Cubist Prints and Multiples

Femme Couchée et Homme à la Guitare is a beautiful contemporary artwork realized after Pablo Picasso (1881-1973). Color linocut realized in smaller size after a linocut by Pablo Pic...

Portrait of Kennedy by Cemeli is an original lithograph, limited edition number 52 out of 150 and pencil signed by the artist. Kennedy is portrayed as a sculptured multi-colored hea...

Medium: Lithograph on vélin paper Year: 1954 Paper Size: 14.25 x 10.125 inches Inscription: Inscription: Unsigned and unnumbered, as issued Catalogue Raisonné Reference: Cramer 67; B...

Georges Braque (after) Mythology : Greek profile Lithograph on vellum Printed signature in the plate 399 copies unumbered On Arches vellum 18 x 23" (45 ...

Lithograph and silkscreen with grease crayon, lithographic tusche, lead pencil, charcoal on vélin d'Arches paper. Paper size: 9.84 x 12.8 inches. Inscription: Unsigned and unnumbered...

Pablo PICASSO (after) Woman Portrait Lithograph (Mourlot workshop) On wove paper 70 x 50 cm (c. 28 x 20 in) REFERENCES : Catalogue raisonné Cwiklitzer #386 Original vintage lithogr...

Lithograph and stencil on vélin pur chiffon d'Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition; unframed. Notes: From the folio, Faunes et Flore d'Antibe...

Papiers Collés is a mixed lithograph realized by George Braque in 1963 for the Art Magazine "Derrière Le Miroir" no. 138. Printed by Ateliers de Maeght, Paris, 1963. Good condition...

Sol Lewitt "A form driven from a rectangular solid" Year: 1.992 Woodcut on Japanese paper copy 19/75 Signed and justified by hand Print run of 75 copies. 57,5 x 77 cm.

Jacques VILLON Reading Man, 1962 Original lithograph (Mourlot workshop) Printed signature in the plate On tinted vellum 32 x 24 cm (c. 13 x 10 in) Excellent condition

Lithograph realized after Fernand Léger in 1959, on Moulin Richard de Bas paper. Monogrammed in the plate. It belongs to the suite "Contrastes", printed by Daniel Jacomet and publi...

Deux Femmes près de la fenetre is a linocut print realized in smaller size after a linocut by Pablo Picasso of 1959 . Very good conditi...

Artist: After Pablo Picasso (1881-1973) Title: Minotaure aveugle guidé dans la Nuit par une Petite Fille au Pigeon (after Bloch 223) Year: 1992 Medium: Reproduced from the original e...

Marcel GROMAIRE (1892-1971) At the Cafe : Sharing a Drink Original etching Printed signature in the plate On vellum, 28.5 x 38 cm (c. 11 x 15 in) INFORMATION: This etching is authe...

Linocut on vélin paper. Paper Size: 12.5 x 14.5 inches; image size: 10.5 x 8.75 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Orozco, M. (201...

In this vibrant print, Pablo Picasso welcomes the viewer into an interior scene in which a young female figure plays with her wheeled horse. Focusing on the theme of children and the...

Pablo Picasso, After, Spanish (1881 - 1973) - Profile VII from "Le Gout du Bonheur". Year: 1964 (Printed 1970), Medium: Lithograph on Arches, Edition: 666, Size: 13 x 9.75 in. (33.02...

Lithograph and stencil on papier a la cuve du moulin Richard de Bas paper, spécialement filigrané pour cette édition. Unsigned and unnumbered, as issued. Good condition. Notes: From ...

Medium: Lithograph on vélin paper, hinged on archival support sheet, as issued Year: 1968 Paper Size: 13 x 16 inches; image size: 4.375 x 13.75 inches Inscription: Signed in the plat...

Pablo Picasso, After, Spanish (1881 - 1973) - Femme vue de Dos. Year: 1956, Medium: Etching, signed in the plate, Image Size: 15 x 11 inches, Frame Size: 23 x 18.5 inches, Descriptio...

Lithograph realized after Fernand Léger in 1959, on Moulin Richard de Bas paper. Monogrammed in the plate. Image dimension 47.5x33.5 cm. It belongs to the suite "Contrastes", print...

John Marin (1870-1953), Brooklyn Bridge No. 6 (Swaying), 1913, Etching. Z112. Edition c. 12 (Steiglitz); 1924, unknown but small (New Republic). Signed in pencil. Signed and dated...

Running along the beach playing with a beach ball, the woman in this Pablo Picasso print is rendered in a minimalistic fashion with only lines, bursts of color, and a few geometric s...

Femme Couchée et Guitariste is a beautiful contemporary artwork realized after Pablo Picasso (1881-1973). Color linocut realized in smaller size after a linocut by Pablo Picasso of ...

Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, Verve: Revue Art...

Still life is original print realized after George Braque in 1931, with watermark of editor on the lower-left embossed stamp, J.B, Jenne Boucher Paris, From the edition of 1000 prints performed in 1933, the description notes on the rear. Titled in the French" Nature morte (toile), Editions J. Boucher and J. Becker, Paris and New York. Good conditions. Georges Braque (1882-1963) was a French Fauve painter who began to rethink his own painting style after admiring Picasso’s Les Demoiselles...

Artist: After Pablo Picasso (1881-1973) Title: Minotaure Mourant (after Bloch 198) Year: 1992 Medium: Reproduced from the original edition using the grain Autotype halftone screen pr...

Oiseaux is an lithograph realized by an anonymous artist after Georges Braque in the 20th Century. Printed by Mourlot. Good conditions. The artw...

Lithograph and stencil on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, L'Art Cubiste, Théories et Réalisations, Etude Critique...

Linocut on vélin paper. Paper Size: 12.5 x 14.5 inches; image size: 10.5 x 12.75 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Orozco, M. (20...

Pablo Picasso, Spanish (1881 - 1973) - Graphic Exhibition: Gallery International. Year: circa 1975, Medium: Lithograph Poster, Size: 13 in. x 9 in. (33.02 cm x 22.86 cm), Reference: ...

Medium: Lithograph on vélin paper, hinged on archival support sheet, as issued Year: 1968 Paper Size: 13 x 16 inches; image size: 9.375 x 13.75 inches Inscription: Signed in the plat...

Etching and Aquatint on Montval paper. Hand Signed. Edition of 260 prints (not numbered and generally not signed). Plate 24 from "La Suite Vollard". Catalogue Bloch no. 227; Baer 44...

Artist: Pablo Picasso Title: La Pique (I) Portfolio: A Los Toros Avec Picasso Medium: Transfer lithograph Date: 1961 Edition: Unnumbered Frame Size: 18 1/4" x 20 3/4" Sheet Size: 9 1...

Dinner Meeting 3 - Midcentury Modern Limited Edition Textured Canvas Print Experience the timeless allure of "Dinner Meeting 3," a limited edition textured canvas print that capture...

Very nice original poster of David Hockney, Images and thoughts for Vogue magazine at the Claude Bernard gallery. David Hockney was born in 1937 in Brad...

Image dimensions: 30.5 x 20 cm. Bouquet is a beautiful colored lithograph on paper, realized by the Cubist artist, Georges Braque (Argenteuil, 1882 – Paris, 1963). Unsigned. From “Carnets Intimes” realized in 1955. Printed by Mourlot and published in the Revue Verve...

Artist: Andre Minaux, French (1923 - 1986) Title: Amour from the Helene Portfolio Year: 1974 Medium: Lithograph, signed and numbered in pencil Edition: 150, XXX Size: 25.75 in. x 19....

Medium: Collotype and lithograph on vélin gloss finish paper (to resemble the finish of ceramic), archivally hinged on vélin paper Year: 1948 Paper Size: 11.25 x 15 inches Catalogue ...

A very good impression of this lithograph with strong colors. Second state (of 2). Signed and numbered 19/160 in pencil, lower left.

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Visage sur Fond Rouge". The original painting was completed in 1914. In the 1970's after Pic...

Artist: (after) Pablo Picasso (Spanish, 1881-1973) Title: "Galerie Louise Leiris (The Painter & His Model)" Year: 1972 Medium: Lithograph, Exhibition Poster on light wove paper Limit...

Composition is a colored lithograph realized after George Braque by Atelier Mourlot.. The artwork is from A même la pierre, Fernand Mourlot Lithogra...

Lithograph and stencil on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, L'Art Cubiste, Théories et Réalisations, Etude Critique...

In this print, Pablo Picasso uses a series of curving lines and soft angles to portray a bird in flight. Relying on the use of perspective, the artist creates a unique view of the animal as it soars through the air, surrounded by organic decoration. A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso drawing "Etudes de Mains et Colombe...

Albert Gleizes, 'Descente de Croix', color pochoir, 1928, edition c. 50. Signed and dated in pencil. A fine, painterly impression, with fresh colors, on heavy, cream wove paper; the full sheet with margins (3 to 4 inches), in very good condition. The publisher's ink stamp 'EDITIONS MOLY-SABATA' beneath the image, lower left. Matted to museum standards, unframed. Image size 12 x 14 inches (305 x 356 mm); sheet size 18 x 22 inches (457 x 559 mm). ABOUT THE IMAGE After the 1927 painting 'Descente de Croix', one of three religious-themed works that Gleizes developed as preliminaries for murals at the church at Serrières, France, the project was terminated at its final phase, and Gleizes commissioned master printer Robert Pouyaud to create prints of the paintings, closely overseeing the production. ABOUT THE MEDIUM Pochoir is a refined stencil-based technique employed to create multiples or to add color to prints produced in other mediums. Characterized by its crisp lines and rich color, the print-making process was most popular from the late 19th century through the 1930s, with its center of activity in Paris. The pochoir process began with the analysis of an image’s composition, including color tones and densities. The numerous stencils (made of aluminum, copper, or zinc) necessary to create a complete image were then designed and hand-cut by the 'découpeur.' The 'coloristes' applied watercolor or gouache pigments through the stencils, skillfully employing a variety of different brushes and methods of paint application to achieve the desired depth of color and textural and tonal nuance. The pochoir process, by its handcrafted methodology, resulted in the finished work producing the effect of an original painting, and in fact, each print was unique. ABOUT THE ARTIST Albert Gleizes (1881-1953), born in Paris, France, was a pioneering figure in the development of abstract art and one of the leading proponents of Cubism. His contributions to the art world extended beyond his paintings; he was also a prolific writer and theoretician, advocating for a new approach to art that emphasized the geometric abstraction of form and a departure from representational traditions. Gleizes initially studied painting at the Académie Julian and the École des Beaux-Arts in Paris, where he was exposed to the academic conventions of the time. However, his artistic vision was profoundly influenced by encounters with avant-garde movements, including Fauvism and the work of Paul Cézanne. These influences led Gleizes to experiment with form and color, gradually moving away from traditional representation toward a more abstract and geometric style. After completing his secondary schooling, Gleizes spent four years in the French army and then began pursuing a career as a painter, primarily doing landscapes. Initially influenced by the Impressionists, he was only twenty-one years of age when his work titled ‘La Seine à Asnières’ was exhibited at the Société Nationale des Beaux-Arts in 1902. The following year, he was part of the first Salon d'Automne and soon came under the influence of Fernand Léger, Robert Delaunay, Jean Metzinger, and Henri Le Fauconnier. In 1907, Gleizes and some of his friends pursued the idea of creating a self-supporting community of artists that would allow them to develop their art free of any commercial concerns. For nearly a year, Gleizes  , with other painters, poets, musicians, and writers, lived at a large house in Créteil, but a lack of funds forced them to give up their facility in early 1908, and Gleizes moved temporarily into La Ruche, the artist commune in the Montparnasse Quarter of Paris. In the early 1910s, Gleizes became associated with the Cubist movement, which was spearheaded by artists such as Pablo Picasso and Georges Braque...

Femme au Collier is a linocut reproduction realized in smaller size after a linocut by Pablo Picasso of 1959. Good conditions, except for very minor foxing on edges. Not signed. A ...

Pablo Picasso, After, Spanish (1881 - 1973) - Profile from "Le Gout du Bonheur". Year: 1964 (Printed 1970), Medium: Lithograph on Arches, Edition: 666, Image Size: 6.5 x 4.25 inches,...

La Pique is a contemporary artwork realized after Pablo Picasso (1881-1973). Color linocut realized in smaller size after a linocut by Pablo Picasso of 1959. Passepartout included...

Medium: Collotype and lithograph on vélin gloss finish paper (to resemble the finish of ceramic), archivally hinged on vélin paper Year: 1948 Paper Size: 11.25 x 15 inches Catalogue ...

Lithograph and silkscreen with grease crayon, lithographic tusche, lead pencil, charcoal on vélin d'Arches paper. Paper size: 12.8 x 9.84 inches. Inscription: Unsigned and unnumbered...

Medium: Lithograph on vélin paper Year: 1965 Paper Size: 19 x 13 inches Catalogue raisonné reference: Bloch, illustration 1197 Inscription: Unsigned and unnumbered, as issued Notes: ...

PABLO PICASSO, Malaga 1881 - Mougins 1973 Femme couchée et guitariste, 1962 Linoleoumography d'après in color. (mm270x325) Perfect specimen published by the Cercle d'Art in 1962 unde...

Héliogravure on vélin paper. Paper Size: 14.75 x 10.5 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Pablo Picasso, Toros y toreros, 1961. Published ...

Héliogravure on vélin paper. Paper Size: 14.75 x 10.5 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Pablo Picasso, Toros y toreros, 1961. Published ...

Woodcut engraving on Vergé Bouffant paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Feu de Joie, 1920. Published and printed by Au Sans Pareil, édi...

Pablo Picasso (1881-1973), Le Couple, 1951, drypoint on chine volant, signed lower right margin and numbered (5/XI) lower left margin. References: Bloch 690,...

Etching on vélin de Rives BFK paper. Paper Size: 11.5 x 9 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Lysistrata, 1934. Published by The Limited E...

Medium: Lithograph on vélin paper Year: 1954 Paper Size: 14.25 x 10.125 inches Inscription: Inscription: Unsigned and unnumbered, as issued Catalogue Raisonné Reference: Cramer 67; B...

The gloves is an original lithograph on paper realized by Fernand Léger (1881-1955). Very good conditions except for some little foxings. Sheet dimension: 21.5 x 30.5 The artwork ...