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Jack LevineVintage 1970s Kennedy Galleries poster, Hand signed & warmly inscribed by artist1972
1972
$700
£523.75
€607.86
CA$974.66
A$1,096.28
CHF 568.62
MX$13,298.68
NOK 7,209.72
SEK 6,784.75
DKK 4,534.80
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About the Item
Jack Levine
Vintage 1970s Kennedy Galleries poster (Hand signed and warmly inscribed), 1972
Offset lithograph poster (Signed, dated and inscribed in black marker by Jack Levine)
Signed, dated 1978 and warmly inscribed to Emma-Stina and Ken (Prescott)
39 × 25 1/2 inches
Unframed (unnumbered)
Vintage offset lithograph poster for the exhibition Jack Levine '72 at Kennedy Galleries in New York. This print is boldly signed by Jack Levine, dated 1978 and inscribed in black marker to Emma-Stina and Ken. Emma Stina was Ken Prescott's wife of 66 years. Ken Prescott worked as a director of three museums: The Kansas City Museum, The Academy of Natural Sciences in Philadelphia, and The New Jersey State Museum, and he worked as an adjunct professor at Temple University, and assisted the Ford Foundation in administering grants in the visual arts. During that time, he arranged and curated many exhibitions in this country and abroad, notably two major Ben Shahn exhibitions to Japan and Jack Levine exhibitions.
The work depicted in this poster is Jack Levine's work entitled "Thought".
Provenance
Estate of Ken and Emma-Stina Prescottt
Publisher
Kennedy Galleries, New York
- Creator:Jack Levine (1915, American)
- Creation Year:1972
- Dimensions:Height: 39 in (99.06 cm)Width: 25.5 in (64.77 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Very good vintage condition, with minor imperfections visible up close and some edgewear.
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1745215875892
Jack Levine
Jack Levine was an American social realist painter and printmaker, born and raised in Boston. He enrolled in art classes at the Museum Fine Arts School of Boston and came under the influence of Dr. Denman Ross of Harvard University, who recognized his talent and gave him free art lessons. He was especially interested in the Old Masters, at the Fogg Museum, at Harvard. In 1935, he became a W.P.A. artist, using his experience growing up in a lower-class neighborhood, in his subject matter.
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