Baroque Prints and Multiples
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Style: Baroque
1912 'Napoleon Bonaparte-Bataille de Rivoli'
Located in Brooklyn, NY
Paper Size: 19.75 x 26 inches ( 50.165 x 66.04 cm )
Image Size: 12.5 x 21 inches ( 31.75 x 53.34 cm )
Framed: No
Condition: A-: Near Mint, very light signs of handling
Addition...
Category
1910s Baroque Prints and Multiples
Materials
Woodcut
1912 Napoleon Bonaparte 'Bataille D'Esling- Mort De Montebello'
Located in Brooklyn, NY
Paper Size: 19.5 x 25.5 inches ( 49.53 x 64.77 cm )
Image Size: 13 x 21 inches ( 33.02 x 53.34 cm )
Framed: No
Condition: A-: Near Mint, very light signs of handling
Additional...
Category
1910s Baroque Prints and Multiples
Materials
Woodcut
Exposition Esquisses de Rubens 1937 Exposition linen backed vintage poster
By (After) Peter Paul Rubens
Located in Spokane, WA
Exposition Esquisses de Rubens. Musees Royaux des Beaux-Arts de Belgique, Bruxelles. Original, linen backed early (1937) Rubens Exposition. Very rare exposition poster...
Category
1930s Baroque Prints and Multiples
Materials
Lithograph
Interior Meeting - Original Etching by Cornelis Meyssens - 17th Century
Located in Roma, IT
Interior Meeting is an original etching realized by Cornelis Meyssens ( 1640-1573).
Good conditions, except for some foldings.
Included a Passepartout: 34 x 49 cm
The artwork repres...
Category
17th Century Baroque Prints and Multiples
Materials
Etching
"Veduta del Palazzo Maggiore, " Original Roman Ruin Engraving by Israel Silvestre
Located in Milwaukee, WI
"Veduta del Palazzo Maggiore" is an original engraving by Israel Silvestre, titled along the lower edge of the image. The miniature image depicts an idyllic landscape framed with sil...
Category
1650s Baroque Prints and Multiples
Materials
Engraving
Italian Painter’s Portrait Engravings on Laid Paper on Canvas in Ebonized Frames
Located in Firenze, IT
These beautiful Italian 18th Centruy engravings on laid paper feature the portrait of two famous Italian painters: Veronese and Guido Reni. They were engraved by Pier Antonio Pazzi a...
Category
18th Century Baroque Prints and Multiples
Materials
Cotton Canvas, Laid Paper, Engraving
King Henry VII /// Old Masters Royal Family British Portrait Face Engraving Art
Located in Saint Augustine, FL
Artist: George Virtue (English, 1684-1756)
Title: "King Henry VII"
Portfolio: The Heads of the Kings of England, Proper for Mr. Rapin's History
*Issued unsigned, though signed by Virtue in the plate (printed signature) lower right
Year: 1736
Medium: Original Engraving on laid paper
Limited edition: Unknown
Printer: Unknown, London? UK
Publisher: James, John, and Paul Knapton, London, UK
Reference: Brunet No. IV.1115; Bryan V. No. 294
Framing: Not framed, but matted with 100% cotton rag matting from Holland and filet from Italy
Matted size: 19.75" x 15.75"
Image size: 11" x 7"
Condition: A few minor foxmarks. In excellent condition
Notes:
Comes from Virtue's 1736 "The Heads of the Kings of England, Proper for Mr. Rapin's History" portfolio of approximately 63 engravings. Engraving of Henry VII, King of England. Half length with long hair, cap with jewelled brooch, jewelled collar, and robes edged in ermine, holding orb in left hand and sceptre in right. Within a rectangular frame with crown, orb, and sceptre above and with coat of arms, putti, and a portrait of Elizabeth of York below. With English inscription below.
Henry VII (1457-1509) was the King of England and Lord of Ireland from his seizure of the crown on 22 August 1485 to his death. He was the first monarch of the House of Tudor. Henry attained the throne when his forces defeated King Richard III at the Battle of Bosworth Field, the culmination of the Wars of the Roses.
Biography:
George Vertue...
Category
1730s Baroque Prints and Multiples
Materials
Intaglio, Laid Paper, Engraving
"Portrait of a Man" original engraving by Italian Baroque artist Castiglione
Located in Milwaukee, WI
This is an excellent example of the kind of portraiture produced by Castiglione during the early part of the 17th century. In the image, we see the visage of a man with a mustache, wearing a fur-lined hat topped with a feathery decoration. The image is reminiscent of the work of Rembrandt van Rijn, himself known for his portraits in the form of etchings.
4 x 3.5 inches, image
15.25 x 13.25 inches, frame
Inscribed "GC" in the plate, lower left
This impression is from the edition ca. 1825 from the original plate of ca. 1635.
Unlike many Italian artists, Giovanni Benedetto Castiglione was profoundly influenced by foreigners. He first studied with local artists in his native Genoa, absorbing not only Tuscan Mannerism and Caravaggism but also the style of Peter Paul Rubens, who had worked in Genoa. From 1621 Castiglione also worked in Anthony van Dyck's Genoa studio. Early on, he was attracted to Flemish animal...
Category
17th Century Baroque Prints and Multiples
Materials
Etching
The Temptation of Christ by the Devil (2nd State)
Located in Chicago, IL
Woodcut after Peter Paul Rubens (Siegen 1577-1640 Antwerp)
Reference:
Le Blanc 6
Hollstein 6 II/III
Notes:
1. A very fine impression of the 2nd state (of three) of this majo...
Category
17th Century Baroque Prints and Multiples
Materials
Woodcut
"Tiempo di Menerva Medica, " Original Roman Ruins Engraving by Israel Silvestre
Located in Milwaukee, WI
"Tempo di Minerva Medica" is an original engraving by Israel Silvestre, titled along the lower edge. This miniature print depicts the ruins of the Temple of Minerva Medica in the Rom...
Category
1650s Baroque Prints and Multiples
Materials
Engraving
On the Beach Baroque Style Figurative
By Ben Messick
Located in Soquel, CA
Study of a female nude in the Baroque style, by acclaimed California artist Ben Messick (American, 1891-1981). Signed "Ben Messick 40" in plate and pencil lower left, by the estate. Unframed. Image size, 4.75"L x 10.5"H; overall mat size is, 16"L x 20"H. Some foxing to over-mat.
The following is submitted by Jim Lafferty whose sources include the autobiography of the artist:
William Washington Messick married Sarah A. Bristow January 2,1889 and from this marriage a son, Benjamin Newton Messick was born on January 9, 1891 on a farm near Strafford, Missouri. His art talent was apparent from the time he was a child and later recognized by his commanding officer in World War I. He completed his training in Los Angeles at Chouinard in the late-1920s and is well-known for his Regionalist scenes and Modernist paintings. He was an instructor at Chouinard through the 1950s & influenced a generation of LA Modernists.
Little is recorded in his autobiography about Messick's life from his teen years and service during the War. He enrolled at Chouinard Institute in the Fall of 1925, and was given a three-year scholarship by Mrs. Chouinard. In 1925 he won a cash award at the Los Angeles County Fair for a group of pen and charcoal drawings done in the parks and streets of Los Angeles. These works give the appearance of being spontaneous and fluid.
In 1930 Messick left Chouinard as a full-time student and rented an apartment on West Eighth Street to use as a studio and living quarters. He had his own ideas on what he was trying to accomplish in art. "If you should ask what is the message of my drawings, I should say that they may explain themselves or may be just a technical exercise."
By the mid 1940s, Messick's position in the art world had been well established as a teacher, painter, printmaker, writer and critic. Over his life time he had over 400 shows and exhibitions. Starting in 1939 he produced a number of stone lithographs that appear to the untrained eye as original drawings. To Messick the image was the most important aspect of his lithographs, and his signature in the plate was sufficient. Hand signing each lithograph did not seem necessary to him. He exhibited prints widely including the Albany Print Club and the Metropolitian Museum.
To further substantiate the authenticity of Messick's prints the Eclectic Gallery under the authority of the Messick family posthumously pencil signed each estate-acquired stone lithograph.
Messick had a childhood fascination with the circus and started drawing and painting the circus in 1935. His circus work, especially his clown studies, and his lithographs became his trademark work for in the 1940s and 1950s. A critic for ART REVIEW described his Big Top work this way: "His circus canvases...
Category
1940s Baroque Prints and Multiples
Materials
Paper, Ink
Le Moulin Abandonné
Located in New York, NY
Jean-Emile Laboureur (1877-1943), Le Moulin Abandonne, etching and engraving, 1934, signed lower left and numbered and annotated “imp” in pencil lower right....
Category
1930s Baroque Prints and Multiples
Materials
Engraving, Etching
Hunting Scene - Original Etching by Antonio Tempesta - Early 17th Century
Located in Roma, IT
Image dimensions: 20.4 x 27.5 cm.
Hunting Scene is a wonderful black and white etching on thick laid paper, realized by the Italian master, Antonio Tempesta (1555-1630).
Monogramm ...
Category
Early 17th Century Baroque Prints and Multiples
Materials
Etching
Christ and the Little Saint John Playing with the Lamb (2nd State)
Located in Chicago, IL
Woodcut after Peter Paul Rubens (Siegen 1577 - 1640 Antwerp)
337 x 451 mm.; 13 1/4 x 17 3/4 inches
Provenance:
The Metropolitan Museum of Art, New York, Duplicate stamp on verso...
Category
17th Century Baroque Prints and Multiples
Materials
Woodcut
King Richard II /// Old Masters British Royal Family Portrait Engraving Art
Located in Saint Augustine, FL
Artist: George Virtue (English, 1684-1756)
Title: "King Richard II"
Portfolio: The Heads of the Kings of England, Proper for Mr. Rapin's History
*Issued unsigned, though signed by Virtue in the plate (printed signature) lower right
Year: 1736
Medium: Original Engraving on laid paper
Limited edition: Unknown
Printer: Unknown, London? UK
Publisher: James, John, and Paul Knapton, London, UK
Reference: Brunet No. IV.1115; Bryan V. No. 294
Framing: Not framed, but matted with 100% cotton rag matting from Holland
Matted size: 19.5" x 15.25"
Image size: 11.25" x 7.25"
Condition: In excellent condition
Notes:
Comes from Virtue's 1736 "The Heads of the Kings of England, Proper for Mr. Rapin's History" portfolio of approximately 63 engravings.
Richard II (1367-1400), also known as Richard of Bordeaux, was King of England from 1377 until he was deposed in 1399. Richard's father, Edward, Prince of Wales, died in 1376, leaving Richard as heir apparent to his grandfather, King Edward III...
Category
1730s Baroque Prints and Multiples
Materials
Intaglio, Engraving, Laid Paper
"CHINGON" Hand Embellished Print (FRAMED) 40" x 30" inch Ed. 1/1 by Isaac Pelayo
By Isaac Pelayo
Located in Culver City, CA
"CHINGON" Print (FRAMED) 40" x 30" inch Edition 1/1 by Isaac Pelayo
Hand embellished print
Oil stick, aerosol, and sharpie on archival sugar press paper
Size framed: 44" x 34" inch
ABOUT THE ARTIST:
Isaac Pelayo is a head on crash collision between The Renaissance and Street Art.
In a household where constant turmoil and violence were more apparent than most a young Pelayo met escape and peace within the confines of himself and his own creativity. Hispanic born in the heavy beating heart of Los Angeles on the seventh day of June 1996. Pelayo was caught in the crossfires of everything that surrounded him but art served as his only guidance. After dropping out of college Pelayo turned from his hyperrealistic pencil portraits to oil painting where his passions grew more immensely.
As of today Pelayo’s work is most influenced and fueled by the crème de la crème of old master painters like Da Vinci, Caravaggio, Rembrandt, and Velazquez as well as graffiti artists such as RETNA, Shepard Fairey, and EL MAC. In 2017 his work caught the attention and landed in the firm grasp of renown rapper and collector Alvin “Westside Gunn” Worthy. He has created several album covers and artworks for the Buffalo rap moguls music label Griselda Records including his personal collection. Pelayo’s paintings are widely recognized and sought out from all over the globe. His collectors include Sean “Diddy” Combs, Westside Gunn, Benny The Butcher, Jeff Hamilton, Shepard Fairey, Jaysse Lopez, and Everlast of House of Pain...
Category
21st Century and Contemporary Baroque Prints and Multiples
Materials
Oil, Spray Paint, Archival Paper
After Nicholas Poussin Seven Sacraments Prints 18th century mezzotint paper
Located in Florence, IT
This group of 7 prints (mezzotint on paper, 59 x 75 cm) represents the Seven Sacraments (Baptism, Ordination, Confirmation, Penance, Eucharist, Marriage, Extreme Unction). At the top of every sheet there is the title inside a cartouche, while at the bottom there is written "N. Poussin in." (or "Poussin pinxit") and “George Kilian sculps et excud Aug. Vind”.
The group derivates from the series by the French artist Nicholas Poussin...
Category
Mid-18th Century Baroque Prints and Multiples
Materials
Paper, Mezzotint
The Prince of Cards
Located in Kansas City, MO
Andreas Amrhein
The Prince of Cards
3D-Construction on Hahnemühle Velvet
Year: 2022
Signed by hand
Edition 25
Size: 22.4 × 16.3 on 24.0 × 16.9 inches
COA provided
Ref.: 924802-977
--------------------------
Andreas Amrhein is a german male artist born in Marburg (GERMANY) in 1963.
Andreas Amrhein’s first exhibition was Arbeiten auf Papier „Blau“ at Galerie Michael Schultz in Berlin in 1994, and the most recent exhibition was 12. Kunstpreis Wesseling - Zeit aus den Fugen at Kunstverein Wesseling e.V. in Wesseling in 2021. Andreas Amrhein is most frequently exhibited in Germany, but also had exhibitions in Austria...
Category
2010s Baroque Prints and Multiples
Materials
Mixed Media, Archival Pigment
The Parrot King
Located in Kansas City, MO
Andreas Amrhein
The Parrot King
3D-Construction on Hahnemühle Velvet
Year: 2022
Signed by hand
Edition 25
Size: 22.4 × 16.3 on 24.0 × 16.9 inches
COA provided
Ref.: 924802-973
--------------------------
Andreas Amrhein is a german male artist born in Marburg (GERMANY) in 1963.
Andreas Amrhein’s first exhibition was Arbeiten auf Papier „Blau“ at Galerie Michael Schultz in Berlin in 1994, and the most recent exhibition was 12. Kunstpreis Wesseling - Zeit aus den Fugen at Kunstverein Wesseling e.V. in Wesseling in 2021. Andreas Amrhein is most frequently exhibited in Germany, but also had exhibitions in Austria...
Category
2010s Baroque Prints and Multiples
Materials
Mixed Media, Archival Pigment
Défaite de la cavalerie Turque (1st State)
Located in Chicago, IL
Defeat of the Turkish Cavalry (1st State)
From: The Life of Ferdinando de'Medici
Engraving
224 x 300 mm.; 8 7/8 x 11 7/8 inches
Reference:
Lieure No. 154
Meaume No. 541
Ru...
Category
17th Century Baroque Prints and Multiples
Materials
Engraving
Baroque prints and multiples for sale on 1stDibs.
Find a wide variety of authentic Baroque prints and multiples available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add prints and multiples created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Kind of Cyan, Agent X, Israel Silvestre, and (after) Claude Lorrain (Claude Gellée). Frequently made by artists working with Paper, and Engraving and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Baroque prints and multiples, so small editions measuring 3.75 inches across are also available. Prices for prints and multiples made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $77 and tops out at $54,000, while the average work sells for $623.
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