C Print Portrait Photography

"Palm Springs Party, 1970" is a beautiful Limited Edition Estate Stamped Digital C-Type print from 20th Century photographer Slim Aarons. This Portrait by Swimming Pool at Kaufmann...

Love (The Princess and her Lover) part of the 29 Palms, CA project - 2007, Edition of 1/10, 20x24cm. Digital C-Print based on the Polaroid. Not mounted. Signature label and Cer...

Sundowner Tropical Fashions by Swimming Pool in Bermuda, as a female bather sips a cocktail by the limpid pool water 16 x 20" print. Limited Edition Estate Stamped Print. Edition of...

Poupée, 2020 50x50cm, Edition 1/7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inventory - PL2020-869. ...

Morning Glory (Till Death do us Part) - 2005, 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Certificate and signature label. Ar...

Snowmass Picnic, 1967 - Skiers on Snowy Slopes at Aspen in Colorado in America 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. "Snowmass Picnic...

Bob Dylan, taken in 1966 by Art Kane Art Kane, a huge Bob Dylan fan, cornered an uncooperative Dylan on the rooftop of the CBS records building in Los Angeles to get his shot for Mc...

Belles of Shoreditch, Richard Heeps photograph taken backstage at the London Burlesque event The Whoopee Club. Richard Heeps became well-known for his Burlesque Photography after he...

My Girl (Till Death do us Part) - 2005, 20x20cm, Edition of 10, plus 2 Artist Proofs, Digital C-Print, based on a Polaroid. Certificate and Signature label. Artist Inventory #9506...

Wild Things (Till Death do us Part) - 2005, 20x24cm, Edition of 10, plus 2 Artist Proofs, Digital C-Print, based on a Polaroid. Certificate and Signature label. Artist Inventory #...

Catherine Wilke, 1980 - Bronze Model Poses Drinking Cocktail by Sunbathers by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later Please...

On the Run (Till Death do us Part) - 2005, 24x20cm, Edition of 10, plus 2 Artist Proofs, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventor...

Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection. Please bear in mind that all prints are produced t...

Wild Things (Till Death Do Us Part) - 2005, 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Invent...

Part of Richard Heeps 'Man's Ruin' Series, this was shot in Bakersfield, California two years after, he photographed Wendy Resting, they make a great pair. This artwork is a limited...

Terry O’Neill is one of the twentieth century's most accomplished and collected photographers, whose work hangs in national galleries and private collections around the globe. Since ...

Please bear in mind that all prints are produced to order. Lead times are expected between 15-20 days. 'Grace' is a stunning C-Type print by contemporary British photographer Tim Flach available in this size in Edition 3/10. Flach has mainly become renown for his highly stylized animal portraits, which are far removed from traditional wildlife photography...

The Rolling Stones "Mick Feeding Goat" - Outtake from the famous photo shoot of The Rolling Stones for their Beggars Banquet album at Sarum Chase mansion, ...

Tranquility - 2019, 20x20cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid, not mounted. Signed on the back and with certificate. Artist in...

Fine art print of Elvis Presley "Love Me Tender" from the collection of acclaimed photographer. Lynn Goldsmith, taken in 1956 These prints are 16x20" open edition and come with full...

Stefanie Schneider's Mini The Girl IV (The Girl behind the White Picket Fence) - 2016 signed in front, not mounted. Digital Color Photographs based on the Polaroids. Polaroid sized...

Runaway Ride - The Getaway (The Last Picture Show) - 1999 40x40cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist Inventory #345. ...

American model Jean Patchett photographed in Paris wearing a Jean Dessès evening gown. American Vogue magazine April 1, 1950. Paris Drama, 1950 C print Estate stamped and numbered e...

Once we were Warriors (Stage of Consciousness) - 2007 from the 29 Palms, CA project. 58x56cm, Edition 1/5. Analog C-Print hand-printed by the artist, based on a Polaroid. Certifi...

David Bowie, "Watch That Man I", 1973 by Masayoshi Sukita Signed limited edition large format print, number 8/10. Framed with complimentary silver...

Signed limited edition print Robert Plant of Led Zeppelin at a Runaways show in LA 1978. Plant pictured here with Cherie Currie and Joan Jett of The Runa...

16" x 20", signed limited edition print of David Bowie by Masayoshi Sukita. Taken at RCA Studios, New York, 1973. As featured in the new movie, Moonage Daydream. This print is also ...

Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection. Please bear in mind that all prints are produced t...

Stefanie Schneider Polaroid sized unlimited Mini 'Fairy (Heavenly Falls)' - 2016 - signed in front, not mounted. 1 Archival Color Photograph based on the original Polaroid. Pola...

Signed limited edition print of Debbie Harry by Barry Schultz. Taken backstage at a Blondie show at the Starwood Club, Los Angeles in 1978. Available in three sizes: 16” x 20” - Sig...

'Tales of Bitter Doom' complete series, 25 pieces Edition of 7, 30x30cm each, complete 150x150cm plus spaces, 2018 digital C-Prints, based on a Polaroids mounted on Dibond - gloss ...

Daisy and Austen in front of Trailer (Till Death do us Part) - 2005 Proof b4 Printing / 128x125cm signed, analog C-Print, hand-printed by the artist, based on the Polaroid, signed ...

The Princess and her Lover, 2007 Edition of 10, 20x24cm, digital C-Print based on a Polaroid. Signature label and Certificate. Artist I...

Norman Parkinson captures Apollonia van Ravenstein wearing YSL in Barbados. Vogue, July 1973 Apollonia wearing YSL in Barbados. Vogue, 1973 C print Estate stamped and numbered editi...

Digital C-print Stamped and numbered, verso 20 x 24 inches (Edition of 10) 30 x 40 inches (Edition of 5) 50 x 60 inches (Edition of 3) This photograph is offered by ClampArt, loc...

Dayworker (American Depression), diptych - 1999 Edition of 10, plus 2 Artist Proofs. 58x57cm each, 58x122cm installed including an 8cm gap in between both pieces. 2 analog C-Prin...

From the Hip, 2020 50x50cm, Edition 1/7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inventory - PL2020...

For the 1994 Pirelli Calendar shot on the Paradise Island in the Bahamas, photographer Herb Ritts set out to capture in a series of nudes what he called “the gentle innocence” of Kat...

Something (Till Death do us Part) - 2005 40x40cm, Edition of 10. Archival C- Print, based on the Polaroid. Certificate and signature label. Artist inventory number: 9445. Not mou...

Slim Aarons Estate Print - Squaw Valley Snow - Oversize Snow covers the deserted cafe in Squaw Valley, California, January 1961. (Photo by Slim Aarons) Chromogenic print paper size 30 x 20" inches / 76 x 51 cm unframed printed later edition size 150 only certificate of authenticity supplied numbered in ink & blind embossed stamped Slim Aarons signature on front Authorised and issued by the Slim Aarons Archive & Estate c/o The Getty Archive London England and produced utilizing the original transparency. winter snow snowy cafe restaurant dining chair...

Signed Ricky Powell Photo of Keith Haring and Andy Warhol: Medium: C print. 1986. Dimensions: 8x10 inches. Good overall vintage condition. Minor signs of handling. Small corner loss...

Museum quality fine art print of David Bowie smoking a cigarette in the Scary Monsters Clown costume from the official Duffy Archive. Taken from the original negatives, these offici...

Always Sometimes, 2020 50x50cm, Edition of 7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inventory - P...

Kate Moss Supreme New York: In 2012, Moss was chosen as the face for Supreme’s spring campaign. Kate’s cold stare down British photographer Alasda...

Monaco Grand Prix, 1973 - Monaco Grand Prix Formula One Racer Francois Cevert by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. Mo...

150,000 Dollars (The Princess and her Lover) - 2007 part of the 29 Palms, CA project. Edition of 10, 20x24cm. Archival C-Print, based on the Polaroid. Signature label and Ce...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft, or the creation of avatars are also interesting worldwide phenomena of virtual realities that are not only relevant for children and teens. So when a middle-aged Berlin photographic artist (like Christian Rothmann) chooses to study 120 toy robots with great difference in form, it represents a journey back to his own childhood - even if at the time, he played with a steam engine rather than a robot. Once batteries had been inserted, some of the largely male or gender-neutral robots, could flash, shoot, turn around and even do more complicated things. Some can even still do it today - albeit clumsily. This, of course, can only be seen on film, but the artist intends to document that as well; to feature the robots in filmic works of art. The positioning of the figures in the studio is the same as the tableau of pictures in the exhibition room. In this way, one could say Rothmann deploys one robot after the other. This systematic approach enables a comparative view; the extreme enlargement of what are actually small and manageable figures is like the macro vision of insects whose fascinating, sometimes monster-like appearance only becomes visible when they are blown up a hundredfold. The same thing goes for the robots; in miniature form, they seem harmless and cute, but if they were larger than humans and made noises to match, they would seem more threatening. Some of the tin figures...

Faye Dunaway Oscar Outtake (Stare) Los Angeles 1977, Printed Later Silver Gelatin Print 30 x 30 inches Edition of 50 Estate signature stamped and numbered edition of 50 with certific...

Tussle (The Princess and her Lover) - 2009 including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 192 pages, hardcover, published by Snap Collective, 2024. ...

Julian Assange 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature Label and Certificate. Not mounted.

This work is offered by CLAMP in New York City.

Fine art print of Elvis Presley from the collection of acclaimed photographer. Lynn Goldsmith, taken in 1960 These prints are open edition and come with full certification. Availab...

From a stunning collection of contemporary nudes from celebrated photographer, Markus Klinko, featuring amongst others, Dita Von Teese, Stoya and Aubrey O’Day This print is availabl...

Sunset (Till Death do us Part) - 2005 20x24cm, Edition of 10, plus 2 Artist Proofs, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #958...

The Rolling Stones, taken in 1966 by Art Kane Originally photographed in London by Art Kane for McCall’s Magazine’s 1966 photo essay‘ Teen Idols’, Kane lay on his back and had the b...

Strange Math (The Princess and her Lover) - 2007 part of the 29 Palms, CA project. Edition of 10, 20x24cm. Archival C-Print, based on the Polaroid. Signature label and Certif...

The Beatles contact sheet by Robert Whitaker from the photo session that ended up being the controversial cover for the 1966 release "Yesterday and Today". On March 25, 1966, The Beatles visited 1 The Vale, Chelsea, London, a top-floor studio leased by Oluf Nilssen and frequently used by renowned photographer Robert Whitaker. Before the photo session with Robert Whitaker, The Beatles posed for a more conventional session at the studio with Nigel Dickson of The Beatles Book...

The Betrayal - The Getaway (The Last Picture Show) - 1999 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist Inventory #723. ...