Cubist Prints and Multiples

This exquisite heliogravure after Georges Braque (1882-1963), titled Sans titre (Untitled), from Carnets Intimes de G. Braque, Verve: Revue Artistique et Litteraire, Vol. VIII, No. 3...

This exquisite engraving by Pablo Picasso (1881–1973), titled Pour Roby, Etat noir (For Roby, black state), from L’Age de Soleil (The Age of the Sun), originates from the 1950 editio...

This exquisite engraving by Pablo Picasso (1881–1973), titled Pour Roby (For Roby), from L’Age de Soleil (The Age of the Sun), originates from the 1950 edition published by Aux Depens de L’Auteur, Paris, under the direction of Robert-J. Godet, Paris; printed by Atelier Lacouriere-Frelaut, Paris, under the direction of Georges Leblanc, Paris, July 21, 1950. This compelling composition reflects Picasso’s mastery of intaglio technique, where incisive line and expressive distortion converge to translate poetic and symbolic subject matter into a powerful and evocative graphic language. Executed as an engraving on velin du Marais paper, this work measures 11.125 x 9.125 inches (28.26 x 23.18 cm). Signed in reverse in the plate and unnumbered as issued. The impression exemplifies the technical excellence and material sensitivity characteristic of Atelier Lacouriere-Frelaut’s celebrated editions. Artwork Details: Artist: Pablo Picasso (1881–1973) Title: Pour Roby (For Roby), from L’Age de Soleil (The Age of the Sun) Medium: Engraving on velin du Marais paper Dimensions: 11.125 x 9.125 inches (28.26 x 23.18 cm) Inscription: Signed in reverse in the plate and unnumbered as issued Date: 1950 Publisher: Aux Depens de L’Auteur, Paris Printer: Atelier Lacouriere-Frelaut, Paris Catalogue raisonne references: Bloch, Georges. Pablo Picasso: Catalogue of the Printed Graphic Work 1904–1967. Kornfeld & Klipstein, 1968, illustration 680; Cramer, Patrick. Pablo Picasso, The Illustrated Books: Catalogue Raisonne. Patrick Cramer, 1983, illustration 57. Condition: Well preserved, consistent with age and medium Provenance: From the folio L’Age de Soleil (The Age of the Sun), 1950 Notes: Excerpted from the folio (translated from French), This edition, constituting the original edition of the the work, has been limited to MCXIV examples, as follows: IV nominative examples on Arches, hand reserved for collaborators of the work; X examples on hand-made Arches with five states in black and color of the engraving, marked from A to J; C examples on velin du Marais with the black state of the engraving and numbered from I to C; M examples on velin including the rendering of the engraving and numbered from I to M. Printing was finished on July 21, 1950, under the direction of the author, on the presses of E. Durand, master printer in Paris for typography, and G. Leblanc, master engraver in Paris for engraving. About the Publication: L’Age de Soleil (The Age of the Sun), published in Paris in 1950 by Aux Depens de L’Auteur under the direction of Robert-J. Godet, is a distinguished illustrated edition that reflects Pablo Picasso’s continued engagement with poetic text, symbolic imagery, and the livre d’artiste tradition in the postwar period. Conceived as a highly refined collaboration between artist, author, printer, and engraver, the publication integrates original engravings by Picasso with a carefully structured typographic program executed by master printers in Paris. The edition was produced in multiple tiers on fine papers including Arches, velin du Marais, and velin, with select examples featuring additional states and variations of the engravings, demonstrating the technical and aesthetic ambitions of the project. Printed under the direction of Georges Leblanc for the engraving and E. Durand for typography, the publication exemplifies the highest standards of mid twentieth century French printmaking. Through its synthesis of text and image, L’Age de Soleil stands as an important example of Picasso’s contributions to illustrated editions, embodying his ability to translate poetic and symbolic themes into a compelling visual language while maintaining exceptional technical precision. About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision revolutionized modern art and defined the visual language of the 20th century. A child prodigy from Malaga, Spain, Picasso’s career spanned more than seven decades and encompassed an astonishing range of styles and innovations—from the melancholic Blue and romantic Rose periods to his pioneering invention of Cubism with Georges Braque, which shattered conventional notions of perspective and form. Influenced by the bold expressiveness of El Greco, the structure of Cezanne, and the vitality of African and Iberian sculpture, Picasso became a central figure of the Paris avant-garde, working in creative dialogue with contemporaries such as Henri Matisse, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray. His insatiable experimentation extended across painting, drawing, printmaking, ceramics, and sculpture, forever expanding the boundaries of artistic expression. A master of reinvention, Picasso profoundly shaped generations of artists who followed—from Andy Warhol, Roy Lichtenstein, David Hockney, and Jean-Michel Basquiat to Jeff Koons and Banksy—cementing his status as a timeless cultural icon whose works remain among the most sought after worldwide. His landmark painting Les Femmes d’Alger (Version “O”) achieved a record-breaking sale of $179,365,000 at Christie’s, New York, on May 11, 2015, affirming Picasso’s enduring legacy as one of the most influential and valuable artists in history. Pablo Picasso Pour Roby...

Côte d'Azur is a lithograph designed by Pablo Picasso in collaboration with Henri Deschamps, depicting a view from Picasso's balcony overlooking the Côte d'Azur. Created in 1962, thi...

This exquisite lithograph after Pablo Picasso (1881–1973), titled Corrida (Bullfight), from the folio Le Carmen des Carmen (The Carmen of Carmen), originates from the 1964 edition pu...

This exquisite collotype after Georges Braque (1882–1963), titled Sans titre (Untitled), from the album Birds, Saint-John Perse, originates from the 1966 edition published by the Bol...

This exquisite lithograph by Pablo Picasso (1881–1973), titled La Danse (The Dance), from the album Picasso Lithographe III, 1949-1956 (Picasso Lithographer III, 1949-1956), originates from the 1956 edition published by Editions du Livre, Monte-Carlo, under the direction of Andre Sauret, Editeur, Monte-Carlo, and Fernand Mourlot, Editeur, Paris; printed by Mourlot Freres, Paris, October 6, 1956. La Danse embodies Picasso’s vigorous exploration of movement and mythic vitality, rendered through expressive contour and rhythmic composition that reflect his sustained reinvention of classical themes in the 1950s. Executed as a lithograph on grand velin Renage filigrane paper with la marque de l'editeur, this work measures 12.625 x 9.75 inches (32.07 x 24.77 cm). Unsigned and unnumbered as issued. The edition reflects the exceptional craftsmanship of Mourlot Freres and the continued scholarly collaboration between Andre Sauret and Fernand Mourlot in documenting Picasso’s graphic oeuvre. Artwork Details: Artist: Pablo Picasso (1881–1973) Title: La Danse (The Dance), from Picasso Lithographe III, 1949-1956 (Picasso Lithographer III, 1949-1956) Medium: Lithograph on grand velin Renage filigrane paper with la marque de l'editeur Dimensions: 12.625 x 9.75 inches (32.07 x 24.77 cm) Inscription: Unsigned and unnumbered as issued Date: 1956 Publisher: Editions du Livre, Monte-Carlo, under the direction of Andre Sauret, Editeur, Monte-Carlo, and Fernand Mourlot, Editeur, Paris Printer: Mourlot Freres, Paris Catalogue Raisonne: Picasso, Pablo, et al. Picasso Lithographe. Andre Seuret, 1949-1964, illustration 281 Condition: Well preserved, consistent with age and medium Provenance: From the album Picasso Lithographe III, 1949-1956 (Picasso Lithographer III, 1949-1956), published 1956 Notes: Excerpted from the album (translated from French), This publication, directed by Fernand Mourlot and Andre Sauret, was printed in MMD examples, on grand velin Renage filigrane paper a la marque de l'editeur, was completed on October 6, 1956 on the presses of Mourlot Brothers and Louis Duval, master printers in Paris. The typography is from L'Imprimerie Union. About the Publication: Picasso Lithographe III, 1949-1956 (Picasso Lithographer III, 1949-1956), published in 1956 by Editions du Livre, Monte-Carlo, under the direction of Andre Sauret in collaboration with Fernand Mourlot, represents the culminating volume in the foundational survey of Picasso’s lithographic production. Covering a period of extraordinary experimentation, the publication documents Picasso’s sustained engagement with lithography as an autonomous and innovative medium. Printed on grand velin Renage filigrane paper bearing the publisher’s watermark, the edition exemplifies the highest standards of mid twentieth century French art publishing, uniting rigorous documentation with masterful printing. The partnership between Picasso and the Mourlot atelier played a transformative role in advancing modern lithography, and this volume stands as an essential scholarly reference for collectors, museums, and historians. As part of the broader Picasso Lithographe project, the publication solidified the importance of printmaking within Picasso’s oeuvre and reinforced the album format as a vehicle for serious modern art scholarship. About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision revolutionized modern art and defined the visual language of the 20th century. A child prodigy from Malaga, Spain, Picasso’s career spanned more than seven decades and encompassed an astonishing range of styles and innovations—from the melancholic Blue and romantic Rose periods to his pioneering invention of Cubism with Georges Braque, which shattered conventional notions of perspective and form. Influenced by the bold expressiveness of El Greco, the structure of Cezanne, and the vitality of African and Iberian sculpture, Picasso became a central figure of the Paris avant-garde, working in creative dialogue with contemporaries such as Henri Matisse, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray. His insatiable experimentation extended across painting, drawing, printmaking, ceramics, and sculpture, forever expanding the boundaries of artistic expression. A master of reinvention, Picasso profoundly shaped generations of artists who followed—from Andy Warhol, Roy Lichtenstein, David Hockney, and Jean-Michel Basquiat to Jeff Koons and Banksy—cementing his status as a timeless cultural icon whose works remain among the most sought after worldwide. His landmark painting Les Femmes d'Alger (Version "O") achieved a record-breaking sale of $179,365,000 at Christie's, New York, on May 11, 2015, affirming Picasso's enduring legacy as one of the most influential and valuable artists in history. Pablo Picasso La Danse...

This exquisite collotype after Georges Braque (1882–1963), titled Sans titre (Untitled), from the album Birds, Saint-John Perse, originates from the 1966 edition published by the Bol...

This exquisite lithograph by Fernand Leger (1881–1955), titled Sans titre (Untitled), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates from ...

This exquisite lithograph by Fernand Leger (1881–1955), titled Sans titre (Untitled), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates from ...

This exquisite zincograph by Pablo Picasso (1881–1973), titled Tete (Head), from the album Non vouloir (Not Wanting), originates from the 1942 edition published by Editions Jeanne Bu...

This exquisite lithograph by Pablo Picasso (1881–1973), titled Claude, from the album Picasso Lithographe II, 1947-1949 (Picasso Lithographer II, 1947-1949), originates from the 1950...

This exquisite lithograph after Georges Braque (1882-1963), titled Sans titre (Untitled), from Carnets Intimes de G. Braque, Verve: Revue Artistique et Litteraire, Vol. VIII, No. 31-...

This exquisite lithograph after Pablo Picasso (1881–1973), titled Le cavalier bleu (The Blue Rider), from Verve, Revue Artistique et Litteraire, Vol. VII, No. 25–26, originates from ...

A stone lithograph from the first edition of 'Picasso's Sketchbook (Carnet de la California, 1955-1956)' which was limited to 1000 copies. Dated, in the design, November 21, 1955 and numbered 4. Different lithograph printed verso, as issued. Unsigned. Accompanied with a copy of the inside cover page and colophone with publishing information. Around 1959, Editions Cercle d’Art published Carnet de la Californie, a facsimile of a sketchbook that Picasso worked on at his house in Cannes, La Californie. Printed at Mourlot Studios in Paris, this edition was prepared for the American market by publisher Harry N. Abrams, New York (1960). With thanks to Claire Lui and the Guggenheim for the below: Carnet de la Californie sheds light on Picasso’s interests and focus at the time. Over and over he returned to the same themes—copies of Old Masters, and drawings of a woman in Turkish clothing...

This exquisite lithograph by Pablo Picasso (1881–1973), titled Danseuse (Dancer), from the album Le Ballet (The Ballet), originates from the 1954 edition published by Librairie Hache...

This exquisite lithograph by Fernand Leger (1881–1955), titled Sans titre (Untitled), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates from ...

This exquisite heliogravure after Pablo Picasso (1881–1973), titled 10.3.59. VIII, from the album Pablo Picasso, Toros y Toreros (Bulls and Bullfighters), originates from the 1961 ed...

This exquisite heliogravure after Pablo Picasso (1881–1973), titled 11.3.59., from the album Pablo Picasso, Toros y Toreros (Bulls and Bullfighters), originates from the 1961 edition...

This exquisite lithograph after Pablo Picasso (1881–1973), titled 25.4.64., from the folio Le Gout du Bonheur, trois carnets d`atelier (The Taste of Happiness, Three Studio Sketchboo...

This exquisite lithograph by Fernand Leger (1881–1955), titled Sans titre (Untitled), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates from ...

This exquisite lithograph by Pablo Picasso (1881–1973), titled Bacchanale, from the album Picasso Lithographe III, 1949-1956 (Picasso Lithographer III, 1949-1956), originates from th...

Artist: Pablo Picasso Title: Le Ballet Medium: Lithograph Date: 1954 Edition: 10,000 Framed Size: 20 1/4" x 16 3/4" Sheet Size: 12 1/2" x 8 3/4" Signature: Signed in the stone Refere...

This exquisite zincograph by Pablo Picasso (1881–1973), titled Femme assise et deux danseurs (Seated Woman and Two Dancers), from the album Le Chevre-Feuille (The Honeysuckle), origi...

Benjamin Benno, American (1901 - 1980) - Still Life with Lute and Bread, Year: 1935, Medium: Pochoir, signed, numbered, and dated in pencil, Edition: 50, Image Size: 8.5 x 6.25 i...

This exquisite lithograph by Pablo Picasso (1881–1973), titled La petite colombe (The Little Dove), from the album Picasso Lithographe I, 1919-1947 (Picasso Lithographer I, 1919-1947...

This exquisite heliogravure after Georges Braque (1882-1963), titled Sans titre (Untitled), from Carnets Intimes de G. Braque, Verve: Revue Artistique et Litteraire, Vol. VIII, No. 3...

This exquisite lithograph by Fernand Leger (1881–1955), titled Sans titre (Untitled), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates from ...

This exquisite lithograph by Pablo Picasso (1881–1973), titled La Petite Corrida (The Little Bullfight), from the album Special issue of the XX Siecle Review, Hommage a Picasso, originates from the 1971 edition published by Tudor Publishing Co., New York, in collaboration with Societe Internationale d'Art XXe siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris, and printed by Mourlot Freres, Paris. La Petite Corrida reflects Picasso’s lifelong fascination with the bullfight—a subject that symbolized vitality, struggle, and creation throughout his career. Executed with the spontaneity and graphic brilliance characteristic of his late lithographs, the composition captures both movement and ritual, merging ancient spectacle with modern energy. Executed as a lithograph on velin paper, this work measures 12.5 × 9.75 inches (31.75 × 24.77 cm). Signed in the plate and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris, the atelier that produced many of Picasso’s greatest lithographic works. Artwork Details: Artist: Pablo Picasso (1881–1973) Title: La Petite Corrida (The Little Bullfight), from the album Hommage a Picasso, 1971 Medium: Lithograph on velin paper Dimensions: 12.5 × 9.75 inches (31.75 × 24.77 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1971 Publisher: Tudor Publishing Co., New York, in collaboration with Societe Internationale d'Art XXe siecle, Paris Printer: Mourlot Freres, Paris Catalogue raisonne references: Catalogue de L’oeuvre Grave et Lithographie, Pablo Picasso: Catalogue of the Printed Graphic Work. Editions Kornfeld, 1967, illustration 839. Goeppert, Sebastian, et al. Pablo Picasso, the Illustrated Books: Catalogue Raisonne. Patrick Cramer, 1983, illustration 92. Picasso, Pablo, and Fernand Mourlot. Picasso Lithographs, Translated by Jean Didry, Boston Book and Art Publisher, 1970, illustration 302. Condition: Well preserved, consistent with age and medium Provenance: From the album Hommage a Picasso, published 1971 by Tudor Publishing Co. and Societe Internationale d'Art XXe siecle, Paris About the Publication: Gualtieri di San Lazzaro’s XXe Siecle (Twentieth Century) was one of the most influential art journals of the modern era, founded in Paris in 1938 as a platform for the greatest painters, sculptors, and writers of the 20th century. San Lazzaro—a visionary editor, critic, and champion of modernism—believed that art and literature should coexist as expressions of a shared human imagination. Under his direction, XXe Siecle became a cultural bridge between Europe and the wider world, publishing special issues devoted to leading figures such as Picasso, Matisse, Chagall, Braque, Calder, Miro, Kandinsky, and Leger. Each edition combined essays by renowned critics and poets with original lithographs printed by the foremost ateliers of Paris, including Mourlot, Arte, and Bellini, creating a uniquely rich dialogue between text and image. Through XXe Siecle, San Lazzaro preserved the creative spirit of the avant-garde during and after World War II, championing freedom of expression and the evolution of abstraction, Surrealism, and modern thought. Over nearly four decades, the journal shaped international taste and defined the intellectual landscape of postwar art publishing. Today, XXe Siecle remains celebrated for its extraordinary synthesis of art, literature, and design—an enduring testament to Gualtieri di San Lazzaro’s belief that the visual arts are the soul of the modern age. About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision revolutionized modern art and defined the visual language of the 20th century. A child prodigy from Malaga, Spain, Picasso’s career spanned more than seven decades and encompassed an astonishing range of styles and innovations—from the melancholic Blue and romantic Rose periods to his pioneering invention of Cubism with Georges Braque, which shattered conventional notions of perspective and form. Influenced by the bold expressiveness of El Greco, the structure of Cezanne, and the vitality of African and Iberian sculpture, Picasso became a central figure of the Paris avant-garde, working in creative dialogue with contemporaries such as Henri Matisse, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray. His insatiable experimentation extended across painting, drawing, printmaking, ceramics, and sculpture, forever expanding the boundaries of artistic expression. A master of reinvention, Picasso profoundly shaped generations of artists who followed—from Andy Warhol, Roy Lichtenstein, David Hockney, and Jean-Michel Basquiat to Jeff Koons and Banksy—cementing his status as a timeless cultural icon whose works remain among the most sought after worldwide. His landmark painting Les Femmes d’Alger (Version “O”) achieved a record-breaking sale of $179,365,000 at Christie’s, New York, on May 11, 2015, affirming Picasso’s enduring legacy as one of the most influential and valuable artists in history. Pablo Picasso La Petite Corrida, Picasso Mourlot Freres, Picasso XXe siecle, Picasso Hommage a Picasso, Picasso 1971 lithograph, Picasso velin paper, Picasso bullfight lithograph...

This exquisite lithograph after Georges Braque (1882-1963), titled Sans titre (Untitled), from Carnets Intimes de G. Braque, Verve: Revue Artistique et Litteraire, Vol. VIII, No. 31-...

A stone lithograph from the first edition of 'Picasso's Sketchbook (Carnet de la California, 1955-1956)' which was limited to 1000 copies. Dated, in the design, November 1955 and numbered 11. Different lithograph printed verso, as issued. Unsigned. Accompanied with a copy of the inside cover page and colophone with publishing information. Around 1959, Editions Cercle d’Art published Carnet de la Californie, a facsimile of a sketchbook that Picasso worked on at his house in Cannes, La Californie. Printed at Mourlot Studios in Paris, this edition was prepared for the American market by publisher Harry N. Abrams, New York (1960). With thanks to Claire Lui and the Guggenheim for the below: Carnet de la Californie sheds light on Picasso’s interests and focus at the time. Over and over he returned to the same themes—copies of Old Masters, and drawings of a woman in Turkish clothing...

This exquisite engraving by Pablo Picasso (1881–1973), titled Sans titre (Untitled), from the folio Picasso, Carmen (Picasso, Carmen), originates from the 1949 edition published by L...

Pablo Picasso (Spanish, 1881-1973), "Picasso-Dessins" Lithograph in Colors on BFK Rives paper, 1969, numbered edition "2/150" lower left, signed in pencil lower right, silver-tone fr...

This exquisite lithograph by Pablo Picasso (1881–1973), titled La Petite Corrida (The Little Bullfight), from the album XXe Siecle, Nouvelle serie, XXe Annee, N° 10 (double) Mars 195...

This exquisite engraving by Pablo Picasso (1881–1973), titled Sans titre (Untitled), from the folio Picasso, Carmen (Picasso, Carmen), originates from the 1949 edition published by L...

This exquisite lithograph by Sonia Delaunay (1885–1979), titled Danseuse espagnole (Spanish Dancer), from the album XXe Siecle, Nouvelle serie, XXXIVe Annee, No. 39, Decembre 1972, o...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Mother and Child, from the folio Picasso, Fifteen Drawings, 1946, originates from the 1946 edition published by Pantheon Books, Inc., New York, and rendered and printed by Albert Carman, City Island, New York, 1946. Mother and Child conveys Picassos timeless exploration of tenderness, intimacy, and the human bond, distilling the universal theme of maternal love through graceful line and lyrical composition. With rhythmic simplicity and emotional clarity, the work captures the purity of affection and the quiet strength of motherhood—an enduring motif throughout Picassos artistic life. Executed as a lithograph and pochoir on velin paper, this work measures 18.75 x 12.63 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the exemplary standards and artistic integrity of the fine art publishing and printmaking of Pantheon Books, Inc., and Albert Carman whose next collaborative project following this edition was with Marc Chagall in the creation of his monumental suite, Four Tales from the Arabian Nights in 1948. Artwork Details: Artist: After Pablo Picasso (1881–1973) Title: Mother and Child, from the folio Picasso, Fifteen Drawings, 1946 Medium: Lithograph and pochoir on velin paper Dimensions: 18.75 x 12.63 inches (47.6 x 32.1 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1946 Edition: D, primary edition; L, out of commerce, hand signed by Pablo Picasso Publisher: Pantheon Books, Inc., New York Printer: Albert Carman, City Island, New York Catalogue raisonne reference: Orozco, Miguel. Picasso Interpretation Prints II - Etchings, Pochoirs & Woodcuts. Catalogue Raisonne. 2023, illustration 388–402 Condition: Well preserved, consistent with age and medium Provenance: From the folio Picasso, Fifteen Drawings, 1946, published by Pantheon Books, Inc., New York; printed by Albert Carman, City Island, New York, 1946 About the Publication: Picasso, Fifteen Drawings (1946) was one of the earliest fine art portfolios issued in the United States to feature the work of Pablo Picasso in the mediums of lithography and pochoir. Published by Pantheon Books, Inc., New York—a press renowned for its pioneering role in introducing European modernism to American audiences—the portfolio marked an important cultural bridge between postwar Paris and the emerging art scene in New York. The suite comprised fifteen images selected from Picassos prolific oeuvre, including depictions of mythological figures, musicians, and introspective portraits. Each work was rendered using a combination of lithography and pochoir, printed by Albert Carman at his atelier in City Island, New York, whose craftsmanship ensured a remarkable fidelity to the tonal and chromatic nuances of Picassos originals. The portfolio was produced in an edition of D, primary edition; L, out of commerce, hand signed by Pablo Picasso, issued unbound within a printed paper folder, and distributed primarily through Pantheons art book division under the direction of Kurt Wolff and Monroe Wheeler—key figures in shaping the intellectual reception of modern art in the United States. Picasso, Fifteen Drawings helped establish the artists postwar reputation among American collectors, scholars, and institutions, introducing a generation of viewers to the expressive immediacy and psychological depth of his draftsmanship. The publication also exemplified Pantheons broader mission to make modern European art accessible to an American audience, alongside their landmark editions devoted to Henri Matisse, Georges Rouault, and Marc Chagall. Technically refined and historically significant, the portfolio stands as a testament to the transatlantic exchange of modernist aesthetics during the mid-20th century and remains one of the most sought-after Picasso print editions issued in the United States before 1950. About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision revolutionized modern art and defined the visual language of the 20th century. A child prodigy from Malaga, Spain, Picassos career spanned more than seven decades and encompassed an astonishing range of styles and innovations—from the melancholic Blue and romantic Rose periods to his pioneering invention of Cubism with Georges Braque, which shattered conventional notions of perspective and form. Influenced by the bold expressiveness of El Greco, the structure of Cezanne, and the vitality of African and Iberian sculpture, Picasso became a central figure of the Paris avant-garde, working in creative dialogue with contemporaries such as Henri Matisse, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray. His insatiable experimentation extended across painting, drawing, printmaking, ceramics, and sculpture, forever expanding the boundaries of artistic expression. A master of reinvention, Picasso profoundly shaped generations of artists who followed—from Andy Warhol, Roy Lichtenstein, David Hockney, and Jean-Michel Basquiat to Jeff Koons and Banksy—cementing his status as a timeless cultural icon whose works remain among the most sought after worldwide. His landmark painting Les Femmes d'Alger (Version O) achieved a record-breaking sale of 179,365,000 USD at Christie's, New York, on May 11, 2015, affirming Picassos enduring legacy as one of the most influential and valuable artists in history. Pablo Picasso Mother and Child...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Portrait de Jacqueline (Portrait of Jacqueline), from the folio Picasso, La flute double, 16 Dessins, Aq...

This is an exclusive handprinted limited edition cyanotype. Details: + Title: Diptych of Ancient Theaters + Year: 2023 + Edition Size: 50 + Stamped and Certificate of Authenticity provided + Measurements : Two panels of 70x100 cm (28x 40 in.), a total of 70x200cm (28x80 in.) + All cyanotype prints are made on high-quality Italian watercolor paper WHAT IS A CYANOTYPE? The cyanotype (a.k.a. sun-print) process is one of the oldest in the history of photography, dating back to the 1840's. Cyanotypes were then made famous by Anna Atkins...

This exquisite heliogravure after Georges Braque (1882-1963), titled Sans titre (Untitled), from Carnets Intimes de G. Braque, Verve: Revue Artistique et Litteraire, Vol. VIII, No. 3...

Pablo Picasso, After, Spanish (1881 - 1973) - Card Player, Year: 1972, Medium: Offset Lithograph, Image Size: 11.5 x 9.75 inches, Size: 16 x 12.5 in. (40.64 x 31.75 cm), Frame ...

"Le Rêve - The Dream" after the 1932 oil on canvas painting of Pablo Picasso is a limited-edition (Edition 1000) offset color print on 250g Rives-Bütten Paper, done by the Succession...

This exquisite lithograph after Fernand Leger (1881–1955), titled The King of Hearts, S.P.25., originates from the School Prints Ltd. series, published by School Prints Ltd., London,...

This exquisite lithograph by Fernand Leger (1881–1955), titled Sans titre (Untitled), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates from ...

Artist: Pablo Picasso Title: Square Head of a Man with Soft Features (Plate IV) Portfolio: Carmen Medium: Etching on Montval wove paper Year: 1949 Edition: 289 Frame Size: 21" x 18" ...

The lithograph was published by Louis Broder in Paris and printed by Fequet & Baudier, also in Paris. Reference: Czwiklitzer #255 The image measures 28 1/4 x 18 1/2 inches and feat...

This exquisite engraving by Pablo Picasso (1881–1973), titled Sans titre (Untitled), from the folio Picasso, Carmen (Picasso, Carmen), originates from the 1949 edition published by L...

Artist: Pablo Picasso Title: Head of a Woman with Mantilla (Plate I) Portfolio: Carmen Medium: Original etching on Montval wove paper Year: 1949 Edition: 289 Frame Size: 21" x 18" Sh...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Harlequin and Boy, from the folio Picasso, Fifteen Drawings, 1946, originates from the 1946 edition published by Pantheon Books, Inc., New York, and rendered and printed by Albert Carman, City Island...

19 Septembre 1968 (Peintre et modèle qui se cache le visage) is an artwork realized by Pablo Picasso in 1968. Black and white etching. Hand signed and numbered on the lower margin....

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Elements mecaniques (Mechanical Elements), from the album L'Art Cubiste, Theories et Realisations, Etude...

Trois Hommes se Disputant une Femme Devant un Emir is an original artwork realized by Spanish artist Pablo Picasso in 1966. Black and white etching on wove paper. Fine proof edited...

Lithograph realized after Fernand Léger in 1959, on Moulin Richard de Bas paper. Monogrammed in the plate. It belongs to the suite "Contrastes", printed by Daniel Jacomet and publi...

This exquisite lithograph and pochoir by Sonia Delaunay (1885–1979), titled Sans titre (Untitled), from the album XXe Siecle, Nouvelle serie, No. 7 (double), Juin 1956, originates fr...

Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, L'indicatif présent ou l'infirme del qu'il est, 1938. Published by Éditions Sou...

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Tete de Femme". The original painting was completed in 1958. In the 1970's after Picasso's d...

Currently framed in a light wood frame with a face profile width of .5 inch and side profile depth of 1 inches with plexiglass. The overall outside dimensions of the frame are 8.5 X...

Grabbing the faces of one another, the two women in this Pablo Picasso print tenderly kiss one another. Seen in profile view from the position of the viewer, the scene is loving albe...

This is a first edition lithograph reproduction of Georges Braque's En Vol (In Flight), published in 1959 as part of Derrière le Miroir (DLM) No. 115. The lithograph is featured on p...

Pencil signed black and white lithograph original limited edition pencil signed , Guilde De La Gravure. Mid 20th Century, part of my private collection. Very Good condition.