Metal Photography

A man of gentlemany demeanour, content with his cigar. A sentinel watching the world pass amidst the endless sugar cane country of central Cuba. The Spirit of the Revolution serie...

The old country girl from the Escambray mountains. I was hiking in the mountains, close to Trinidad, when I met the family. They invited me in and we chatted about our different live...

The old country girl from the Escambray mountains. I was hiking in the mountains, close to Trinidad, when I met the family. They invited me in and we chatted about our different live...

It was almost 3am and we were still waiting for the band to start to play. I stood on the open air stage buffeted by the winds as the group and their roadies struggled to set up. Th...

A tobacco farmer from the Viñales valley. The Spirit of the Revolution series documents the generation of Cubans that saw the dramatic changes of 1959 as young adults. They have a s...

On a musical and pleasure seeking pilgrimage… during Las Romerias de Mayo festival in Holguín. The Spirit of the Revolution series documents the generation of Cubans that saw the dr...

A tobacco farmer from the Viñales valley. The Spirit of the Revolution series documents the generation of Cubans that saw the dramatic changes of 1959 as young adults. They have a s...

El revolucionario – a gentleman of Old Havana. The Spirit of the Revolution series documents the generation of Cubans that saw the dramatic changes of 1959 as young adults. They hav...

Portrait of Elvirio el Dandy. An icon of Old Havana at the turn of the century. His custom of wearing finery has spawned a whole generation of young “Dandies” who hang out on Havan...

Albert Bridge, Aluminium By Michael Wallner [2019] limited_edition Brushed aluminium Edition number 25 Image size: H:50 cm x W:135 cm Complete Size of U...

Hand printed by the artist, considered one of the greatest platinum printers working today. Gum over palladium. Printed 2021

Te veo… I see you. Matanzas 2005. The Spirit of the Revolution series documents the generation of Cubans that saw the dramatic changes of 1959 as young adults. They have a strength ...

limited_edition PHOTOGRAM Archival Chromagenic Photographic Print Edition number 12 Image size: H:100 cm x W:77 cm Complete Size of Unframed Work: H:100 cm x W:77 cm x D:2.5cm Frame...

"New York View II", black and white photograph by Jean Michel Berts. Jean Michel Berts has been a photographer since the age of 16, and has since gone ...

London Taxi [2017] Limited Edition Transport Brushed aluminium Edition number 25 Image size: H:56 cm x W:76 cm Complete Size of Unframed Work: H:56 cm x W:...

Underwater photograph of a gorgeous girl with dark hair in red dress. Original digital print on aluminum plate signed by the artist. Limited edition of 12 The artwork is furnished w...

Hand printed by the artist. Considered one of the best platinum printers of the 21st C. Printed 2006 Gum over Platinum

Allan Forsyth FADE INTO LIGHT 004 PHOTOGRAM Limited Edition Archival Chromagenic Photographic Print Edition 12 Sheet Size: H 118cm x W 84cm x D 2cm Diasec Framed Please note that in ...

The gentleman… a man of calm dignity and endessly kind eyes in Old Havana in 2016. The Spirit of the Revolution series documents the generation of Cubans that saw the dramatic chan...

There is a something about being a child on the beach where the sheer exuberance of running into the waves transcends the normal social barriers, and the shared exhilarance allows fo...

Katie Hallam St Andrews Limited Edition Digital Photograph Edition of 75 Size of Work: H 60cm x W 45cm x D 1cm Sold Unframed Ready to Hang Please note that insitu images are purely a...

Platinum/Palladium (there was no pull down for this) Print Date 2014 Hand printed by artist Edition 1/15 Corner Mounted Outer Dimensions 28x32"

An original Aluminum backed C-print by Roland Richer created in 2001. The work was acquired from Von Lintel Gallery in May of 2002. (71 x 49 1/4 inches)

"Night falls and the day recedes. Again, I attempt to capture the rich and poignant beauty of a perfect day in Sri Lanka, gone forever but not forgotten. The earth is gold as the col...

Shot at Trout Pond outside of Sag Harbor, for me this photo embodies the fresh promise of spring. Fine art photo mounted on di-bond aluminum. Custom printing/mounting/framing option...

Shot in Brooklyn on an elevated subway platform during a snowstorm in 17 degree weather. Sometimes ya just gotta go for it! Fine art photo mounted on di-bond aluminum. Custom print...

This vintage salt print is titled, attributed and annotated in lithographic ink on the front of the mount.

Shot in the lush jungle of Myakka River State Park, Florida. Printed on archival fine art paper, mounted on dibond aluminum with a float mount backing. Available in a wide variety ...

Edition of 3 Dye sublimated on aluminum Born in San Francisco in 1966, Mark Stephen Kornbluth was raised in Montreal, then Cleveland. Since graduating high school, Mark has lived in...

Hand printed platinum palladium photograph. Edition #2 Perfect photograph for the memory of Vietnam.

Hand printed Platinum Photograph. Tom Millea was well known for his printing. He loved Death Valley and even made a portfolio of it. This is a loose print.

Acrobats and tumblers featured in this action photograph in tumbling in black and white taken of a Romanian family circus that the artist visited and photographed during her European...

The Wynwood Silos in Miami Florida. After shooting the Silos, I met and befriended the artist/muralist who painted them, "Krave" (Daniel Fila). Sold as a collaborative work of art.

"Daisy (yellow center #1)" Print on Aluminum 43x43in Ed. of 15 by Mick Fleetwood Digital print on aluminum - ready to hang Mick Fleetwood, the legendary drummer and founding membe...

In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph. As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit). In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels. Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...

In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph. As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit). In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels. Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...

In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph. As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit). In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels. Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...

Stunning hand printed photograph Beautiful gold leaf design multi faceted. Framed in Black Wood with Red Detail - one small blemish maybe able to fix. Framed out to 24x24" Museum Gl...

Same style different execution. Italian copper leaf and fluorescent thread sewn on Splendorlux Black Gloss

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 20 After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin...

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 20 After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin...

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 20 After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin...

Margaret Roleke creates politically aware work. Children’s war toys and packaging for these toys have fascinated her and become integrated elements in my wall reliefs and paper piece...

Technique: Dye sublimation on aluminum (Gloss finish) Frame: Black Aluminium Float Frame (Matte)

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 10 After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin...

Underwater nude shot from above a small cenote in Tulum, Mexico. Other size prints, framing options and print methods (such as fine art paper or face mounted plexiglass) available up...

Not Today, Contemporary Black and White Photograph, 2021 24" 16" x 0.75" (HxWxD) Digital Print on Aluminium Hand-signed by the artist. As with the concept of memento mori, this black and white photographic portrait brings together life and death in close proximity. The skull is held closely to the human's body, as if the bones now take the place of their own head. Taxidermy and preserved animal bones bring the living face-to-face with the fleeting nature of life, adding to our cabinet of curiosities. This work by Amanda Lomax conjures up thoughts of Georgia O'Keeffe and her time spent out west in New Mexico's desert landscape. Artist Commentary: Donald is a professional model, gem collector, and all around Renaissance Man. When we found this unusual skull of a three horned ram, it seemed as unique and special as he is. Sometimes we feel like facing the world head on. Sometimes we feel like presenting ourselves behind a three-horned sheep skull.

Rebecca Skinner’s “Remember” is a 12 x 18 inch metal print and is part of her “Transient” series. The color photograph of a curtain in an abandoned home gives the viewer a sense of p...

Ed. of 15 Dye infused aluminum photograph Series: Portholes, abstract realism Jami Goldman is an American fine art photographer, with over 30 years experience behind the lens. She...

Ed. of 15 Dye infused aluminum photograph Series: Portholes, abstract realism Jami Goldman is an American fine art photographer, with over 30 years experience behind the lens. She...

Ed. of 15 Dye infused aluminum photograph Series: Portholes, abstract realism Jami Goldman is an American fine art photographer, with over 30 years experience behind the lens. She...

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 20 After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin...

Hand printed by artist. Signed in pencil. Loose Print

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 25 After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin...

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 15 After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin...

Dye Sublimation Print (metal) Black & White Dress forms Mannequins 16x24 on metal - 20x30 on metal - About the artist: A computer programmer and Webmaster by trade, Paul describe...

16x24 on metal - 20x30 on metal - Dye Sublimation Print on metal Architects: Roger Ferris + Partners The Clubhouse at the BRIDGE Not so at the Bridge, a golf club principally owned...

Actually Palladium photograph - no pull down for it! Hand printed by artist Corner mounted Out dimensions 15x25" Edition 14/25 Larger Size 20x36" Edition 2/15 Printed 2014

Hand printed Palladium photograph (no pull down for that) Edition 1/15 Corner Mounted Over matted

Rebecca Skinner’s “Sink III” is an 8 x 12 inch metal print photographed at an abandoned hospital. The color photograph is of a vintage sink against a blue wall with peeling paint. Th...