Offset Prints and Multiples

Screen print on paper realized by Leo Guida in 1970s. Signed in the plate. Not numbered. Excellent condition.

Cris Gianakos, Robert Rauschenberg RAUSCHENBERG (Scarce and collectible early invitation), 1970 Offset Lithograph Invitation 8 7/10 × 11 9/10 inches Unframed Offset lithograph invitation created on the occasion of Robert Rauschenberg's exhibition at SVA's Visual Arts Gallery in 1970. The poster was designed by Cristos Gianakos, with Rauschenberg's approval, who was also a professor at SVA, and the show was curated by Felice Wender, the director of Dayon's Gallery 12 in Minneapolis. The invitation states that "after completing its New York debut, the show will open at the School of the Art Institute of Chicago in January 4...

Kamol Tassananchalee Retrospective exhibition poster The National Gallery, Thailand (Hand signed), 1990 Offset lithograph poster Hand signed and dated by Kamol Tassananchalee in blu...

Vintage offset poster realized in occasion of exhibition of graphic works by Giovanni Fattori at Galleria Marino Rome, in the late 1970s. Limited edition of 1000. Very good condition.

Offset lithograph in colours, on smooth wove paper Edition 194 of 300 59.7 x 59.7 cm (23.5 x 23.5 in) Signed and numbered on front Artwork in excellent condition.Some minor handling ...

Rare collectors' item: Anish Kapoor Venice Biennale: XLIV Esposizione Internazionale D'arte Biennale Di Venezia (Hand signed and inscribed by Anish Kapoor), 1990 HISTORIC signed poster published on the occasion of Kapoor representing Great Britain at the Venice Biennale Offset lithograph poster (Hand signed, inscribed to Nadine and dated 2016) Boldly signed, inscribed and dated by Anish Kapoor on the lower right front 33 × 23 inches Unframed Boldly signed and inscribed by Anish Kapoor on the lower right front for the present owner, Nadine, so provenance is direct. Accompanied by gallery issued Certificate of Guarantee This offset lithograph poster was published on the occasion of Anish Kapoor's exhibition "XLIV Esposizione Internazionale D'Arte" at the Biennale Di Venezia from May 27 to September 30, 1990. Hand signed posters by Kapoor are quite elusive. The poster is two sided as it was published on the occasion of the artist's participation in the 1990 Venice Biennale (the verso has his lengthy biography), and it bears the original folds as issued. British-Indian sculptor Anish Kapoor was chosen to represent Britain at the first Biennale of the 1990s. He had been exhibiting since 1980 but it was this show that brought him widespread recognition on the international stage. Sixteen huge sandstone blocks dominated the Pavilion’s main room; they were so heavy that the floor had to be reinforced with supports. Kapoor had started working in stone in the late 1980s and each block in Void Field (1989) has a hole filled with another motif in his work, the powdered blue pigment used in Indian religious ceremonies. The same vibrant tones, which was also inspired also by Yves Klein’s statement bold blue colour, were used in his low-lying slate sculpture, A Wing at the Heart of Things (1990), in the back gallery of the Pavilion; this work is now part of Tate’s collection. “Venice is an interchange of East and West, reflecting the way Kapoor borrows from both cultures” said Henry Meyric Hughes, British Council. Kapoor’s exhibition also wove together references to spiritualism and eroticism, with the red slit in the Pavilion's wall, entitled The Healing of St. Thomas (1989), alluding to the saint that doubted Jesus’ resurrection...

Maya Lin: Systematic Landscapes poster (hand signed and dated), 2006 Offset lithograph poster Hand signed and dated 2006 in black marker by Maya Lin on the front 16 1/2 × 26 inches U...

The Mountain and the Rose is a beautiful offset realized by Gino Marotta. Good conditions. Colored poster from a photograph by Gino Marotta.

This colorful foil-embossed poster was created by the effervescent Austrian-born New Zealand artist Friedensreich Hundertwasser. Hundertwasser (1928-2000) stood out as a truly indivi...

Untitled is an offset and lithograph print realized on Fabriano Paper after a drawing by Willem De Kooning of 1968. The print suite was realized in 1985 in a limited edition of 2500...

Yaacov Agam "Life", (Hand Signed and numbered), 1980 Hand Signed, Stamped Gallery Art Center Envelope with French postage stamp & numbered Triple signature "Agam" and number 46/54 on the front Frame Included: floated in original vintage frame This very special vintage limited edition work features the “Agam” design by Yaacov Agam, a pioneer of Op Art. It is the first artist...

Raymond Parker (also known as Ray Parker) 1980s Art Dealers (Hand Signed by Raymond Parker), 1980 Rare Offset Lithograph Poster. Hand Signed in Pencil by Ray Parker Hand signed by Ray Parker on the front 25 × 38 inches Unframed This is a collectible hand signed vintage offset lithograph poster on blind stamped wove paper, published on the occasion of an exhibition of works by renowned Abstract Expressionist painter Ray Parker, hand signed as well as plate signed. This traveling exhibition was hosted by multiple galleries, all listed on the poster including Betty Cuningham, Susan Caldwell, The Grippi Gallery...

The Tortoise and the Hare is a vintage poster realized by the artist Kyu Hwang (Pusan 1932), in occasion of the XIV Winter Olympics games in Sarajevo, in 1984. Very good condition. ...

"Chicago International Art Exhibition" is a color poster after Ed Ruscha, autographed and dated lower right. The artists initials are also in the lower ...

Garo Antreasian Hand Signed Card, 1978 Offset lithograph invitation card Inscribed Best wishes and signed by the artist in ink on the front 7 3/4 × 5 1/2 inches Unframed Rare hand signed vintage exhibition invitation card, signed and inscribed by the artist on the image. Acquired from a prominent collection of vintage artist autographs...

JEFF KOONS Poster of Jeff Koons Coloring Book at the Royal Academy of Arts, 2011 (Hand Signed), 2018 Offset lithograph 26 1/2 × 36 1/4 inches Boldly hand signed and dated by Jeff Koo...

Stanley Boxer Hand Signed and Inscribed Abstract Expressionist Poster, 1979 Offset Lithograph Poster Hand signed and warmly inscribed by ...

Jean-Michel Basquiat La Jolla Museum of Contemporary Art, 1985: Rare vintage original 1980s exhibition program published on the occasion of: ‘Jean-Michel Basquiat Parameters’ La ...

James Rosenquist, American (1933 - 2017) - XIV Olympic Winter Games, Year: 1983, Medium: Poster, Size: 33.5 x 24.25 in. (85.09 x 61.6 cm)

Medium: offset lithograph (after the watercolor). Printed in 1966 on Johannot wove paper for the "Illuminations" poftfolio, and published in Paris by Club Francais du Livre. Image si...

Tracey Emin My Life in a Column (hand signed and dated by Tracey Emin), 2011 Hardback monograph with dust jacket (hand signed and dated on the title page) hand signed and dated 21-6-...

Sean Scully Sean Scully Night and Day (hardback monograph, hand signed by Sean Scully), 2013 Hardback monograph with cloth covers and no dust jacket (hand signed by Sean Scully) Hand...

I Castelli Romani is a splendid offset poster realized by Neal Slavin, in 1983. Colored photography, in very good conditions. Regione Lazio / Centro Iniziative Culturali Pantheon -...

Sean Scully Different Places (hand signed and inscribed by Sean Scully), 2015 Limited Edition hardback monograph (hand signed and inscribed to Nadine in felt tip pen on the title pag...

Vintage poster realized in occasion of Gino Marotta's Exhibition at Galleria Rondanini, Rome, in 1982. Limited edition of 1000. Very good condition.

Poster featuring a proposed design of the Aviation Building for the New York World's Fair in 1939. Designed by William Lescaze and James Gordon Carr. Paper Size: 20 x 27.25 inches...

Dennis Oppenheim Directed Seeding -Wheat, Historic Yvon Lambert Gallery Poster (Hand Signed and Addressed by Dennis Oppenheim), 1969 Offset lithograph poster. Hand signed, inscribed. Postmarked and addressed to Oppenheim's dealer, John Gibson 23 × 16 inches Hand Signed and inscribed by Dennis Oppenheim lower right in blue marker in 2006, hand addressed by Dennis Oppenheim in 1969 in red marker Unframed This is an extremely uncommon vintage poster/mailer announcing the May 20th, 1969 opening reception (Vernissage) for the exhibition of works by American conceptual art pioneer Dennis Oppenheim at the Yvon Lambert Gallery in Paris. The poster is historic in that it was originally mailed to John Gibson, the East 67th Street dealer, who famously gave Dennis Oppenheim his first New York exhibition in 1968, and it is hand addressed to Gibson, bearing the original Paris, France postmark of 1969. It is, exceptionally, hand signed and dedicated by Dennis Oppenheim to a collector who acquired the poster from John Gibson's collection, and then secured Dennis Oppenheim's autograph in 2006, making this an especially valuable collectors item. More information about the project from the Tate Gallery archives, which acquired the work: This work brings together two interventions Oppenheim created on a field owned by farmer Albert Waalken in Finsterwolde, north-eastern Holland, in 1969. It comprises four distinct elements mounted on board: a colour photograph of a wheatfield being sowed by a tractor in parallel curving lines seen from high up; a negative image in black and white of a map of the area of Finsterwolde onto which two sections of text have been collaged; and two black and white aerial photographs of the same field being traversed by a tractor cutting an X into the wheat. The first two elements relate to the action Directed Seeding. For this the field was seeded according to a line plotted by following the road from the village of Finsterwolde, the location of the field, to Nieuweschans, another village where the farmer’s storage silo for wheat was located. Oppenheim reduced this curved line by a factor of six in order to direct the trajectory of seeding. The tractor then carved a series of curved parallel lines on the surface of the field as it dug up earth and scattered seed. From an aerial perspective the patterning of parallel lines may be viewed as a form of line drawing on the landscape. The precise location of the field and the silo are indicated on the map, showing the trajectory of the road. The two sections of text collaged onto the upper portion of the map briefly describe the two interventions. Explaining the action Cancelled Crop, the artist wrote: In September the field was harvested in the form of an X. The grain was isolated in its raw state, further processing was withheld. This project poses an interaction upon media during the early stages of processing. Planting and cultivating my own material is like mining ones own pigment (for paint) – I can direct the later stages of development at will. In this case the material is planted and cultivated for the sole purpose of withholding it from a product-oriented system. Isolating this grain from further processing (production of food stuffs) becomes like stopping raw pigment from becoming an illusionistic force on canvas. The esthetic is in the raw material prior to refinement, and since no organization is imposed through refinement, the material’s destiny is bred with its origin. (Quoted from artist’s statement in Tate acquisition file.) Directed Seeding and Cancelled Crop are two separate works, brought together in several different versions of which Tate’s is one. The collage presents three ways in which human action may marks the land. For the first two, agricultural machinery is used to create straight lines, in the process of harvesting as in the X of Cancelled Crop, or curved lines, during the process of planting seed in the contours photographed for Directed Seeding. The map shows a third (and more ancient) way of marking the land, through the construction of roads. The use of the landscape – natural, industrial or urban – as a canvas on which to act is typical of Oppenheim’s work in the late 1960s and early 1970s. In a related action, Directed Harvest, 1966 (Tate T07590) and Directed Harvest 1968 (Kröller-Müller Museum, Otterlo, Netherlands), the artist caused a field to be harvested in linear patterns which he then had photographed in its progressive stages. In Reverse Processing: Cement Transplant, East River, NY, 1970, 1978 (Tate T07591) Oppenheim drew large crosses on the roofs of barges transporting raw cement that he found moored on the New York East River banks. All these works centre on process as an agent of change and utilise materials, elements and locations on which the artist can have no permanent claim, making them deliberately ephemeral. Such actions as seeding a crop and harvesting it several months later operate within time parameters dependent on the cycles of the seasons rather than the will of man, mixing human processes with those of nature. Oppenheim’s analogy between the prevention of a crop from entering the food chain and the halting of the expressive, ‘illusionistic’ force of paint deconstructs the sophisticated processes of art-making and the food industry to the elemental notion of making simple marks on the environment. In this way, the artist highlights contemporary man’s dependency on complex chains...

Liberté -fraternité -  égalité - April 25th is a vintage poster realized in 1970s , in occasion of the Liberation Day in Italy (April 25th). Printed by Il Torchio di Porta Romana, T...

Jean-Michel Basquiat Downtown 81: A rare massive-sized theatrical poster published circa 2001 to promote the historical early 1980s Basquiat film: Downtown 81. A highly collectible ...

Vue du Colisée, prise de l'intèrieur du Temple de la Paix is a vintage offset print artwork on paper, realized after G. Engelmann (1788-1839), in the 1970s. The artwork is signed on...

Dancer is an artwork realized by the Italian artist  Renato Guttuso  (Bagheria, 1911 – Rome, 1987) in 1954. Phototype print. Good condition. Italian title on the back "Ballerina"....

Shu Takahashi-Volterra is a mixed-colored offset by the Japanese artist Shu Takahashi. Good conditions.

Richard Anuszkiewicz ANUSZKIEWICZ by Karl Lunde (hand signed and inscribed by Richard Anuszkiewicz), 1977 Hardback monograph with dust jacket (hand signed and inscribed by Richard An...

The Evening Visit is a mixed colored offset print after the Sicilian artist Renato Guttuso. This print was realized on the occasion of the exhibition ...

The Winner. XIV Olympic Winter Games, Sarajevo is a vintage poster realized by the artist Gottfried Helnwein, in occasion of the XIV Winter Olympics games in Sarajevo, in 1984. Very...

Robert Irwin Fold-out PACE Gallery invitation (hand signed by Robert Irwin), 2012 Offset lithograph fold-out invitation (hand signed by Robert Irwin) Boldly signed by Robert Irwin on...

Title: Summer Storm Year: 2000 Medium: Offset lithograph in colors on gloss archival paper Size: 36 x 24 inches Inscription: Hand signed by Peter Max in ink and unnumbered, as issued...

The Singing Of The Cart is an artwork realized after the Italian artist  Renato Guttuso  (Bagheria, 1911 – Rome, 1987) in 1947. Phototype print..  Good condition. Italian title on...

View of Rome is a vintage offset print on paper, realized by Godefroy Engelmann in the early 20th Century. In very good condition. The artwork represents the roman landscape " "Cam...

Liberté - égalité- fraternité is a vintage poster realized in second half 20th. Century , in occasion of the International Women's Day (March 8) Printed by Il Torchio di Porta Roman...

Medium: offset lithograph (after Vasarely). Printed in 1972 in Neuchatel, Switzerland on thick, high-gloss paper and published by Editions du Griffon for the "Vasarely Progressions 1...

Kenneth Noland NOLAND (Hand Signed), 1986 High Quality Continuous Tone (No Dots) Lithographic Poster on thick paper. Hand signed and dated by Kenneth Noland on the front. Published by R. H. Love Galleries, Inc, Distributed by Jannes Art Publishing, Chicago, USA, Designed by Bobbye Cochran and Associates, Printed by Black Box Collotype, Continious-Tone Printers, Chicago, USA Vintage frame included Uniquely signed. True collectible when hand signed. This exquisite collectors' item - an original collotype-continuous tone Kenneth Noland was published in 1987 by the R. Love Gallery, Chicago. It depicts one of Noland's classic Chevron paintings...

Keith Haring 1983: A rare hand signed Keith Haring 1983 exhibition poster published on the occasion of: ‘Art of Found Objects’, Gallery Schlesinger-B...

Vue du Temple de Mars-Vengeur is a vintage offset print artwork on paper, realized after G. Engelmann (1788-1839), in the 1970s. The artwork is signed on the plate. In very good con...

Poster Giorgio De Chirico Exhibition is an offset print artwork representing the exhibition of the painter in Marino Gallery in Rome in Navona's square, held in 1973. Very good cond...

Vintage offset poster realized in occasion of Baj's Exhibition at Galleria Rondanini, Rome. Very good condition.

Terence La Noue New Monuments of Quetzalcoatl, 1976 Lithograph and offset lithograph on wove paper Signed, dated and numbered 1/500 by the artist on the lower right front (although t...

Gino Marotta. Naturale / Virtuale is an offset realized by Gino Marotta in 1979. The poster is for the exhibition "Natural/Virtual" of the artist in the famous Rondanini Gallery in ...

I Castelli Romani is a splendid offset poster realized by Neal Slavin, in 1983. Colored photography, in very good conditions. Regione Lazio / Centro Iniziative Culturali Pantheon -...

I Castelli Romani  is a splendid poster realized by Neal Slavin, in 1983, for the exhibition held in Rondanini Gallery in Rome. Offset print, in very good conditions.

THOMAS NOZKOWSKI Mostly Mozart (Hand signed and inscribed), 2007 Offset Lithograph. Hand signed dated 2016 and inscribed to Kevin 29 × 35 inches Personally signed and dedicated by No...

George Segal (Hand signed, dated and inscribed), 1979 Hardback monograph with dust jacket, hand signed, dated and warmly inscribed to David by George Segal Hand signed, dated and ins...

Bernar Venet Sculpture (Monograph - hand signed and inscribed), 2013 Lavishly illustrated hardback monograph with dust jacket (signed and inscri...

The Prisoner is an original offset and lithograph realized by George Grosz. The artwork is part of the suite of 10 offset and lithographs realized by Gro...

Luigi Ghirri is a vintage Poster realized in 1976. The artwork is the poster for the artist's exhibition in Galleria Rondanini, Roma.

Anish Kapoor Poster for Svayambh at the Royal Academy, London (hand signed by Anish Kapoor), 2009 Offset lithograph poster Boldly signed by Anish Kapoor on the lower right front 21 ×...

Original poster for the pop art exhibition "Pop Sammlung Beck" at Museum am Ostwall in Dortmund from 4 October - 22 November 1970. Pop Sammlung Beck was a major Pop Art collection ...

Ai Weiwei “Forest (1977)”, 2024 Limited edition offset lithograph print Edition of 200 Hand-signed by the artist Published by Damocle Edizioni, Venice, 2024 Each edition comes with...

Original exhibition poster created for the Women Impressionists show held at the Academy of Fine Arts, Musée Marmottan, Paris, in 1993. The poster features Reading in the Garden by E...

This David Hockney poster is printed in Bradford, West Yorkshire, England, on 270gsm Accent Fresco (Gesso), a textured, uncoated paper made from 100% ECF virgin fibre. FSC certified ...