Offset Prints and Multiples

First edition exhibition poster by Ralph Goings titled Tomato Catsup. Born in 1928, Goings is best known for his highly detailed paintings of diners, hamburger stands, California ban...

Sarah Morris November 2021, 2021 Lithograph on wove paper Accompanied by a certificate of authenticity - hand signed by Sarah Morris (the artist) as well as the head of ICA Editions...

Rare exhibition poster featuring New Orleans Jazz Band by Jean Dubuffet, published in Germany in 1990 as part of the prestigious Collection of European Masters series by Achenbach Ed...

Go for Baroque is a striking example of Roy Lichtenstein's playful engagement with art history, where he reinterprets the ornate grandeur of Baroque style through the lens of Pop Art...

This poster features a detail from Danse à la ville (Dance in the City) by Pierre-Auguste Renoir, capturing the elegance and intimacy of one of his most celebrated ballroom scenes. T...

Artist: Keith Haring (American, 1958-1990) Title: "National Coming Out Day" *Signed and dated by Haring in the plate (printed signature) lower right Year: 1988 Medium: Original Offse...

This original invitation card was produced for the exhibition Prints and Related Works by Donald Judd, held at Brooke Alexander Editions, New York, in 1990. Issued by the gallery fo...

Keith Haring Tony Shafrazi Gallery 1982: The much historic early Keith Haring exhibition poster, illustrated by Haring on the occasion of: 'Keith Haring Drawings' Oct. 9 - Nov. 13 - ...

Irises in a Vase by Vincent van Gogh was originally painted in 1888. This painting falls within his Arles period, a time when van Gogh was living in the South of France and producing...

Helen Frankenthaler (after) Frankenthaler: The Darker Palette (autographed and inscribed), 1998 Offset Lithograph print 42 × 35 in hand signed "Frankenthaler" lower left; inscribed a...

Artist: (after) Roy Lichtenstein (American, 1923-1997) Title: "Leo Castelli Gallery (The Red Horseman)" *Dedicated, signed, and dated by Lichtenstein in pencil lower right Year: 1975...

This luminous floral composition by Marc Chagall is among the artist’s most celebrated still-life subjects, showcasing his remarkable sensitivity to color and poetic atmosphere. A vi...

Scarce 1982 offset lithograph poster Signed and dated 1991 in ink by Sam Gilliam This is a hand signed exhibition poster for Sam Gilliam's landmark 1982 mid-career retrospective at t...

30th Anniversary reprint edition of the exhibition poster for Warhol/Basquiat Paintings. Printed in 2015. Signed and numbered "153/300" in ink by Tony Shafrazi. Published by Tony Sha...

Son of Man by René Magritte is elegantly framed in a shiny black metal frame with a 3/8-inch front profile and a 7/8-inch side profile. The overall dimensions are approximately 12.75...

Cy Twombly Galleria La Tartaruga, Rome 1958: RARE 1950’s announcement card illustrated by Twombly, on the occasion of, what is believed to be Twombly’s first ever European Exhibitio...

Poster of the historic collective exhibition held at Galleria Rondanini in Summer 1976. Offset and screen print on paper. Featuring works by: . Adami - Aricò - Baj - Battaglia ...

Helen Frankenthaler (1928-2011) is one of the most revered abstract painters of the 20th century, and one of the most successful and collected female artists of all time. She was a ...

Original GONE WITH THE WIND, U. S. 1 sheet Clark Gable, Vivien Leigh, de Havilland, all-time movie classic! Conservation linen backed and ready to frame. Original issue fold marks professionally touched up. Excellent condition. Film Description: Gone With the Wind, the classic 1939 Victor Fleming Civil War romantic melodrama epic ("The Greatest Motion Picture Ever Made!"; "In the New Screen splendor… The most magnificent picture ever!"; "David O. Selznick's production of Margaret Mitchell's story of the Old South"; "Screen play by Sidney Howard") starring Clark Gable (in his nominated for Best Actor Academy Award role; "as Rhett Butler"), Vivien Leigh (in her Best Actress Academy Award winning role; "and presenting Vivien Leigh as Scarlett O'Hara"), Leslie Howard ("as Ashley Wilkes"), Olivia de Havilland (in her nominated for Best Supporting Actress Academy Award role; "as Melanie"), Hattie McDaniel ("as Mammy"), Thomas Mitchell ("as Gerald O'Hara"), Butterfly McQueen, Ann Rutherford ("as Carreen O'Hara"), George Reeves, Victor Jory, Jane Darwell, Ward Bond, Ona Munson ("as Belle Watling"), Yakima Canutt, Harry Davenport ("as Dr. Meade"), Carroll Nye ("as Frank Kennedy"), Laura Hope Crews ("as Aunt Pittypat"), Alicia...

Ed Ruscha On the Road (10 sandwiches with bread and salami) (Hand signed and dated by Ed Ruscha), 2010 Letterpress on paper with die-cut photograph tipped in by hand to a blind debos...

Original Hell's Angels '69 vintage half-sheet movie poster. Original horizontal half sheet movie poster from 1969: Hell's Angeles '69. The film stars the original Oakland Hell's Angeles with Tom Stern, Jeremy Slate, Conny Van Dyke; Steve Sandor, Sonny Barger, Terry the Tramp. Am American International Release original. 'For a wild, wicked weekend and the deadliest gamble ever dared!. The left-hand side features the famous landmark hotel signs from Flamingo Sahara, Caesars Palace...

This is a high-quality reproduction of Jackson Pollock's iconic *Number 32*, printed on premium 250g paper with elegant deckled edges for a refined finish. The artwork captures Pollo...

Raymond Pettibon, Kim Gordon Sonic Youth at Frankfurt Music Hall (Hand Signed by Raymond Pettibon and Kim Gordon), 1990 Offset Lithograph Poster Boldly signed, and dated 2016 in ink ...

Original American Airlines World Cup ’94 vintage soccer poster. La Coupe Du Monde Aux Couleurs D’American. Bringing the World to the World Cup. Archi...

Galerie Beyeler Exhibition Poster Signed in plate Jean Philippe Arthur Dubuffet (French, 1901 – 1985) was a French painter and sculptor of the École de Paris (School of Paris). His idealistic approach to aesthetics embraced so-called "low art" and eschewed traditional standards of beauty in favor of what he believed to be a more authentic and humanistic approach to image-making. He is perhaps best known for founding the art brut movement, and for the collection of works—Collection de l'art brut—that this movement spawned. Dubuffet enjoyed a prolific art career, both in France and in America, and was featured in many exhibitions throughout his lifetime. His childhood friends included the writers Raymond Queneau and Georges Limbour. He moved to Paris in 1918 to study painting at the Académie Julian, becoming close friends with the artists Juan Gris, André Masson, and Fernand Léger. Six months later, upon finding academic training to be distasteful, he left the Académie to study independently. During this time, Dubuffet developed many other interests, including free noise music, poetry, and the study of ancient and modern languages. Dubuffet also traveled to Italy and Brazil, and upon returning to Le Havre in 1925, he married for the first time and went on to start a small wine business in Paris. He took up painting again in 1934 when he made a large series of portraits in which he emphasized the vogues in art history. In 1942, Dubuffet decided to devote himself again to art. He often chose subjects for his works from everyday life, such as people sitting in the Paris Métro or walking in the country. Dubuffet painted with strong, unbroken colors, recalling the palette of Fauvism, as well as the Brucke painters, with their juxtaposing and discordant patches of color. In 1943, the writer George Limbour, a friend of Dubuffet from childhood, took Jean Paulhan to the artist's studio. Dubuffet's work at that time was unknown. Paulhan was impressed and the meeting proved to be a turning point for Dubuffet. His first solo show came in October 1944, at the Galerie Rene Drouin in Paris. This marked Dubuffet's third attempt to become an established artist In 1945, Dubuffet attended and was strongly impressed by a show in Paris of Jean Fautrier paintings in which he recognized meaningful art which expressed directly and purely the depth of a person. Emulating Fautrier, Dubuffet started to use thick oil paint mixed with materials such as mud, sand, coal dust, pebbles, pieces of glass, string, straw, plaster, gravel, cement, and tar. This allowed him to abandon the traditional method of applying oil paint to canvas with a brush; instead, Dubuffet created a paste into which he could create physical marks, such as scratches and slash marks. The impasto technique of mixing and applying paint was best manifested in Dubuffet's series 'Hautes Pâtes' or Thick Impastoes, which he exhibited at his second major exhibition, entitled Microbolus Macadam & Cie/Hautes Pates in 1946 at the Galérie René Drouin. His use of crude materials and the irony that he infused into many of his works incited a significant amount of backlash from critics, who accused Dubuffet of 'anarchy' and 'scraping the dustbin'. He did receive some positive feedback as well—Clement Greenberg took notice of Dubuffet's work and wrote that '[f]rom a distance, Dubuffet seems the most original painter to have come out of the School of Paris since Joan Miro...' Greenberg went on to say that 'Dubuffet is perhaps the one new painter of real importance to have appeared on the scene in Paris in the last decade.' Indeed, Dubuffet was very prolific in the United States in the year following his first exhibition in New York (1951). After 1946, Dubuffet started a series of portraits, with his own friends Henri Michaux, Francis Ponge, George Limbour, Jean Paulhan and Pierre Matisse serving as 'models'. He painted these portraits in the same thick materials, and in a manner deliberately anti-psychological and anti-personal, as Dubuffet expressed himself. A few years later he approached the surrealist group in 1948, then the College of Pataphysique in 1954. He was friendly with the French playwright, actor and theater director Antonin Artaud, he admired and supported the writer Louis-Ferdinand Céline and was strongly connected with the artistic circle around the surrealist André Masson. In 1944 he started an important relationship with the resistance-fighter and French writer and publisher Jean Paulhan who was also strongly fighting against "intellectual terrorism", as he called it. Reception in America Corps de dame jaspé [Marbleized Body of a Lady] (1950) at the National Gallery of Art in 2022 Dubuffet achieved very rapid success in the American art market, largely due to his inclusion in the Pierre Matisse exhibition in 1946. His association with Matisse proved to be very beneficial. Matisse was a very influential dealer of contemporary European Art in America, and was known for strongly supporting the School of Paris artists. Dubuffet's work was placed among the likes of Pablo Picasso, Georges Braque, and Henri Rouault at the gallery exhibit, and he was one of only two young artists to be honored in this manner. A Newsweek article dubbed Dubuffet the 'darling of Parisian avant-garde circles,' and Greenberg wrote positively about Dubuffet's three canvases in a review of the exhibit. In 1947 Dubuffet had his first solo exhibition in America, in the same gallery as the Matisse exhibition. Reviews were largely favorable, and this resulted in Dubuffet having at least an annual, if not a biannual exhibition at that gallery. His reception in America was very closely linked to and dependent upon the New York art world's desire to create its own avant-garde environment. Specific examples of American artists interested in Dubuffet’s art were Alfonso Ossorio and Joseph Glasco. At the end of 1949, while Pierre Matisse was preparing Dubuffet’s January 1950 show, Alfonso Ossorio had traveled to Paris to meet Dubuffet and buy some of his paintings. Then in 1950, at Ossorio’s urging, his young friend Joseph Glasco left New York for Paris to meet Dubuffet. Glasco credited this encounter as having had an influence on his own art, and Dubuffet frequently asked about “Jackson Pollock and Glasco” in his letters to Ossorio. Between 1947 and 1949, Dubuffet took three separate trips to Algeria—a French colony at the time—in order to find further artistic inspiration. In this sense, Dubuffet is very similar to other artists such as Delacroix, Matisse, and Fromentin. However, the art that Dubuffet produced while he was there was very specific insofar as it recalled Post-War French ethnography in light of decolonization. Dubuffet was fascinated by the nomadic nature of the tribes in Algeria—he admired the ephemeral quality of their existence, in that they did not stay in any one particular area for long, and were constantly shifting. The impermanence of this kind of movement attracted Dubuffet and became a facet of art brut. In June 1948, Dubuffet, along with Jean Paulhan, Andre Breton, Charles Ratton, Michel Tapie, and Henri-Pierre Roche, officially established La Compagnie de l'art brut in Paris. This association was dedicated to the discovery, documentation and exhibition of art brut. Dubuffet later amassed his own collection of such art, including artists Aloïse Corbaz and Adolf Wölfli...

This colorful foil-embossed poster was created by the effervescent Austrian-born New Zealand artist Friedensreich Hundertwasser. Hundertwasser (1928-2000) stood out as a truly indivi...

Medium: offset lithograph (after Leger). Printed on Velin bouffant paper from the Papeteries de Hauteville and published by Edito-Service Geneve in 1980. This reproduces one of the o...

The original World War II propaganda poster "Belgium Fights On" is a powerful, dramatic example of wartime rallying art, created circa 1942 and published by the Belgian Information C...

Hands clasped, 2016 by Takashi Murakami Offset print, numbered and signed by the artist Edition 182/300 65.7 x 87.5cm Takashi Murakami is best known for his contemporary combinatio...

And Then x 6 (Blue: The Polke Method) Date of creation: 2015 Medium: Offset lithograph with silver Media: Paper Edition: 300 Size: 50 x 50 cm Observations: Offset lithograph with sil...

Koi Red Crane Crowned By Takashi Murakami Takashi Murakami is a Japanese contemporary artist renowned for his vibrant and whimsical creations that blend t...

Artist: Christo, Title: Running Fences yellow Series: Running Fences Date: 1976 Medium: Offset Lithograph Dimensions: 25.25" x 39.5" Signature: Signed Edition: 1000

Medium: offset lithograph (after Leger). Printed on Velin bouffant paper from the Papeteries de Hauteville and published by Edito-Service Geneve in 1980. This reproduces one of the o...

Paper Size: 7.5 x 7 x 5.5 inches ( 17.78 x 13.97 cm ) Image Size: 7 x 5.5 inches ( 17.78 x 13.97 cm ) Framed: No Condition: A: Mint Additional Details: Vintage Box set...

Offset print with cold stamp Edition 39 of 300 60 x 60 cm (23.6 x 23.6 in) Signed and numbered on the front Mint. Minor imperfections may appear due to the production process

Paper Size: 24 x 36 inches ( 60.96 x 91.44 cm ) Image Size: 24 x 36 inches ( 60.96 x 91.44 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Det...

Vintage postcard capturing a playful and iconic moment with Andy Warhol. Seated in a restaurant booth, Warhol wears a bright clown nose and flashes a sly, surprised expression, blend...

Paper Size: 40 x 26.5 inches ( 101.6 x 67.31 cm ) Image Size: 38.5 x 24.75 inches ( 97.79 x 62.865 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional ...

John Baldessari's Paradise is a thought-provoking piece that plays with the concept of utopia and the viewer’s expectations of imagery. Known for his witty and conceptual approach, B...

Offset print 4C process with cold stamp Edition 160 of 300 Signed and numbered on the front Mint

This reproduction of the Pool and Steps poster was reprinted by the Louisiana Museum in 2021 in a limited edition of 500 (unnumbered) as part of a program to highlight their most pop...

Original poster: THE SAURDAY EVENING POST. Artist: Noman Rockwell. Size: 21.75" x 28". Archival linen backed in very fine condition. The painting for this original poster ...

Black Guard Scotland is a poster designed by I.Sosteni, printed in Italy by Aga Cuneo" Edizione Aga il Portichetto". Good condition. The rare edition poster in the silver backgrou...

Frank Stella (after) Untitled, for the Very Special Arts Gallery (Hand Signed by Frank Stella), 1992 Photo lithograph and offset litho on thin board (hand signed by Frank Stella) Fra...

Paper Size: 38 x 21.5 inches ( 96.52 x 54.61 cm ) Image Size: 30.25 x 18.5 inches ( 76.835 x 46.99 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Suppleme...

Mary Lee Bendolph, born in 1935 in Boykin, Alabama, is a renowned American quilt maker associated with the Gee's Bend Collective. Her work has been exhibited in prominent institution...

Original 1964 Los Angeles, California vintage travel poster. Professionally archivally linen-backed in mint condition. This is one of four ...

Offset lithograph poster An art exhibition sponsored by Rothmans of Pall Mall Canada Limited. The traveling exhibition featured works by the artist Karel Appel and took place at The ...

Banksy (after) Visit Historic Palestine Print On the verso of the print it is double stamped with the Walled Off Hotel Emblem. It has a stamp in the lower left corner that reads,...

Les Amants by René Magritte is elegantly framed in a sleek black metal frame with a 3/8-inch front profile and a 7/8-inch side profile. The overall dimensions are approximately 8.5 x...

Limited Edition Artist's Book with Offset Lithographs. Autographed and numbered by Jean-Michel Basquiat Hand signed and numbered 542/1000 by Basquiat in ink Published by Bruno Bischo...

Bedroom at Arles is an offset lithograph by Roy Lichtenstein, from a portfolio of six prints published by the Guggenheim Museum, now out of print. In this witty reinterpretation of V...

Offset lithograph card Provenance: Collection of Dan Pope, CBS News photographer who amassed an impressive collection of signed artist cards during the 1980s-1990s, acquired directly...

Original exhibition poster designed by Jasper Johns for Dayton’s Gallery 12 in Minneapolis. Executed as a color offset lithograph on thick paper, the poster features False Start 1 (1...

Tan Tan Bo, 2003 by Takashi Murakami Offset lithograph in colors on Wove paper 25 7/10 × 39 3/10 in 65.8x99.8cm Edition 98/300 Tan Tan Bo is a "reincarnati...

Vintage 1962 Seattle World's Fair Poster by Earl Duff – Linen Backed. Condition A-: upper right corner restored as shown in the last enlarged photo. Size 35.5” x 25”. Capture a piec...

Ellsworth Kelly Handwritten, signed note on card to CBS cameraman and collector Dan Pope Ink on offset lithograph card Handwritten note signed and inscribed to Dan Pope. It reads, "D...

Keith Haring Lithograph 1982: Double-sided lithographic insert from the seminal spiral bound, 1982 Tony Shafrazi catalog published on the occasion of Haring's first gallery solo exhi...

Willem de Kooning Annual Spring Invitational Art Exhibition (limited edition, hand signed & numbered by Willem de Kooning), 1979 Offset lithograph (hand signed and numbered) Sign...

A very good impression of this scarce offset lithograph on cream wove paper. Artist's proof, aside from the edition of 100. Signed in ink, lower right, and inscribed "A/P" in pencil,...