Framed Photography

“Anesthesia” is a part of Alex Sher’s popular series REFLECTIONS - underwater photographs that could be almost mistaken for abstract paintings as ...

Rare Photographic series of five photographs by Betty Hahn titled, "Arrival or Departure (After Hitchcock), 1987, a series of five gelatin silver photographs" 17" by 24 each". A copy...

The early hours in Jerez de la Frontera, the flamenco dancer’s tacones beat a rhythm as she drew the spirit of the duende from the earth into the souls of her audience. Andalusian f...

Series: The Western Collection Archival Pigment Print Unframed Sizes: 32" x 40" - $7,500.00 48" x 60" - $11,000.00 60" x 75" - $14,750.00 Framed Sizes: 39" x 47" - $9,250.00 55" x ...

Artist: Man Ray (American born, 1890 - 1976) Title: ABSTRACT RAYOGRAPHY Date Of Negative: 1922 Type Of Print: Authentic Vintage Sheet Fed Photogravure/Heliogravure. Date Of Print: 19...

Alyson Belcher's Ice Portals series of black and white photographs depict an unusually cold Northwestern winter. These photographs are records of the unique ice formations that the ...

Artist: Man Ray (American born, 1890 - 1976) Title: VISAGES OF WOMAN, UNDATED Date Of Negative: 1920 Type Of Print: Authentic Vintage Sheet Fed Photogravure/Heliogravure. Date Of Pri...

John met this young Fula girl as she was walking across the barren, sandy monotones of Niger’s Sahel. She was wearing an amazingly intricate arrangement of beads and a carefully craf...

Havana Café. El Escabeche is a bar about halfway along called Obispo in old Havana. It was late afternoon when the band began to play. Their new lead singer was performing for the fi...

An underwater photograph of a naked young woman wrapped in bubbles. This is a bright high resolution photograph with rich green and golden tones migrating onto blue and orange. Ori...

A Soviet-era fridge and an American Singer sewing machine as found in Jorge’s kitchen. – The Spaces in Between series developed out of visits to Naples in Italy and Havana in Cuba, t...

"Unnatural Causes (Tricolor)", 3D lenticular print, white wooden frame. Lenticular printing is a technology in which lenticular lenses are used to produce printed images with an ill...

Emden 1, Laser cut archival pigment ink print, signed, numbered, framed Ideas of home and dislocation have always been compelling to me as the child of immigrant parents who arrive...

I met Lemoroko, a Rendille moran (warrior), in the southern reaches of the Rendille homeland, on the boundary of the neighbouring Samburu District. He had a striking, chiselled appea...

Juggernaut on the highway crossing the American West… – Cawston’s eye for colour, structure and the beauty of the mundane finds a world-in-waiting as he journeys across the American ...

From the acclaimed series "LA Day (2004)", this photograph by Michael Light is available as a 40 x 50 inch editioned print of the Golden State Freeway Looking Southeast Over Fernando Pass. Listing includes framing ($1,000 value with non-glare museum glass), free shipping to the continental US, and a 14 day return policy. Michael Light Golden State Freeway Looking Southeast Over Fernando Pass, 2004 Image Size: 40 x 50 inches Frame Size: 42 x 52 x 2 inches Edition 3 of 10 Signed and editioned on verso Artist Biography - Michael Light was born in 1963. The pre-eminent aerial photographer of his generation, he is the recipient of a Guggenheim Fellowship for photography and his work is in the collections of major museums from SF MoMA to the Victoria and Albert. Prior to taking up aerial photography, Light conceived of and put together the book Full Moon - the first look at NASA photography as fine art - and a project which was published in multiple editions selling several hundred thousand copies around the world. In a way Full Moon had a bearing on Light's subsequent aerial work, as he continues to see and explore the terrestrial world much as the astronauts saw the moon. For the last 15 years Light has been flying his own small aircraft primarily over the American West investigating how both man and nature make their mark on the landscape. To date Light has completed 18 separate Western projects - each of which comprises an oversize handmade artist's book as well as more traditional prints. Largely documenting the impact of man and industry on the land (but not immune to the sublime) Light's subjects range from Utah's gold and copper mines and the (over)development of places like Sun City, AZ and Lake Las Vegas, NV to contrasting Arizona's Meteor Crater - the largest meteoric impact site in the Americas - with James Turrell's Roden Crater...

Silver Gelatin Print Signed & Numbered in blue pencil verso Along with copy right stamps and the negative number written in regular pencil Sheet size: 15.8 x 12 Image size: 14.38 x...

A tobacco farmer from the Viñales valley in Cuba. In 1959 residents of Cuba were faced with a stark choice: stay on their island home and live as a “revolutionary” or leave. Some believed wholeheartedly in the new beginning, some were willing to be carried along and some abandoned everything they had and chose exile. The Buena Vista social club...

Series: The Western Collection Archival Pigment Print Unframed Sizes: 32" x 40" - $7,500.00 48" x 60" - $11,000.00 60" x 75" - $14,750.00 Framed Sizes: 39" x 47" - $9,250.00 55" x ...

A celebration of the art of graffiti drawn from various locations around the world… these pieces are part reality and part creation emphasizing the often ephemeral nature of street ...

Reliant Robin in blue – Cawston’s Concrete Jungle is not a vision of the ultramodern, of orderly skyscrapers with comfortable interiors. It is rather of a Blade Runneresque postmode...

Ydaco is from the Betammaribe culture in Benin. He lives in a small village in the Atakora mountains. His cheek bones provide the perfect surface for the beautifully intricate scarif...

The Nubra Valley is part of the Tibetan plateau. It is an arid landscape surrounded by awesome peaks, a high altitude desert inhabited by a few small Ladakhi communities and their ...

Just after sunrise the mists disburse to reveal a panorama of pagodas stretching across the Bagan valley in Burma. Drifting slowly in the almost imperceptible breeze a flotilla of h...

A young Wodaabe maiden from Niger. John Kenny’s work is all shot on location in some of the remotest corners of Africa. His images are all taken with natural light and his subjects ...

Mago National Park in southern Ethiopia is home to the Mursi, one of the most well known tribes of the Omo valley. The area is inhospitable to outsiders, because of the heat, humidi...

Artist: Man Ray (American born, 1890 - 1976) Title: MRS ROWELL Date Of Negative: 1930 Type Of Print: Authentic Vintage Sheet Fed Photogravure/Heliogravure. Date Of Print: 1934 1st Ed...

Havana Café. El Escabeche is a bar about halfway along called Obispo in old Havana. It was late afternoon when the band began to play. Their new lead singer was performing for the fi...

Elton John by photographer Ed Caraeff, taken on-stage at the Santa Monica Civic Auditorium in California, November 15, 1970. This special edition. print i...

Michael Mardikes Boy with Mirror (Thomas Hart Benton Plate #26) Year: 1956, 2021 Pigment Ink on Archival Paper Photograph Image Size: 19x13.5 in Paper Size: 22x17 in Edition: Unique Monogrammed by hand Label signed and numbered by Estate Representative COA provided by Authorizing Body Additional COA provided by representing Gallery Ref.: 924802-909 Image included in the exhibition An Artist at Home in America: Michael Mardikes’ Photographs of Thomas Hart Benton at the Kansas City Public Library (November 20, 2021-May 15, 2022) One night in late 2020, as Nick Vedros was leaving the home of his Aunt Myrt and Uncle Michael Mardikes, his aunt suddenly asked him, “What are we going to do with all the negatives?” The noted Kansas City photographer was not sure what his 89-year-old aunt was talking about, until she handed him a notebook filled with more than 1000 negatives chronicling Thomas Hart Benton at home and in his studio. They had been filed away for almost seven decades. This startling discovery was the inspiration for the exhibition, “An Artist at Home in America: Michael Mardikes’ Photographs of Thomas Hart Benton” on view at the Kansas City Public Library Central Library. The exhibition is a must-see, not just for fans of Thomas Hart Benton but for devotees of exemplary photojournalism. Of the 1,080 photographs Mardikes took, only four had been published in an article he wrote for “This Month in Kansas City” magazine in 1966. The others were never printed, nor was their existence common knowledge. Although Vedros had been aware of his uncle’s assignment with Benton, he was stunned to discover that so much additional material existed. Vedros, who decided at age 12 to become a photographer himself after seeing his uncle’s work, was determined to organize an exhibition, and was especially interested in doing it as quickly as possible given his uncle’s advanced age and increasing frailty. Collaborating with Dan White, a photographer, master printer and friend since their time together at the University of Missouri journalism school, they selected 34 images to be printed and framed, researching the details with Steve Sitton, the director of the Thomas Hart Benton Home and Studio Historic Site. Michael Mardikes had had a brief career as a commercial photographer before going on to work in management at the Ford Motor Company and later at UMKC. He made the acquaintance of Benton through Eugene Pyle, a former student of Benton’s and Mardikes’ photography instructor at the Art Institute. In 1955, Benton asked Mardikes to photograph him; Mardikes visited Benton 35 to 40 times, over a period of a few months in late 1955 and early 1956. Sitton told Vedros that not only was Mardikes’ amount of access incredible, but that the resulting body of work was unmatched. As the project progressed, Benton became focused on a mural commission for the River Club in 1956. Henry Adams, preeminent Benton scholar and former curator at The Nelson-Atkins Museum of Art, provided some context for this particular work: “The commission to paint ‘Traders at Westport Landing’ came at a low point in Benton’s career, 1956, and initiated the late phase of Benton’s mural paintings. It was the first of a series of murals depicting the exploration and settlement of the west, which culminated in the Truman Library mural, which was completed in 1962. All these murals feature trading and friendly contact with the Indians, rather than conflict, and are arresting in their bright color and meticulous rendering of carefully researched detail. The River Club, which commissioned ‘Traders at Westport Landing,’ overlooks the Missouri River and has a panoramic view very similar to the one in Benton’s painting.” This group of black and white photos not only documents the artist’s working process but also reveals other aspects of his daily life: one memorable image reveals Rita Benton massaging her husband’s stiff shoulders after a long day in his studio. Other images show members of the River Club board visiting Benton’s studio to check on the progress of the mural. One charming image captures a candid moment of Rita Benton and Myrt Mardikes as they collaborated in the Benton kitchen making chicken kapama for their husbands. Nan Chisholm Nan Chisholm is an art consultant and appraiser of 19th- and 20th-century paintings. After a long association with Sotheby’s, she founded her own business in 2003. She has appeared as a fine art appraiser...

The large circular earplugs worn by this stunning Rendille warrior are made of plastic and sometimes bone. In past times, and very occasionally today, you might see the same plugs ma...

This is a portrait photograph by Slava Mogutin offered by CLAMP in New York City. Edition of 4

"The work explores the ephemeral nature of moments in time. The basic elements of light, water, mist, smoke and fire are combined to create mysterious ...

Michael Mardikes Overall with Paintings (Thomas Hart Benton Plate #24) Year: 1956, 2021 Pigment Ink on Archival Paper Photograph Size: 8.5x12 in Paper Size: 14x11 in Edition: 1 Monog...

One bright sunny morning in northern Benin my guide and I set off on a moped across remote dirt roads in the hope of finding wandering Fulani that might take us to visit their villag...

This young Fulani boy with his huge turban wrap was wandering through the backstreets of the great mosque in Djenne, an amazing structure which is the largest mud building on earth. ...

In the far north of Namibia as you head towards the border with Angola at Epupa Falls, barely visible tracks radiate off the main dirt road into bush and disappear across sandy, dry ...

A Rendille girl in Kenya A return to Kenya. On this trip John took a different approach to lighting. Building makeshift studios from locally acquired white sheets held up by four ...

Iconic black and white photograph on baryta paper of the intersection of Broadway and Wall Street.

This cyanotype on cotton muslin features hues of blue. Tokie Rome-Taylor is inspired by the works of Harmonia Rosales, Kehinde Wiley, Tawny Chatmon, ...

I met Emon in a small Turkana village called ‘Sarima’ in the North of Kenya. It’s a wild place that seems to sit in a wind tunnel that takes its power from the enormous water mass of...

In a delicate smear of faded blues intermingled with the curves and lines of the pale colors of the skin, Alex Sher’s “Brushstroke” uncovers his phenomenal ability to capture the tr...

Strips of colour of a multi-storey car park, enhanced by the rain, in Singapore – Cawston’s Concrete Jungle is not a vision of the ultramodern, of orderly skyscrapers with comfortabl...

Nambuele illustrates the hair craft of the Mumuhuila of southern Angola, whose women take an obsessive pride in their hairstyle. Although it may change as a girl enters different st...

Line of Palms by Monica Denevan Burma, 2008 Monica Denevan's work blurs the distinction between cultural documentation and artistic portrait. It begins with personal connections m...

A fleeting touch of the lips on a tango dance floor James Sparshatt’s photographs of music and dance capture the emotion and intensity of people lost in the rhythm of the moment. The...

A moment of harmony… male with female, African with Hispanic… joined together in the dance that is Cuba. James Sparshatt’s photographs of music and dance capture the emotion and int...

Frozen fields illuminated by a surreal winter light… the sun barely visible… the colours cool but invigorating – Cawston’s landscapes are filled with delicate harmonious tones. The...

Lake Turkana, or the ‘Jade Sea’ is a vast body of water in Kenya’s far north. It is surrounded by a barren landscape of red and black volcanic rocks, where rain falls for little more...

This young Turkana girl in northern Kenya wears a goatskin known as an ‘egolas’. In traditional Turkana communities the inhabitants are excellent at making garments from animals, and...

June Lake on the Eastern Escarpment of the Californian Sierra Maestre range. Hours before sunrise the frozen lake was buffeted by winds. The ice cracked and ...

One bright sunny morning in northern Benin my guide and I set off on a moped across remote dirt roads in the hope of finding wandering Fulani that might take us to visit their villag...

A young Rendille girl A return to Kenya. On this trip John took a different approach to lighting. Building makeshift studios from locally acquired white sheets held up by four war...

Like the Maasai, Rendille women and their children keep their hair very short. This mother, however, leaves a tuft of hair remaining on the front of her child which has been bleached...

Young Mumuhuile woman from the Huile region of southern Angola. John Kenny’s work is all shot on location in some of the remotest corners of Africa. His images are all taken with na...

The green baize of an old pool table awaiting a buyer amidst the deep red of a storeroom. – The Spaces in Between series developed out of visits to Naples in...

Lake Turkana, or the ‘Jade Sea’ is a vast body of water in Kenya’s far north. It is surrounded by a barren landscape of red and black volcanic rocks, where rain falls for little more...

A dance troupe in harmony rehearsing in an old theatre in Santa Clara, Cuba James Sparshatt’s photographs of music and dance capture the emotion and intensity of people lost in the ...

A moment of reflection as a cat and resident seem to make eye contact between the floors. – High-rise communal living was once seen as a great step forward for mankind. Cawston’s Te...

New Orleans is a mecca for music lovers from around the world. Wandering up Frenchmen Street on a sultry Louisianan evening is to be surrounded by competing sounds vying for attentio...