'Dream in Colour' series taken in Panamint Valley, Death Valley National Park, California. This minimal landscape photograph uses a shal...

Category

Contemporary Early 2000s Art

Materials

Photographic Paper, C Print, Color, Silver Gelatin

British Impressionist Watercolor of a Misty Lake at Sunset
British Impressionist Watercolor of a Misty Lake at Sunset

British Impressionist Watercolor of a Misty Lake at Sunset

Located in Cirencester, Gloucestershire

Title: British Impressionist Watercolor of a Misty Lake at Sunset By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Signed: Yes Dimensions: 11 x 15....

Category

Impressionist Early 2000s Art

Materials

Watercolor

Moving Train, Lwow Poland
Moving Train, Lwow Poland

Moving Train, Lwow Poland

By Roman Loranc

Located in Carmel, CA

Print Date 2009 Edition 12/40 Limted Edition of 40 total images. Hand printed by the artist

Category

Early 2000s Art

Materials

Silver Gelatin

British Impressionist Watercolor of a Tranquil River Valley Landscape
British Impressionist Watercolor of a Tranquil River Valley Landscape

British Impressionist Watercolor of a Tranquil River Valley Landscape

Located in Cirencester, Gloucestershire

Title: British Impressionist Watercolor of a Tranquil River Valley Landscape By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11.25 x 1...

Category

Impressionist Early 2000s Art

Materials

Watercolor

The Peacock's Flame (Stay) - Polaroid, 21st Century

The Peacock's Flame (Stay) - Polaroid, 21st Century

By Stefanie Schneider

Located in Morongo Valley, CA

Stefanie Schneider's work was used for Marc Forster's movie 'Stay', featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie Sc...

Category

Contemporary Early 2000s Art

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Monsieur - Madame Paulhan Fly a Farman Airship 1910 Los Angeles Int. Air Show
Monsieur - Madame Paulhan Fly a Farman Airship 1910 Los Angeles Int. Air Show

Monsieur - Madame Paulhan Fly a Farman Airship 1910 Los Angeles Int. Air Show

By Roy Christian

Located in Soquel, CA

Reprint of a vintage photograph titled "Monsieur (Louis) and Madame Paulhan of France ready to fly a Farman model lll in Los Angeles - 1910 from an original photograph by an unknown ...

Category

Realist Early 2000s Art

Materials

Photographic Paper, Silver Gelatin

Bird with Pink Beak
Bird with Pink Beak

Bird with Pink Beak

By Gary Hume

Located in New York, NY

Gary Hume Bird with Pink Beak 2009 Five-color screenprint on Somerset Satin White paper 17 3/8 x 14 7/8 inches; 44 x 38 cm Edition of 45 Signed, titled, dated, and numbered in graphi...

Category

Contemporary Early 2000s Art

Materials

Screen

Prince Poppycock

Prince Poppycock

By Henry Horenstein

Located in New York, NY

Archival pigment print Signed and numbered, verso 24 x 20 inches, sheet (Edition of 15) 40 x 30 inches, sheet (Edition of 8) This photograph is offered by ClampArt, located in New...

Category

Contemporary Early 2000s Art

Materials

Archival Pigment

When I Was A Kid
When I Was A Kid

When I Was A Kid

By Robin Antar

Located in Wiscasett, ME

limestone and oils 27 x 23 x 6 in c. 2005 What's more comfortable than a jean jacket? When I was working on the "What is America?" series, a jean jacket was at the top of the list of iconic clothes...

Category

Pop Art Early 2000s Art

Materials

Stone

Damien Hirst Wrapping Paper 2006 (set of 2)
Damien Hirst Wrapping Paper 2006 (set of 2)

Damien Hirst Wrapping Paper 2006 (set of 2)

By Damien Hirst

Located in NEW YORK, NY

Damien Hirst, Wrapping Paper set of 2 double-sided sheets. 2006. Published by Agnes B and Edited by Hans-Ulrich Obrist. A rare and sought-after vintage Damien Hirst collectors set t...

Category

Pop Art Early 2000s Art

Materials

Paper, Offset

The Bird - Lithograph by A. Knopp - 2008

The Bird - Lithograph by A. Knopp - 2008

Located in Roma, IT

The bird is an original lithograph, realized by A. Knopp, in 2008. In good conditions. This artwork represents a beautiful bird. Hand-signed, dated and numbered in red on the lowe...

Category

Abstract Early 2000s Art

Materials

Lithograph

Figurehead
Figurehead

Omoayo George OsobaFigurehead, 2022

$3,750Sale Price|25% Off

Figurehead

Located in Ibadan, Oyo

In the days when every seaport had its figurehead to show, this same day calls for free, I must go save these countrymen, my honorable crew if they still breathe. I must sail deep down north again, with strong men and skillful hands. All I ask this day is dread naught and a star to steer her as the people blare for salvaging; And all I ask again is a windy day and a friendly storm at night, And a sweet dream with my shipment when the long cruise is over. (Written by the Artist) Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Osoba Omoayo George...

Category

Neo-Expressionist Early 2000s Art

Materials

Canvas, Acrylic, Polymer