Cubist Prints and Multiples

Selected from the personal collection inherited by Marina Picasso, Pablo Picasso's granddaughter. After Pablo Picasso's death, his granddaughter Marina authorized the printing of t...

Hand signed in red pencil and numbered. Dated in plate. Edition 14/50. On Arches Wove Paper. Excellent condition. Reference: Bloch n.443; Mourlot 86.

The gloves is an original lithograph on paper realized by Fernand Léger (1881-1955). Very good conditions except for some little foxings. Sheet dimension: 21.5 x 30.5 The artwork ...

Jean-Emile Laboureur (1877-1943), La Petite Plage, 1926, etching and engraving, signed in pencil lower left [inscribed lower margin as a trial proof; also wi...

This exquisite heliogravure after Pablo Picasso (1881–1973) originates from the rare 1961 album Pablo Picasso, Toros y Toreros (Bulls and Bullfighters). Published by Les Editions Cer...

Selected from the personal collection inherited by Marina Picasso, Pablo Picasso's granddaughter. After Pablo Picasso's death, his granddaughter Marina authorized the printing of t...

Sala Gaspar, Barcelona, 1961. Original poster Dibujos de Picasso, created for the exhibition held at Sala Gaspar. Executed as a color lithograph on heavy wove paper, printed by Foto-...

This exquisite lithograph after Georges Braque (1882–1963), titled Barque sur les galets (Boat on the Pebbles), originates from the 1968 folio Varengeville, published by Maeght Edite...

This exquisite lithograph after Georges Braque (1882–1963), titled La barque D-27 (The Boat D-27), originates from the 1968 folio Varengeville, published by Maeght Editeur, Paris, an...

This exquisite collotype after Pablo Picasso (1881–1973), from the portfolio Picasso, Carnet de la Californie, originates from the rare 1959 folio published by Editions Cercle d'Art,...

This exquisite linocut after Pablo Picasso (1881–1973) titled Deux Femmes pres la Fenetre (Two Women near the Window), originates from the rare 1962 album Pablo Picasso, Grabados al linoleo (Linoleum Engravings). Published by Gustavo Gili, S.A., Barcelona, and Editions Cercle d'Art, Paris, and printed by Verlag Gerd Hatje, Stuttgart, this important album presents a collection of Picasso’s masterful linocuts, executed during the artist’s mature period. These works demonstrate his inventive approach to form, texture, and contrast, showcasing his technical brilliance and playful spirit in this demanding printmaking medium. Executed on velin paper, this linocut measures Paper Size 12.5 x 14.5 inches; image size 10.5 x 12.75 inches. As issued, it is unsigned and unnumbered, consistent with the authorized publication format. This edition preserves the clarity, depth, and tonal richness of Picasso’s original linocuts...

Floating against a brown background, the three hands in this Pablo Picasso print are disembodied and dimensional. Illuminated with light from above, the hands are shown realistically...

Georges Braque, French (1882 - 1963) - Astra et l'Oiseau, Year: circa 1970, Medium: Poster, Size: 26 x 35 in. (66.04 x 88.9 cm), Publisher: Editions des Nouvelles Images.

Selected from the personal collection inherited by Marina Picasso, Pablo Picasso's granddaughter. After Pablo Picasso's death, his granddaughter Marina authorized the printing of t...

This exquisite collotype after Pablo Picasso (1881–1973), titled from the portfolio Picasso, Carnet de la Californie, originates from the rare 1959 folio published by Editions Cercle...

Faces Abstract Collection by Irena Orlov Introducing "Abstract Cubist Portrait - Human Faces Abstract Collection - HFC 29" - Limited Edition Textured Canvas Print "Abstract Cubist ...

This exquisite collotype after Pablo Picasso (1881–1973), titled Sans titre (Untitled), originates from the rare 1957 folio 40 dessins de Picasso en marge du Buffon (Forty Drawings b...

This exquisite collotype after Pablo Picasso (1881–1973), from the portfolio Picasso, Carnet de la Californie, originates from the rare 1959 folio published by Editions Cercle d'Art,...

This exquisite lithograph after Georges Braque (1882–1963), titled Le Portugais (The Portuguese), originates from the 1964 folio Derriere le Miroir, Nos. 144–145–146, L’Hommage a Geo...

This exquisite lithograph after Pablo Picasso (1881–1973), titled Le Cheval (The Horse), originates from the rare 1970 folio Pablo Picasso, Histoire naturelle (Natural History). Publ...

Jean-Emile Laboureur (1877-1943) etching and engraving Paysage au Buttes-Chaumont (2nd Planche), 1920-21, signed and numbered ( 38/55) in pencil. Reference: Sylvain Laboureur 205. In very good condition with wide margins (remains of old hinging on margin verso, some showing through not near image). On white wove paper, 7 7/8 x 9 1/4, the sheet 10 x 13 1/2 inches, archival matting. A fine, fresh and clear impression of this important cubist-influenced scene. Jean-Emile Laboureur was born in Nantes in 1877. He traveled to Paris in 1895 intending to study law at the Sorbonne, but found himself drawn to the nearby famed Academie Julian, and although he never officially matriculated there, he became immersed in the Parisian art scene. Laboureur then traveled widely, staying for periods in the US and London, and studying classic art and printmaking in Italy and Germany. Although he had moved back to Paris by 1910, a time when analytical cubism was emerging in the work of Picasso and Braque, he continued working in an abstract, modernist mode, waiting until about 1913 or shortly thereafter to invent a cubist idiom all his own. Cubism remained an important theme for Laboureur, a theme he varied, sometimes using it as a strong design or compositional component, sometimes only as a subtle background element. In Paysage aux Buttes...

Signed by Picasso in pencil lower left. Numbered 32/50 in pencil lower right. Catalogue raisonne references: Bloch 739; Mourlot 239; Reuße 625. Framed print. Framed dimensions ...

This exquisite collotype after Pablo Picasso (1881–1973), titled from the portfolio Picasso, Carnet de la Californie, originates from the rare 1959 folio published by Editions Cercle...

This exquisite lithograph after Pablo Picasso (1881–1973), titled Amours de Jupiter et de Semele (Loves of Jupiter and Semele), originates from the rare 1970 folio Suite des reproduc...

This exquisite lithograph after Georges Braque (1882–1963), titled Marine a la Mouette (Seascape with Seagull), originates from the 1968 folio Varengeville, published by Maeght Edite...

PABLO PICASSO 1881-1973 Málaga 1881-1973 Mougins (Spanish) Title: Reclining Man and Crouching Woman Homme couché et femme accroupie, 1956 Technique:...

This exquisite lithograph after Georges Braque (1882–1963), titled Profil de femme (Profile of a Woman), originates from the 1972 edition published by Editions A. C. Mazo et Cie., Pa...

This exquisite heliogravure after Pablo Picasso (1881–1973) originates from the rare 1961 album Pablo Picasso, Toros y Toreros (Bulls and Bullfighters). Published by Les Editions Cercle d'Art, Paris, under the direction of Charles Feld, and printed by Bosson et Auclair, Paris, during the second quarter of 1961, this edition presents a series of striking visual meditations on the bullfight—a subject that profoundly resonated with Picasso throughout his life. Created in collaboration with noted bullfighter Luis Miguel Dominguin, Toros y Toreros (Bulls and Bullfighters) unites text, photography, and Picasso’s dynamic graphic language to capture the rhythm, power, and ritual of the corrida. Executed on velin paper, this heliogravure measures 14.75 x 10.5 inches (37.47 x 26.67 cm). As issued, it is unsigned and unnumbered, consistent with the authorized 1961 publication format. This edition, realized under Charles Feld’s direction, preserves the expressive linework, tonal nuance, and kinetic immediacy of Picasso’s original drawings, exemplifying his masterful translation of motion and emotion into print. Artwork Details: Artist: After Pablo Picasso (1881–1973) Title: 3.4.59., from Pablo Picasso, Toros y Toreros (Bulls and Bullfighters), 1961 Medium: Heliogravure on velin paper Dimensions: Paper size 14.75 x 10.5 inches (37.47 x 26.67 cm) Inscription: Unsigned and unnumbered, as issued Date: 1961 Publisher: Les Editions Cercle d'Art, Paris Printer: Bosson et Auclair, Paris Condition: Well preserved, consistent with age and medium Provenance: From the 1961 album Pablo Picasso, Toros y Toreros (Bulls and Bullfighters), published by Les Editions Cercle d'Art, Paris Notes: Excerpted from the 1961 album (translated from French): "This album, edited by Charles Feld and realized under his direction, was completed printing during the second quarter, one thousand nine hundred sixty-one, with the collaboration for the illustrations, Imprimerie Moderne du Lion; for typographie, Imprimerie Union; for photogravure, Bosson et Auclair; for the binding, Barast et Adine; for the lithography, Fernand Mourlot. It was taken from this album CXXV examples numbered from I to CXXV and XXV out-of-commerce examples for the artist and his friends numbered from CXXV to CL. These examples are enriched with an original lithography, signed and a series of drawings drawn on Arches paper. In addition, the numbered examples of I to V have a lithography enhanced by the artist." About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose revolutionary vision redefined modern art in the 20th century. Born in Malaga, Spain, he demonstrated prodigious talent from an early age and trained in Barcelona and Madrid before moving to Paris, where he became the epicenter of avant-garde innovation. Picasso pioneered Cubism alongside Georges Braque, explored emotional depth through his Blue and Rose periods, and continually reinvented his style across thousands of works in painting, drawing, sculpture, and printmaking. His influence spans movements from Surrealism to abstraction, and his work remains central to global art history. The highest price ever paid for one of his artworks is approximately US $179.4 million for Les Femmes d'Alger (Version O) (Women of Algiers, Version O) (1955). Pablo Picasso heliogravure, Picasso Toros y Toreros (Bulls and Bullfighters), Picasso bullfight series, Picasso 1961 Cercle d'Art edition, Picasso Bosson et Auclair printer, Picasso Charles Feld editor, Picasso velin paper, Picasso corrida artwork, Picasso matador...

Jean-Emile Laboureur (1877-1943), Le Policeman, Londres, 1913, etching on zinc. Signed lower left in pencil [also with the signature and date in the plate]. Reference: Godefroy, Sylv...

Lithograph, stencil on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série N° 6...

after Georges BRAQUE Phoenix : Bird in Fire Lithograph (Art-Litho workshop) Printed signature in the plate On Arches vellum 18 x 23" (58 x 45 cm) INFORMATION: Limited edition of 3...

Facing the viewer, this likeness of a female figure in this print by Pablo Picasso features several key emblems of Cubism. Represented as a disbodied head, the face of the woman feat...

Sitting in a chair and wearing a green dress, the woman in this Pablo Picasso print is reduced to a series of geometric shapes. Her figure is fragmented into triangles and quadrilate...

Trois Hommes se Disputant une Femme Devant un Emir is an original artwork realized by Spanish artist Pablo Picasso in 1966. Black and white etching on wove paper. Fine proof edited...

Untitled is an artwork realized by Ossip Zadkine in the mid-20th Century. Lithograph, 50 x 65 cm, no frame. Numbering (copy 29 / 65) in pencil in the front. Blind stamp Atelier ...

Lithograph, stencil on vélin paper. Paper Size: 10 x 7.75 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Fernand Léger, Dessins de Guerre 1915-16, 19...

Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série, XXXIVe Année, N°39, Déc...

Color Collotype on Arches paper, 1965. Signed by Picasso and numbered 207/250 in pencil, lower margin. Published by Guy Spitzer, Paris, with the blind stamp. Overall framed dime...

Artist: Pablo Picasso (Spanish, 1881-1973) Title: La Danse Des Faunes Year: 1957 Medium: Original zinc plate two colors lithograph Edition: Unumbered of 1000 Paper: Arches Ima...

This exquisite collotype after Pablo Picasso (1881–1973), titled Tête de lion (Lion’s Head), originates from the rare 1957 folio 40 dessins de Picasso en marge du Buffon (Forty Drawi...

Selected from the personal collection inherited by Marina Picasso, Pablo Picasso's granddaughter. After Pablo Picasso's death, his granddaughter Marina authorized the printing of t...

This exquisite lithograph after Georges Braque (1882–1963), titled Les falaises (The Cliffs), originates from the 1968 folio Varengeville, published by Maeght Editeur, Paris, and pri...

Artist Name : Sander Vos Width (cm) x Height (cm): 30 x 21Year : 2021Edition : Edition of 7 + 2 AP Medium : Photography, Print Description: The series ‘In ...

This exquisite collotype after Pablo Picasso (1881–1973), titled from the portfolio Picasso, Carnet de la Californie, originates from the rare 1959 folio published by Editions Cercle...

Artist: Pablo Picasso Title: Square Head of a Man with Joined Eyebrows (Plate V) Portfolio: Carmen Medium: Etching on Montval wove paper Year: 1949 Edition: 289 Frame Size: 21" x 18"...

This exquisite lithograph after Georges Braque (1882–1963), titled Les champs (The Fields), originates from the 1968 folio Varengeville, published by Maeght Editeur, Paris, and print...

This exquisite lithograph after Pablo Picasso (1881–1973), titled Deucalion et Pyrrha (Deucalion and Pyrrha), originates from the rare 1970 folio Suite des reproductions des Eaux-for...

This exquisite collotype after Pablo Picasso (1881–1973), titled from the portfolio Picasso, Carnet de la Californie, originates from the rare 1959 folio published by Editions Cercle d'Art, Paris. Printed by l'atelier de Georges Duval, Paris, under the direction of Charles Feld, this work forms part of the artist’s celebrated “California notebook,” a vibrant visual diary capturing his years in Cannes following his move to the villa La Californie. Executed during a period of intense creativity, the series reflects Picasso’s fascination with light, space, and the playful vitality of domestic and studio life. These lyrical compositions, reproduced with exceptional fidelity through the collotype process, reveal Picasso’s mastery of line, gesture, and spontaneity. Executed on velin d’Arches paper, this collotype measures 10.375 x 16.5 inches (26.35 x 41.91 cm). As issued, it is unsigned and unnumbered, consistent with the authorized 1959 publication format. This edition, printed in the fourth quarter of 1959, preserves the tonal precision, texture, and immediacy of Picasso’s original drawings from his Carnet de la Californie, one of his most expressive postwar graphic cycles. Artwork Details: Artist: After Pablo Picasso (1881–1973) Title: From Picasso, Carnet de la Californie, 1959 Medium: Collotype on velin d’Arches paper Dimensions: Paper size 10.375 x 16.5 inches (26.35 x 41.91 cm) Inscription: Unsigned and unnumbered, as issued Date: 1959 Publisher: Editions Cercle d'Art, Paris Printer: l'atelier de Georges Duval, Paris Catalogue raisonne references: Goeppert, Sebastian, et al. Pablo Picasso, the Illustrated Books: Catalogue Raisonne. Patrick Cramer, 1983, illustration 101. Picasso, Pablo, and Georges Bloch. Pablo Picasso, Tome I: Catalogue de L’oeuvre Grave et Lithographie, 1904–1967. 3rd ed., rev., Kornfeld et Klipstein, 1975, illustration 94. Condition: Well preserved, consistent with age and medium Provenance: From the 1959 folio Picasso, Carnet de la Californie, published by Editions Cercle d'Art, Paris Notes: Excerpted from the 1959 folio (translated from French): "This album, entitled 'Carnet de la Californie', has a single limited edition and appears simultaneously in France, Germany, Italy, and the United States. The examples reserved for France are numbered from CI to MD. In addition, it was drawn from this album CXX examples, including C numbered from I to C, and XX out of commerce reserved for the artist and his friends. These CXX examples are each enriched with an original lithograph, signed by the artist, and a series of drawings on Arches paper. This 'California notebook', made in lithography under the direction of Charles Feld, was completed for printing in the fourth quarter of 1959 on L’imprimerie Duval for phototypy and on the presses of Mourlot Freres for lithography." About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose revolutionary vision redefined modern art in the 20th century. Born in Malaga, Spain, he demonstrated prodigious talent from an early age and trained in Barcelona and Madrid before moving to Paris, where he became the epicenter of avant-garde innovation. Picasso pioneered Cubism alongside Georges Braque, explored emotional depth through his Blue and Rose periods, and continually reinvented his style across thousands of works in painting, drawing, sculpture, and printmaking. His influence spans movements from Surrealism to abstraction, and his work remains central to global art history. The highest price ever paid for one of his artworks is approximately US $179.4 million for Les Femmes d'Alger (Version O) (1955). Pablo Picasso collotype, Carnet de la Californie Picasso, Picasso California Notebook, Picasso 1959 portfolio, Picasso Editions Cercle d'Art Paris, Picasso Georges Duval atelier, Picasso Mourlot...

This exquisite lithograph after Pablo Picasso (1881–1973), titled Sans titre (Untitled), from the album Prints from the Mourlot Press, exhibition sponsored by the French Embassy, cir...

This exquisite lithograph after Pablo Picasso (1881–1973), titled 27.9.64., from the folio Le Gout du Bonheur, trois carnets d`atelier (The Taste of Happiness, Three Studio Sketchboo...

In this bustling print, Pablo Picasso creates an energetic and complex scene featuring a female nude in the background with a small white-painted face beside it on the right, while a...

This exquisite collotype after Pablo Picasso (1881–1973), titled Profil de jeune fille (Profile of a Young Girl), originates from the rare 1957 folio 40 dessins de Picasso en marge d...

This exquisite collotype after Pablo Picasso (1881–1973), titled Femme vue de dos (Woman Seen from Behind), originates from the rare 1957 folio 40 dessins de Picasso en marge du Buffon (Forty Drawings by Picasso in the Margin of Buffon). Published by Berggruen et Cie, Paris, under the direction of Henri Jonquieres, and printed by l'atelier de Georges Duval, Paris, this edition presents forty unpublished compositions created by Picasso as marginal drawings inspired by the writings of Georges-Louis Leclerc, Comte de Buffon. In Femme vue de dos (Woman Seen from Behind), Picasso captures the timeless beauty of the female form with effortless economy of line. The figure, rendered in sweeping contour, suggests intimacy and quiet reflection, uniting classical grace with modern abstraction. Executed on velin du Marais paper, this collotype measures 14.5 x 11.125 inches (36.83 x 28.26 cm). As issued, it is unsigned and unnumbered, consistent with the authorized 1957 publication format. This edition, printed in January 1957, captures the immediacy and vitality of Picasso’s Buffon...

This exquisite collotype after Pablo Picasso (1881–1973), titled L'épervier, visage de femme (The Sparrowhawk, Woman’s Face), originates from the rare 1957 folio 40 dessins de Picass...

Selected from the personal collection inherited by Marina Picasso, Pablo Picasso's granddaughter. After Pablo Picasso's death, his granddaughter Marina authorized the printing of t...

This exquisite collotype after Pablo Picasso (1881–1973), from the portfolio Picasso, Carnet de la Californie, originates from the rare 1959 folio published by Editions Cercle d'Art,...

This exquisite lithograph after Pablo Picasso (1881–1973), titled Tetes (Heads), originates from the rare 1970 folio Suite des reproductions des ...

This exquisite lithograph after Pablo Picasso (1881–1973), titled Le Roi et la Reine (The King and the Queen), from Verve, Revue Artistique et Litteraire, La Comedie Humaine (The Human Comedy), Vol. VIII, No. 29–30, originates from the 1954 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1954. This expressive and evocative composition captures Picasso’s enduring fascination with the circus and the human condition, recurring themes throughout his long career. Le Roi et la Reine reflects the artist’s profound empathy for the performers of his imagination—figures of strength, fragility, and grace that embody the drama and poetry of life itself. Executed during his Vallauris period, this work radiates vitality and emotional tension, merging his signature economy of line with masterful balance and movement. Executed as a lithograph on velin du Marais paper, this work measures 10.5 x 14 inches. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of the Mourlot Freres atelier, renowned for its collaborations with Picasso and other leading modernists of the 20th century. Artwork Details: Artist: After Pablo Picasso (1881–1973) Title: Le Roi et la Reine (The King and the Queen), from Verve, Revue Artistique et Litteraire, La Comedie Humaine (The Human Comedy), Vol. VIII, No. 29–30, 1954 Medium: Lithograph on velin du Marais paper Dimensions: 10.5 x 14 inches Inscription: Unsigned and unnumbered as issued Date: 1954 Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From Verve, Revue Artistique et Litteraire, La Comedie Humaine (The Human Comedy), Vol. VIII, No. 29–30, published by Editions de la revue Verve, Paris, 1954 Notes: Excerpted from the album (translated from French), This double issue of Verve, dedicated to Picasso, whose cover was specially composed by the artist, was completed to print on September 15, 1954 by the maitres imprimeurs, Drager freres for the heliogravures, and Mourlot freres for the color lithographs. Excerpted from the publisher (translated from French), Last winter, from mid-December to the end of January 1954, Picasso was working indefatigably on this series of drawings, which rank among the finest, boldest, most poignantly human of all he has produced in the course of his long and brilliant career... Almost one could fancy that in his lonely nights at Vallauris these denizens of a world invented by himself crowded into the artist's room, sat for him, confessed unblushingly their most shameful secrets... We have published the series of drawings in its entirety. They form an organic whole, born of a surging uprush of the creative spirit, and to have omitted any of its elements would have been a mutilation. Nevertheless, when we isolate any one of these elements and fix our attention on a single page, we find the fragment almost as eye-filling as the ensemble. All the drawings are printed in the exact size of the originals and in the chronological order of their making. About the Publication: La Comedie Humaine (The Human Comedy), Vol. VIII, No. 29–30 (1954), stands as one of the most significant Verve issues dedicated entirely to Pablo Picasso’s prolific creativity during his Vallauris years. Conceived and directed by Teriade, this double volume presents an extraordinary series of Picasso’s drawings executed between December 1953 and January 1954, printed in their full sequence and original scale. The collection represents a deeply human and poetic vision—an unfiltered exploration of comedy, tragedy, and the theatre of life. Printed by the master atelier Mourlot Freres for the color lithographs, this issue exemplifies Verve’s tradition of pairing literary sophistication with visual innovation. It stands as a testament to Picasso’s restless genius and Teriade’s enduring commitment to producing artistically and historically important publications that bridge art, literature, and modern printing craftsmanship. About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision revolutionized modern art and defined the visual language of the 20th century. A child prodigy from Malaga, Spain, Picasso’s career spanned more than seven decades and encompassed an astonishing range of styles and innovations—from the melancholic Blue and romantic Rose periods to his pioneering invention of Cubism with Georges Braque, which shattered conventional notions of perspective and form. Influenced by the bold expressiveness of El Greco, the structure of Cezanne, and the vitality of African and Iberian sculpture, Picasso became a central figure of the Paris avant-garde, working in creative dialogue with contemporaries such as Henri Matisse, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray. His insatiable experimentation extended across painting, drawing, printmaking, ceramics, and sculpture, forever expanding the boundaries of artistic expression. A master of reinvention, Picasso profoundly shaped generations of artists who followed—from Andy Warhol, Roy Lichtenstein, David Hockney, and Jean-Michel Basquiat to Jeff Koons and Banksy—cementing his status as a timeless cultural icon whose works remain among the most sought after worldwide. His landmark painting Les Femmes d’Alger (Version “O”) achieved a record-breaking sale of $179,365,000 at Christie’s, New York, on May 11, 2015, affirming Picasso’s enduring legacy as one of the most influential and valuable artists in history. After Pablo Picasso Le Roi et la Reine, Picasso Verve...

This exquisite lithograph after Georges Braque (1882–1963), titled Les barques bleues (The Blue Boats), originates from the 1968 folio Varengeville, published by Maeght Editeur, Pari...

Lithograph, stencil on vélin paper. Paper Size: 10 x 7.75 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Fernand Léger, Dessins de Guerre ...