Offset Prints and Multiples

Roy Lichtenstein (after) Eddie Diptych: Selections from the Ileana and Michael Sonnabend Collection, Princeton University Art Museum poster, 1985 Offset lithograph Princeton Universi...

Sister Mary Corita Kent You are God/and You are Not, 1974 Offset lithograph poster Extremely rare offset lithograph poster, published with printed copyright Immaculate Heart Communit...

Original 1983 Andy Warhol Perrier Poster – Authentic Pop Art Masterpiece. Grade A. Preserved in mint condition, this poster is a rare find for serious collectors of Andy Warhol and...

New York — The City That Never Sleeps Experience the vibrant energy and timeless beauty of New York City through this authentic 1970s travel poster by R. Meyer. This masterpiece cap...

Poster for the Kerry James Marshall exhibition titled 'Mastry' which was held at the Metropolitan Museum of Art October 2016 - January 2017. "Mastry" exhibition at the Metropolitan...

"La Tristesse du roi" is a reproduction of Henri Matisse’s 1952 gouache on paper, known for its distinctive cut and collage technique. Reproduced in 1990, this piece reflects Matisse...

Enhance your space with a stunning reproduction of Henri Matisse's Composition Fond Bleu, printed in Italy by Egim in 1996. This exquisite poster captures the vibrancy and elegance o...

This original invitation card was produced for the exhibition Donald Judd: The Last Editions, held at Brooke Alexander Editions, New York, in 1994. Issued by the gallery on the occa...

After Henri Matisse Plum Blossoms, 1948, 1971 Offet lithograph poster Offset lithograph poster Published in Zurich Switzerland on the occasion of the exhibition "Twenty Important Pai...

I KNOW NOT, I KNOW Date of creation: 2010 Medium: Offset lithograph with silver and UV varnish on paper Edition: 300 Size: 68.9 × 53 cm Condition: In mint conditions and not framed O...

Mark Rothko at Museo d'Arte Moderna Ca' Pesaro, Venezia, 1970 Offset lithograph and lithograph on high quality lithographic paper Numbered in pencil 250/500 in the lower left front ...

In 2014, Juan Uslé was commissioned to create the official Roland Garros poster, infusing the French Open with his distinctive abstract style. His design features flowing lines and v...

Ed Ruscha’s HOPE turns a single, emotionally charged word into an image filled with ambiguity. The four capital letters stretch across the composition like the message on a roadside ...

Felix the Cat is a funny-animal cartoon character created in the silent film era. The anthropomorphic black cat with his black body, white eyes, and giant grin, coupled with the surr...

80 x 60 cm Off-set lithography Printed on 200g Munken Lynx paper Narayana Press in Denmark David Shrigley is a British visual artist known for his distinctive, whimsical, and often ...

This reproduction of the painting titled Yellow, Blue and Orange, created by Mark Rothko in 1955, is part of a rare exhibition poster from the series "Collection of European Masters....

Medium: offset lithograph (after the watercolor). Printed in 1969 at the Mourlot Freres atelier for the "Marc Chagall: dessins et aquarelles pour le Ballet" book. Sheet size: 13 3/4 ...

Offset lithograph in colours Edition 122 of 300 52 x 72 cm (20.5 x 1 in) Signed and numbered on the front Condition upon request Published by Committee Against the War in Vietnam

This poster features David Hockney’s affectionate portrait of his dachshunds, Stanley and Boodge, drawn in 1993 and rendered in his fluid, expressive style. The image highlights Hock...

Artist: Henri Matisse (1869–1954) (after) Title: Mrs. Colette (Mrs. Colette) Year: December 20, 1954 Medium: Heliogravure on grand velin Renage filigrane a la marque de l'editeur pap...

Crying Girl is one of Roy Lichtenstein's most iconic works, epitomizing his mastery of Pop Art with its bold Ben-Day dots, comic book style, and emotionally charged subject. This ima...

This exhibition card was produced by Brooke Alexander Editions in connection with Series of Ten Woodcuts in Three Color States, associated with the work of Donald Judd. Published by...

This is a reproduction of Dog Painting #38 by David Hockney, part of his much-loved series of works dedicated to his miniature dachshunds, Stanley and Boodge. Created in the mid-1990...

This open edition reproduction of Interior with Skyline was published by LEM Italy with the approval of the Lichtenstein Foundation for an exhibition of his work in Rome in 2000. Buy...

MIYABI: KŌRIN (KŌRIN: COURTLY ELEGANCE 2020) Date of creation: 2020 Medium: Offset print with cold stamp and high gloss varnish on paper Edition number: 200/300 Size: 72 × 76,25 cm C...

This high-quality reproduction of Brown and Orange on Slate faithfully captures Mark Rothko’s signature exploration of color, light, and emotion. Rothko’s artistic process was deeply...

Medium: offset lithograph (after the watercolor). Printed in 1969 at the Mourlot Freres atelier for the "Marc Chagall: dessins et aquarelles pour le Ballet" book. Sheet size: 13 3/4 ...

In The Colorful Bouquet of Flowers, Walasse Ting presents a vibrant explosion of multicolored flowers, bursting upwards like fireworks on the 4th of July. Set against a soft light bl...

Velox Ward - The Home My Daddy Built Poster, from America The Third Century, Bicentennial series This poster publicizes the edition which was sponsored by Mobil Corporation to celebr...

William Bailey - Still Life with Eggs, Candlestick & Bowl poster from America The Third Century, Bicentennial edition William Bailey - Still Life with Eggs, Candlestick & Bowl poster...

Alex Katz - New Cutouts Accordion Card at Robert Miller Gallery (Hand Signed by Alex Katz) , from the Estate of UACC President Cordelia Platt, 1993 This marvelous hand signed and dat...

The Road Across the Wolds reflects David Hockney’s lifelong love of the Yorkshire countryside, featuring sweeping roads and rolling fields rendered in his bold, expressive style. Inc...

This second edition of Henri Matisse’s Blue Nude III is an authorized open-edition print, recreated with the permission of the Estate of Henri Matisse. The printing quality is superb...

Fernando Botero's painting titled National Holiday was created in 1987. This work exemplifies Botero's distinctive style, often referred to as "Boterismo," characterized by the depic...

This poster features David Hockney’s beloved dog paintings from 1995, part of a deeply personal series inspired by his two dachshunds, Stanley and Boodge. Rendered with tender brushw...

The Easy Dark poster for Julie Mehretu’s exhibition at the Louisiana Museum of Modern Art is a remarkable piece that embodies the energy and complexity of Mehretu’s work. Printed in ...

Artist: Henri Matisse (1869–1954) (after) Title: Miss D.A. (Mademoiselle D.A.) Year: December 20, 1954 Medium: Heliogravure on grand velin Renage filigrane a la marque de l'editeur p...

This original 1974 exhibition poster features the iconic image of Mick Jagger by Andy Warhol, created in connection with an exhibition at the Natalie Knight Gallery in Johannesburg, ...

Walasse Ting masterfully recreates a peacock in full display, using an electrifying palette of bright blues and greens, with touches of yellow illuminating the background. The peacoc...

This reproduction of Andy Warhol's iconic Campbell's Soup Can exemplifies his pioneering exploration of consumer culture and pop art. Originally created by Warhol in the 1960s, this ...

The Critic by Norman Rockwell, (1894 - 1978) Date: circa 1973 Medium: Collotype Poster Size: 31.5 x 27.5 in. (80.01 x 69.85 cm)

Freedom Of Speech by Norman Rockwell, (1894 - 1978) Date: circa 1973 Medium: Collotype Poster Size: 35 x 29 in. (88.9 x 73.66 cm) Publisher: Circle Gallery, Ltd. Printer: Arthur Ja...

Artist: Henri Matisse (1869–1954) (after) Title: Mrs. Monique Mercier (Mme Monique Mercier) Year: December 20, 1954 Medium: Heliogravure on grand velin Renage filigrane a la marque d...

Marriage License by Norman Rockwell, (1894 - 1978) Date: circa 1970 Medium: Poster Edition: 2500 Size: 35 in. x 29 in. (88.9 cm x 73.66 cm)

Medium: offset lithograph (after Leger). Printed on Velin bouffant paper from the Papeteries de Hauteville and published by Edito-Service Geneve in 1980. This reproduces one of the o...

Paper Size: 13.25 x 17 inches ( 33.655 x 43.18 cm ) Image Size: 13.25 x 17 inches ( 33.655 x 43.18 cm ) Framed: Yes Frame Size: H: 14.25 x W: 18 x D: .75 in. Condition: A: Mint ...

In 1996, Meurice was commissioned to design the official poster for the French Open at Roland Garros. His design brought a lively and modern interpretation to the tournament, charact...

Alekos FASSIANOS Elegant Man in a Bicycle, 2004 Offset Print Printed signature in the plate On vellum 18 x 14 cm (c. 7.1 x 5.5 inch) INFORMATION: Created for the Olympic Games of ...

Vintage offset lithograph postcard published by Art Unlimited Amsterdam. Printed in Holland. The postcard is framed in a black wood frame with a front profile of 1 inch and a side pr...

Surrounded Islands, Biscayne Bay, Greater Miami, Florida, 1980-83 Using 6.5 million square feet of floating pink fabric, Christo and Jeanne-Claude encircled eleven islands in Miami...

This exhibition poster was created for The Prints of David Hockney, held at The Center for Contemporary Graphic Art and the Tyler Graphics Archive Collection in 1996. Featuring Hockn...

And Then x 727 (Vermillion SHU) Date of creation: 2013 Medium: Offset lithograph with silver Media: Paper Edition: 300 Size: 50 x 50 cm Observations: And Then x 727 (Vermillion SHU) ...

This David Hockney poster is printed in Bradford, West Yorkshire, England, on 270gsm Accent Fresco (Gesso), a textured, uncoated paper made from 100% ECF virgin fibre. FSC certified ...

Official poster designed and created for the tennis tournament held at Roland Garros French Open every year. The poster is a limited edition of 2000. First edition, unsigned and not ...

This finely printed exhibition poster from “James Marshall: The Histories” highlights School of Beauty, School of Culture presents a vibrant Black hair salon as a place of artistry, ...

Offset lithograph from a portfolio of five Andy Warhol prints published by te Neues, now long out of print and highly collectible. This work reflects Warhol's fascination with the in...

Andy Warhol - SPORTSWEAR JEANS INTERN. (Hand Signed by Warhol), from the estate of Warhol's last boyfriend Offset lithograph cover page Hand signed by Warhol in the front Provenance:...

Original Andy Warhol vintage poster with Michael Jackson for Time Magazine March 1984. This vintage poster created by Andy Warhol was the image used for the cover of Time Magazine ...

David Shrigley It's a Long Day, 2024 Off-set lithography printed on 200g Munken Lynx paper 27 3/5 × 19 7/10 in 70 × 50 cm

Roy Lichtenstein 1970-1980 (Hand Signed and dated by Roy Lichtenstein), 1981 Offset lithograph. Hand signed and dated in ink Hand-signed by artist, Hand signed and dated in ink on the front. One of only 100 the artist signed in 1981 for the St. Louis Art Museum. with Artist's copyright (unnumbered) Frame included (vintage frame) This rare 1981 offset lithograph poster depicting Roy Lichtenstein's "Apple" is one of only 100 prints the artist signed for the Saint Louis Art Museum on the occasion of this 1981 ten year survey. It is extremely rare. It is held in the original vintage wood frame to preserve provenance. The gallery reserves the right to remove the glass for safe shipping. Measurements: Framed: 37 inches x 27 inches Sheet alone: 34.25 inches x 25 inches Roy Lichtenstein: A key figure in the Pop art movement and beyond, Roy Lichtenstein grounded his profoundly inventive career in imitation—beginning by borrowing images from comic books and advertisements in the early 1960s, and eventually encompassing those of everyday objects, artistic styles, and art history itself. Referring to Lichtenstein’s equalizing treatment of the subjects he chose for his art, Richard Hamilton, a fellow Pop artist, wrote in 1968: “Parthenon, Picasso or Polynesian maiden are reduced to the same kind of cliché by the syntax of the print: reproducing a Lichtenstein is like throwing a fish back into water.”1 Lichtenstein later recalled that 1961, the year he completed Girl with Ball, marked a break with both his own abstract style and “prevailing taste” in the art world. “Although almost anything seemed to be fair subject matter for art,” he recalled, “commercial art and particularly cartooning were not considered to be among those possibilities.”2 The figure from Girl with Ball came from a printed advertisement for the Mount Airy Lodge, in Pennsylvania’s Pocono Mountains, and he based another painting, Drowning Girl, on a comic book cover. In these two paintings and throughout his other work, Lichtenstein would copy the source image by hand, adjusting its composition to suit his narrative or formal aims, and then trace this altered sketch onto the canvas, aided by a projector. In this rigorously manual process, he used perforated templates to replicate and often exaggerate the dot patterning commonly used in printing imagery. Known as Ben-Day dots, this patterning became a signature element of his style, which incorporated the look of mechanical reproduction into the fine-art world of painting. His transformations of the source image typically included reducing the color palette to saturated primaries, eliminating incidental details, heightening contrasts, and “emphasizing the pictorial clichés and graphic codes of commercially printed imagery.”3 In Drowning Girl, for example, Lichtenstein cropped out much of the original scene and modified the statement in the text bubble, amplifying this image of a damsel in distress. Lichtenstein soon turned his attention from the clichés of commercial print culture to the aesthetic clichés of high art.4 With bold, graphic simulations of brushstrokes in prints like Brushstroke and Brushstrokes, for example, he parodied the autographic mark-making of Abstract Expressionism. Yet where Jackson Pollock had been seen to imbue his skeins of paint with a bravura energy and force, Lichtenstein turned that device into something clichéd, commercial, and reproducible. “Visible brushstrokes in a painting convey a sense of grand gesture; but in my hands, the brushstroke becomes a depiction of a grand gesture,” he later said.5 Art history proved an enduringly rich field for Lichtenstein’s transformations. Concurrent with his Brushstrokes series were explorations of the landscape genre and, in 1969, two volleys at Claude Monet. Monet had also worked serially, devoting multiple canvases to a sustained study of the changing sun as it moved across the facade of the Rouen Cathedral or haystacks in a field. With his Cathedral Series and Haystack Series, Lichtenstein reprised those motifs in his signature Ben-Day dots, making Impressionism, in his words, “industrial.”6 In Artist's Studio “The Dance”, Henri Matisse’s Dance...