Framed Photography

A classic British fish & chips van, on a classic English day Haddenham Steam Rally Country Fair, photograph by Richard Heeps. This artwork is a limited edition of 50 gloss photogra...

Foyer VI, Italian interior photography from Richard Heeps series, A Short History of Milan. A Short History of Milan, began in November 2018 for a special project featured at the Af...

Two framed artworks each measuring 30" x 23.5". 'Monte Amiata I' and 'Utopian Foyer IV', Milan, 2020. Artworks from Richard Heeps' photography series 'A Short History of Milan. The...

Foyer VII, Italian interior photography from Richard Heeps series, A Short History of Milan. A Short History of Milan, began in November 2018 for a special project featured at the A...

A classic British fish & chips van, on a classic English day at Haddenham Steam Rally Country Fair, photograph by Richard Heeps. This artwork is a limited edition of 25 gloss p...

Karma, street photography from Richard Heeps series, A Short History of Milan. 'A Short History of Milan' began in November 2018 for a special project featured at the Affordable Art...

ABOUT THIS ARTIST: Merve Türkan and Ulaş Kesebir, are a self taught photography duo based in London. They have been working professionally since 2014 and in the end of the 2020 they ...

Richard Heeps photographed Bletchley Park in partnership with Hertfordshire University and Bletchley Park Trust, to document Alan Turing’s historic past at Bletchley. He was privileg...

Art Edition “Keith Haring” (No. 1–1,000). Hardcover volume in a slipcase, accompanied by a numbered, signed, and framed dye-sublimation ChromaLuxe aluminum print of Keith Haring, New...

Telephone VII, vintage interior photograph from Richard Heeps' series, Dream in Colour. Captured in the cool Ballantines Movie Colony, Palm Springs this artwork combines gorgeous col...

Led Zeppelin sitting downstage at the Forum in 1972 Archival pigment print on 100% cotton paper with a satin baryta finish. It is from a limited edition series Published by FATHOM ...

Red Dinosaur, from Richard Heeps series A Short History of Milan, which began as a special project for the 2018 Affordable Art Fair Milan. It was well received and the artwork has be...

ICES, by Richard Heeps, photographed at the British Seaside at the end of summer 2020. This artwork is about evoking memories of the simple joy of days by the beach. The blue teal co...

'The Road to Death Valley', taken in the Majove Desert, California, features a clouded blue sky met my mountains on the horizon. This American landscape artwork is part of Richard He...

'Monte Amiata I', photographed in February 2020 for his ongoing series 'A Short History of Milan'. There is a reoccurring linear, structural theme throughout the series, capturing t...

Flowers are an important theme in Iris Gonzalez's photography. "Flowers are the beauty of nature, they are fragile and transitory". This is exactly what Iris likes to capture: "A bou...

Robert Longo, Men in the Cities (Rick) , 1984 - unique artist-certified photographic document, 1992 Vintage photographic print on Kodak paper, with unique artist inscription and cert...

D. and Felix (Stranger than Paradise) - 1997 Edition of 2/30. Image size 16 x 21.6 inch, External dimensions: 17.7 x 23.3 inch. Archival C-Print, based on the Polaroid. Mounted...

Large format photograph of a summer beach scene on the Mediterranean island of Lampedusa, from an earlier body of works (2012) by iconic Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the rites and rituals of modern leisure Lampedusa (2012) 61.25” x 81.7” / 156 cm x 207,5 cm limited edition of 6 + 2AP (signed, titled and dated on certificate of authenticity) last available edition: AP1 original archival photography print with diasec (acrylic glass) face mount in contemporary white lacquered gallery frame Each limited edition original Massimo Vitali photograph is printed in Italy under artist supervision in strictly limited edition (6 + 2AP) , signed/titled/dated upon final inspection and expertly framed at renowned European art framing facility Disclaimer of authenticity: although it is possible to acquire (small size) single page offset prints from the book "A Portfolio of Landscapes and Figures" (published by Steidl) in the secondary market, the artist studio strongly dissuades collectors from purchasing these single page prints outside of the context and authenticity of the complete portfolio. About the artist: Massimo Vitali was born in Como, Italy, in 1944. He studied photography at the London College of Printing, in the 1970s initially working as a photojournalist, but at the beginning of the 80s a growing mistrust in the belief that photography had an absolute capacity to reproduce the subtleties of reality led to a change in his career path. Vitali worked in cinematography for film and television before beginning a fine art practice in 1995. Over the next two decades, he would gain recognition for his highly detailed, epic-scale panoramas — sociopolitical observations of the natural habitat of humankind at leisure. Vitali’s iconic series of beach panoramas, captured from a distance with an elevated large-format camera platform, began in the light of drastic political changes in Italy. Drawing inspiration from Renaissance and Old Flemish masters, in which the central space is fully exploited and the urban or natural landscape becomes the background, Vitali’s photographs grasp the viewer by capturing highly detailed observances of the recreational habitats of modern civilization. Vitali’s work has been collected in six monographs: Beach and Disco, Natural Habitats, Landscapes With Figures, Swimming Pools, Short Stories and Entering A New World. Additionally, his work is represented in the world’s major museums, including the Centro de Arte Reina Sofia in Madrid, the Guggenheim Museum in New York, the Museum of Contemporary Art in Denver, the Fond National Art Contemporaine in Paris, the Centre Pompidou in Paris, the Musée National d’Art Moderne in Paris, the Fondation Cartier in Paris and the Museo Luigi Pecci in Prato. Massimo Vitali lives and works in Lucca (Italy) and in Berlin (Germany). __________________________ SOLO EXHIBITIONS 2025 94/22 Zander Galerie, Cologne 2024 Photolux Festival - Il bel paese? Palazzo Ducale, Lucca, Italy 2023 La Grande Oasi - The way we live, now OCA, Oasy Contemporary Art, Pistoia 2023 Standing Still Cortona On The Move, Arezzo, Italy 2022 Massimo Vitali PhotoESPANA Biblioteca Central Cantabria, Santander 2022 Endless Summer Edwin Hook Gallery, New York 2022 Massimo Vitali: Leporello 2020 Melbourne 2022 Ti ho visto Mazzoleni Gallery, Turin 2021 PienoVuoto Forte di Belvedere, Florence 2021 No Country For Old Men Visionarea Art Space, Rome 2020 'Human Constellations' Museo Ettore Fico, Turin 2019 Massimo Vitali: Short Stories' Mazzoleni, London 2018 'Coastal Colonies' Spiral, Tokyo 2017 ‘Disturbed Coastal Systems’ Benrubi Gallery...

Vetyver Pool, photograph from Richard Heeps India series, The Ambassador's Window. On a journey through India, a pilgrimage from Kerala in the South, to his Grandfather's birthplace ...

Andreas Feininger (1906-1999). From "Portfolio of Shells" , 1970 Gelatin Silver print, measuring 9.5 x 12 inches; 16 x 20 inches matted; 17 x 21 inches framed. Signed and numbered lower margins directly on matting. Excellent condition. Provenance: KMart Corporate Collection. Biography Feininger was born in Paris, France, the eldest son of Julia Berg, a German Jew...

Initially taken as part of Cawston’s series juxtaposing images from Banksy’s Dismaland with its host town of Weston-super-Mare for his book Are We There Yet?, The Perfect Fish and C...

large scale photograph of iconic summer beach scene in Southern Italy's Puglia by Italian photographer Massimo Vitali, renowned for his grand s...

'Monte Amiata I', photographed in February 2020 for his ongoing series 'A Short History of Milan'. There is a reoccurring linear, structural theme throughout the series, capturing t...

'Utopia', photographed in February 2020 for his ongoing series 'A Short History of Milan'. There is a reoccurring linear, structural theme throughout the series, capturing the Milan...

Computer, from Richard Heeps Bletchley Park series. Richard photographed Bletchley Park in partnership with Hertfordshire University and Bletchley Park Trust, to document Alan Turing’s historic past at Bletchley. He was privileged to gain access not open to the public. This World War II German Enigma Machine...

ABOUT THIS ARTIST: Merve Türkan and Ulaş Kesebir, are a self taught photography duo based in London. They have been working professionally since 2014 and in the end of the 2020 they ...

Listing includes framing with UV plexi ($1,700 value), free shipping to the continental USA, and a 14-day return policy. Also available for local pick up from our New York gallery. A Faithful...

TABACCHI at Day, one of a sequence of photographs from Richard Heeps series, 'A Short History of Milan' which began in November 2018 for a special project featuring at the Affordable...

Artist/ School: French School, mid 20th century, indistinctly signed Title: Provencal Landscape Medium: oil painting on canvas, framed Size: painting: 25 x 36.25 inches, frame: ...

Attached is a certificate from the Carmen Tatche Gallery and press clippings from the exhibition held in 2000 in Spain.

This stylish artwork, 'White Handbag' taken at the glamorous retro event Goodwood Revival, perfectly captures feminine sophistication with a vintage vibe...

'The Last Kiss', from Richard Heeps series, 'A Short History of Milan', featuring a traditional Italian street book kiosk. A Short History of Milan began in November 2018 for a spe...

North Shore Motel Steps, mid-century architecture photography captured by Richard Heeps as part of his Salton Sea series. This artwork is a limited edition of 25 gloss photographic ...

Edition 15, framed Chromaluxe Original 1972 Porsche 911 Targa A man with x-ray vision, NICK VEASEY creates art that shows what it is really like inside. Nick’s work with radiograph...

Grid No.6, 2009 (Contemporary Framed Abstract Grid in Neutral Shades Black & Coffee) by Birgit Blyth 40" X 25" paper vertical chromoskedesic monoprint 44 x 29 inches framed, custom frame with black wood molding and anti-reflective glass This contemporary, abstract style chromoskedasic monoprint was created by experimental photographer, Birgit Blyth. Without the use of a camera, the artist produced this chromoskedasic image by applying the photographic chemicals to black and white photo pager and exposing it to light. The variety of caramel, toffee, brown and black tones is determined by the different chemicals used and the amount of time they are exposed to light. Here, the artist paints with the photographic materials in a gestural, linear motion. Beautiful hues of coffee, caramel, brown, grey, and black intersect to create unique abstract, intersecting grid patterns that resembles a basket weave motif. The photograph is complimented with a black metal frame with non-glare glass. It is equipped with sturdy wire on the back for instant and professional quality hanging. About the artist and work: Birgit Blyth is one of our most innovative and prolific photographers who works in a darkroom yet uses no camera! Blyth has been experimenting with a technique known as Chromoskedasic painting since the early ‘90s and variations on this concept have been shown at the gallery for the last 20 years. The unusual process involves the use of silver particles in black and white photographic paper to scatter light at different wavelengths when exposed. A chemist of sorts, Blyth demonstrates a thorough knowledge of how the various photographic chemicals will react when applied to paper and exposed. Each work is unique with palettes that resonate brilliant tonalities of brown, green, black, and purple. Using this technique, Blyth creates abstract crosshatching grids and most recently has developed a more gestural series of 20 x 16 inch chromoskedasic paintings that explores the ethereal qualities made possible by the unconventional material. Birgit Blyth succeeds at keeping her work fresh and cutting-edge using analog methods that are being quickly replaced elsewhere with digital technology. Though Birgit Blyth began her photographic career using conventional photographic methods, she quickly became more interested in alternative processes. In the mid 1990’s a colleague showed her an article in Scientific American and it was here that she first discovered the technique called “chromoskedasic” painting, which would eventually lead her to fully finding her voice as a photographer. Blyth had always aligned herself with and been moved by abstract expressionist painting. The series of veil paintings by post-abstract expressionist, Morris Louis, was especially inspiring to her and caused her to ask herself how she could do similar interpretations photographically. In “chromoskedasic” painting, she found the answers and would begin on a new path in her artwork. The term “chromoskedasic” is derived from Greek roots meaning color by light scattering. Developed by a photographer named Dr. Dominic Man-Kit Lam, this process exploits the capability of silver particles in black and white photographic paper to “scatter” light at different wavelengths when exposed to light and chemicals. In her mastery of this photochemical drawing process, Blyth has painted lush washes of color into her own “Veil Series;” she has envisioned landscapes, both rural and urban, with melting swirls and marbled colors into rich palettes of toffee and lead. She has used this essentially experimental process to help her “see” the world around her. Blyth says she continues to be fascinated by the process because it requires “a combination of discipline, experimentation, and imagination, making possible a wonderful balance between control and surprise.” Because the chromoskedasic work is all analog, Blyth spends much of her studio time in the darkroom, which has become a rarity in the current world of digital photography. She does however, continue her preference for experimentation in numerous directions, even employing aspects of the digital age – this exhibit will also feature a new series of pieces created with the now defunct but much loved SX-70 polaroid camera, scanned and archivally printed on 24” x 24” fine cotton rag paper. Whatever the process, Blyth’s work is, as the painter and poet, Peter Sacks noted, a blend of “precision and mystery, of articulation and atmosphere.” Her images leave us with the feeling of ongoing action despite the apparent stillness; of qualities both dreamy and stark as light hits a stand of birch trees in a valley or a group of buildings in New York City. As Morris Louis evolved a style of painting that produced a complete integration of paint and canvas, so too has Blyth, with photo paper and chemicals, created a perfect integration of method and content. Artist CV: Born: Kousted, Denmark Resident in U.S.A. since 1963 Education: Denmark and U.S.A. Project, Inc., Cambridge MA (Photography) DeCordova Museum School, Lincoln MA (Printmaking) Maine Photography...

'God Speed Good Year', captured in the iconic home of speed, Bonneville Salt Flats. The bold graphic 'God Speed Good Year' contrasts in size against the vast...

Richard Heeps Dream in Color 'Pool Installation'. A set of nine individual artworks, vibrant yet serene they take you on a journey through California & Nevada through the eyes of the...

Black and white fine art photography Gerald Berghammer. Archival Pigment Ink Print, Printed 2022. Limited Edition 1/7. Signed, numbered, dated by Artis. Handmade wood frame, black, n...

Black and white fine art landscape photography Gerald Berghammer. Archival Pigment Ink Print, Edition 1/7, signed, numbered, dated. Aluminum frame, matt black, natural white archiva...

Andy Warhol Carly Simon, 1980 Stamped by The Estate of Andy Warhol on the reverse Gelatin silver print 10 x 8 inches Provenance The artist Estate of the artist Long-Sharp Gallery, I...

Mother India, photograph by Richard Heeps taken in Delhi in 2013, this artwork perfectly represents the organised chaos of India. As books are beginning to disappear in physical form...

Gerald Berghammer - Limited Edition 2/9. Archival Pigment Ink Print, Printed 2020. Signed, numbered, dated by Artis. Handmade wood frame, dark-brown,...

Signed and dated on the front of the mount. Currently framed in custom white wood. See photograph of the piece on the wall.

Jill Peters finds her inspiration in the quickly changing architectural landmarks of her youth, like the demolished Miami Herald building, an abandoned roller coaster or a neglected ...

Silver Gelatin Prints, Selenium Toned, Printed 2017. Limited Edition 3/20. Signed, numbered, dated by Artis. Handmade wood frame, black, natural white archival Passepartout, anti-r...

Golden Gate Study 7, CA, USA - no. 11638 Black and white analog fine art cityscape - landscape photography, Gerald Berghammer. Limited Edition 1/9. Silver Gelatin Print, Selenium Ton...

ICES Kiosk, Richard recisited the location of his best selling artwork, capturing this cute vignette of the seaside kiosk. This artwork is a limited edition of 25, gloss photographi...

Annie Leibovitz - Patti Smith - New Orleans - 1978 (Original), 1978 Cibachrome photograph (this is the original - not the later commemorative reprint) Please note: There was a later ...

Golden Gate Study 14, CA, USA - no. 11634 © Gerald Berghammer - Limited Edition 2/20. Silver Gelatin Prints, Selenium Toned, Printed 2017. Signed, numbered, dated by Artis. Handmad...

BERT STERN – "MARILYN MONROE (NAVY/LIGHT BLUE)" Photo Silkscreen ⚜ Hand Signed ⚜ Numbered ⚜ Framed A HIGHLY COLLECTIBLE WORK FROM THE MARILYN MONROE SERIES This original 1973 photo ...

Gerald Berghammer - Limited Edition 1/9. Silver Gelatin Prints, Selenium Toned, Printed 2019. Signed, numbered, dated by Artis. Handmade wood frame, dark-brown, natural white archiva...

This is a 3-D motion lenticular - its moves when you walk past it and it is incredibly 3-D there are little lenses on the face that create this effect. It is professionally framed a...

Gerald Berghammer - Limited Edition 1/9 Archival Pigment Ink Print, Printed 2020. Signed, numbered, dated by Artis. Handmade wood frame, dark-brown, natural white archival Passepart...

The Rolling Stones "Mick Feeding Goat" - Outtake from the famous photo shoot of The Rolling Stones for their Beggars Banquet album at Sarum Chase mansion, Hampstead, London, 1968, si...

"Essence of Life" is a part of Christopher Kennedy's "Trees Revered" series. Please note that the image without the frame is a better representation of the actual image. "This parti...

Heidler & Heeps Vinyl Collection Fifteen Piece Rainbow Installation. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifull...

Artist: Man Ray (American born, 1890 - 1976) Title: RAYOGRAPH Date Of Negative: 1923 Type Of Print: Authentic Vintage Sheet Fed Photogravure/Heliogravure. Date Of Print: 1934 1st Edi...

Swim-in-Pool, photograph from Richard Heeps Dream in Colour series. This fun original artwork really shows Richard's unique eye as a photographer, creating this slightly surreal kits...

Large portrait of a teenage girl seated in orange prom dress, titled "Sweet Sixteen #13" by Angela West. Chromogenic dye coupler print on paper. Limited Edition #1/16. Print is offered framed. Print size: 20 x 16 inches Frame size: 27 x 23 inches Angela West's "Sweet 16" series is a collection of portraits taken in Dahlonega, Georgia and based on a photograph of the artist herself at 16 years old. The subjects were neither instructed nor prompted beyond the notion that they were having a "formal" portrait made. Using the conventions of the studio, Ms. West creates portraits that allude to society painting, but with one social class of subjects standing in for another. The purpose of photographic portraiture is to document an appearance on a particular day, or at a certain age. These portraits underscore an expectation of beauty particular to the South, while decoding "16" as a universal female condition. The young girls' dress, makeup, and posture provide subtle references to personality and social status while also capturing the process of "becoming" - either in their masquerade of proper feminine behavior or quietly defying the social demand of civilized femininity. teenager, prom, portrait photography, color photography, figurative photography, contemporary photography, limited edition, orange, female portrait, girl portrait, female artist, fashion, teen art,