Metal Photography

Anchor Bay in Chesterfield, Michigan is the location for this metallic print of a photographic image by Deborah Benedic. Deborah created these stone in...

Spinning Flag, 2014 Dye-infused aluminum photograph 60 x 40 inches Edition of 10

Rebecca Skinner’s “Erosion #1” was photographed on the shoreline of Lake Champlain in Burlington, Vermont. The textural beauty is natures own art form. The 18 x 12 inch abstract blac...

Rebecca Skinner’s “Sink II” is an 8 x 12 inch metal print photographed at an abandoned hospital. The color photograph is of a vintage sink against a yellow / green wall with peeling ...

Rebecca Skinner’s “Sink I” is an 8 x 12 inch metal print photographed at an abandoned hospital. The color photograph is of a vintage sink against a beige wall with peeling paint. The...

"Daisy (yellow center #1)" Print on Aluminum 43x43in Ed. of 15 by Mick Fleetwood Digital print on aluminum - ready to hang Mick Fleetwood, the legendary drummer and founding membe...

Sabi Sand Game Reserve is my favorite game reserve in Africa. Very famous with their big cats, especially the leopards. Very difficult to find in other game parks, I was able to see...

Rebecca Skinner’s “Interior II” is a 12 x 18 inch color photograph taken from inside an abandoned farmhouse in North Dakota. Three windows offer a peak at the surrounding overgrowth ...

Ripple Effect I Medium: Black & White Photography (printed on metal) Size: 30" x 20" (larger sizes available - inquire within) 16x24 on metal - 20x30 on metal Made to Order Wat...

Rebecca Skinner’s “Nesting” is a 18 x 12 inch metal print and is part of her “Awakening” series. An abandoned antique Voltswagen Bug car rests in a foggy lands...

Rebecca Skinner’s “Alkabo I” is a 24 x 36 inch black and white photograph captured in a North Dakota ghost town. Dramatic sky frames a weathered structure in this beautiful contempor...

In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. American Glassware (2010-present) which is presented in a small, wall-mounted vitrine. American Glassware is composed of three glass objects: a “souvenir” Walden Pond ashtray made by me as a multiple; a real souvenir ashtray from the 1964-65 New York World’s Fair; and an authentic “Happy Face” drinking glass from the same era. They are all nestled in crumpled, vintage newspaper from 1967, and are presented together in a dilapidated cardboard box, as if they have been found in someone’s attic or basement. Once again, in a similar manner to the Glass House Ashtray, versions of his Walden Pond ashtray (Walden Pond Souvenir) have been injected into the collectable stream of tag sales and flea markets, creating a souvenir that never existed. The ashtray is screenprinted with an image of Thoreau’s cabin on Walden Pond as pictured on the title page of his book Walden, or Life in the Woods (1854). (The original illustration was created by Thoreau’s sister, Sophia.) Walden Pond Souvenir was originally produced for the 2010 exhibition Renovating Walden at the Tufts University Art Gallery in Medford, MA. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...

Dye Sublimation Print Water Dock Reflection 16x24 on metal - 20x30 on metal - About the artist: A computer programmer and Webmaster by trade, Paul describes himself as a fine art ...

Rebecca Skinner’s “Anticipation” is a 8 x 12 inch color photograph of doors in the interior of an abandoned church found in rural Georgia. A door is slightly ajar offering a glimpse ...

Ripple Effect II Year: 2018 Medium: Photography (printed on metal) Size: 30" x 20" (larger sizes available - inquire within) 16x24 on metal - 20x30 on metal Made to Order Water Ripp...

Rebecca Skinner’s “Passage” was photographed in rural Pennsylvania. The yellow peeling paint in the abandoned hallway reflect the passing of time. The 18 x 12 inch color photo with s...

Sophie Calle (born 1953) is an internationally acclaimed French contemporary artist. Highly conceptual in her approach, Calle's projects often begin with material from her personal ...

The Sweet Blasts! Portfolio represents my own apprehension with our intersections of technology with natural systems. The series is not meant to be anti- or pro- anything. In my mi...

Rebecca Skinner’s “Exhausted” is a 11 x 17 inch metal print and is part of her “Transient” series. The color photograph is of an abandoned room with a worn twin bed covered by a fade...

the 12" x 24" on metal - - Edition of 5 Colorful dusk photograph printed on metal About the artist: A computer programmer and Webmaster by trade, Paul describes himself as a fine a...

the 12" x 24" on metal - Edition of 5 Colorful dawn photograph printed on metal About the artist: A computer programmer and Webmaster by trade, Paul describes himself as a fine art...

In this new series Mercado utilizes canvas in big format as a medium to intervene Jack Delano's photographs of Puerto Rican agriculture workers he documented for the FSA in the 1940...

Rebecca Skinner’s “Timeworn” was photographed in a library at an abandoned home in New England. The 36 x 24 inch black and white of deteriorated pages in a set of American Medical As...

Rebecca Skinner’s “Respite” is a 12 x 18 inch black and white interior photograph of a piano in an abandoned auditorium. The frameless metal print has a satin finish and is infused d...

Ed. of 15, includes custom white painted brace, ready to hang. Jami Goldman is known for her abstract realistic approach to photography. Her creative process merges the familiar wit...

Ed. of 15, includes custom white painted brace, ready to hang. Jami Goldman is known for her abstract realistic approach to photography. Her creative process merges the familiar wit...

Ed. of 15, includes custom white painted brace, ready to hang. Jami Goldman is known for her abstract realistic approach to photography. Her creative process merges the familiar wit...

A fusion of earthy tones and textures creates an enigmatic floral portrait... A sunflower reaching the end. A slow descent into a less colourful but far more sculptural state as the...

Rebecca Skinner’s “Circumstance” is a 12 x 18 inch color photograph is of a piano in a state of decay in a domestic setting with warm tones of peach and green. The print has a satin ...

Rebecca Skinner’s “Trees” is part of her "Dreamscape" series using the camera to paint with light. The 18 x 12 inch contemporary landscape color photograph has an abstract quality an...

Rebecca Skinner’s “Rise” was photographed in an abandoned home in New York. Nature is reclaiming this room full of peeling paint in greens, pinks and beiges. The 24 x 16 inch color p...

Rebecca Skinner’s “Home” is a 18 x 12 inch metal print and is part of her “Transient” series. The color photograph is of a vintage living room with yellows and whites at an abandoned...

Golden hues mingle with palm silhouettes, crafting a serene tropical escape... Palm leaves create a mysterious interplay of light and shadow over a textured golden backdrop… A sympho...

Rebecca Skinner’s “The Race is Over” is a 11.25 x 17 inch metal print of weathered stadium seating at an abandoned race track. The vintage brown wooden...

Rebecca Skinner’s “Wheel” was photographed at an abandoned silk mill and is part of a series documenting the loss of industry in America. The 12 x 18 inch black and white photo with ...

Rebecca Skinner’s “Over” was photographed in an abandoned mansion in the Catskill Mountains of New York. A worn, unmade bed with sagging pillows rests against a peeling, aged wall, e...

Rebecca Skinner’s photograph “Transform” is a 30 x 20 inch metal print and is part of her “Transient” series. The peeling paint, rough texture and beige, blue and white color exudes ...

Rebecca Skinner’s “Persistence” is a 17 x 11.25 inch color photograph of a lonely rusty chair nestled amongst vines creeping into a porch as nature reclaims an abandoned hospital. A ...

Rebecca Skinner’s “Disorderly” is a 17 x 11 inch metal print of a graffiti covered chalkboard in a classroom at an abandoned school. The color photograph is mostly earth toned with a...

Rebecca Skinner’s “Unorganized” was photographed in the interior of an abandoned hospital. The 12 x 8 inch black and white metal print is of a piano with many papers spread about as ...

Rebecca Skinner’s “Momentary” is a 30 x 20 inch metal print and is part of her “Transient” series. The color photograph of a bedroom in an abandoned home gives the viewer a sense of ...

Rebecca Skinner’s “Unstable” is a 16 x 24 inch metal print and is part of her “Transient” series. The color photograph is of architectural ruins at an abandoned mansion. The frameles...

Rebecca Skinner’s “Krispy” was photographed in a classroom at a deserted school in Gary, Indiana. The black and white photograph has a satin finish and is infused directly into metal...

Rebecca Skinner’s “Endurance” is a 24 x 16 inch black and white photograph of an abandoned church in Gary, Indiana. With satin finish, the image is infused directly into metal making...

Rebecca Skinner’s “Stacked” was photographed at an abandoned china factory and is part of a series documenting the loss of industry in America. Green ferns grow out of a spilled pile...

Rebecca Skinner’s “Trapped” is part of her "Rust to Dust" series documenting the beauty of the decaying automobile. The 12 x 18 inch color photo is of an antique Ford truck...

Rebecca Skinner’s “Simple Chair” was photographed at an abandoned state hospital and is part of her “Forgotten” series raising mental health awareness. Bl...

"Platinum Daisy" Print on Aluminum 43 x 43 in Ed. of 15 by Mick Fleetwood Digital print on aluminum - ready to hang Mick Fleetwood, the legendary drummer and founding member of Fl...

Rebecca Skinner’s “Farmhouse Blues” is a 12 x 18 inch color photograph of a piano in an abandoned farmhouse. With satin finish, the image is infused directly into metal making it wat...

Rebecca Skinner’s “Erosion #5” was photographed on the shoreline of Lake Champlain in Burlington, Vermont. The textural beauty is natures own art form. The 24 x 16 inch black and whi...

Rebecca Skinner’s “Worn 2” is a 18 x 12 inch metal print and is part of her “Transient” series. The color photograph is of yellow wallpaper in a state...

Rebecca Skinner’s “Walk This Way” is part of her "On and Off the Trail" series documenting the beautiful landscapes of New England. A foggy boardwalk through tall green marsh grasses...

Rebecca Skinner’s “Tattered” is a 24 x 16 inch photograph and is part of her “Transient” series. The black and white frameless metal print has a satin finish and is infused directly ...

Rebecca Skinner’s “Ruined” is a 24 x 16 inch metal print and is part of her “Transient” series. The black and white photograph is of the remnants in an abandoned building. The framel...

Rebecca Skinner’s “Endure” was photographed in an abandoned train repair yard. The 30 x 20 inch color photograph is of an industrial scene in a state of decay with cool tones of blue...

Rebecca Skinner’s “Dancing Chair” was photographed at an abandoned lace factory and is part of a series documenting the loss of industry in America. The 1...

Rebecca Skinner’s “Exhausted” is a 24 x 36 inch metal print and is part of her “Transient” series. The color photograph is of an abandoned room with a worn twin bed covered by a fade...

Rebecca Skinner’s “Dirty Film” was photographed at an abandoned theater. An open red door offers a view of coffee cups spilling movie film into a dirty sink with a broom conveniently...

Rebecca Skinner’s “Scale” was photographed at an abandoned silk mill and is part of a series documenting the loss of industry in America. The 18 x 12 inch black and white photo with ...

Rebecca Skinner’s “Rest” was photographed at an abandoned silk mill and is part of a series documenting the loss of industry in America. The 18 x 12 inch black and white photo is of ...