Metal Photography

Not Today, Contemporary Black and White Photograph, 2021 24" 16" x 0.75" (HxWxD) Digital Print on Aluminium Hand-signed by the artist. As with the concept of memento mori, this black and white photographic portrait brings together life and death in close proximity. The skull is held closely to the human's body, as if the bones now take the place of their own head. Taxidermy and preserved animal bones bring the living face-to-face with the fleeting nature of life, adding to our cabinet of curiosities. This work by Amanda Lomax conjures up thoughts of Georgia O'Keeffe and her time spent out west in New Mexico's desert landscape. Artist Commentary: Donald is a professional model, gem collector, and all around Renaissance Man. When we found this unusual skull of a three horned ram, it seemed as unique and special as he is. Sometimes we feel like facing the world head on. Sometimes we feel like presenting ourselves behind a three-horned sheep skull.

Technique: Dye sublimation on aluminum (Gloss finish) Frame: Black Aluminium Float Frame (Matte)

"Heart Chakra" Mixed media photography 26" x 26" inch Edition 1/7 by Oleg Char Medium: UV print on Aluminum Dibond, glass neon, wood backing, metal frame. ...

Rebecca Skinner’s “Sorrow” is a 24 x 16 inch contemporary black and white photograph of a weathered cowboy boot resting on a fence in the beautiful North Dakota landscape. The framel...

Hand Printed Platinum Photograph Australian Artist Beautiful Blacks and Creamy Whites

Each series are printed in different sizes for maximum impact and collectibility. The images are processed using dye sublimation on polished aluminum sheets. Each piece is signed and...

"Wrapped Series Untitled #1C" Photography 48 x 28 in Ed. 2/10 by Robert Mack 2008 Photograph, archival exhibition paper Aluminum mount, UV mat protection ...

A sunflower reaching the end. A slow descent into a less colourful but far more sculptural state as the petals wither and crisp and the flowerhead bends slowly down. Early autumn bac...

the 12" x 24" on metal - - Edition of 5 Colorful dusk photograph printed on metal About the artist: A computer programmer and Webmaster by trade, Paul describes himself as a fine a...

Rebecca Skinner’s “Passage” was photographed in rural Pennsylvania. The yellow peeling paint in the abandoned hallway reflect the passing of time. The 18 x 12 inch color photo with s...

"Wrapped Series Untitled #1A" Photography 42x28 in Edition 1/10 by Robert Mack 2008 Photograph, archival exhibition paper Aluminum mount, UV mat protecti...

"I am primarily driven by an exploration of colour and form. My objective is to bring an emotional is to bring an emotional element and aesthetic balance to my work." "It came to me in the middle of the night - as these things often do - that to incorporate gold leaf into the finished print would neatly encapsulate some of the elements I am trying to express. Its application would obviously have to be done by hand with all its attendant imperfections and mistakes. Kintsugi - the Japanese art of patching broken ceramics with gold - shares its aesthetic with Wabi Sabi." - Valda Bailey...

Fernanda Naman Abstract Landscape #5, 2017 40 x 40 inches 100 x 100 cm Edition of 6 C-Print Gold Leaf

Rebecca Skinner’s “Break” was photographed at an abandoned china factory and is part of a series documenting the loss of industry in America. The 12 x 18 inch color photo with satin...

"Anima Rêveuse" Photography51" x 40" inch Edition 2/3 by Alina Karo "Anima Rêveuse" Printed on Aluminum - ready to hang 51” x 40” Edition 2/3 Comes with COA VOLLIPSIS series by A...

Rebecca Skinner’s “Iron” is a 18 x 12 inch metal print of a wrought iron fence. The color photograph has a satin finish and is infused directly into...

"Wrapped Series Untitled #1B" Photography Edition 1/10 42x28 in by Robert Mack 2008 Photograph, archival exhibition paper Aluminum mount, UV mat protecti...

"Blank streams of Conxiousness" Photography 47x40 in Edition of 3 by Alina Karo Alina Karo "Blank streams of Conxiousness" Aluminum 47” x 40” Edition 1/3 Comes with COA VOLLIPSI...

Supernova, 2017 Printed on museum glass, Hand gilded with White Gold and Silver leaf, Framed 61 x 61 cm (including frame) 45 x 45 cm (glass print) Edition of 5. - Although the prints...

Rebecca Skinner’s “Dream” is a 18 x 12 inch color photograph of an abandoned bedroom with stacked mattresses, peeling paint and crumbling plaster under a dusty chandelier — eerie dec...

Darkening clouds gather over the bay as Autumn approaches. Shot outside of Sag Harbor, N.Y. Printed on archival fine art paper, mounted on dibond aluminum with a float mount backin...

Rebecca Skinner’s “Inward” is a 12 x 18 inch color photograph of vines growing through a window into the interior of an abandoned building. Layers of peeling paint in green, pink and...

END OF DAY, 2017 Printed on museum glass, hand finished with White Gold and Silver leaf, Framed 52 x 43 cm (framed), 36 x 27 cm (glass image size) Edition 1/5. Although the prints ar...

Print detail: Painting like photographic Fine Art Print, Printed on Museum Glass and Hand Gilded with Gold leaf in custom made frame. 41 x 57 cm (Framed) Glass Print from Edition of 1/5 Series: Blossom Blizzard (New Print on Glass edition 2022) About the work: "Despite T.S. Eliot's assertion that 'April is the cruellest month', I invariably feel a sudden surge of wellbeing and optimism when the first scent of spring hangs in the air. I know I'm far from alone in this - photographers and artists surely feel that sense of excitement as keenly as any gardener eagerly rifling though their seed packets. Mother Nature, it seems, is handing us our images on a plate. The light is soft and benign, the colours, gentle, and the countryside seems to suddenly be filled with boundless enthusiasm. Quotes such as 'Spring is nature's way of reminding us that every day is worthy of celebration' pop up on social media with unfailing regularity - long before the first cuckoo is heard. This image was taken at Stanmer Park, just outside of Brighton. A blustery day in early April, the air was filled with the sweet smell of April and the profligacy and exuberance of the new growth emerging was inspirational. Blossom-laden branches were everywhere but I concentrated on one small tree that stood apart from the rest. For reasons unclear, its tiny flowers seemed whiter, fluffier, altogether more generous than that of any of its neighbours. It was bitterly cold. The type of cold that can only be experienced when one has left home in overly optimistic clothing, only to realise that the wind chill factor hadn't been accounted for when getting dressed. I struggled on for about half an hour - reluctant to retreat to the warmth of the nearby cafe and the very enticing appeal of a cup of coffee. Fortunately, my inspiration came quickly - as the tiny petals blew around my head and I stood there shivering in all my reckless optimism, I realised it felt like nothing more than being encased in one of those half-domed snow globes. The fiercest blizzard was surely never this intense. I certainly couldn't imagine it ever being this cold. Photographic perfection is not my objective. Its obedient conformity initially attracts, but, for me, leaves little enticement to investigate further. So it was that the tangled complexity of branches and the disparate arrangement of blossom engaged, rather than frustrated my aspirations. By layering image upon image, frame upon frame, I was able to build up the layers of blossom and emphasise the movement of the branches. All photographic images represent a moment in time. The way I make my images combine several. I walked around the tree, back and forth trying to engage with the long-limbed gaucheness of its extended branches. The colour palette needed little intervention; I don't think anybody makes a paint called 'blustery blue' but perhaps they should. This contrasted beautifully with the jade and emerald grass, subsequently overlaid with soft white snowflakes and created, what for me, was a very pleasing and fresh arrangement of seasonal colours." - Valda Bailey

Sabi Sand Game Reserve is my favorite game reserve in Africa. Very famous with their big cats, especially the leopards. Very difficult to find in other game parks, I was able to see...

The Sweet Blasts! Portfolio represents my own apprehension with our intersections of technology with natural systems. The series is not meant to be anti- or pro- anything. In my mind, it encompasses everything from genetic manipulations to cyber connectivity. Our impact on processes and evolutions that have been tested and processed over millennia are now being altered at a violent pace. And, our solutions to the problems that we are solving immediately will ultimately have an impact that will be felt far into the future. Yet, violent change is not new and is a part of the galactic system...

Black & White portrait, shot in an abandoned building in a nature preserve, Long Island, NY. Fine art photo mounted on di-bond aluminum. Custom printing/mounting/framing options av...

The side of a ship docked in the autumn light at Pier 6, Brooklyn, NY. Printed on high quality fine art paper mounted on dibond aluminum, with a float mount backing. Available in a...

Sophie Calle (born 1953) is an internationally acclaimed French contemporary artist. Highly conceptual in her approach, Calle's projects often begin with material from her personal ...

This unique object features a wet plate collodion print framed in a handmade wooden frame lined with gold leaf. Frame measures 12 by 9 inches. Cecilia Montalvo & Charlie McCullers a...

Rebecca Skinner’s “Circumstance” is a 12 x 18 inch color photograph is of a piano in a state of decay in a domestic setting with warm tones of peach and green. The print has a satin ...

June Melody, 2017 Printed on museum glass, hand gilded with White Gold and Silver leaf 61 x 61 cm (including frame), 45 x 45 cm (glass size) Edition of 5 (Each individually hand gild...

Albert's Square is a limited edition photograph by Nancy C. Woodward. This is a dye sublimation print on Aluminum, 30x30 with a white, flush back frame. It is filled with Gold, White and Brown colors. It is $2,500. This is an edition of 30. It was originally photographed in 2012. Nancy C. Woodward is an award winning photographic and mixed media artist. Her shadow portraits, colorful trees and ethereal landscapes depict unique views of the natural world. Nancy photographs moments when the natural world appears changed. Through experimenting with different color palettes, papers, fibers, mediums and surfaces, she brings new realms into view. Ms. Woodward has a studio along with twenty other working artists, at Firing Circuits Artist Studios in Norwalk, Connecticut. She was an Artist in Residence at Silver Lake Conference Center in Sharon, Connecticut for ten years. She is a member of the Ridgefield Guild of Artists, The Katonah Museum Artists...

Autumn Pond reflection outside of Sag Harbor, N.Y. Printed on archival fine art paper, mounted on dibond aluminum with a float mount backing. Available in a wide variety of custom s...

Rebecca Skinner’s “Home” is a 18 x 12 inch metal print and is part of her “Transient” series. The color photograph is of a vintage living room with yellows and whites at an abandoned...

Rebecca Skinner’s “Workspace” was photographed at an abandoned lace factory and is part of a series documenting the loss of industry in America. A desk and chair sit in a vast space....

Rebecca Skinner’s “Disorderly” is a 17 x 11 inch metal print of a graffiti covered chalkboard in a classroom at an abandoned school. The color photograph is mostly earth toned with a...

Impressionistic photo of an autumn sunset reflected in tidal flats at low tide. Shot in Glen Cove, Long Island. Printed on archival fine art paper, mounted on dibond aluminum with ...

Summer rapidly fades, making way for autumn. Shot outside of Sag Harbor, N.Y. Printed on archival fine art paper, mounted on dibond aluminum with a float mount backing. Available in...

Rebecca Skinner’s “Simple Chair” was photographed at an abandoned state hospital and is part of her “Forgotten” series raising mental health awareness. Bl...

Rebecca Skinner’s “Erosion #5” was photographed on the shoreline of Lake Champlain in Burlington, Vermont. The textural beauty is natures own art form. The 24 x 16 inch black and whi...

This contemporary figural limited edition photograph by Alyssa Fortin is a reinterpretation of the mythological story of Asopus' beautiful daughters who were abducted by gods to beco...

Rebecca Skinner’s “Worn 2” is a 18 x 12 inch metal print and is part of her “Transient” series. The color photograph is of yellow wallpaper in a state...

Rebecca Skinner’s “Crumbling” is a 20 x 30 inch abstract metal print. The color photograph is part of her “Transient” series. The peeling paint with colors of green, blue and peach h...

Ed. of 15 Dye infused aluminum photograph Series: Portholes, abstract realism Jami Goldman is an American fine art photographer, with over 30 years experience behind the lens. She...

Rebecca Skinner’s “Scale” was photographed at an abandoned silk mill and is part of a series documenting the loss of industry in America. The 18 x 12 inch black and white photo with ...

Rebecca Skinner’s “Spools” was photographed at an abandoned silk mill and is part of a series documenting the loss of industry in America. The 12 x 18 inch close-up color photograph ...

Rebecca Skinner’s “Wheels” was photographed at an abandoned silk mill and is part of a series documenting the loss of industry in America. The 12 x 18 inch black and white close-up o...

Rebecca Skinner’s “Finished Business” was photographed at an abandoned lace factory and is part of a series documenting the loss of industry in America. T...

Rebecca Skinner’s “Waning” is a 20 x 30 inch metal print and is part of her “Transient” series. This color photograph is of an electrical outlet in a...

Rebecca Skinner’s “Fallen” was photographed at an abandoned china factory and is part of a series documenting the loss of industry in America. A white cup lays beside the red fall br...

In this new series Mercado utilizes canvas in big format as a medium to intervene Jack Delano's photographs of Puerto Rican agriculture workers he documented for the FSA in the 194...

Cosmos I, Pink and White Gold leaf on Glass, 2019 Archival Pigment Print on Museum Glass, Hand Gilded with Pink Gold and White Gold leaf 31 x 31 cm/ 12.2 x 12.2 in (Framed) From Edi...

The beach at dusk in Tulum is an endlessly changing palette of pastels. Fine art photo mounted on di-bond aluminum. Custom printing/mounting/framing options available upon request.

Cosmos III, Moon and Pink Gold leaf on glass, 2019 Archival Pigment Print on Museum Glass, Hand Gilded by the Artist with Moon Gold and Pink Gold 31 x 31 cm/ 12.2 x 12.2 in. Framed E...

Black & White Photo on Metal of Mecox Bay. Long Island Medium: Photography (printed on metal) Size: 30" x 20" (larger sizes available - inquire within) Made to Order About the Artist: A computer programmer and Webmaster by trade, Paul describes himself as a fine art photographer and a “digital manipulator.” His keen vision captures ordinary details from daily life and transforms them into images of beauty and wit, filled with contrasting shapes and effects. Paul’s current series of abstract work focuses on macro images of nature combined with additional exposures of ice, snow, sand, and sky. These futuristic scenes, inspired by the writings of Kurt Vonnegut...

Rebecca Skinner’s “Cold Keys” was photographed in an abandoned train repair yard. The 12 x 18 inch black and white metal print is of piano keys with bits of ice keeping it cool. The ...

Underwater nude shot from above a small cenote in Tulum, Mexico. Other size prints, framing options and print methods (such as fine art paper or face mounted plexiglass) available up...

Platinum-palladium print. Signed and numbered '2/6' in pencil. Limited edition of 6 + AP. Printed 2018. On japanese Gampi.

Rebecca Skinner’s “Book Beauty I” is a 20 x 30 inch metal print of plant life growing on books left to decay in a deserted school. The color photograph with hues of green and blue is...