Framed Photography

Captured when documenting the Preston Hall Museum, this atmospheric piece beautifully captures the nostalgic feeling of a record collection, the added detail of 'His Master's Voice' ...

Listing includes framing with UV Plexi ($1,250 value), free shipping to the continental US and a 14-day return policy. Offering local pick up from our Los Angeles location. This is one of the last remaining editions from one of the most popular images from Karen Knorr's acclaimed "India Song" series. The Return of the Hunter, Chandra Mahal, Jaipur, 2010 31.5 x 39.5 inches, 34 x 42 x 2 inches framed Archival pigment print Edition 1 of 5 Karen Knorr Artist Biography - While Knorr’s images take some of their inspiration from the Indian tradition of personifying animals in literature and art, there is another almost subconscious strain to her work. Going back to the time of cave painting we see that these early visual artists not only recorded their lives and surroundings, but used art to express themselves. The depiction of animals in symbolic and powerful ways and the urge to create these images with the best tools at hand is a line stretching from these unnamed cave painters to Karen Knorr. Playfully combining technologies and genres, Knorr mixes digital...

Part of Richard Heeps 'Dream in Colour' Series, 'Nicely's Café' has a vibe of an American road trip, the classic diner interior has a cool cinematic feel. Primarily known as a color ...

This detailed artwork showing slightly distressed piano keys has a beautiful painterly effect. It was photographed by Richard Heeps in Preston Hall Museum, ...

Staged Photography by Jada Fabrizio

Staged Photography by Jada Fabrizio

Staged Photography done by Jada Fabrizio

Doug Rickard (American b.1968) Limited Edition Archival Pigment Print. Features the work titled; A New American Picture - Detroit. Signed on verso and numbered 4/5. Work: 26 in. x 41 1/2 in. Frame: 26 1/2 in. x 42 in. Doug Rickard’s A New American Picture offers a startling and fresh perspective on American street photography. All of the images are appropriated from Google Street View; over a period of two years, Rickard took advantage of the technology platform’s comprehensive image archive to virtually drive the unseen and overlooked roads of America, bleak places that are forgotten, economically devastated, and abandoned. With an informed and deliberate eye, Rickard finds and decodes these previously photographed scenes of urban and rural decay. A New American Picture depicts American street scenes, located using the internet platform Google Street View. Over a four-year period, Rickard took advantage of Google’s massive image archive to virtually explore the roads of America looking for forgotten, economically devastated, and largely abandoned places. After locating and composing scenes of urban and rural decay, Rickard re-photographed the images on his computer screen with a tripod- mounted camera, freeing the image from its technological origins and re-presenting them on a new documentary plane. The low-resolution images that Rickard favors have a dissolved, painterly effect, and are occasionally populated with figures who acknowledge the camera, but whose faces are blurred, masking their identity. The photographs are thus imbued with an added surrealism and anonymity, which reinforces the isolation of the subjects and emphasizes the effects of an increasingly stratified American social structure. Rickard’s work evokes a connection to the tradition of American street photography, with knowing references to Walker Evans, Robert Frank and Stephen Shore. He both follows and advances that tradition, with a documentary strategy that acknowledges an increasingly technological world—a world in which a camera mounted on a moving car can generate evidence of the people and places it is leaving behind. Collectively, these images present a photographic portrait of the socially disenfranchised and economically powerless, those living an inversion of the American Dream.Doug Rickard (born 1968) is an American artist and photographer. He uses technologies such as Google Street View and YouTube to find images, which he then photographs on his computer monitor. His photography has been published in books, exhibited in galleries and held in the permanent collection of the San Francisco Museum of Modern Art. Rickard is best known for his book A New American Picture (2010). He is founder and publisher of the website on contemporary photography, American Suburb X, and the website These Americans which publishes some of his collection of found photographs. This work features a black, African American man in the foreground walking in a bleak neighborhood in Detroit, Michigan. Rickard was born in San Jose, California and brought up in Los Gatos in the San Francisco Bay Area. His father was a prominent pastor and many family members were preachers and missionaries, with a "very Reaganesque, patriotic view of America", a country "special and unique". Rickard studied United States history—slavery, civil rights—and sociology, at University of California, San Diego, and "lost his faith in this family vision. His adult view of America was a land not just of great achievement but also of massive injustice." At age 12 he witnessed his father having a secret extramarital affair, that years later in 1988 he confessed to his congregation. Rickard says this experience prompted him "to look for the fault lines in the American dream." He lives in Shingle Springs, near Sacramento, California. For his series A New American Picture, Rickard "wanted to look at the state of the country in these areas where opportunity is non-existent and where everything is broken down", where "the American dream was shattered or impossible to achieve". It is said that this work comments on United States politics, poverty, racial equality and the socioeconomic climate, class; the use of technology in art, privacy, surveillance, and the large quantity of images on the web. He cites as influences the photobooks American Photographs (1938) by Walker Evans, The Americans (1958) by Robert Frank, Uncommon Places (1982) by Stephen Shore and American Night (2003) by Paul Graham. The work was first exhibited as part of Anonymes: Unnamed American in Photography and Film, curated by David Campany and Diane Dufour at Le Bal, Paris, in 2010. To mark that occasion Rickard produced the first edition of the book, with the publisher White Press. Its first American museum show was at New York's Museum of Modern Art. Select Publications: Aperture Remix. New York: Aperture, 2012. A series of books made in homage to another Aperture publication, each in an edition of 5 copies. Rickard's was a response to Uncommon Places by Stephen Shore. The other publications were by Rinko Kawauchi, Vik Muniz, Alec Soth, Taiyo Onorato & Nico Krebs, Martin Parr, Viviane Sassen, Penelope Umbrico and James Welling. Produced in conjunction with the exhibition Aperture Remix. A New American Picture. Nazraeli Press Six by Six, set 4 v. 5. Portland, OR: Nazraeli, 2012. Edition of 100 copies. The other volumes are by Robert and Kerstin Adams, Edward Burtynsky, Kenro Izu, Catherine Opie and Issei Suda. Staking Claim: a California Invitational. San Francisco: Modernbook, 2013. Photographs by Rickard as well as Matthew Brandt, Susan Burnstine, Eric William Carroll, John Chiara, Chris Engman, Robbert Flick, Todd Hido, Siri Kaur, Mona Kuhn, Matt Lipps, David Maisel, Klea McKenna, Mark Ruwedel, Paul Schiek and Christina Seely. Catalogue of an exhibition held at the Museum of Photographic Arts, San Diego, CA. Select Exhibitions: Solo exhibition 2012: Yossi Milo Gallery, New York, October–November 2012. Group Exhibitions 2010: Anonymes: L’Amérique sans nom: Photographie et Cinéma (Anonymous: Unnamed America in Photography and Film), Le Bal, Paris, September–December 2010. A thematic exhibition with works by Rickard as well as Jeff Wall, Walker Evans, Chauncey Hare, Lewis Baltz, Standish Lawder, Sharon Lockhart...

Foyer VII & VIII, Italian interior architecture color photographs from Richard Heeps series A Short History of Milan There is a reoccurring linear, structural theme throughout the ...

Heidler & Heeps Vinyl Collection Twenty-One Piece Multi-Color Installation. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this bea...

RISAKU SUZUKI (*1963, Japan) Water Mirror 17, WM-788, 787 (diptych) 2017 Chromogenic print (2x) Sheet 120 x 155 cm (47 1/4 x 61 in.) Edition of 5; Ed. no. 3/5 Framed ‘Water Mirror’i...

Michael James O’Brien draws inspiration from his diverse roles as a photographer, poet, and activist. His work often intersects with themes of identity, social justice, and cultural ...

Set of Four framed botanical pressed flower photograph by Martin Parker. Martin's innovative photographs are created from plants grown by himself in his garden and greenhouse in Cam...

'A Side Recording'. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully mesmerising collection. A celebration of the vi...

Jason Dailey July 4th over Water Archival Pigment Print Year: 2024 Visible Size: 8 x 12 inches Framed: 13 x 17 inches Signed: On Label COA provided *Black frame with standard plex ...

Liberty Multi-Colour Mosaic, from the Heidler & Heeps American Stamp Collection, these historic postage stamps are given a twenty-first century pop art...

Eileen, photograph from Richard Heeps 'Man's Ruin' series and features in his book of that title. This glamorous cinematic poolside portrait of a woman in an elegant vintage swimsuit...

Signed and numbered, verso Cyanotype print toned with ammonia and tannic acid (Edition of 5) 6.5 x 4.5 inches, image 12 x 9.5 inches, framed Listed price includes $250 cost of fra...

Edition 1/5 sold in limited edition in perfect condition This photo was made in 1961, printed later, the negative was digitized during the artist's lifetime and the technical parame...

Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully mesmerising collection. A celebration of the vinyl record and analo...

Artwork # 1 on 5 sold in limited edition in perfect condition This photo was made in 1953, the negative was digitized during the artist's lifetime and the technical parameters (fram...

Castelloland works with objects whose uniqueness is fundamental to the narrative of each story, as each image reacts and develops through the interaction between the word and the obj...

SStéphane COUTURIER (*1957, France) Usine Toyota n°1 (Valenciennes), 2005 C-Print with Diasec Face in Artist's Frame Sheet 182 x 240.5 cm (71 5/8 x 94 5/8 in.) Frame 189 x 247.5 cm (74 3/8 x 97 1/2 in.) Edition of 5; Ed. no. 2/5 Framed Born in 1957 in Neuilly sur Seine, Stéphane Couturier currently lives and works in Paris. In 1994, Stéphane Couturier showed his first works in a series called 'Urban Archaeology', viewing the city as a living organism with multiple aspects. He photographed it deliberately avoiding anything that suggested poetry, nostalgia or strangeness. From 1999 on, Stéphane Couturier was increasingly drawn to suburbs and began to focus on a different type of landscape: on the one hand, by tackling housing blocks and high-rises in his 'Monuments' series; on the other, by photographing mushrooming housing developments.These generic cities soon became his favorite subject. In 2002, the uniformity and repetitiveness of these landscapes around the world drove him to begin working on the concept of the polyptych: the combinations and interchangeability of each of the elements in a polyptych give rise to a play with 'Landscaping' (the title of a new series), with the spectator recomposing a landscape between reality and fiction. WStéphane Couturier series ‘Melting Point’ presents a Toyota assembly plant in Valenciennes (France). Emphasizing the cycles of construction and demolition endemic to modern industrialized life, the photographs possess dynamic vertical and horizontal lines, elegant curves, and brilliant effects of light and indigenous colour. Using a large-format camera, Couturier creates crisply detailed prints that expand the viewer’s awareness of how a photograph can look and how urban occurrences can be conceptualized. Each picture is printed from a sandwiching of two moments in time, creating highly abstract yet precisely detailed images. People, machines, car parts, wires and more all compete for the viewer’s attention—images of industry simultaneously out of control and in perfect harmony. – Art, Contemporary, Colour, Architecture, Photography, Geometry, Graphics, Structured, Pattern, Car Factory...

This picture, 'Shooting Alley', taken in Ho Chi Minh City, has layers symmetry, depth, structure and tone which draw you in. This artwork is a limited edition of 25 gloss photograph...

Slim Aarons Zermatt Skiing 1968 C print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. The apres-ski in Zermatt, Switzerland, M...

Michael James O’Brien draws inspiration from his diverse roles as a photographer, poet, and activist. His work often intersects with themes of identity, social justice, and cultural ...

Sun 45, photograph from Richard Heeps' 'Dream in Colour' series. This stylish interior artwork is made up of deep and dark tones, with a flash of bright yellow. It was captured in a ...

'A Side Recording'. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully mesmerising collection. A celebration of the vi...

“Anesthesia” is a part of Alex Sher’s popular series REFLECTIONS - underwater photographs that could be almost mistaken for abstract paintings as ...

Marilyn Monroe’s status as an enduring figure of glamour made her one of the most famous figures in American history. Of all the images shot of the incomparable movie star, the most iconic were those taken by famed photographer, director and author, Lawrence Schiller. This example is among the best and most famous of his Marilyn tribues, capturing a topless Monroe filming a pool scene...

Marilyn Monroe’s status as an enduring figure of glamour made her one of the most famous figures in American history. Of all the images shot of the incomparable movie star, the most ...

Touching the skin of the past is an extraordinary collection of Roman Statues captured with the ICM technique in order to make the marble skin like a truly human body. 'Touching the ...

Artist: Francesco Scavullo (after) Title: Pavarotti, 1977 Portfolio: A Photographic Retrospective, Volume I: Song Medium: Gelatin Silver Print Year: 2004 Edition: 106/150 Signed: Sig...

Stéphane COUTURIER (*1957, France) Les Nouveaux Constructeurs, Sète – Port n°2, 2018 Cibachrome, framed to artist's specification 69 x 52 cm (27 1/8 x 20 1/2 in.) Edition of 4; Ed. n...

Stéphane COUTURIER (*1957, France) Usine Toyota n°9 (Valenciennes), 2005 Sheet 180 x 248.2 cm (70 7/8 x 97 3/4 in.) Frame 187 x 255.2 c (73 7/8 x 100 1/2 in.) Edition of 5; Ed. no. 4/5 Framed Born in 1957 in Neuilly sur Seine, Stéphane Couturier currently lives and works in Paris. In 1994, Stéphane Couturier showed his first works in a series called 'Urban Archaeology', viewing the city as a living organism with multiple aspects. He photographed it deliberately avoiding anything that suggested poetry, nostalgia or strangeness. From 1999 on, Stéphane Couturier was increasingly drawn to suburbs and began to focus on a different type of landscape: on the one hand, by tackling housing blocks and high-rises in his 'Monuments' series; on the other, by photographing mushrooming housing developments.These generic cities soon became his favorite subject. In 2002, the uniformity and repetitiveness of these landscapes around the world drove him to begin working on the concept of the polyptych: the combinations and interchangeability of each of the elements in a polyptych give rise to a play with 'Landscaping' (the title of a new series), with the spectator recomposing a landscape between reality and fiction. WStéphane Couturier series ‘Melting Point’ presents a Toyota assembly plant in Valenciennes (France). Emphasizing the cycles of construction and demolition endemic to modern industrialized life, the photographs possess dynamic vertical and horizontal lines, elegant curves, and brilliant effects of light and indigenous colour. Using a large-format camera, Couturier creates crisply detailed prints that expand the viewer’s awareness of how a photograph can look and how urban occurrences can be conceptualized. Each picture is printed from a sandwiching of two moments in time, creating highly abstract yet precisely detailed images. People, machines, car parts, wires and more all compete for the viewer’s attention—images of industry simultaneously out of control and in perfect harmony. – Art, Contemporary, Colour, Architecture, Photography, Geometry, Graphics, Structured, Pattern, Car Factory...

A photograph by Andy Warhol. "Paloma Picasso" is a Polaroid, Polacolor by American pop artist Andy Warhol. It is signed at the lower middle by Paloma Picasso as, "P.P.". The artwork ...

'Sunkissed Wendy', from Richard Heeps 'Man's Ruin' Series. This contemporary portrait is part of a sequence of artworks photographing Wendy at the Rockabilly Weekender, Viva Las Vega...

This piece titled "An Out of Body Experience" is original artwork made from hand-woven archival pigment print by Jason Chen. This piece measures 41"h x .31"w.

A photograph by Andy Warhol. "Miguel Bose" is a Polaroid, Polacolor by American pop artist Andy Warhol. The artwork is numbered FA05.00904 and AWL036. Andy...

"Coney Island, NYC" is a framed photograph on paper by Xan Padron, depicting a compilation of walking figures set against a Coney Island Boardwalk backdrop. Padron's signature techn...

"Amsterdam Canal, The Netherlands" is a framed photograph on aluminum by David Burdeny, depicting iconic colored buildings along a waterway in Amsterdam. The image quality is crisp a...

ICES Lemon Yellow, bold pop art street photography from Richard Heeps' series, On-Sea. Created as an ode to Richard's childhood visits to his grandparents living on the Sussex coast...

Christopher Makos, Andy Warhol Portrait of Andy Warhol taken by photographer Christopher Makos (Hand signed by BOTH Andy Warhol and Christopher Makos...

This superb large oil on canvas painting of a river landscape is by British artist William Thomas Wood. Painted in 1950, the river is the Arun near Arundel in Sussex. Wood beautifull...

ICES Lemon Yellow, bold pop art street photography from Richard Heeps' series, On-Sea. Created as an ode to Richard's childhood visits to his grandparents living on the Sussex coast...

ICES Burnt Orange, bold pop art street photography from Richard Heeps' series, On-Sea. Created as an ode to Richard's childhood visits to his grandparents living on the Sussex coast...

Bed, 1992 Still Life Photograph of Mahogany Canopy Bed in a Bedroom by David Halliday Sepia toned silver gelatin print, edition of 15 Custom brown...

Paul Middleton Plaza Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed in a minimal black...

Lana Turner got her start in Hollywood in 1937 at just 16 years old. She would become one of the most famous actresses of her time, starring opposite the l...

Ed. 1/5, includes white frame. With his passion for formal technique and composition, internationally renowned photographer Nathan Coe’s works exude a deep reverence for the classic...

Ave Maria, part of Richard Heeps' 'This is Not America' series photographed in Vietnam in 2016. This striking artwork has a fun religious kitsch vibe, the neon really makes it pop. ...

Las Ventas #2 by Esteban Pastorino Diaz depicts a bull fighting ring in Madrid, Spain. The matador and bull stand in the center of the ring, waiting in anticipation for the other to make a move...

Jon Gould and Andy Warhol met in 1980 when Warhol was 51 and Gould was a 27-year-old movie executive living in Los Angeles. Biographies of Warhol show he tri...

Francesca Woodman in Providence, Rhode Island (1976) photographed by George Lange. 14 x 11" archival pigment print 21 x 17 x 2" frame with UV plexgias Edition 2 of 10, signed and e...

RISAKU SUZUKI (*1963, Japan) Water Mirror 17, WM-717 2017 Chromogenic print Sheet 120 x 155 cm (47 1/4 x 61 in.) Edition of 5; Ed. no. 1/5 Framed ‘Water Mirror’is a condensation of ...

Edition #1/10 This is the frame price listed. The photograph are available in the additional sizes listed unframed. Veteran artist Patricia Heal documents her visual narrative o...

Photograph by Andy Warhol of Jon Gould in the snow in Aspen. Jon Gould and Andy Warhol met in 1980 when Warhol was 51 and Gould was a 27-year-old movie execu...

"Le Verdon à son entrée dans le lac de Sainte Croix – Coté Canyon", Provence, France “The Verdon at its entrance to Lake Sainte Croix - Coté Canyon”, Provence, France Oil on canvas s...

RISAKU SUZUKI (*1963, Japan) SAKURA 10,4-72 2010 Chromogenic print Sheet 120 x 155 cm (47 1/4 x 61 in.) Edition of 5; Ed. no. 3/5 Framed The Sakura (Japanese term for ‘cherry blosso...

'The Last Kiss', from Richard Heeps series, 'A Short History of Milan', featuring a traditional Italian street book kiosk. A Short History of Milan began in November 2018 for a spe...