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Alex Katz Brisk Day

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Brisk Day II
By Alex Katz
Located in Los Angeles, CA
Edition of 150 from a set of three color prints Signed and numbered
Category

1990s Prints and Multiples

Materials

Lithograph

Brisk Day
By Alex Katz
Located in London, GB
The set of three prints; woodcut, screenprint and aquatint printed in colours. Each signed in pencil and numbered from the edition of 150. Printed on Somerset paper by Takanaka, Kyot...
Category

1990s Pop Art Portrait Prints

Materials

Aquatint, Screen, Woodcut

Brisk Day
H 35.99 in W 29.02 in
Brisk Day (1990) Woodcut by Alex Katz (Limited Edition of 150)
By Alex Katz
Located in Hong Kong, HK
Brisk Day, Woodcut (1990) A rare and historic lithograph by Alex Katz signed and numbered by the
Category

1990s Pop Art Still-life Prints

Materials

Woodcut, Paper

Brisk Day I
By Alex Katz
Located in New York, NY
Alex Katz, Brisk Day I, 1990 The internationally recognized painter and printmaker Alex Katz was
Category

1990s Figurative Prints

Materials

Aquatint

Brisk Day I
H 36.5 in W 28.75 in
Brisk Day II
By Alex Katz
Located in New York, NY
Part of a series of Brisk Day (I, II and III). The same image but each done with a different
Category

1990s Portrait Prints

Materials

Screen

Brisk Day II
H 36.25 in W 29.5 in
Brisk Day I
By Alex Katz
Located in New York, NY
Alex Katz, Brisk Day I, 1990 The internationally recognized painter and printmaker Alex Katz was
Category

1990s Figurative Prints

Brisk Day I
H 36.5 in W 28.75 in
Brisk Day II
By Alex Katz
Located in New York, NY
Part of a series of Brisk Day (I, II and III). The same image but each done with a different
Category

1990s Portrait Prints

Materials

Screen

Brisk Day II
H 36.25 in W 29.5 in
Brisk Day I
By Alex Katz
Located in Santa Monica, CA
Edition of 150 Signed and numbered in pencil
Materials

Aquatint

Brisk Day III
By Alex Katz
Located in Santa Monica, CA
Edition of 150 Signed and numbered in pencil
Brisk Day III
H 36 in W 29 in
Brisk Day III
By Alex Katz
Located in Los Angeles, CA
Edition of 150 from a set of three color prints Signed and numbered
Category

1990s Prints and Multiples

Brisk Day I
By Alex Katz
Located in Los Angeles, CA
Edition of 150 from a set of three color prints Signed and numbered
Category

1990s Prints and Multiples

Materials

Aquatint

Brisk Day II
By Alex Katz
Located in Santa Monica, CA
Lithograph 36 x 29 inches Edition of 150 Signed and numbered KAT908A
Category

1990s Contemporary Portrait Prints

Materials

Lithograph

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Alex Katz Brisk Day For Sale on 1stDibs

On 1stDibs, you can find the most appropriate alex katz brisk day for your needs in our varied inventory. There are many Contemporary and Pop Art versions of these works for sale. Adding a alex katz brisk day to a room that is mostly decorated in warm neutral tones can yield a welcome change — find a piece on 1stDibs that incorporates elements of red, pink and more. Artworks like these — often created in aquatint, etching and screen print — can elevate any room of your home. A large alex katz brisk day can be an attractive addition to some spaces, while smaller examples are available — approximately spanning 35.99 high and 28.75 wide — and may be better suited to a more modest living area.

How Much is a Alex Katz Brisk Day?

The average selling price for a alex katz brisk day we offer is $12,000, while they’re typically $12,000 on the low end and $12,000 for the highest priced.

Alex Katz for sale on 1stDibs

Flat color and minimal forms contrast the often monumental scales of the paintings by Alex Katz through which he creates portraits and landscapes of deceptive simplicity. Although the signature stark style that defines his prints and other work is now recognizable at a glance, it took him a decade to develop. During that time, he has said he destroyed hundreds of paintings.

Born in Brooklyn, New York, to Russian émigré parents, Katz’s family moved to Queens when he was a baby and that is where his family’s passion for the arts supported his early creative interests. In 1946, he enrolled at the Cooper Union in Manhattan where he studied painting under Morris Kantor. While he was influenced by the bold colors and hard edges of modernism, he shifted away from the then-dominant Abstract Expressionism movement to figurative scenes of life that have an inherent cool in their pared-down approach. Especially impactful were Katz’s summer studies between 1949 and 1950 at the Skowhegan School of Painting and Sculpture in Maine, a place where, as he later wrote: “I tried plein air painting and found my subject matter and a reason to devote my life to painting.”

Katz’s first solo show was in 1954 at Roko Gallery in New York. He experimented over the course of the following years with collage and painting on aluminum sheets, with his work in the 1960s drawing inspiration from film and advertising. In the 1970s, Katz expanded into portrait groups that regularly depicted the cultural scene of New York; in the 1980s, he extended his focus to fashion and its supermodels. Since the late 1950s, an enduring muse for his portraits has been his wife, Ada, while others have painted friends and famous figures. The intimate closeness of the frequently cropped faces in Katz’s portraits exudes a sense of tension with the subjects’ enigmatic expressions and planes of color.

In the 1960s, Katz collaborated with American dancer and choreographer Paul Taylor on sets and costumes. His concentration on landscapes emerged in the late 1980s, with atmospheric night views joining his practice, which had previously been defined by bright colors. Always finding new perspectives on his work, he has explored using iPhone photographs as the basis for large-scale compositions in recent years.

Katz’s prolific career has spanned sculpture, prints and public art along with his paintings and drawings, and his works can be found in the collections of leading museums such as the Metropolitan Museum of Art, Whitney Museum of American Art and Museum of Modern Art. He has had over 250 solo exhibitions around the world and continues to be acclaimed. In 2022, the Solomon R. Guggenheim Museum opened a major retrospective of his art.

Find Alex Katz art today on 1stDibs.

Finding the Right prints-works-on-paper for You

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.