Offset Prints and Multiples

Paper Size: 14.25 x 17.25 inches ( 36.195 x 43.815 cm ) Image Size: 14.25 x 17.25 inches ( 36.195 x 43.815 cm ) Framed: Yes Frame Size: H: 15.25 x W: 18.25 x D: .75 in. Condition...

This high-quality reproduction of "The Seduction of Psyche" by William-Adolphe Bouguereau, published in 1999 by the Montreal Museum of Fine Arts, captures the delicate beauty and ref...

Steve McCurry Sharbat Gula, Afghan Girl, Pakistan (Hand Signed), 1984 Offset Lithograph poster Hand signed by the photographer in black felt pen on the front 24 × 20 inches Unframed...

Still Life with Flowers is a high-quality reproduction included in a 1994 portfolio published by Taschen and printed in Germany. This vibrant composition exemplifies Marc Chagall’s u...

This reproduction poster of La Serrure by Leonor Fini captures the enigmatic and symbolic nature of the original artwork. Leonor Fini was known for her surreal and fantastical imager...

Original vintage poster: FREEDOM FROM WANT, Ours to fight for ... Original. Artist: Normal Rockwell. Archival linen backed in fine condition, ready to frame. Note: All US Go...

Paper Size: 32 x 26 inches ( 81.28 x 66.04 cm ) Image Size: 23.25 x 23.25 inches ( 59.055 x 59.055 cm ) Framed: No Condition: A: Mint Supplemental Condition Information: Creasing in ...

This poster features Andrew Wyeth's *Karl's Room*, an intimate and evocative work that captures the quiet, poignant atmosphere of a personal space. Presented in collaboration with th...

Paper Size: 26.75 x 28.25 inches ( 67.945 x 71.755 cm ) Image Size: 22.5 x 26.75 inches ( 57.15 x 67.945 cm ) Framed: No Condition: A: Mint Additional Details: This reproduction of ...

Paper Size: 30 x 23.25 inches ( 76.2 x 59.055 cm ) Image Size: 30 x 23.25 inches ( 76.2 x 59.055 cm ) Framed: No Condition: A: Mint Additional Details: Shoes, 1980 by Andy Warhol, pr...

Louise Bourgeois I Have Been to Hell and Back Handkerchief, 2007 Embroidery on 100% Cotton Handkerchief With the artist's silkscreened initiala Han...

This high-quality reproduction poster of Mark Rothko's Blue & Grey (1962) was published and designed by the Beyeler Foundation in Basel, Switzerland. The artwork features a subtle co...

Fernando Botero's painting Los Músicos (The Musicians) was completed in 1979. The following year, in 1980, Marlborough Gallery in New York published an exhibition poster featuring th...

This is a lifetime edition - hand signed and numbered by Jean-Michel Basquiat himself in Basquiat's lifetime. Many younger collectors don't appreciate the difference between the numerous posthumous estate authorized prints...

Original Andy Warhol 1968 Vintage Poster "Gaudy Savings by RCA Color Scanner" Authentic Pop Art Collectible First Edition Print. Archival linen-backed in excellent condition, Grad...

Paper Size: 32.25 x 23.5 inches ( 81.915 x 59.69 cm ) Image Size: 24 x 19 inches ( 60.96 x 48.26 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Addition...

Peter Halley Peter Halley, Imago Galleries, Palm Desert, CA (Hand Signed), 2006 Offset lithograph poster (hand signed by Peter Halley) 25 1/2 × 18 1/4 inches Provenance; Acquired directly from the artist Unframed Alpha 137 Gallery is honored to offer this offset lithograph, published on the occasion of legendary American artist Peter Halley's 2006 one-man exhibition at Imago Galleries, Palm Desert, California which the artist hand signed in black marker. Scroll images for a photograph of our director Nadine Witkin with the artist. Below is Peter Halley's official biography. What it doesn't mention is that Andy Warhol famously painted his portrait in 1986! Peter Halley is that legendary. According to Halley, he didn't realize until after Warhol's death that the polaroids Warhol took of him with his famous "big shot" camera were made into an original painting. Warhol's painting of Peter Halley was included in the recent Andy Warhol retrospective "Andy Warhol - from A to B and Back Again" at the Whitney. PETER HALLEY BIOGRAPHY Peter Halley, born 1953, New York City, is an American artist who came to prominence as a central figure of the Neo-Conceptualist movement of the 1980s. His paintings redeploy the language of geometric abstraction to explore the organization of social space in the digital era. Since the 1980s, Halley’s lexicon has included three elements: “prisons” and “cells,” connected by “conduits,” which are used in his paintings to explore the technologically determined space and pathways that regulate daily life. Using fluorescent color and Roll-a-Tex, a commercial paint additive that provides readymade texture, Halley embraces materials that are anti-naturalistic and commercially manufactured. In the mid 1990s Halley pioneered the use of wall-sized digital prints in his site-specific installations. He has executed installations at Museo Nivola, Orani, Sardinia (2021); Greene Naftali, New York (2019); Venice Biennale (2019); Lever House, New York (2018); Schirn Kunsthalle, Frankfurt (2016); Disjecta, Portland (2012); the Gallatin School, New York University, (2008, 2017); the Museum of Modern Art, New York (1997); and the Dallas Museum of Art (1995). In 2005, Halley was also commissioned to create a monumental painting for Terminal D at the Dallas/Fort Worth International Airport, Texas. Halley served as professor and director of the MFA painting program at the Yale School of Art from 2002 to 2011. From 1996 to 2005, Halley published INDEX Magazine, which featured interviews with figures working in a variety of creative fields. Halley is also known for his essays on art and culture, written in the 1980s and 1990s, in which he explores themes from French critical theory and the impact of burgeoning digital technology. His Selected Essays, 1981 – 2001, was published by Edgewise Press, New York, in 2013.Halley’s writings have been translated into Spanish, French, and Italian. A catalogue raisonné, PETER HALLEY: Paintings of the 1980s, was published in 2018 by JRP Ringier. Halley’s work can be found in the collections of the Museum of Modern Art, New York; Whitney Museum of American Art, New York; Solomon R. Guggenheim Museum, New York; Broad Art Foundation, Los Angeles; Museum of Contemporary Art, Los Angeles; San Francisco Museum of Modern Art; Boston Museum of Fine Arts; Dallas Museum of Art; Albright-Knox Art Gallery, Buffalo; Tate Modern, London; Stedelijk Museum, Amsterdam; Sammlung Marx, Berlin; Museo Nacional Centro de Arte Reina Sofia, Madrid; Museum of Contemporary Art, Tokyo; Seoul Museum of Art, among others. More about Peter Halley Peter Halley was born in 1953 in New York. He began his formal training at Phillips Academy in Andover, Massachusetts, from which he graduated in 1971. During that time, Halley read Josef Albers’s Interaction of Color (1981), which would influence him throughout his career. From 1973 to 1974 Halley lived in New Orleans, where he absorbed the vibrant cultural influences of the city, began using commercial materials in his art, and first became acquainted with the writings of earthwork artist Robert Smithson. In 1975 the artist graduated from Yale University, New Haven, with a degree in art history. After Yale, Halley returned to New Orleans, where he received an MFA in painting from the University of New Orleans in 1978. He had his first solo exhibition at the Contemporary Art Center, New Orleans, that same year. In 1978 Halley spent a semester teaching art at the University of Louisiana, Lafayette. He has continued to teach throughout his career. In 1980, Halley moved back to New York and had his first solo exhibition in the city at PS122 Gallery. At this time, Halley was drawn to the pop themes and social issues addressed in New Wave music. Inspired by New York’s intense urban environment, Halley set out to use the language of geometric abstraction to describe the actual geometricized space around him. He also began his iconic use of fluorescent Day-Glo paint. In 1984, Halley started to exhibit with the International With Monument gallery, becoming closely associated with the organization and its artists, who exhibited conceptually rigorous work in a market-savvy, coolly presented space that stood in stark contrast to the bohemian, Neo-Expressionist flair of the East Village art scene at the time. In 1986, an exhibition of four artists from International With Monument at the Sonnabend Gallery in New York heralded the group’s growing success. By the late 1980s, Halley was exhibiting with prominent galleries in the United States and Europe. In 1989, an exhibition of his paintings traveled to the Museum Haus Esters, Krefeld, Germany; Maison de la culture et de la communication de Saint-Étienne, France; and Institute of Contemporary Arts, London. From 1991 to 1992, a retrospective toured Europe, with presentations at the CAPC Musée d’art contemporain de Bordeaux, France; Musée d’art contemporain, Lausanne, Switzerland; Museo nacional centro de arte Reina Sofía, Madrid; and Stedelijk Museum, Amsterdam. In 1992, the Des Moines Art Center hosted his first solo exhibition at a U.S. museum. While developing his visual language, Halley became interested in French post-structuralist writers, including Jean Baudrillard, Guy Debord, Michel Foucault, and Paul Virillio, all of whom shared his concern with the character of social spaces in a post-industrial society. In 1981, he published his first essay “Beat, Minimalism, New Wave, and Robert Smithson” in Arts, a New York–based magazine that would publish eight of his essays before the decade’s end. Halley’s writings became the basis for Neo-Geometric Conceptualism (also known as Neo-Geo), the offshoot of Neo-Conceptualism associated with the work of Ashley Bickerton, Halley, and Jeff Koons. In 1988, the artist’s writings were anthologized in Collected Essays, 1981–1987, and again in 1997 in a second anthology, Recent Essays, 1990–1996. In the mid-1990s, Halley began to produce site-specific installations for museums, galleries, and public spaces. These characteristically brought together a range of imagery and mediums, including paintings, wall-size flowcharts, and digitally generated wallpaper prints. Halley has executed permanent installations at the Dallas/Fort Worth International Airport, Texas, and the Gallatin School of Individualized Study at New York University. In 2011, his installation of digital prints Judgment Day...

TAKASHI MURAKAMI - Time Bokan Black Date of creation: 2011 Medium: Offset lithograph with silver on paper Edition: 300 Size: 50 x 50 cm Condition: In mint conditions and not framed O...

Damien Hirst's "Emperor's Blossoms" exhibition at the Fondation Cartier pour l'art contemporain was a significant event in the contemporary art world, marking a new direction in Hirs...

"Water in swimming pools changes its look more than any other form. If the water surface is almost still and there is a strong sun, then dancing lines with the color of the spectrum appear everywhere." - - David Hockney David Hockney Offset Lithograph poster (Deluxe Hand Signed Limited Edition) on Parsons Diploma Parchment Paper, accompanied by COA from the Publisher and Olympic Committee 36 × 24 inches Pencil signed and unnumbered from the Edition of 750 (there was a separate, larger unsigned edition) Unframed Also accompanied by gallery issued Certificate of Guarantee One of the most coveted, historic and popular David Hockney limited editions created - beloved by American and international collectors alike: The official edition of this work is 750, but the publisher famously destroyed unsold editions after the Olympic Games and only about 200-250 are said to remain. This hand signed limited edition iconic Hockney work was printed as one of the fifteen Official Fine Art Olympic Posters for the 1984 Olympic Games in Los Angeles. (the XXIII'rd Olympiad). It depicts an aerial view of a swimmer under rippling water broken up into 12 squares. A statement released by the 1984 Olympic committee explains the set as follows - "The posters commissioned for the 1984 Olympics contain an enlightened selection of the best American artists with special emphasis on those who work in Southern California...As the Games develop, transpire and pass into memory, these fifteen posters contain the images, forms and symbols that will represent the 1984 Olympics in the museums, galleries, homes and the minds of people all over the world.” This work is NOT to be confused with the ubiquitous plate signed poster of the same image, which was printed on different paper in an open edition.) In 1982, the Olympic Committee commissioned 15 artists to create posters for the 1984 Games in Los Angeles. Hockney designed this offset lithograph depicting Olympic swimming. It was printed on Parsons Diploma Parchment paper in 1982, in an edition of 750, hand signed in pencil by the artist. Even though this print was published in an edition of 750, after the first marketing blitz, the publisher destroyed the remaining portfolios of signed prints - literally discarding hundreds of them in the dumpster. The Olympic Committee commissioned these portfolios to celebrate and promote the 1984 Olympics, and nobody expected the individual prints to have such enduring value. As the executives running the short-term promotional campaign were neither prophets nor curators, they saw no reason to hold on to these huge prints...

Paper Size: 20 x 16 inches ( 50.8 x 40.64 cm ) Image Size: 13.25 x 9.75 inches ( 33.655 x 24.765 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Addition...

Sku: CB1505 Artist: Alex Katz Title: American Dance Festival Year: 1976 Signed: No Medium: Offset Lithograph Paper Size: 39 x 30.5 inches ( 99.06 x 77.47 cm ) Image Size: 39 x 30.5 i...

Paper Size: 39 x 24 inches ( 99.06 x 60.96 cm ) Image Size: 23 x 22 inches ( 58.42 x 55.88 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Det...

Original “Coppertone” Colore di Rame vintage Italian poster. Colore de Rame translates into the color of copper. Abbronzatevi! (suntan) Non bruciatevi! (don’t burn) Archival linen-backed in fine condition, ready to frame. This original Coppertone poster is in A condition. The background in the poster is a brighter yellow; after all, it is a sunny day, and you need suntan lotion! Coppertone is an American suntan cream. Interestingly, the American poster of this famous little girl and dog...

This exhibition poster is a rare and highly collectible item, originally produced for Tom Wesselmann's solo show at Galleria Plura in Milan, which took place from February to March 1...

Paper Size: 38.5 x 25.75 inches ( 97.79 x 65.405 cm ) Image Size: 38.5 x 25.75 inches ( 97.79 x 65.405 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Ad...

Takashi Murakami "Bouquet in a basket" 2024 4 Colors Offset print, cold stamp and high gloss varnishing 23 3/5 × 23 3/5 in 60 × 60 cm Edition XX/300 Hand signed and numbered by the...

This reproduction of Abstrakte Bilder (No Text) by Gerhard Richter, a key work from the artist's acclaimed "Abstract Paintings" series, captures the essence of Richter's approach to ...

Official event poster designed and created by Konrad Klapheck for the version of Roland Garros French Open 2009 held in Paris. The 2009 Roland Garros poster by Konrad Klapheck is a r...

Meringue Mix, originally painted by Wayne Thiebaud in 1995, showcases the artist’s celebrated approach to depicting desserts with rich color, texture, and whimsical appeal. This repr...

Yoshitomo Nara Invisible Vision Offset lithograph on paper Sheet size: 72.8 x 51.5 cm Stamped with title, artist's name, copyright and year published by N's Yard, Japan

Henri Matisse created Blue Nude with Green Stockings as part of his cut-out series, which he began later in his life, during the 1940s. Specifically, his cut-out technique became pro...

From the Collection of Contemporary Art: Gerhard Richter. Copyright Stamp collection, printed in Germany. Originally painted as an oil on canvas in 1985, reproduced in 1991, colors c...

Robert Rauschenberg Star In Motion, 1982 for the Los Angeles Summer 1984 Olympic Games (with COA from Olympic Committee) Offset Lithograph on Parson's Diploma paper Stamp signed (aut...

Original exhibition poster by Roy Lichtenstein, presented in a black frame measuring 20 × 18 inches overall. The frame features a 1.25-inch face profile and 1-inch depth, finished wi...

This high-quality reproduction of Joan Miró's "Femme Hantée par le Passage de l'Oiseau" was published in 1996 by Allan Ashley in Yonkers, NY. Printed using the collograph technique, ...

Robert Rauschenberg Rare 1960s Musee D'Art Moderne de la ville de Paris poster, 1968 Offset Lithograph Edition of 500 27 1/2 × 21 inches Unframed, not signed Accompanied by Certifica...

Yayoi Kusama Offset lithograph poster, 2017 Published by David Zwirner Unframed, with original folds as issued (see photo) Gorgeous Yayoi Kusama offset lithograph poster published b...

First edition exhibition poster designed and created by Man Ray for the opening of the Los Angeles County Museum of Art in 1966. It is unsigned and not numbered. An undetermined amou...

Printed in Italy by Egim in 1996, based on Matisse's 1951 original work. Paper Size: 39.25 x 27.5 inches ( 99.695 x 69.85 cm ) Image Size: 34.5 x 21.75 inches ( 87.63 x 55.245 cm )...

Yoshitomo Nara Midnight Truth Offset lithograph on paper Sheet size: 51.5 x 36.4 cm Stamped with title, artist's name, copyright and year published by N's Yard, Japan

Yoshitomo Nara Missing in Action Offset lithograph on paper Sheet size: 51.5 x 36.4 cm Stamped with title, artist's name, copyright and year published by N's Yard, Japan

Takashi Murakami HOMAGE TO FRANCIS BACON: STUDY FOR HEAD OF GEORGE DYER Date of creation: 2016 Medium: Offset lithograph with cold foil stamp on paper Edition: 300 Size: 50 x 50 cm ...

This reproduction of the film feature Disney's Mickey Mouse and the Beanstalk, published in 1987, showcases vibrant colors and high-quality printing. Created using offset lithography...

Original World Cup USA ’94, Coca Cola sponsored vintage poster. Archival linen backed in A- condition, ready to frame. This World Cup ’94 poster is very rarely seen or available....

This original exhibition poster for David Hockney’s 20 Flowers and Some Bigger Pictures at Galerie Lelong in Paris is a vibrant and visually compelling piece that encapsulates the es...

The Singing Of The Cart is an artwork realized after the Italian artist  Renato Guttuso  (Bagheria, 1911 – Rome, 1987) in 1947. Phototype print..  Good condition. Italian title on...

Artist: Andy Warhol. Title: 'Mick Jagger' FS II.139 Framed Announcement card. Medium: Lithograph Size: Image size: 6" x 4" Framed: 10" x 8" Year: 1975 Description: Signed and numbere...

This official offset lithograph triptych, printed by the Stedelijk Museum, is not a third-party reproduction. Rendered in red, yellow, blue, and black on white wove paper, it reprodu...

Yoshitomo Nara Tomorrow's Far Away Offset lithograph on paper Sheet size: 51.5 x 36.4 cm Stamped with title, artist's name, copyright and year published by N's Yard, Japan

ROMARE BEARDEN 1970-1980 THE LAMP (after the 1984 collage on board by Bearden) Vintage 1984 Commemorative Poster - Brown v. Board of Education 30 Years later: "The Politics of Excel...

Sku: AW1633 Artist: Jasper Johns Title: Paintings and Drawings (Green Angel) Year: 1990 Signed: No Medium: Offset Lithograph Paper Size: 39 x 26 inches ( 99.06 x 66.04 cm ) Image Siz...

80 x 60 cm Off-set lithography Printed on 200g Munken Lynx paper Narayana Press in Denmark David Shrigley is a British visual artist known for his distinctive, whimsical, and often ...

Original “The 3rd Man”, 1949, linen-backed vintage one-sheet movie poster "The 3rd Man". NSS: # 49/452. Excellent condition with restored original fold m...

Paper Size: 39.5 x 27 inches ( 100.33 x 68.58 cm ) Image Size: 39.5 x 27 inches ( 100.33 x 68.58 cm ) Framed: No?Condition: A-: Near Mint, very light signs of handling Shipping and H...

Peter Max, German/American (1937 -) - Statue of Liberty, Year: circa 1986, Medium: Poster, Image Size: 30.5 x 15 inches, Frame Size: 44.25 x 28.25 inches

Debi Szarkowski-Effron Warhol in Cookieland, 1987 Limited Edition offset lithograph poster Bears the photographer's copyright stamp and pencil numbered 138/190 on the lower left fron...

Yoshitomo Nara In the Pink Water, 2021 Offset lithograph on paper Sheet size: 72.8 x 51.5 cm Stamped with title, artist's name, copyright and year Unnumbered Sold Out edition pub...

The colour offset lithograph on Parsons Diploma Parchment wove paper. Published in 1982 for the LA Olympic Games in 1984, David Hockney was one of the fifteen artists invited to create a poster for the Games. Hand signed by the artist in pencil lower right, un-numbered from the limited edition of 750, although there are said to be less than 200 prints in existence. Not to be confused with the unsigned LA Olympics poster...

Roy Lichtenstein The Red Horsemen, aka The Equestrians (with COA from the 1984 Olympic Committee), 1982 Limited Edition Lithograph and offset Lithograph on Parsons Diploma Parchment...