Offset Prints and Multiples

Vintage offset print realized after a watercolor by Giorgio de Chirico in 1962. From the rare portfolio "Greek Mythology" realized for IRI and printed by Stab Salomone. Good condit...

Franz Graw The Night (Die Nacht) color Offset Lithograph Year: 2000s Size: 8.9×6.3in on 11.8×8.3in Signed and numbered by hand Edition: 100 COA provided Ref.: 924802-1191 His artistic creations include mainly oil paintings,sculptures,collages, linoleum prints,drawings and works in clay. From his early childhood Graw loved to paint and was fascinated by the colors of the old impressionists...

Norman Bluhm - scarce vintage exhibition poster (hand signed by Norman Bluhm), from the collection of Jacob Bal Teshuva, 1987 Offset lithograph poster Boldly signed and dated '87 in ...

Peter Halley Peter Halley, Imago Galleries, Palm Desert, CA (Hand Signed), 2006 Offset lithograph poster (hand signed by Peter Halley) 25 1/2 × 18 1/4 inches Provenance; Acquired directly from the artist Unframed Alpha 137 Gallery is honored to offer this offset lithograph, published on the occasion of legendary American artist Peter Halley's 2006 one-man exhibition at Imago Galleries, Palm Desert, California which the artist hand signed in black marker. Scroll images for a photograph of our director Nadine Witkin with the artist. Below is Peter Halley's official biography. What it doesn't mention is that Andy Warhol famously painted his portrait in 1986! Peter Halley is that legendary. According to Halley, he didn't realize until after Warhol's death that the polaroids Warhol took of him with his famous "big shot" camera were made into an original painting. Warhol's painting of Peter Halley was included in the recent Andy Warhol retrospective "Andy Warhol - from A to B and Back Again" at the Whitney. PETER HALLEY BIOGRAPHY Peter Halley, born 1953, New York City, is an American artist who came to prominence as a central figure of the Neo-Conceptualist movement of the 1980s. His paintings redeploy the language of geometric abstraction to explore the organization of social space in the digital era. Since the 1980s, Halley’s lexicon has included three elements: “prisons” and “cells,” connected by “conduits,” which are used in his paintings to explore the technologically determined space and pathways that regulate daily life. Using fluorescent color and Roll-a-Tex, a commercial paint additive that provides readymade texture, Halley embraces materials that are anti-naturalistic and commercially manufactured. In the mid 1990s Halley pioneered the use of wall-sized digital prints in his site-specific installations. He has executed installations at Museo Nivola, Orani, Sardinia (2021); Greene Naftali, New York (2019); Venice Biennale (2019); Lever House, New York (2018); Schirn Kunsthalle, Frankfurt (2016); Disjecta, Portland (2012); the Gallatin School, New York University, (2008, 2017); the Museum of Modern Art, New York (1997); and the Dallas Museum of Art (1995). In 2005, Halley was also commissioned to create a monumental painting for Terminal D at the Dallas/Fort Worth International Airport, Texas. Halley served as professor and director of the MFA painting program at the Yale School of Art from 2002 to 2011. From 1996 to 2005, Halley published INDEX Magazine, which featured interviews with figures working in a variety of creative fields. Halley is also known for his essays on art and culture, written in the 1980s and 1990s, in which he explores themes from French critical theory and the impact of burgeoning digital technology. His Selected Essays, 1981 – 2001, was published by Edgewise Press, New York, in 2013.Halley’s writings have been translated into Spanish, French, and Italian. A catalogue raisonné, PETER HALLEY: Paintings of the 1980s, was published in 2018 by JRP Ringier. Halley’s work can be found in the collections of the Museum of Modern Art, New York; Whitney Museum of American Art, New York; Solomon R. Guggenheim Museum, New York; Broad Art Foundation, Los Angeles; Museum of Contemporary Art, Los Angeles; San Francisco Museum of Modern Art; Boston Museum of Fine Arts; Dallas Museum of Art; Albright-Knox Art Gallery, Buffalo; Tate Modern, London; Stedelijk Museum, Amsterdam; Sammlung Marx, Berlin; Museo Nacional Centro de Arte Reina Sofia, Madrid; Museum of Contemporary Art, Tokyo; Seoul Museum of Art, among others. More about Peter Halley Peter Halley was born in 1953 in New York. He began his formal training at Phillips Academy in Andover, Massachusetts, from which he graduated in 1971. During that time, Halley read Josef Albers’s Interaction of Color (1981), which would influence him throughout his career. From 1973 to 1974 Halley lived in New Orleans, where he absorbed the vibrant cultural influences of the city, began using commercial materials in his art, and first became acquainted with the writings of earthwork artist Robert Smithson. In 1975 the artist graduated from Yale University, New Haven, with a degree in art history. After Yale, Halley returned to New Orleans, where he received an MFA in painting from the University of New Orleans in 1978. He had his first solo exhibition at the Contemporary Art Center, New Orleans, that same year. In 1978 Halley spent a semester teaching art at the University of Louisiana, Lafayette. He has continued to teach throughout his career. In 1980, Halley moved back to New York and had his first solo exhibition in the city at PS122 Gallery. At this time, Halley was drawn to the pop themes and social issues addressed in New Wave music. Inspired by New York’s intense urban environment, Halley set out to use the language of geometric abstraction to describe the actual geometricized space around him. He also began his iconic use of fluorescent Day-Glo paint. In 1984, Halley started to exhibit with the International With Monument gallery, becoming closely associated with the organization and its artists, who exhibited conceptually rigorous work in a market-savvy, coolly presented space that stood in stark contrast to the bohemian, Neo-Expressionist flair of the East Village art scene at the time. In 1986, an exhibition of four artists from International With Monument at the Sonnabend Gallery in New York heralded the group’s growing success. By the late 1980s, Halley was exhibiting with prominent galleries in the United States and Europe. In 1989, an exhibition of his paintings traveled to the Museum Haus Esters, Krefeld, Germany; Maison de la culture et de la communication de Saint-Étienne, France; and Institute of Contemporary Arts, London. From 1991 to 1992, a retrospective toured Europe, with presentations at the CAPC Musée d’art contemporain de Bordeaux, France; Musée d’art contemporain, Lausanne, Switzerland; Museo nacional centro de arte Reina Sofía, Madrid; and Stedelijk Museum, Amsterdam. In 1992, the Des Moines Art Center hosted his first solo exhibition at a U.S. museum. While developing his visual language, Halley became interested in French post-structuralist writers, including Jean Baudrillard, Guy Debord, Michel Foucault, and Paul Virillio, all of whom shared his concern with the character of social spaces in a post-industrial society. In 1981, he published his first essay “Beat, Minimalism, New Wave, and Robert Smithson” in Arts, a New York–based magazine that would publish eight of his essays before the decade’s end. Halley’s writings became the basis for Neo-Geometric Conceptualism (also known as Neo-Geo), the offshoot of Neo-Conceptualism associated with the work of Ashley Bickerton, Halley, and Jeff Koons. In 1988, the artist’s writings were anthologized in Collected Essays, 1981–1987, and again in 1997 in a second anthology, Recent Essays, 1990–1996. In the mid-1990s, Halley began to produce site-specific installations for museums, galleries, and public spaces. These characteristically brought together a range of imagery and mediums, including paintings, wall-size flowcharts, and digitally generated wallpaper prints. Halley has executed permanent installations at the Dallas/Fort Worth International Airport, Texas, and the Gallatin School of Individualized Study at New York University. In 2011, his installation of digital prints Judgment Day...

KAWS Exposed, 1999 Early Illustrated softcover book with French folded flaps, published in Paris 8 4/5 × 6 1/5 inches Limited Edition of 2000 Published by Colette and printed by La P...

David HOCKNEY Portrait of Reading Man Original Vintage Poster (offset-lithograph) Printed in France by Imprimerie Dermont in Paris 64 x 45 cm (c. 25.1 x 17.7 inch) This poster was created for the exhibition "David Hockney Dessins et Gravures" April 15th - May 24th at Galerie Claude Bernard in Paris. The poster represents Parisian dandy and Karl Lagerfeld's companion, Jacques de Bascher...

Joan Miró vinyl album art: set of two, 1966 & 1979: Raimon and Joan Miró were close friends that first collaborated on the 1966 album Cançons de la roda del temps. In 1979, Miró...

Paper Size: 61.75 x 46.25 inches ( 156.845 x 117.475 cm ) Image Size: 61.75 x 46.25 inches ( 156.845 x 117.475 cm ) Framed: No Condition: B: Very Good Condition, with signs of han...

The Evening Visit is a mixed colored offset print after the Sicilian artist Renato Guttuso. This print was realized on the occasion of the exhibition ...

Figure is a Vintage Offset Print on ivory-colored paper, realized by Franco Gentilini ( Italian Painter, 1909-1981), in the 1970s. The state of preservation of the artwork is excel...

Offset lithograph poster published by Gagosian Gallery on the occasion of the exhibition at Gagosian Gallery Rome from May 25 to July 30, 2010 This work has been boldly signed and da...

Makes a fantastic gift! RETNA and El Mac Vagos y Reinas (Vagabonds and Queens), Hand Signed by both Artists, 2009 Limited Edition Exhibition Catalog and Screen Printed Box. Hand sign...

Peter Halley Heterotopia 2 (Hand Signed by Peter Halley), 2019 Offset lithograph poster (Hand signed by Peter Halley) 23 × 16 1/2 inches. Signed in black marker on the front Published by Greene Naftali, New York Unframed Alpha 137 Gallery is honored to offer this historic offset lithograph of American artist Peter Halley's 2019 exhibition Heterotopia 2, at Greene Naftali Gallery in New York City which the artist hand signed in black marker. Scroll images for a photograph of our director Nadine Witkin with the artist. Below is Peter Halley's official biography. What it doesn't mention is that Andy Warhol famously painted his portrait in 1986! Peter Halley is that legendary. According to Halley, he didn't realize until after Warhol's death that the polaroids Warhol took of him with his famous "big shot" camera were made into an original painting. Warhol's painting of Peter Halley was included in the recent Andy Warhol retrospective...

Manifest of Simbari i  is a vintage offset and lithograph realized by  Nicola Simbari  in 1970. Hand-signed on the bottom center. The artwork represents a woman and two girls playi...

Perle Fine Paintings, 1977 Rare offset lithograph poster 22 × 17 inches Unframed, unsigned, unnumbered Provenance: Estate of Andre Zarre Accompanied by Certificate of Guarantee issue...

Paper Size: 42.75 x 34.25 inches ( 108.585 x 86.995 cm ) Image Size: 36.25 x 29 inches ( 92.075 x 73.66 cm ) Framed: No "Bright Oval," a poster by Wassily Kandinsky, captures the e...

Paper Size: 23.5 x 16.5 inches ( 59.69 x 41.91 cm )?Image Size: 23.5 x 16.5 inches ( 59.69 x 41.91 cm )?Framed: No?Condition: A-: Near Mint, very light signs of handling??Additional Details: Poster featuring a drawing of Jack Goldstein...

Roy Lichtenstein (after) Gallery 26 Exhibition Poster, 1950 Off-set Lithograph Poster (Mounted to Cardboard) unsigned 10 1/2 × 31 inches Unframed This poster/flyer is an advertisemen...

Peer Gynt - Vintage Poster is an original offset print realized in 1975. Signed on the plate Good conditions.

Original poster produced on the occasion of James Rosenquist’s exhibition at the Amos Anderson Gallery, organized by Petersburg Press. This vintage poster reproduces the artist’s 1973 lithograph Hey! Let’s Go for a Ride, based on the 1961 painting of the same title. A glistening green bottle top dominates the foreground, behind which a red-lipped woman...

Paper Size: 15 x 11 inches ( 38.1 x 27.94 cm ) Image Size: 15 x 11 inches ( 38.1 x 27.94 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Deta...

Image dimensions: 14 x 21 cm. Study for a Still Life is a superb original offset print, reproducing the original watercolor by Giorgio Morandi. Hand-signed in pencil by the artist...

Paper Size: 35.25 x 27 inches ( 89.535 x 68.58 cm ) Image Size: 35.25 x 27 inches ( 89.535 x 68.58 cm ) Framed: NoCondition: A-: Near Mint, very light signs of handling Additional Details: Original exhibition poster for Martin Kippenberger...

Jasper Johns Painting with Two Balls, Kunsthalle, Berlin, hand signed poster (Field 132), 1971 Offset lithograph (hand signed and inscribed by Jasper Johns) Signed and inscribed in m...

Original vintage travel poster, Pleasant Scandinavia, inen backed travel to Scandinavia on SAS Airlines. Excellent condition antique poster ready to fra...

Robert Willson SCULTURE - VETRO - DEDICATA AL MAESTRI DEL VETRO DI MURANO ROBERT WILLSON, 1964 Offset lithograph on wove paper 27 1/2 × 20 1/2 inches Un...

Beautiful David poster created by Banksy for his solo show at the Bristol Museum and published by POW. Original mailing tube this poster was shipped in from Pictures on Walls (POW) L...

Richard Lindner Adults-Only, 1979 Offset lithograph poster Plate signature with date, right front Limite Edition of 500 (unnumbered) Frame Included: held in vintage 1970s metal perio...

Paper Size: 33 x 23.5 inches ( 83.82 x 59.69 cm )?Image Size: 33 x 23.5 inches ( 83.82 x 59.69 cm )?Framed: No?Condition: B: Very Good Condition, with signs of handling or age??Additional Details: Original exhibition poster for the show "Women's Vision Vol. 1" featuring Cindy Sherman...

Laurie Simmons Walking, Talking, Lying, 2005 Hardback monograph (hand signed and inscribed by Laurie Simmons) Warmly signed and inscribed by Laurie Simmons on the first front end page. 11 × 10 × 1 inches This elegant, illustrated hardback monograph, with no dust jacket, exactly as issued, is, exceptionally, hand signed and uniquely inscribed by Laurie Simmons. The inscription reads: For Arala with much Love BIG Love, Laurie Simmons You are an actor! Book information: Publisher: Aperture Direct, 2005 Hardcover; 160 pages with 100 four-color images Publisher's blurb: Laurie Simmons is one of the first contemporary American photographers to have created elaborately staged narrative photographs. Using dolls...

Frank Stella Experiment and Change (Hand Signed), 2017 Offset Lithograph Hand signed by the artist i ink on the lower right front 22 × 27 4/5 inches Unframed This offset lithograph ...

Dennis Oppenheim Dennis Oppenheim: Selected Works 1967-90 : And the Mind Grew Fingers (with handwritten signed letter laid in separately), 1992 Softback book with separate hand signe...

IBM (G.EL.2, 18.1.1984) By Gerhard Richter 1987 Medium: Offset Lithograph Paper Size: 19.75 x 22.75 inches ( 50 x 58 cm ) Image Size: 10.75 x 14.25 inches ( 27 x 36 cm ) Editi...

Anish Kapoor at Modern Art Oxford (hand signed by Anish Kapoor), 2021 Offset lithograph poster (Hand signed by Anish Kapoor) Boldly signed by Anish Kapoor 23 × 16 1/2 inches Unframed...

Paper Size: 31 x 25 inches ( 78.74 x 63.5 cm ) Image Size: 15.75 x 19.25 inches ( 40.005 x 48.895 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additio...

Mon Han Lee - Leopard in Tree, Year: 1980, Medium: Collotype on Canvas, signed and dated lower right, Size: 28 x 22 in. (71.12 x 55.88 cm), Description: Signed "Leehan" lower r...

Paper Size: 33 x 23.25 inches ( 83.82 x 59.055 cm ) Image Size: 17 x 17 inches ( 43.18 x 43.18 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional...

Paper Size: 28 x 25 inches ( 71.12 x 63.5 cm ) Image Size: 28 x 25 inches ( 71.12 x 63.5 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Detai...

Paper Size: 41 x 27 inches ( 104.14 x 68.58 cm ) Image Size: 39 x 25 inches ( 99.06 x 63.5 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age Additional Details: Film poster for the 1996 American black comedy-romance film "A Thin Line Between Love and Hate", directed and co-written by Martin Lawrence. "Always and Forever Yours...

"Tension in Height," a poster by Wassily Kandinsky, showcases the artist's distinctive style and exploration of abstract forms. The original painting was created in 1942, during a pe...

Robert Irwin Getty Garden (hand signed and inscribed by Robert Irwin), 2002 Hardback monograph with dust jacket Hand signed and inscribed by Robert ...

This rare and highly sought-after poster is a first edition exhibition piece created by Damien Hirst for his "New Paintings" exhibition at the prestigious Gagosian Gallery in New Yor...

Paper Size: 31.5 x 23.5 inches ( 80.01 x 59.69 cm ) Image Size: 18 x 23.5 inches ( 45.72 x 59.69 cm ) Framed: No Condition: A: Mint Additional Details: Poster created for a Hoc...

Spoleto Festival is an original offset and lithograph on cardboard, realized by Carlo Maria Mariani in 1989. Signed on plate. Good conditions. Carlo Maria Mariani (Rome, 1931) is an Italian painter. Carlo M. Mariani creates works whose conception refers to classical art: from ancient Greece and ancient Rome. Without copying directly from works of the past. This characteristic makes Mariani a painter in line with the characteristics of late seventies painting...

Roy Lichtenstein As I Opened Fire, set of 3 Lithographic Posters: An authorized reproduction of Roy Lichtenstein's painting entitled "As ...

David Salle Hand Signed Poster by David Salle upper left, 2000 Offset Lithograph Signed by the artist and dedicated to Nadine 25 × 30 inches Unframed This is a uniquely signed David...

Vintage poster realized after Gadrjel Stupica in occasion of the Winter Olympic Games in Sarajevo in 1984. Offset print. Good condition.

Poster Giorgio De Chirico Exhibition is an offset print artwork representing the exhibition of the painter in Marino Gallery in Rome in Navona's square, held in 1973. Very good cond...

This original first-edition exhibition poster was created for Miriam Schapiro’s 1967 show Silver Windows at the prestigious André Emmerich Gallery. Schapiro, a key figure in the femi...

Paper Size: 26.75 x 18.25 inches ( 67.945 x 46.355 cm ) Image Size: 19.25 x 12.75 inches ( 48.895 x 32.385 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling ...

(After) Francis Bacon Meat Carcass and Bird of Prey, 1986 Original vintage poster (hight quality offset) On heavy paper 78 x 45 cm (c. 31 x 18 in) Edited by by Maeght for the artist...

Graffiti is a vintage offset print after Antoni Tàpies, printed on hand made paper. It is one of the prints belonging to a deluxe edition of 1982 limited to 2.000 specimens, reproduc...

Printed in chartreuse, dark green, bright yellow, orange, and brown, this surreal scene features a grey-walled room populated with strange machinery and a red chair. Paolozzi creates...

50° Surrealism Anniversary is an original serigraph realized by Guelfo Bianchini in 1972 The artwork is the affiche realized in the occasion of the exhibiton 50° Anniversario Surrea...

Exhibition poster for an exhibit at Galerie de France, September-October 1984.

Paper Size: 28.5 x 20.25 inches ( 72.39 x 51.435 cm )?Image Size: 19 x 12.25 inches ( 48.26 x 31.115 cm )?Framed: No?Condition: B: Very Good Condition, with signs of handling or age?...

Paper Size: 22 x 14 inches ( 55.88 x 35.56 cm ) Image Size: 22 x 14 inches ( 55.88 x 35.56 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age Addi...

Agent X Title : Desiree Calderon Year: 2019 Medium: Digital Print Signed Edition: 125 70 x 70 inches Agent X, cultural explorer and agent of the unknown, is an emerging artist who c...

Paper Size: 34.75 x 23.5 inches ( 88.265 x 59.69 cm ) Image Size: 19 x 14.75 inches ( 48.26 x 37.465 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Addi...

Paper Size: 38 x 25 inches ( 96.52 x 63.5 cm ) Image Size: 32.5 x 23 inches ( 82.55 x 58.42 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age S...