Metal Photography

Rebecca Skinner’s “Resting” was photographed in an abandoned mill and is part of a series documenting the loss of industry in America. A vintage couch sits among a pile of debris as ...

Rebecca Skinner’s “Collection #3” was photographed at an abandoned silk mill and is part of a series documenting the loss of industry in America. The 12 x 18 inch photo with satin fi...

Rebecca Skinner’s “Forgotten Beauty” was photographed in Northern Vermont. The landscape color photo is of a vintage bus and weathered barn. The 10 x 30 inch panoramic with satin fin...

Rebecca Skinner’s “Thread” was photographed at an abandoned silk mill and is part of a series documenting the loss of industry in America. The 18 x 12 inch black and white photo with...

Rebecca Skinner’s “Rusted Web” is part of a her "Texture" series taking an up close look at rusted and/or weathered metal. With tones of yellow and orange, this 18 x 12 inch abstract...

Rebecca Skinner’s “Time Stands Still” was photographed at an abandoned paper mill and is part of a series documenting the loss of industry in America. The 20 x 30 inch black and whit...

"Chanel Beach, Spring/Summer 2019, Le Grand Palais, Paris" color C-print by fine art fashion photographer Simon Procter depicts Karl Lagerfeld waving t...

Rohina Hoffman's sumptuous and intimate images are part of her project Generation 1.75. These images are part of her 2023 book "Embrace" published by Schilt Publishing. Larger image...

Rohina Hoffman's sumptuous and intimate images are part of her project Generation 1.75. These images are part of her 2023 book "Embrace" published by Schilt Publishing. Larger image...

Pilings at beach. Black and white. Dye sublimation on aluminum. Floats in sleek white contemporary wooden frame. Limited Edition of 10. Matte Finish gives the piece a painting...

Driftwood at beach. Black and white. Dye sublimation on aluminum. Floats in sleek white contemporary wooden frame. Limited Edition of 10. Matte Finish gives the piece a painting feel. About the Artist: Keith Ramsdell...

Once Was by Marcy Palmer presents a small bouquet of flower buds, illuminated in a background of gold. This photograph is made of 24k gold leaf on vellum ...

Edition of 9 C-Print White Vynil

"Scintillating Scotoma" Photography 47" x 40" inch Edition 2/3 by Alina Karo "Scintillating Scotoma" Original fine art photography by Alina Karo Printed on Aluminum 47” x 40” Edi...

"Echoes No.07" Abstract Photography 40" x 40" in Edition of 20 by Giuliano Bekor Original fine art photography by Giuliano Bekor Signed and numbered by the artist Printed on fujifl...

This unique object features a wet plate collodion print framed in a handmade wooden frame lined with gold leaf. Frame measures 12 by 9 inches. Cecilia Montalvo & Charlie McCullers are a collaborative team. Characterized by the dynamic nature of the land-sea interaction, barrier islands are places with many shape narratives, and inversions. A barrier island is ephemeral, an instance of simultaneity, above and below what we call the surface. Mangroves straddle these mirror worlds, walking on water, making something out of nothing. Light rushes through every keyhole and seam in palm forest...

This is a series of photography of California, USA, from various photographers. We highlight the various aspects of California: its raw, natural beauty, with its vast expanse of land, clear blue sky and natural light. It is also a metropolis, given to a sense of freedom – to love and re-invent yourself as you please. It is also ancient land – land where dinosaurs roamed, Native Americans called home, Spanish explorers charted its land for more discovery of this gem. In modern times, environmentalists and residents fought to protect the land, setting landmarks in environmental and consumer protection. California leads the nation in many ways- the first to lend itself to causes: the freedom to love whomever and be whomever we want, welcome new peoples with warmth and entrepreneurship, be at the forefront of clean energy, invent new technology that changes the way the world lives and work, and the protection of our Earth. It is La La Land...

In this new series Mercado utilizes canvas in big format as a medium to intervene Jack Delano's photographs of Puerto Rican agriculture workers he documented for the FSA in the 1940...

In this new series Mercado utilizes canvas in big format as a medium to intervene Jack Delano's photographs of Puerto Rican agriculture workers he documented for the FSA in the 1940...

In this new series Mercado utilizes canvas in big format as a medium to intervene Jack Delano's photographs of Puerto Rican agriculture workers he documented for the FSA in the 1940...

Fernanda Naman Abstract Landscape #6, 2017 40 x 40 inches 100 x 100 cm Edition of 6 C-Print Gold Leaf

Carduus Nutans Sways by Marcy Palmer presents a small gathering of musk thistles, illuminated in a background of gold. This photograph is made of 24k gold...

This is part of a limited edition series. Dye Sublimation Solorized Aluminum Prints mounted on EuroFrame 26 × 20 × 1 1/2 in 66 × 50.8 × 3.8 cm Frame included Editions 1-5 of 5 Maureen J...

Katie Hallam Outnumbered Limited Edition Digital Photograph Edition of 75 Size of Artwork: H 60cm x W 40cm x D 2cm Sold Unframed Please note that in situ images are purely an indicat...

This one depicts a Planetary assemblage with small watch parts (metal wheels) collaged on to it. It is titled Josias Astronomical Clock SIMONS, Vera (1920 - 2012) Vera Habrecht Simon...

Stayed by Marcy Palmer presents a collection of flowers, illuminated in gold. This photograph is made of 24k gold leaf on vellum with an archival UV varni...

That Luscious Day by Marcy Palmer presents a carnation flower surrounded by petals and leaves, bathed in gold. This photograph is made of 24k gold leaf on...

Hand printed Palladium photograph (no pull down for that) Edition 1/15 Corner Mounted Over matted

Fernanda Naman Fenix #14, 2016 40 x 40 inches 100 x 100 cm Edition of 9 C-Print Gold Leaf

Edition of 9

Fernanda Naman Abstract Landscape #3, 2017 40 x 40 inches 100 x 100 cm Edition of 6 C-Print Gold Leaf

17.5x13.5x1
Stained Glass, Metal Print, Wood Frame
Mixed Media Art – Fine Art Photography Meets Fine Craft Mosaic-Stained Glass Frame
$3299.00 My award-winning Photozaics blend the ...

"Wrapped Series Untitled #42" Nude Fine Art Photography 1/10 by Robert Mack 2019 Photograph, archival exhibition paper Aluminum mount, UV mat protection 4...

Fernanda Naman 4 Elements, IV 60 x 40 inches Edition of 9 Chromogenic Print - Gold Leaf

Cristian Stefanescu Monochromatic #03 Black and White Abstract Geometry, Limited Edition Digital Photograph Edition of 30 Artists Proofs 3 Ultra HD Photo Prints On Aluminium Dibond developed on matte Fuji Crystal Professional Archive Maxima photo paper. The matte surface prevents glare; surfaces are laminated with a UV protective film that makes them resistant to light. Image Size: 60 cm x 90 cm x 2 cm Sold Unframed Arrive Ready to Hang (integrated wall-mounts on the back using aluminium rail rectangle) Free Shipping Please note that in situ images are purely an indication of how a piece may look. Monochromatic #03 is part of a series of photographs entitled Monochromatic by Cristian Stefanescu. This black and white abstract geometry series is presenting a dialogue with the elements of perceptions and space. Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs. I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. Cristian Stefanescu, artist, is available for sale online and in our art gallery at Wychwood Art. Oxford based artist Cristian Stefanescu was born in 1968 in Bucharest. He obtained an MSc degree in 1992 at the Technical University of Construction Bucharest, specialisation in Water and Wastewater Treatment followed by the second MSc in 1994 obtained at University of Liège, specialisation in Groundwater Engineering. After having spent more than a decade of his life teaching at the Technical University of Construction Bucharest, Cristian moved from academia to photography working in fashion industry. The passion for photography developed in the early years of college and became a constant element of his life. After long and constant collaborations with fashion brands in Romania, in 2018 Stefanescu moved to London to open his own studio. Photography was born black and white and he chose to continue this tradition, while working on evolving the visual aesthetics of this raw art form rendering his believes. Cristian Stefanescu’s distinctive monochrome photographs are an exploration into the psychological and metaphysical. He captures nature or buildings in specific moments in time – through highly visual heartbreakingly dark images often overlapped with low-contrast minimal landscapes – to create works that stretch the idea of a hypothetical time. His photo installations exist in dialogue with the elements and perceptions of space and time. “Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs.” he has said. “I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. This is perhaps why I love photography, because it is simply a visual capture of something already created in the world and is always changing through our interpretation, it is more like a reflexion of our thoughts.” Always preferring to focus on the space rather than its subjects Stefanescu is obsessive about the contrast of his photography, in order to channel the intensity of light and texture of the storied buildings or nature elements. He documents concrete buildings, using the subject as representative for its physical referents, while considering metaphorically the world as the concrete representation of our emotions. Concrete thinking requires facts and representation about everyday life, palpable objects in a tree dimensional world. Stefanescu uses his photographs to deconstruct and alter reality in order to obtain abstract images, since by definition the abstract thinking involves a mental process and an abstract object does not exist in time or space, but rather exists as a thought, as an idea. “I use art in a reversed process of creation. I believe thought forms what our eyes can see, so I take what was already created by the thought of another and I try to place it back into what is known forever in the mind” he has said. Cristian Stefanescu believes in the energy of every being, of each object or nature element. He upholds that photography renders the ineffable combination of the object’s energy and the photographer’s one while taking a picture. And what is the energy of a photograph? Is it the energy of the space that is framed in the viewfinder, is it the energy of the photographer? I think it is an ineffable combination of the photographer’s energy when he pressed the shutter button and everything that forms the energy of the photographed space...

Orlando Azevedo Cosmica #4, 4 Elements, Earth, 2012 Dye Sublimation on Aluminum, Framed 40 x 40 inches Edition of 7

This is a new series of photography of land art depicting Earth and its land forms taken from the air. This series of aerial photography captures Earth's beauty taken in remote lands...

Ed. 4/15 Dye infused aluminum photograph Series: Portholes, abstract realism Jami Goldman is an American fine art photographer, with over 30 years experience behind the lens. She ...

Fernanda Naman Abstract Landscape #8, 2017 40 x 40 inches 100 x 100 cm Edition of 6 C-Print Gold Leaf

"TIME TA25" (FRAMED) Photography 72" x 48" inch Edition 2/4 by Giuliano Bekor Original fine art photography by Giuliano Bekor Signed and numbered by the artist Title: Time TA25 Year: 2018 Print size: 72" x 48" Inches Artwork finished size: 73" x 49" Inches Limited edition 2 of 4 Artist proof: 2 Medium: The artwork is printed on the highest resolution museum-quality polished aluminum with a high-gloss finish. Infusing dyes directly into specially coated aluminum sheets The waterproof scratch-resistant surface hygienic and durable medium. Comes in a custom gallery-style floater frame in a semi-gloss silver-face finish. Comes with a heavy-duty wooden liner float mount hanger. This artwork comes with two customizable time zone clocks...

AP, infused dye sublimated on aluminum. Includes flush-mounted frame. "Hydrangea Petal" is from Joyce Tenneson's Radiant Beings series from 2021 which emphasizes her interactions w...

Elegant Petals by Marcy Palmer depicts a golden stem with budding flowers emerging from a dark background. This photograph is made of 24k gold leaf on vel...

Actually Palladium photograph - no pull down for it! Hand printed by artist Corner mounted Out dimensions 15x25" Edition 14/25 Larger Size 20x36" Edition 2/15 Printed 2014

LB07 Photography 60" x 40" inch Edition of 4 by Giuliano Bekor Print size 40x60 Inches Artwork finished size 42x62 Inches Limited edition 1 of 4 Artist proof 2 Medium: This artwo...

Platinum/Palladium (there was no pull down for this) Print Date 1996 Hand printed by artist Edition 5/25 Outer dimensions 15x25" Corner Mounted

Platinum/Palladium (there was no pull down for this) Print Date 2014 Hand printed by artist Edition 1/15 Corner Mounted Outer Dimensions 28x32"

Ed. 7/15 Dye infused aluminum photograph Series: Portholes, abstract realism Jami Goldman is an American fine art photographer, with over 30 years experience behind the lens. She ...

Albert Bridge, Aluminium By Michael Wallner [2019] limited_edition Brushed aluminium Edition number 25 Image size: H:50 cm x W:135 cm Complete Size of U...

"Karmakaos" Figurative Photography 50 x 40 inch Edition 2/3 by Alina Karo "Karmakaos" from VOLLIPSIS series by Alina Karo Printed on Aluminum 50” x 40” Edition 2/3 VOLLIPSIS ser...

"LIPS - L682" Lenticular photo 40"D Edition 3/8 by Giuliano Bekor 40" x 40" x 1.5" inch This art work is printed on the highest resolution archival fine art 3D Lenticular paper. P...

"Modernismo 49" Photography 40"x40" inch Edition of 20 by Giuliano Bekor Archival pigment print mounted on dibond. Custom frame comes with non-reflective museum plexiglass MODERNISSIMO series Modernismo was conceived between 2012 and 2014 as a series of pure photography, marrying elements of the historical pop art movement and raw, undulating forms of the human body. Patterns become the focal point as lines of the body become the canvas. Rooted in high fash- ion, Modernismo celebrates optical illusion coupled with vibrant color, within a unique and malleable interpretation. Bekor focused on creating a series of intrigue and minimalism, working with classical elements of black and white photography and playing on the vulnerabilities of his subject matter. Images composed of unique lighting, contrasting colors, and bare skin evoke drama and sensuality within the series. ABOUT THE ARTIST Internationally recognized photographer, Giuliano Bekor, holds a portfolio that includes work from the realms of fashion, beauty, celebrity, advertising, and fine art. Giuliano’s photography has been featured in top publications around the globe, and his client list includes an endless file of beauty industry leaders, advertising agencies, celebrities, producers, and artists. With 30 years in the industry, Giuliano has perfected his craft to an exceptional level of expertise. Composed of light, color, space and form, Giuliano brings ideas conceptualized in his own imagination into reality throughout his work. Currently living between New York and Los Angeles, Giuliano is often on the move traveling for work and inspiration. Always the restless visionary, he ceases to continually express his fresh and nuanced style. For Giuliano Bekor, a photograph is an image that comes into being consciously, composed of light, color, space and form. Like a painter, he sketches, refining ideas through pen and pencil well before the shutter clicks. A camera is strictly a means to an end, a way of making a palpable visual record of an idea that gestates in his mind, gains shape by his hand, and resolves through his eye as it peers through the lens. His subject is the human body, almost always nude. These images delve into the splendor of the body - how it can express the inner meaning of who we are. Limbs, torsos, muscles and bones are exposed as though carved out of a supple, glowing stone that flexes and twists. Many of these photographs feature subjects posed with the eyes obscured, the face covered. If we look closely, Bekor says, we can see that the body is as much a window into the soul as the eyes. This is a gallery of the soul etched into the forms we assume in the physical world. Through exaggerated contrast between light and dark, smooth and textured, vaporous and tactile, Giuliano deliberately filters the extraneous. The camera captures the image, but for Bekor each exposure is a transformation - of himself, his subjects, and us. He is digging into uneasy turf, fraught with tension: masculine/feminine, heroic/cowardly, shameless/shameful, eternal/fleeting. The intensity of detail, the fiercely exquisite perfection of the bodies themselves, the unflinching, scrupulous engagement of the lens, negates all pretense of politeness. Confronted, we are summoned to look. So we must. And we do. And we experience the beautiful human forms we inhabit and the silent, eloquent language they speak. EXHIBITION HIGHLIGHTS Giuliano Bekor’s most recent fine art photography solo shows include: 2019 - March Lips The cool HeArt...

Katie Hallam Blue Haze Limited Edition Digital Photograph on a metal backing and does not need framing. It is mounted securely and ready to hang on a wall. ...

"Taming The Beast N3" Photography 30" x 40" inch Ed. 2/10 by Viktorija Pashuta 2017 Ready to hang Latvian born Viktorija Pashuta is internationally published and award winning fashion and art photographer gaining momentum and notoriety in Southern California. With visual cues rooted in dance and music, and fashion passion stemming from her European upbringing, her images are sensual, sultry, yet powerful. Viktorija’s work is known for so called ‘color therapy’ – where she uses saturated and vibrant colors to achieve the effect of fashion surrealism. Her images are very feminine and empowering at the same time to celebrate the essence of a woman. Her work has been published in such magazines as RUNWAY (USA), GQ, Esquire, VISION (China), Prestige International (France), Essence (USA), Estetica (USA), Nylon Guys, Vogue (Italia), Tchad (Canada), Fashizblack (France), Highlights (UK), CULTURE (Australia), shooting celebrity covers for Healthy Living Magazine, Runway, Orlando Style, Justine and more. Her celebrity work includes Paris Hilton, Kathy Griffin...

limited_edition PHOTOGRAM Archival Chromagenic Photographic Print Edition number 12 Image size: H:100 cm x W:77 cm Complete Size of Unframed Work: H:100 cm x W:77 cm x D:2.5cm Frame...

"Wrapped Series Untitled #2" Photography 34x23 in Edition 1/10 by Robert Mack 2008 Photograph, archival exhibition paper Aluminum mount, UV mat protectio...

"Modernismo M32" Pop Art Photography 48"x48" in Edition of 12 by Giuliano Bekor Archival pigment print mounted on dibond. custom frame comes with non-reflective museum plexiglass ...

Ed. of 10, includes thin black frame. Debranne Cingari is a well-established American photographer and assemblage artist. Cingari is known for her explorative and boundary breaking artistic approach where she combines photographic images with assemblages of various artifacts. She often combines the two genres into text reliefs and cityscapes. With a background in photojournalism and a hobby of collecting random, assorted objects, Cingari introduces found items such as keys, locks, and book pages into her photographs, welding, drilling, screwing, gluing, and sewing them to the images. Such amalgamated compositions give new meaning to old objects...

Cristian Stefanescu Monochromatic #03 Black and White Abstract Geometry, Limited Edition Digital Photograph Edition of 30 Artists Proofs 3 Ultra HD Photo Prints On Aluminium Dibond developed on matte Fuji Crystal Professional Archive Maxima photo paper. The matte surface prevents glare; surfaces are laminated with a UV protective film that makes them resistant to light. Image Size: 60 cm x 90 cm x 2 cm Sold Unframed Arrive Ready to Hang (integrated wall-mounts on the back using aluminium rail rectangle) Free Shipping Please note that in situ images are purely an indication of how a piece may look. Monochromatic #02 is part of a series of photographs entitled Monochromatic by Cristian Stefanescu. This black and white abstract geometry series is presenting a dialogue with the elements of perceptions and space. Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs. I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. Cristian Stefanescu, artist, is available for sale online and in our art gallery at Wychwood Art. Oxford based artist Cristian Stefanescu was born in 1968 in Bucharest. He obtained an MSc degree in 1992 at the Technical University of Construction Bucharest, specialisation in Water and Wastewater Treatment followed by the second MSc in 1994 obtained at University of Liège, specialisation in Groundwater Engineering. After having spent more than a decade of his life teaching at the Technical University of Construction Bucharest, Cristian moved from academia to photography working in fashion industry. The passion for photography developed in the early years of college and became a constant element of his life. After long and constant collaborations with fashion brands in Romania, in 2018 Stefanescu moved to London to open his own studio. Photography was born black and white and he chose to continue this tradition, while working on evolving the visual aesthetics of this raw art form rendering his believes. Cristian Stefanescu’s distinctive monochrome photographs are an exploration into the psychological and metaphysical. He captures nature or buildings in specific moments in time – through highly visual heartbreakingly dark images often overlapped with low-contrast minimal landscapes – to create works that stretch the idea of a hypothetical time. His photo installations exist in dialogue with the elements and perceptions of space and time. “Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs.” he has said. “I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. This is perhaps why I love photography, because it is simply a visual capture of something already created in the world and is always changing through our interpretation, it is more like a reflexion of our thoughts.” Always preferring to focus on the space rather than its subjects Stefanescu is obsessive about the contrast of his photography, in order to channel the intensity of light and texture of the storied buildings or nature elements. He documents concrete buildings, using the subject as representative for its physical referents, while considering metaphorically the world as the concrete representation of our emotions. Concrete thinking requires facts and representation about everyday life, palpable objects in a tree dimensional world. Stefanescu uses his photographs to deconstruct and alter reality in order to obtain abstract images, since by definition the abstract thinking involves a mental process and an abstract object does not exist in time or space, but rather exists as a thought, as an idea. “I use art in a reversed process of creation. I believe thought forms what our eyes can see, so I take what was already created by the thought of another and I try to place it back into what is known forever in the mind” he has said. Cristian Stefanescu believes in the energy of every being, of each object or nature element. He upholds that photography renders the ineffable combination of the object’s energy and the photographer’s one while taking a picture. And what is the energy of a photograph? Is it the energy of the space that is framed in the viewfinder, is it the energy of the photographer? I think it is an ineffable combination of the photographer’s energy when he pressed the shutter button and everything that forms the energy of the photographed space...

Hand Printed Platinum Photograph Australian Artist Beautiful Blacks and Creamy Whites

A stunning photograph of light. Hand printed by the artist. Edition 3/15 Gum Bichromate over Platinum / Palladium