Cubist Prints and Multiples

Artist: Andre Minaux, French (1923 - 1986) Title: Ariana from the Helene Portfolio Year: 1974 Medium: Lithograph on Arches paper, signed and numbered in pencil Edition: 150 Size: 25....

Reduced to angular shapes, the female model in this Pablo Picasso print is portrayed in the Cubist style founded and propagated by the artist himself. Relying on invented perspective...

Faces Abstract Collection by Irena Orlov Introducing "Abstract Cubist Portrait - Human Faces Abstract Collection - HFC 29" - Limited Edition Textured Canvas Print "Abstract Cubist ...

Artist: Pablo Picasso Title: Square Head of a Man with Soft Features (Plate IV) Portfolio: Carmen Medium: Etching on Montval wove paper Year: 1949 Edition: 289 Frame Size: 21" x 18" ...

Selected from the personal collection inherited by Marina Picasso, Pablo Picasso's granddaughter. After Pablo Picasso's death, his granddaughter Marina authorized the printing of t...

This exquisite lithograph after Georges Braque (1882–1963), titled Paysage a l’Estaque (Landscape at L’Estaque), originates from the 1964 folio Derriere le Miroir, Nos. 144–145–146, ...

Georges BRAQUE Bird of the Moon Lithograph (Art-Litho workshop) Printed signature in the plate On Arches vellum 18 x 23" INFORMATION: Limited edition of 399 copies unumbered - Ed...

This exquisite lithograph after Jacques Villon (1875–1963), titled Portrait d'une jeune fille (Portrait of a Young Girl), originates from the 1972 edition published by Editions A. C....

Raoul Dufy, 'La Pêche' (Fishing), woodcut, 1910, from the second edition of 220 printed in 1953. With the estate stamp 'ATELIER RAOUL DUFY' in the lower left margin. Numbered '106/220' in pencil, lower right. Titled in the block, lower right. A superb, richly-inked impression, on heavy, cream wove paper, the full sheet with wide margins (3 to 5 inches), slight toning at the sheet edges, well away from the image; otherwise in excellent condition. Archivally sleeved, unmatted. Image size 12 1/2 x 15 13/16 inches (318 x 402 mm); sheet size 19 9/16 x 25 3/4 inches (497 x 654 mm). From the suite of four woodcuts entitled 'Les Plaisirs de la Paix' (The Pleasures of Peace), originally published by Éditions de La Sirène, Paris in 1926. The other three works in the series are 'La Danse' (The Dance), 'La Chase' (The Hunt), and 'L'amore' (Love). See our other listings for 'La Danse' and 'L'amore'. Collections: Cleveland Museum of Art, Minneapolis Art...

Floating against a brown background, the three hands in this Pablo Picasso print are disembodied and dimensional. Illuminated with light from above, the hands are shown realistically...

Selected from the personal collection inherited by Marina Picasso, Pablo Picasso's granddaughter. After Pablo Picasso's death, his granddaughter Marina authorized the printing of t...

Sala Gaspar, Barcelona, 1961. Original poster Dibujos de Picasso, created for the exhibition held at Sala Gaspar. Executed as a color lithograph on heavy wove paper, printed by Foto-...

Rendered in profile, Marie-Therese Walter is shown wearing a purple beret and a brown coat with fluffy trim. One of Pablo Picasso's famed muses, this representation of her is reminis...

This exquisite lithograph after Pablo Picasso (1881–1973), titled Le Cheval (The Horse), originates from the rare 1970 folio Pablo Picasso, Histoire naturelle (Natural History). Publ...

Selected from the personal collection inherited by Marina Picasso, Pablo Picasso's granddaughter. After Pablo Picasso's death, his granddaughter Marina authorized the printing of t...

Selected from the personal collection inherited by Marina Picasso, Pablo Picasso's granddaughter. After Pablo Picasso's death, his granddaughter Marina authorized the printing of t...

This exquisite lithograph after Pablo Picasso (1881–1973), titled 27.9.64., from the folio Le Gout du Bonheur, trois carnets d`atelier (The Taste of Happiness, Three Studio Sketchboo...

Jean-Emile Laboureur (1877-1943) etching and engraving Paysage au Buttes-Chaumont (2nd Planche), 1920-21, signed and numbered ( 38/55) in pencil. Reference: Sylvain Laboureur 205. In very good condition with wide margins (remains of old hinging on margin verso, some showing through not near image). On white wove paper, 7 7/8 x 9 1/4, the sheet 10 x 13 1/2 inches, archival matting. A fine, fresh and clear impression of this important cubist-influenced scene. Jean-Emile Laboureur was born in Nantes in 1877. He traveled to Paris in 1895 intending to study law at the Sorbonne, but found himself drawn to the nearby famed Academie Julian, and although he never officially matriculated there, he became immersed in the Parisian art scene. Laboureur then traveled widely, staying for periods in the US and London, and studying classic art and printmaking in Italy and Germany. Although he had moved back to Paris by 1910, a time when analytical cubism was emerging in the work of Picasso and Braque, he continued working in an abstract, modernist mode, waiting until about 1913 or shortly thereafter to invent a cubist idiom all his own. Cubism remained an important theme for Laboureur, a theme he varied, sometimes using it as a strong design or compositional component, sometimes only as a subtle background element. In Paysage aux Buttes...

Jean-Emile Laboureur (1877-1943), La Petite Plage, 1926, etching and engraving, signed in pencil lower left [inscribed lower margin as a trial proof; also wi...

This exquisite lithograph after Pablo Picasso (1881–1973), titled Deux lutteurs observes par trois femmes nues (Two Wrestlers Observed by Three Nude Women), originates from the rare ...

Reclining Cubist Nude Woman Max Weber (April 18, 1881 – October 4, 1961) was a Jewish-American painter and one of the first American Cubist painters who, in later life, turned to mo...

Rare and giant vintage poster of Pablo Picasso Exhibition Milan, Palazzo Reale, 1953.  Limited edition of 1,000 copies, most of which lost or badly damaged overtime. Mounted on canv...

This exquisite collotype after Pablo Picasso (1881–1973), titled Deux têtes de chiens (Two Dogs’ Heads), originates from the rare 1957 folio 40 dessins de Picasso en marge du Buffon (Forty Drawings by Picasso in the Margin of Buffon). Published by Berggruen et Cie, Paris, under the direction of Henri Jonquieres, and printed by l'atelier de Georges Duval, Paris, this edition presents forty unpublished compositions created by Picasso as marginal drawings inspired by the writings of Georges-Louis Leclerc, Comte de Buffon. In Deux têtes de chiens (Two Dogs’ Heads), Picasso captures the alertness and loyalty of man’s companion through bold, expressive linework. The composition reflects his instinctive ability to convey individuality and character with spontaneous, rhythmic precision. Executed on velin du Marais paper, this collotype measures 14.5 x 11.125 inches (36.83 x 28.26 cm). As issued, it is unsigned and unnumbered, consistent with the authorized 1957 publication format. This edition, printed in January 1957, captures the immediacy and vitality of Picasso’s Buffon...

This exquisite lithograph after Georges Braque (1882–1963), titled Barque sur les galets (Boat on the Pebbles), originates from the 1968 folio Varengeville, published by Maeght Edite...

This exquisite lithograph after Georges Braque (1882–1963), titled La barque D-27 (The Boat D-27), originates from the 1968 folio Varengeville, published by Maeght Editeur, Paris, an...

This exquisite lithograph after Pablo Picasso (1881–1973), titled 6.10.64. IV, from the folio Le Gout du Bonheur, trois carnets d`atelier (The Taste of Happiness, Three Studio Sketch...

This exquisite heliogravure after Pablo Picasso (1881–1973), titled 7.1.58. IV, originates from the rare 1972 folio Pablo Picasso, La Chute d'Icare (The Fall of Icarus), Decoration du Foyer des Delegues Palais de l'UNESCO a Paris, Suite d'etudes preparatoires en noir et en couleurs realisees du 6 Decembre 1957 au 29 Janvier 1958. Published by Editions d'art Albert Skira, Geneve, under the direction of Albert Skira, Editeur, Geneve, and printed by Atar Roto Presse S.A., Geneve, this edition presents a series of preparatory studies—both monochrome and color—created by Picasso for his monumental mural commissioned for the UNESCO headquarters in Paris. This composition, dated January 7, 1958, is part of Picasso’s dynamic exploration of form and motion, combining abstract gesture with mythological allusion as part of the artist’s creative process toward his final design for La Chute d’Icare (The Fall of Icarus). Executed on velin paper, this heliogravure measures 11.4 x 15.4 inches (28.96 x 39.12 cm). As issued, it is unsigned and unnumbered, consistent with the authorized 1972 publication format. This edition, produced under Albert Skira's supervision, preserves the tonal range, compositional rhythm, and experimental energy of Picasso’s original 1958 studies for one of his most significant public murals. Artwork Details: Artist: After Pablo Picasso (1881–1973) Title: 7.1.58. IV, from Pablo Picasso, La Chute d'Icare (The Fall of Icarus), Decoration du Foyer des Delegues Palais de l'UNESCO a Paris, Suite d'etudes preparatoires en noir et en couleurs realisees du 6 Decembre 1957 au 29 Janvier 1958, 1972 Medium: Heliogravure on velin paper Dimensions: Paper size 11.4 x 15.4 inches (28.96 x 39.12 cm) Inscription: Unsigned and unnumbered, as issued Date: 1972 (after the 1957–58 studies) Publisher: Editions d'art Albert Skira, Geneve Printer: Atar Roto Presse S.A., Geneve Catalogue raisonne reference: Goeppert, Sebastian, et al. Pablo Picasso, the Illustrated Books: Catalogue Raisonne. Patrick Cramer, 1983, illustration 155 Condition: Well preserved, consistent with age and medium Provenance: From the 1972 folio Pablo Picasso, La Chute d'Icare (The Fall of Icarus), published by Editions d'art Albert Skira, Geneve Notes: Excerpted from the 1972 folio (translated from French): "This album contains the series of preparatory tests in black and seven color studies made by Pablo Picasso for the decoration of the delegates' home at the UNESCO palace in Paris. The printing was completed on December 20, 1972, on the presses of imprimeries Roto-Sadag S.A. and Atar S.A. in Geneva. The edition of this album is as follows: CXXV examples, numbered from I to CXXV; XXV examples, out of trade, numbered H.C. There are XXV examples reserved for the artist and the publisher, each containing an etching by Pablo Picasso, signed and numbered by the artist. The etching was drawn by A. et P. Crommelynck in Paris. The copper was scratched by the artist after drawing. In addition, CCCLXXV examples were produced without the etching, numbered from CXXVI to D. Published by Editions d'art Albert Skira, Geneve. Printed in Switzerland." About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose revolutionary vision redefined modern art in the 20th century. Born in Malaga, Spain, he demonstrated prodigious talent from an early age and trained in Barcelona and Madrid before moving to Paris, where he became the epicenter of avant-garde innovation. Picasso pioneered Cubism alongside Georges Braque, explored emotional depth through his Blue and Rose periods, and continually reinvented his style across thousands of works in painting, drawing, sculpture, and printmaking. His influence spans movements from Surrealism to abstraction, and his work remains central to global art history. The highest price ever paid for one of his artworks is approximately US $179.4 million for Les Femmes d'Alger (Version O) (1955). Pablo Picasso heliogravure...

Plate 26 from La Suite Vollard. Bloch 226. Baer 440. Etching, engraving and aquatint, on Montval paper. Signed in pencil, from the edition of 260 (there was also an edition of 50 wit...

Etching on paper. Hand signed and numbered by the artist. From the 347 series. Bloch 1502. Edition of 50. Sheet size: 18 x 22 inches. Image size 12.375 x 16.375 inches. Frame si...

This exquisite linocut after Pablo Picasso (1881–1973) titled Avant la Pique (Before the Lance), originates from the rare 1962 album Pablo Picasso, Grabados al linoleo (Linoleum Engr...

This exquisite heliogravure after Pablo Picasso (1881–1973) originates from the rare 1961 album Pablo Picasso, Toros y Toreros (Bulls and Bullfighters). Published by Les Editions Cer...

This exquisite collotype after Pablo Picasso (1881–1973), from the portfolio Picasso, Carnet de la Californie, originates from the rare 1959 folio published by Editions Cercle d'Art,...

Artist Name : Sander Vos Width (cm) x Height (cm): 30 x 21Year : 2021Edition : Edition of 7 + 2 AP Medium : Photography, Print Description: The series ‘In ...

after Georges BRAQUE Phoenix : Bird in Fire Lithograph (Art-Litho workshop) Printed signature in the plate On Arches vellum 18 x 23" (58 x 45 cm) INFORMATION: Limited edition of 3...

Pablo Picasso, After, Spanish (1881 - 1973) - Buste de Femme Nue Face, Year: circa 1981, Medium: Screenprint on Satin Scarf, Size: 17.75 x 17.5 in. (45.09 x 44.45 cm), Publisher: ...

Medium: Lithograph on vélin d'Arches paper Year: 1968 Paper Size: 26 x 20 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Roger de la Fresnaye, III, Col...

This exquisite lithograph after Georges Braque (1882–1963), titled Marine a la Mouette (Seascape with Seagull), originates from the 1968 folio Varengeville, published by Maeght Edite...

This exquisite lithograph after Georges Braque (1882–1963), titled Profil de femme (Profile of a Woman), originates from the 1972 edition published by Editions A. C. Mazo et Cie., Pa...

This exquisite lithograph after Georges Braque (1882–1963), titled Le Portugais (The Portuguese), originates from the 1964 folio Derriere le Miroir, Nos. 144–145–146, L’Hommage a Geo...

PABLO PICASSO 1881-1973 Málaga 1881-1973 Mougins (Spanish) Title: Reclining Man and Crouching Woman Homme couché et femme accroupie, 1956 Technique:...

Selected from the personal collection inherited by Marina Picasso, Pablo Picasso's granddaughter. After Pablo Picasso's death, his granddaughter Marina authorized the printing of t...

This exquisite collotype after Pablo Picasso (1881–1973), titled from the portfolio Picasso, Carnet de la Californie, originates from the rare 1959 folio published by Editions Cercle...

This exquisite collotype after Pablo Picasso (1881–1973), titled Sans titre (Untitled), originates from the rare 1957 folio 40 dessins de Picasso en marge du Buffon (Forty Drawings b...

This exquisite collotype after Pablo Picasso (1881–1973), from the portfolio Picasso, Carnet de la Californie, originates from the rare 1959 folio published by Editions Cercle d'Art,...

This exquisite linocut after Pablo Picasso (1881–1973) titled Deux Femmes pres la Fenetre (Two Women near the Window), originates from the rare 1962 album Pablo Picasso, Grabados al linoleo (Linoleum Engravings). Published by Gustavo Gili, S.A., Barcelona, and Editions Cercle d'Art, Paris, and printed by Verlag Gerd Hatje, Stuttgart, this important album presents a collection of Picasso’s masterful linocuts, executed during the artist’s mature period. These works demonstrate his inventive approach to form, texture, and contrast, showcasing his technical brilliance and playful spirit in this demanding printmaking medium. Executed on velin paper, this linocut measures Paper Size 12.5 x 14.5 inches; image size 10.5 x 12.75 inches. As issued, it is unsigned and unnumbered, consistent with the authorized publication format. This edition preserves the clarity, depth, and tonal richness of Picasso’s original linocuts...

Rendered in hues of blue and grey, this portayal of a woman in an artist's workshop includes a depiction of an easel with a canvas facing the woman. Pablo Picasso's Cubist technique ...

This exquisite lithograph after Pablo Picasso (1881–1973), titled Amours de Jupiter et de Semele (Loves of Jupiter and Semele), originates from the rare 1970 folio Suite des reproduc...

This exquisite heliogravure after Pablo Picasso (1881–1973), titled 7.1.58. II, originates from the rare 1972 folio Pablo Picasso, La Chute d'Icare (The Fall of Icarus), Decoration du Foyer des Delegues Palais de l'UNESCO a Paris, Suite d'etudes preparatoires en noir et en couleurs realisees du 6 Decembre 1957 au 29 Janvier 1958. Published by Editions d'art Albert Skira, Geneve, under the direction of Albert Skira, Editeur, Geneve, and printed by Atar Roto Presse S.A., Geneve, this edition presents a series of preparatory studies—both monochrome and color—created by Picasso for his monumental mural commissioned for the UNESCO headquarters in Paris. This composition, dated January 7, 1958, exemplifies Picasso’s abstract approach to movement and myth, capturing the transformation of energy and form that defined his creative process leading to the final design for La Chute d’Icare (The Fall of Icarus). Executed on velin paper, this heliogravure measures 11.4 x 15.4 inches (28.96 x 39.12 cm). As issued, it is unsigned and unnumbered, consistent with the authorized 1972 publication format. This edition, produced under Albert Skira's supervision, preserves the tonal range, structural rhythm, and dynamic expression of Picasso’s original 1958 studies for one of his most significant public murals. Artwork Details: Artist: After Pablo Picasso (1881–1973) Title: 7.1.58. II, from Pablo Picasso, La Chute d'Icare (The Fall of Icarus), Decoration du Foyer des Delegues Palais de l'UNESCO a Paris, Suite d'etudes preparatoires en noir et en couleurs realisees du 6 Decembre 1957 au 29 Janvier 1958, 1972 Medium: Heliogravure on velin paper Dimensions: Paper size 11.4 x 15.4 inches (28.96 x 39.12 cm) Inscription: Unsigned and unnumbered, as issued Date: 1972 (after the 1957–58 studies) Publisher: Editions d'art Albert Skira, Geneve Printer: Atar Roto Presse S.A., Geneve Catalogue raisonne reference: Goeppert, Sebastian, et al. Pablo Picasso, the Illustrated Books: Catalogue Raisonne. Patrick Cramer, 1983, illustration 155 Condition: Well preserved, consistent with age and medium Provenance: From the 1972 folio Pablo Picasso, La Chute d'Icare (The Fall of Icarus), published by Editions d'art Albert Skira, Geneve Notes: Excerpted from the 1972 folio (translated from French): "This album contains the series of preparatory tests in black and seven color studies made by Pablo Picasso for the decoration of the delegates' home at the UNESCO palace in Paris. The printing was completed on December 20, 1972, on the presses of imprimeries Roto-Sadag S.A. and Atar S.A. in Geneva. The edition of this album is as follows: CXXV examples, numbered from I to CXXV; XXV examples, out of trade, numbered H.C. There are XXV examples reserved for the artist and the publisher, each containing an etching by Pablo Picasso, signed and numbered by the artist. The etching was drawn by A. et P. Crommelynck in Paris. The copper was scratched by the artist after drawing. In addition, CCCLXXV examples were produced without the etching, numbered from CXXVI to D. Published by Editions d'art Albert Skira, Geneve. Printed in Switzerland." About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose revolutionary vision redefined modern art in the 20th century. Born in Malaga, Spain, he demonstrated prodigious talent from an early age and trained in Barcelona and Madrid before moving to Paris, where he became the epicenter of avant-garde innovation. Picasso pioneered Cubism alongside Georges Braque, explored emotional depth through his Blue and Rose periods, and continually reinvented his style across thousands of works in painting, drawing, sculpture, and printmaking. His influence spans movements from Surrealism to abstraction, and his work remains central to global art history. The highest price ever paid for one of his artworks is approximately US $179.4 million for Les Femmes d'Alger (Version O) (1955). Pablo Picasso heliogravure...

Georges Braque, French (1882 - 1963) - Astra et l'Oiseau, Year: circa 1970, Medium: Poster, Size: 26 x 35 in. (66.04 x 88.9 cm), Publisher: Editions des Nouvelles Images.

This exquisite collotype after Pablo Picasso (1881–1973), titled from the portfolio Picasso, Carnet de la Californie, originates from the rare 1959 folio published by Editions Cercle...

This exquisite lithograph after Georges Braque (1882–1963), titled Les falaises (The Cliffs), originates from the 1968 folio Varengeville, published by Maeght Editeur, Paris, and pri...

Leaning against a blue and red flag, the woman in this print by Pablo Picasso stares back at the viewer with her large blue eyes. Wearing a patterned outfit, she is portrayed through...

This exquisite lithograph after Georges Braque (1882–1963), titled Les champs (The Fields), originates from the 1968 folio Varengeville, published by Maeght Editeur, Paris, and print...

Sitting in a chair and wearing a green dress, the woman in this Pablo Picasso print is reduced to a series of geometric shapes. Her figure is fragmented into triangles and quadrilate...

This exquisite heliogravure after Pablo Picasso (1881–1973) originates from the rare 1961 album Pablo Picasso, Toros y Toreros (Bulls and Bullfighters). Published by Les Editions Cercle d'Art, Paris, under the direction of Charles Feld, and printed by Bosson et Auclair, Paris, during the second quarter of 1961, this edition presents a series of striking visual meditations on the bullfight—a subject that profoundly resonated with Picasso throughout his life. Created in collaboration with noted bullfighter Luis Miguel Dominguin, Toros y Toreros (Bulls and Bullfighters) unites text, photography, and Picasso’s dynamic graphic language to capture the rhythm, power, and ritual of the corrida. Executed on velin paper, this heliogravure measures 14.75 x 10.5 inches (37.47 x 26.67 cm). As issued, it is unsigned and unnumbered, consistent with the authorized 1961 publication format. This edition, realized under Charles Feld’s direction, preserves the expressive linework, tonal nuance, and kinetic immediacy of Picasso’s original drawings, exemplifying his masterful translation of motion and emotion into print. Artwork Details: Artist: After Pablo Picasso (1881–1973) Title: 3.4.59., from Pablo Picasso, Toros y Toreros (Bulls and Bullfighters), 1961 Medium: Heliogravure on velin paper Dimensions: Paper size 14.75 x 10.5 inches (37.47 x 26.67 cm) Inscription: Unsigned and unnumbered, as issued Date: 1961 Publisher: Les Editions Cercle d'Art, Paris Printer: Bosson et Auclair, Paris Condition: Well preserved, consistent with age and medium Provenance: From the 1961 album Pablo Picasso, Toros y Toreros (Bulls and Bullfighters), published by Les Editions Cercle d'Art, Paris Notes: Excerpted from the 1961 album (translated from French): "This album, edited by Charles Feld and realized under his direction, was completed printing during the second quarter, one thousand nine hundred sixty-one, with the collaboration for the illustrations, Imprimerie Moderne du Lion; for typographie, Imprimerie Union; for photogravure, Bosson et Auclair; for the binding, Barast et Adine; for the lithography, Fernand Mourlot. It was taken from this album CXXV examples numbered from I to CXXV and XXV out-of-commerce examples for the artist and his friends numbered from CXXV to CL. These examples are enriched with an original lithography, signed and a series of drawings drawn on Arches paper. In addition, the numbered examples of I to V have a lithography enhanced by the artist." About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose revolutionary vision redefined modern art in the 20th century. Born in Malaga, Spain, he demonstrated prodigious talent from an early age and trained in Barcelona and Madrid before moving to Paris, where he became the epicenter of avant-garde innovation. Picasso pioneered Cubism alongside Georges Braque, explored emotional depth through his Blue and Rose periods, and continually reinvented his style across thousands of works in painting, drawing, sculpture, and printmaking. His influence spans movements from Surrealism to abstraction, and his work remains central to global art history. The highest price ever paid for one of his artworks is approximately US $179.4 million for Les Femmes d'Alger (Version O) (Women of Algiers, Version O) (1955). Pablo Picasso heliogravure, Picasso Toros y Toreros (Bulls and Bullfighters), Picasso bullfight series, Picasso 1961 Cercle d'Art edition, Picasso Bosson et Auclair printer, Picasso Charles Feld editor, Picasso velin paper, Picasso corrida artwork, Picasso matador...

This exquisite lithograph after Pablo Picasso (1881–1973), titled Sans titre (Untitled), from the album Prints from the Mourlot Press, exhibition sponsored by the French Embassy, cir...

Selected from the personal collection inherited by Marina Picasso, Pablo Picasso's granddaughter. After Pablo Picasso's death, his granddaughter Marina authorized the printing of t...

Lithograph, stencil on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série N° 6...

This exquisite collotype after Pablo Picasso (1881–1973), titled Tête de lion (Lion’s Head), originates from the rare 1957 folio 40 dessins de Picasso en marge du Buffon (Forty Drawi...

Lithograph on paper. Hand signed, dated and numbered by the artist. Edition of 195. Image size: 27.5 x 14.5 in. Sheet size: 30.75 x 23.25 in. Artwork is in excellent condition. Ce...