Baroque Prints and Multiples

Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Self Portrait with Raised Sabre, Medium: Heliogravure, Image Size: 4.75 x 3.75 inches, Frame Size: 20.5 x 19.75 in...

This is an exclusive handprinted limited edition cyanotype. Details: + Title: Gingko Leaf Explosion + Year: 2024 + Edition Size: 100 + Stamped and Certificate of Authenticity provid...

Baroque 17th century German fountain design Copper-line engraving, published in 1664 in Nuremberg. From 'Architectura Curiosa Nova' by George Andreas B...

Bernard Picart, 'The Deluge' from 'The Temple of the Muses', engraving, 1730. Signed in the plate and dated '1730' lower left. Titled in French, English, German, and Dutch. A superb...

Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Portrait de Jean Corneille Sylvius (B280). Year: 1878 (of original 1633), Medium: Heliogravure, Size: 11 x 7.5 in. ...

This is an exclusive handprinted limited edition cyanotype. Details: + Title: Vintage Pressed Flowers Nº2 + Year: 2022 + Edition Size: 24 + Stamped and...

"Hyperbaroque Impressions: A Collection of Art Prints by Miguel Rodrigues" Step into the surreal world of Miguel Rodrigues, where the boundaries between reality and fantasy blur int...

This is an exclusive handprinted limited edition cyanotype of a beautiful palm leave. Details: + Title: Tropical Palm Branches + Year: 2024 + Edition Size: 20 + Stamped and Certificate of Authenticity provided + Measurements : 70x100 cm (28x 40 in.), a standard frame size + All cyanotype prints are made on high-quality Italian watercolor paper * Frame is for illustrative purposes only. Artwork shipped carefully rolled and packaged in a tube. WHAT IS A CYANOTYPE? The cyanotype (a.k.a. sun-print) process is one of the oldest in the history of photography, dating back to the 1840's. Cyanotypes were then made famous by Anna Atkins, considered the first female photographer. Inspired by nature, we feel the need to look back at a craft that is handmade, analogue, and using an all-natural light source: the sun. Our cyanotypes are made by coating high-quality Italian watercolor paper with a light-sensitive emulsion. We then expose it in direct sunlight for several minutes using a photo negative to get the best image quality. Finally, the print is washed and fixed with water to stop the reaction and prevent fading. What you get is an amazing, royal blue image...

Francois BOUCHER Allegory of Love : Woman surrounded by Angels and Doves Etching Unsigned On Vellum 38 x 50 cm (c. 15 x 20 in) Probably edited c. 1950 Excellent condition

This is an exclusive handprinted limited edition cyanotype. Details: + Title: Vintage Pressed Flowers Nº1 + Year: 2021 + Edition Size: 20 + St...

Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Rembrandt Dessinant (B22). Year: 1878 (of original 1648), Medium: Heliogravure, Size: 6.5 x 5 in. (16.51 x 12.7 c...

Temptation of Saint Anthony an etching in the manner of Hendrik Goltzius. Goltzius was born near Viersen in Bracht or Millebrecht, a village then in the Duchy of Julich, now in the ...

Bernard Picart, 'The Death of Hercules' from 'The Temple of the Muses', engraving, 1730. Signed in the plate, lower left. Titled in French, English, German, and Dutch. A superb, rich...

This is an exclusive handprinted limited edition cyanotype of a gorgeous blue bouquet. Details: + Title: Blue Flower Bouquet + Year: 2024 + Edition Size: 100 + Medium: Acrylic Pain...

17th century German fountain design Copper-line engraving, published in 1664 in Nuremberg. From 'Architectura Curiosa Nova' by George Andreas Beckley (...

Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Mendients a la Porte d'Une Maison (B176). Year: 1878 (of original 1648), Medium: Heliogravure, Size: 7 x 5.5 in. (1...

Defeat of the Turkish Cavalry (1st State) From: The Life of Ferdinando de'Medici Engraving 224 x 300 mm.; 8 7/8 x 11 7/8 inches Reference: Lieure No. 154 Meaume No. 541 Ru...

Artist: George Vertue (English, 1684-1756) Title: "King Richard II" Portfolio: The Heads of the Kings of England, Proper for Mr. Rapin's History *Issued unsigned, though signed by Ve...

Woodcut after Peter Paul Rubens (Siegen 1577-1640 Antwerp) Reference: Le Blanc 6 Hollstein 6 II/III Notes: 1. A very fine impression of the 2nd state (of three) of this majo...

Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Vieillard au Bonnet Fendu (B265). Year: 1878 (of original 1640), Medium: Heliogravure, Size: 6 x 5.5 in. (15.24 x ...

Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Portrait de Jean Corneille Sylvius (B266). Year: 1878 (of original 1633), Medium: Heliogravure, Size: 6.5 x 6 in. (...

This is an excellent example of the kind of portraiture produced by Castiglione during the early part of the 17th century. In the image, we see the visage of a man with a mustache, wearing a fur-lined hat topped with a feathery decoration. The image is reminiscent of the work of Rembrandt van Rijn, himself known for his portraits in the form of etchings. 4 x 3.5 inches, image 15.25 x 13.25 inches, frame Inscribed "GC" in the plate, lower left This impression is from the edition ca. 1825 from the original plate of ca. 1635. Unlike many Italian artists, Giovanni Benedetto Castiglione was profoundly influenced by foreigners. He first studied with local artists in his native Genoa, absorbing not only Tuscan Mannerism and Caravaggism but also the style of Peter Paul Rubens, who had worked in Genoa. From 1621 Castiglione also worked in Anthony van Dyck's Genoa studio. Early on, he was attracted to Flemish animal...

Agent X Beauté du XVIIIe Siècle 3 Archival Pigment Inks on Canvas Year: 2022 Size: 74x58in Unique Signed, dated by hand COA provided Ref.: 924802-1164 -----------------------------...

Woodcut after Peter Paul Rubens (Siegen 1577 - 1640 Antwerp) 337 x 451 mm.; 13 1/4 x 17 3/4 inches Provenance: The Metropolitan Museum of Art, New York, Duplicate stamp on verso...

In the mid-seventeenth century, views of historic landscapes and classical structures were increasingly popular among print collectors, and artists like the Frenchman Israel Sylvestre were eager to fill that demand. In this example, Sylvestre captures a view of the Arch of Constantine...

Mid-century French transatlantic liner menu with printed illustration by French artist Jean Adrien Mercier. Signed in the print, top left and dated 1956 inside centre. This highly c...

Jean-Emile Laboureur (1877-1943), Le Moulin Abandonne, etching and engraving, 1934, signed lower left and numbered and annotated “imp” in pencil lower right....

Baroque 17th century German fountain design Copper-line engraving, published in 1664 in Nuremberg. From 'Architectura Curiosa Nova' by George Andreas B...

This is an exclusive handprinted limited edition cyanotype. Details: + Title: Vintage Pressed Flowers Nº4 + Year: 2022 + Edition Size: 20 + St...

Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Vue d'Omval pres d'Amsterdam (B209), Medium: Heliogravure, Image Size: 7 x 8.5 inches, Frame Size: 13.5 x 15 inche...

"Sister Water" - St Francis of Assisi Linocut Wood Black pring of St Francis by Italian artist (printer of Assisi) Gastone Vignati (Italian, 20C)...

'Luire de Cheminees a la Moderne nouvellement Invente et Grave par Jean Dolivar.' Collection of 4 engravings with designs for chimney-pieces. Published in Paris, circa 1670. 210mm ...

A fine hand coloured 18th Century engraving after the original by Piranesi (Rome 1743), published by Danisy, Paris. Presented in period gold leaf frame, under glass. Piranesi was born in Venice, in the parish of S. Moisè where he was baptised. His father was a stonemason. His brother Andrea introduced him to Latin literature and ancient Greco-Roman civilization, and later he was apprenticed under his uncle, Matteo Lucchesi, who was a leading architect in Magistrato delle Acque, the state organization responsible for engineering and restoring historical buildings. From 1740, he had an opportunity to work in Rome as a draughtsman for Marco Foscarini, the Venetian ambassador of the new Pope Benedict XIV. He resided in the Palazzo Venezia and studied under Giuseppe Vasi, who introduced him to the art of etching and engraving of the city and its monuments. Giuseppe Vasi found Piranesi's talent was much greater than that of a mere engraver. According to Legrand, Vasi told Piranesi that "you are too much of a painter, my friend, to be an engraver." After his studies with Vasi, he collaborated with pupils of the French Academy in Rome to produce a series of vedute (views) of the city; his first work was Prima parte di Architettura e Prospettive (1743), followed in 1745 by Varie Vedute di Roma Antica e Moderna. From 1743 to 1747, he was mainly in Venice where, according to some sources, he often visited Giovanni Battista Tiepolo, a leading artist in Venice. It was Tiepolo who expanded the restrictive conventions of reproductive, topographical and antiquarian engravings. He then returned to Rome, where he opened a workshop in Via del Corso. In 1748–1774, he created an important series of vedute of the city which established his fame. In the meantime Piranesi devoted himself to the measurement of many of the ancient buildings: this led to the publication of Le Antichità Romane de' tempo della prima Repubblica e dei primi imperatori ("Roman Antiquities of the Time of the First Republic...

Paper Size: 19.5 x 25.5 inches ( 49.53 x 64.77 cm ) Image Size: 13 x 21 inches ( 33.02 x 53.34 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional...

This exquisite lithograph and pochoir after Peter Paul Rubens (1577–1640), titled Portrait de petite fille (Portrait of a young girl), originates from the 1968 folio Visages d Enfant...

Jacques Callot, French (1592 - 1635) - Les Gueux, Medium: 2 Etchings on paper from Les Gueux suite appelee aussi Les Mendiants, Image Size: 5.5 x 3.5 inches, Size: 7.5 x 11 in. (19.0...

Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - View of Amsterdam from the Northwest. Year: original 1640, Medium: Heliogravure, Size: 4.5 x 6 in. (11.43 x 15.24 ...

Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Rembrandt au Chapeau Rond (B7). Year: 1878 (of original 1631), Medium: Heliogravure, Size: 5.75 x 5.25 in. (14.61 ...

Agent X Butterfly on White Background (Silhouette, Nature, Flowers, Floral, Vibrant, Baroque) Year: 2025 Archival Pigment Print with Archival Inks on 240 gsm Hahnemuehle Paper Size: ...

Mixed media collage print serigraph on canvas. Hand signed Dimensions: 22 X 19 inches including the frame Post Soviet Russian Jewish Israeli Artwork In this limited edition artwork the artists incorporates different imagery, creating layers of artt, music compositions cut-outs and a group of figures dressed in a 1920s fashion, and a still life of a vase with flowers. A variety of elements. Tanya Wissotzky and Alexander Galtchansky were born in the same year, 1959, in Crimea (U.S.S.R.). Their careers began in art school. Alexander studied in Dnepropetrovsk, Ukraine and Wissotzky in Simferopol. They continued their studies at the Kiev institute of the Arts; Wissotzky as a painter and Alexander as a book illustrator. After getting married, they emigrated to Israel. Alexander Wissotzky was in reality a name used by two artists who were married and collaborated together to make their art. Tanya Wissotzky was born in 1959 in the Crimea. She started to study art in Simferopol specializing in painting. She then moved to Kiev to further her studies. There she met her husband Alexander Galtchansky who was studying book illustration. He was also born in 1959 in the Crimea and began his art studies in Dnepropetrovsk. Galtchansky also decided to continue his art education at the Kiev Institute of the Arts. After they fell in love and got married they began to collaborate artistically to produce their works of art. With the opening up of the Soviet Union and Russia, Tanya Wissotzky and Alexander Galtchansky took the opportunity to emigrate to Israel. Working in a combination of acrylic, pen and ink, and collage the couple produced art that is both nostalgic and romantic. Their work harks back to a time, the 1920’s and a place, Paris, which helps conjure up the image of love, and this makes their art very accessible to the general public. Some of Wissotzky and Alexander’s mixed media pieces remind one of figures in the ‘Belle Epoch’ while their still life paintings of flowers seem to step out of an English garden guide. Wissotzky and Alexander found it difficult to adjust to life in Israel and eventually they returned to Europe settling in the Czech republic. Tanya Wissotzky and Alexander Galtchansky exhibited their work widely during their lifetime. There is a book that was published about their life and work ‘G. Alexander and Wissotzky T.’ Alexander Wissotzky art can be found online and in permanent exhibitions, galleries and collections around the world including the International Conference Center in the center of Jerusalem. Their works have been shown with Itzchak Tarkay and Isaac Maimon. They have shown at the prestigious Safrai Art Gallery in Jerusalem Israel and has been exhibited with Raphael Abecassis, Ben Simhon, Yosl Bergner, Naftali Bezem , Sami Briss, Amram Ebgi, Alexander Klevan, Gregory Kohelet, Yuval Mahler, Ran Haya Graetz, Zina Rothman, Michael Rozenvein, David Sharir, Reuven Rubin, Theo Tobiasse, Yuri Tremler, Shraga Weil, Wissotzky and Avigail Yoresh.

Lithograph with frame and glass Signed, artist unknown from the gallery

Francois BOUCHER Mannerist : Lying Nude Etching Unsigned On Vellum 38 x 50 cm (c. 15 x 20 in) Probably edited c. 1950 Excellent condition

Francois BOUCHER Peaceful Maternity : the Sleeping Baby Etching Unsigned On Vellum 38 x 50 cm (c. 15 x 20 in) Probably edited c. 1950 Excellent condition

Original vintage advertising poster in French for the 26th Anniversary of the Mozart Festival in Wurtzbourg 11-25 June 1955 - 26th Anniversary of the Festival of Mozart. Great image ...

Salvator Rosa (Naples, July 20, 1615 - Rome, March 15, 1673) Warrior with Mace and Shield Etching and engraving, ca. 1650-1652 Second state (final) Plate: 14 × 9.5 cm - Sheet: approx...

Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Saint Francois a Genoux (B107). Year: 1878 (of original 1657), Medium: Heliogravure, Size: 7.5 x 10 in. (19.05 x 2...

This is an exclusive handprinted limited edition cyanotype. Details: + Title: Vintage Pressed Flowers Nº2 + Year: 2023 + Edition Size: 20 + Stamped and Certificate of Authenticity p...

This is an exclusive limited edition color Giclée print, printed on matte photographic paper. This exquisite still life photo, shows a classy bouquet beautifully lit with soft light...

Exposition Esquisses de Rubens. Musees Royaux des Beaux-Arts de Belgique, Bruxelles. Original, linen backed early (1937) Rubens Exposition. Very rare exposition poster...

Artist: George Vertue (English, 1684-1756) Title: "King Henry VII" Portfolio: The Heads of the Kings of England, Proper for Mr. Rapin's History *Issued unsigned, though signed by Ver...

Serigraph on Paper. Page Size: 30 x 20 in. Frame Size: 46 x 34 in. Signed, bottom right. Numbered, bottom left: 53/75 This is an evocative, dramatic portrait of a young woman, set w...

This artwork titled "Nevada" is an original lithograph by noted French artist Shan Merry, born 1935. It is hand signed and numbered 97/450 in pencil by the artist. The image size is 15.5 x 14 inches, framed is 32.25 x 29 inches. It is beautifully framed in a custom gold frame, with fabric matting and gold color bevel. it is in excellent condition. Shan-Merry began her artistic studies in 1957 at the Ecole Nationale Superieure des Arts et Metier, in France. By 1972 she was working as a professional fine artist and began exhibiting regularly in prominent art galleries. By the 1990’s her works were included in prestigious international collections and exhibitions in Belgium, Germany, Japan and the United States. She was also a designer for Hermes...

Jacques Callot, French (1592 - 1635) - Les Grandes Miseres de la Guerre (The Miseries of War), Medium: 2 Etchings on paper from Les Grandes Miseres de La Guerre portfolio, Image Size...

Agent X Beauté du XVIIIe Siècle 2 Archival Pigment Inks on Canvas Year: 2022 Size: 74x58in Unique Signed, dated by hand COA provided Ref.: 924802-1162 -...

Paper Size: 19.75 x 26 inches ( 50.165 x 66.04 cm ) Image Size: 12.5 x 21 inches ( 31.75 x 53.34 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Addition...

Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Jan Uytenbogaert dit le Peseur d'Or (B281). Year: 1878 (of original 1639), Medium: Heliogravure, Size: 10 x 8 in. (...

Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Saint Pierre Guerissant le Paralylique (B94). Year: 1878 (of original 1659), Medium: Heliogravure, Size: 7.25 x 8.5...

Anthony of Padua or Anthony of Lisbon born Fernando Martins de Bulhoes 15 August 1195 – 13 June 1231) was a Portuguese Catholic priest and friar of the Franciscan Order. He was born and raised by a wealthy family in Lisbon, Portugal, and died in Padua, Italy. Noted by his contemporaries for his powerful preaching, expert knowledge of scripture, and undying love and devotion to the poor and the sick, he was one of the most quickly canonized saints in church history, being canonized less than a year after his death. He was proclaimed a Doctor of the Church by Pope Pius XII...

Etching realized by Castiglione (Il Grechetto) in 1640 ca. From the Series Small Studies of Heads Good condition. Ref. Bartsch 46.43

Image dimensions: 20.4 x 27.5 cm. Hunting Scene is a wonderful black and white etching on thick laid paper, realized by the Italian master, Antonio Tempesta (1555-1630). Monogramm ...