Cubist Prints and Multiples

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Femme Assise et Joueur de Flute". The original painting was completed in 1967. In the 1970's...

Artist: Pablo Picasso Title: Head of a Man in Broken Lines (Plate XXXIV) Portfolio: Carmen Medium: Original etching on Montval wove paper Year: 1949 Edition: 289 Frame Size: 21" x 18...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Joueur de diaule et nu (Flute Player and Nude), from the folio Picasso, La flute double, 16 Dessins, Aqu...

Artist: Pablo Picasso Title: Monogram J (Plate II) Portfolio: Carmen Medium: Etching on Montval wove paper Year: 1949 Edition: 289 Sheet Size: 13" x 10 3...

Jean Hélion was a French painter (1904 - 1987) whose abstract work of the 1930's established him as a leading modernist. His mid-career rejection of abstraction was followed by nearl...

Rendered against a textured teal background, the still life shown in this Pablo Picasso print features a red mandolin and a wine bottle. A lithograph from the Marina Picasso Estate C...

after Georges BRAQUE Mythology : Hera MEDIUM : Lithograph PRINTER : Atelier Art-Litho EDITOR : Armand ISRAEL, Paris SIGNATURE : Printed LIMITED : 399 copies unumbered PAPER : Arches...

This exquisite lithograph after Pablo Picasso (1881–1973), titled L'Ane (The Donkey), from the folio Picasso, Eaux-fortes originales pour des textes de Buffon, Histoire naturelle, Su...

Rendered in hues of blue and grey, this portayal of a woman in an artist's workshop includes a depiction of an easel with a canvas facing the woman. Pablo Picasso's Cubist technique ...

Artist: Marcel Mouly, French (1918 - 2008) Title: At the Cafe Year: circa 1977 Medium: Lithograph, signed and numbered in pencil Edition: 147/225 Size: 29.5 in. x 21 in. (74.93 cm x ...

Sol Lewitt "A form driven from a rectangular solid" Year: 1.992 Woodcut on Japanese paper copy 19/75 Signed and justified by hand Print run of 75 copies. 57,5 x 77 cm.

Pablo Picasso, After, Spanish (1881 - 1973) - Profile from "Le Gout du Bonheur". Year: 1964 (Printed 1970), Medium: Lithograph on Arches, Edition: 666, Image Size: 6.5 x 4.25 inches,...

Wearing a crown of white flowers, the woman in the white dress has clear blue eyes and pink lips. A classic example of Pablo Picasso's work, the woman's face is disjointed and fragme...

"Personaje" (Character) - Abstracted Figurative Serigraph on Paper (#146/175) Abstracted figure with a collage-like appearance by Victor Chab (Argentinian, b. 1930). A figure with f...

Medium: Lithograph on vélin paper, hinged on archival support sheet, as issued Year: 1968 Paper Size: 13 x 16 inches; image size: 5 x 13.75 inches Inscription: Signed in the plate an...

Picasso and the Weeping Woman — 1994 Metropolitan Museum of Art Exhibition Poster (Linen-Backed). Grade A- condition. Size is 40” x 37.5”. The painting’s original name is “The Pa...

This exquisite heliogravure after Pablo Picasso (1881–1973), titled 3.4.59., from the album Pablo Picasso, Toros y Toreros (Bulls and Bullfighters), originates from the 1961 edition ...

This exquisite heliogravure after Pablo Picasso (1881–1973), titled 12.7.59. V, from the album Pablo Picasso, Toros y Toreros (Bulls and Bullfighters), originates from the 1961 editi...

This exquisite heliogravure after Pablo Picasso (1881–1973), titled 12.7.59. IV, from the album Pablo Picasso, Toros y Toreros (Bulls and Bullfighters), originates from the 1961 edit...

Picasso Poster is an offset  poster about an exhibition of Pablo Picasso's graphic works at Marino Gallery in Rome Piazza Navona. Limited edition of 1.000. Signed in the plate. Ex...

Facing the left, the woman in this Pablo Picasso print appears elegant in her multicolored dress. With her hair flowing behind her and her dress swaying across her figure, the woman'...

A very good impression of this scarce color etching and drypoint. Fourth state (of 4). Signed and numbered 54/100 in pencil, lower margin.

Deux Femmes près de la fenetre is a linocut print realized in smaller size after a linocut by Pablo Picasso of 1959 . Very good conditi...

Pablo Picasso, Spanish (1881 - 1973) - 7 Tableau Majeurs. Year: 1962, Medium: Lithograph in Three Colors on Arches, Edition: 1000, Size: 25.5 x 19 in. (64.77 x 48.26 cm), Frame Size:...

Lithograph, stencil on vélin paper. Paper Size: 10 x 7.75 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Fernand Léger, Dessins de Guerre 1915-16, 19...

This exquisite lithograph after Pablo Picasso (1881–1973), titled Femme assise et cheval (Seated Woman and Horse), originates from the rare 1970 folio Suite des reproductions des Eaux-fortes de Pablo Picasso pour illustrer les Metamorphoses d'Ovide. Published and printed by Production Edito-Service S.A., Le Grand-Saconnex, Canton of Geneve, in collaboration with Albert Skira, Geneve, this edition presents faithful reproductions of the original etchings created by Picasso in 1930–31 for the landmark illustrated book Les Metamorphoses d'Ovide. The composition reveals Picasso’s classical elegance and mythological imagination, juxtaposing human and animal forms in a scene that embodies transformation and harmony central to Ovid’s narrative. Executed on velin papier Verge fin blanc des papeteries de Bellerive, this lithograph measures 11.02 x 8.66 inches (28 x 22 cm) with an image size of 4.3 x 5.5 inches (10.9 x 14 cm). As issued, it is unsigned and unnumbered, consistent with the authorized 1970 publication format. This edition, produced under Albert Skira’s supervision, preserves the precision, tonal delicacy, and lyrical balance of the original copper etchings created by Picasso for the 1931 deluxe edition of Les Metamorphoses d'Ovide, one of the most celebrated artist’s books of the 20th century. Artwork Details: Artist: After Pablo Picasso (1881–1973) Title: Femme assise et cheval (Seated Woman and Horse), from Suite des reproductions des Eaux-fortes de Pablo Picasso pour illustrer les Metamorphoses d'Ovide, 1970 Medium: Lithograph on velin papier Verge fin blanc des papeteries de Bellerive Dimensions: Paper size 11.02 x 8.66 inches (28 x 22 cm); Image size 4.3 x 5.5 inches (10.9 x 14 cm) Inscription: Unsigned and unnumbered, as issued Date: 1970 (after the 1931 etchings) Publisher: Production Edito-Service S.A., Le Grand-Saconnex, Canton of Geneve Printer: Production Edito-Service S.A., in collaboration with Albert Skira, Geneve Condition: Well preserved, consistent with age and medium Provenance: From the 1970 folio Suite des reproductions des Eaux-fortes de Pablo Picasso pour illustrer les Metamorphoses d'Ovide, authorized by Albert Skira, Geneve Notes: Excerpted from the 1970 folio (translated from French): "The original edition of Les Metamorphoses d'Ovide, full text of the association, Guillaume Bude, established and translated by Georges Lafaye, is illustrated with XXX original etchings by Picasso. The draw, completed on October 25, 1931, in Paris, on the presses of Leon Pichon for typography, and by Louis Fort for the engravings, was limited to CXLV examples, all numbered in the press and signed by the artist. The edition included XXX examples on Japon blanc a la forme fabrique specialement par la manufacture imperiale, including V examples, numbered from I to V, each containing a sequel on Japon with remarks in bistre, a suite on Chine with remarks in black and an original drawing by the artist; XXV examples, numbered from VI to XXX, each containing a sequel on Japon with remarks in black; XCV examples, numbered from XXXI to CXXV, on verge de pur chiffon fabrique specialement a la main par les papeteries d'Arches; and CX non-commerce examples, numbered in Roman numerals from I to XX, reserved for the artist and collaborators. The coppers used to draw the illustrations were scratched by the artist in the presence of the publisher. This album has been presented to collectors and bibliophiles of the United States of America by Marie Harriman. This lithograph edition, 22 x 28 cm, was printed with Albert Skira's authorization on papier Verge fin blanc des papeteries de Bellerive." About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision and restless creativity reshaped the trajectory of modern art. Born in Málaga, Spain, Picasso demonstrated exceptional talent from an early age, studying at the Royal Academy of San Fernando before settling in Paris, the artistic epicenter of the early 20th century. There, his pioneering spirit gave rise to groundbreaking movements, most notably Cubism, developed alongside Georges Braque, which revolutionized visual representation by deconstructing form and perspective. Over his prolific seven-decade career, Picasso’s work evolved through distinct stylistic periods—the Blue, Rose, African, and Classical phases—culminating in a body of art that embraced experimentation, emotional depth, and innovation. His influence and dialogue with fellow visionaries Henri Matisse, Marc Chagall, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray shaped the foundation of modernism, while his legacy continues to resonate through the work of post-war and contemporary artists such as Banksy, Damien Hirst, Jeff Koons, Jackson Pollock, Andy Warhol, and Jasper Johns. Together, these artists collectively expanded the boundaries of art in the 20th and 21st centuries. Picasso’s staggering output of more than 20,000 works—spanning painting, sculpture, ceramics, drawing, and printmaking—embodies his belief that “art washes away from the soul the dust of everyday life.” His creations are housed in the world’s foremost museums, including the Musée Picasso in Paris, MoMA in New York, the Guggenheim, and the Tate in London. The highest price ever paid for a Picasso artwork is approximately $179.4 million USD at Christie’s New York in 2015 for Les Femmes d’Alger (Version O) (1955). Pablo Picasso lithograph, Femme assise et cheval Picasso, Seated Woman and Horse Picasso, Picasso Metamorphoses...

Opened to a page full of text, the book in this still life by Pablo Picasso is held open by a skull sitting atop it. Surrounded by angular shapes divided by straight lines, the geome...

Arranged alongside one another, the goat skull accompanied by the glass bottle is rendered in a geometric fashion that is reminiscent of Pablo Picasso's ot...

Artist: Will Mentor, American (1958 - ) Title: Cubist Composition Year: 1990 Medium: Etching and Aquatint, signed and numbered in pencil Edition: 13/75 Paper Size: 33.5 x 24 in. (8...

Rendered in profile, Marie-Therese Walter is shown wearing a purple beret and a brown coat with fluffy trim. One of Pablo Picasso's famed muses, this representation of her is reminis...

Set against the green background, the geometric figure in this Pablo Picasso print is comprised of numerous rectangular shapes that overlap one another in the typical Cubist fashion....

Picador, Femme et Cheval is a beautiful contemporary artwork realized after Pablo Picasso (1881-1973). Color linocut realized in smaller size after a linocut by Pablo Picasso of 195...

This exquisite lithograph by Pablo Picasso (1881–1973), titled Femme couchee et texte manuscrit (Reclining Woman and Handwritten Text), originates from...

Georges Braque, After, French (1882 - 1963) - Torero, Year: 1950 (later printing), Medium: Lithograph, signed in the plate, Image Size: 20 x 13.5 inches, Frame Size: 30 x 23.5 in...

Pablo Picasso, Spanish (1881 - 1973) - Les Vendangeurs (34). Year: 1959 (printed 1962), Medium: Linocut, Image Size: 10.5 x 13 inches, Size: 12.5 x 15 in. (...

Surrounded by a charcoal background, the male figure at the center of this Pablo Picasso print appears illuminated by the light emanating from the upper right corner. Infused with a ...

Lithography on paper printed in 40's, numbered 42/300, 54,5 x 75,5 x 0,1 cm - 21,4 x 29,7 x 0,04 in, printed by Moulot Editions Editions with the stamp Fernand Léger on Musee Biot pa...

Jean Emile Laboureur (French, 1877-1943) Masque aux cheveux d'or (1912) Woodcut Signed `J E Laboureur’ (lower right) and stamped `The London Studio’ (l...

Set against a gradient blue background, the soft red pitcher and the bright lemon stand out against the scene in this print by Pablo Picasso. A lithograph from the Marina Picasso Est...

Selected from the personal collection inherited by Marina Picasso, Pablo Picasso's granddaughter. After Pablo Picasso's death, his granddaughter Marina authorized the printing of t...

"La Comedie Humaine VIII" Lithograph in Color on Thick Wove Paper After The Original. The plates executed under the direct supervision of Pablo Picasso. First edition, 1954. Printed ...

Rendered in bold hues of red and mustard with shading in black, this Pablo Picasso portrait relies on thick, dark lines to shape the face of the woman shown. Accented by the flowing ...

Saltimbanques by Pablo Picasso (1881-1973), lithography on paper signed & dated on the plate on March 5 1958 and countersigned in red, used as frontispiece for the book “Souvenirs d’un Collectionneur”, E.-A. (Épreuve d’Atelier...

This exquisite lithograph by Pablo Picasso (1881–1973), titled Les Mouches (The Flies), from Verve, Revue Artistique et Litteraire, Vol. VII, No. 25–26, originates from the 1951 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Draeger freres, Maitres-Imprimeurs, Paris, October 25, 1951. This remarkable composition exemplifies Picasso’s dynamic postwar period in Vallauris, where he explored themes of mythology, vitality, and the human spirit through bold forms and radiant color. Les Mouches reflects Picasso’s fascination with symbolism and everyday life, transforming a simple subject into a poetic expression of rhythm, humor, and artistic freedom. Executed as a lithograph on velin du Marais paper, this work measures 14 x 10.5 inches. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of the Draeger freres atelier, renowned for its collaborations with the leading modernists of the 20th century. Artwork Details: Artist: Pablo Picasso (1881–1973) Title: Les Mouches (The Flies), from Verve, Revue Artistique et Litteraire, Vol. VII, No. 25–26, 1951 Medium: Lithograph on velin du Marais paper Dimensions: 14 x 10.5 inches Inscription: Unsigned and unnumbered as issued Date: 1951 Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Draeger freres, Maitres-Imprimeurs, Paris Condition: Well preserved, consistent with age and medium Provenance: From Verve, Revue Artistique et Litteraire, Vol. VII, No. 25–26, published by Editions de la revue Verve, Paris, 1951 Notes: Excerpted from the album (translated from French), This issue of Verve is entirely devoted to Picasso’s recent works (peintures, sculptures et ceramiques) made in Vallauris between 1949 and 1951. The cover and the frontispiece were specially composed by the artist for this work which was completed to print on the presses of the Maitres-Imprimeurs, Draeger freres on October 25, 1951. About the Publication: Verve, Revue Artistique et Litteraire was one of the most influential art periodicals of the 20th century, founded in Paris in 1937 by the visionary Greek-born publisher Teriade (Stratis Eleftheriades). Conceived as a synthesis of art and literature, Verve brought together the greatest modern artists and writers of its time—Henri Matisse, Pablo Picasso, Marc Chagall, Georges Braque, Joan Miro, Fernand Leger, and others—alongside poets and philosophers such as Paul Eluard, Albert Camus, and Jean-Paul Sartre. Each issue was a work of art in itself, luxuriously printed by master lithographers such as Mourlot Freres and produced in collaboration with leading typographers and designers. Verve became a platform for avant-garde creativity, publishing original lithographs and essays that reflected the evolving spirit of modernism. Matisse collaborated closely with Teriade from the magazine’s inception, producing some of its most iconic issues, including those devoted to his paper cut-outs. The final Verve issue of 1958, which featured La Tristesse du Roi and the Nu Bleu series, stands as a testament to Matisse’s enduring genius and to the publication’s legacy as the definitive meeting of art, poetry, and printing craftsmanship in 20th-century France. About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision revolutionized modern art and defined the visual language of the 20th century. A child prodigy from Malaga, Spain, Picasso’s career spanned more than seven decades and encompassed an astonishing range of styles and innovations—from the melancholic Blue and romantic Rose periods to his pioneering invention of Cubism with Georges Braque, which shattered conventional notions of perspective and form. Influenced by the bold expressiveness of El Greco, the structure of Cezanne, and the vitality of African and Iberian sculpture, Picasso became a central figure of the Paris avant-garde, working in creative dialogue with contemporaries such as Henri Matisse, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray. His insatiable experimentation extended across painting, drawing, printmaking, ceramics, and sculpture, forever expanding the boundaries of artistic expression. A master of reinvention, Picasso profoundly shaped generations of artists who followed—from Andy Warhol, Roy Lichtenstein, David Hockney, and Jean-Michel Basquiat to Jeff Koons and Banksy—cementing his status as a timeless cultural icon whose works remain among the most sought after worldwide. His landmark painting Les Femmes d’Alger (Version “O”) achieved a record-breaking sale of $179,365,000 at Christie’s, New York, on May 11, 2015, affirming Picasso’s enduring legacy as one of the most influential and valuable artists in history. Pablo Picasso Les Mouches, Picasso Verve...

This exquisite heliogravure after Pablo Picasso (1881–1973), titled 7.1.58. II, originates from the rare 1972 folio Pablo Picasso, La Chute d'Icare (The Fall of Icarus), Decoration du Foyer des Delegues Palais de l'UNESCO a Paris, Suite d'etudes preparatoires en noir et en couleurs realisees du 6 Decembre 1957 au 29 Janvier 1958. Published by Editions d'art Albert Skira, Geneve, under the direction of Albert Skira, Editeur, Geneve, and printed by Atar Roto Presse S.A., Geneve, this edition presents a series of preparatory studies—both monochrome and color—created by Picasso for his monumental mural commissioned for the UNESCO headquarters in Paris. This composition, dated January 7, 1958, captures the artist’s continued exploration of rhythm and abstraction, revealing the evolution of form, energy, and balance that informed the final La Chute d’Icare (The Fall of Icarus) mural. Executed on velin paper, this heliogravure measures 11.4 x 15.4 inches (28.96 x 39.12 cm). As issued, it is unsigned and unnumbered, consistent with the authorized 1972 publication format. This edition, produced under Albert Skira's supervision, preserves the tonal clarity, gestural freedom, and compositional vitality of Picasso’s original 1958 studies for one of his most significant public murals. Artwork Details: Artist: After Pablo Picasso (1881–1973) Title: 7.1.58. II, from Pablo Picasso, La Chute d'Icare (The Fall of Icarus), Decoration du Foyer des Delegues Palais de l'UNESCO a Paris, Suite d'etudes preparatoires en noir et en couleurs realisees du 6 Decembre 1957 au 29 Janvier 1958, 1972 Medium: Heliogravure on velin paper Dimensions: Paper size 11.4 x 15.4 inches (28.96 x 39.12 cm) Inscription: Unsigned and unnumbered, as issued Date: 1972 (after the 1957–58 studies) Publisher: Editions d'art Albert Skira, Geneve Printer: Atar Roto Presse S.A., Geneve Catalogue raisonne reference: Goeppert, Sebastian, et al. Pablo Picasso, the Illustrated Books: Catalogue Raisonne. Patrick Cramer, 1983, illustration 155 Condition: Well preserved, consistent with age and medium Provenance: From the 1972 folio Pablo Picasso, La Chute d'Icare (The Fall of Icarus), published by Editions d'art Albert Skira, Geneve Notes: Excerpted from the 1972 folio (translated from French): "This album contains the series of preparatory tests in black and seven color studies made by Pablo Picasso for the decoration of the delegates' home at the UNESCO palace in Paris. The printing was completed on December 20, 1972, on the presses of imprimeries Roto-Sadag S.A. and Atar S.A. in Geneva. The edition of this album is as follows: CXXV examples, numbered from I to CXXV; XXV examples, out of trade, numbered H.C. There are XXV examples reserved for the artist and the publisher, each containing an etching by Pablo Picasso, signed and numbered by the artist. The etching was drawn by A. et P. Crommelynck in Paris. The copper was scratched by the artist after drawing. In addition, CCCLXXV examples were produced without the etching, numbered from CXXVI to D. Published by Editions d'art Albert Skira, Geneve. Printed in Switzerland." About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose revolutionary vision redefined modern art in the 20th century. Born in Malaga, Spain, he demonstrated prodigious talent from an early age and trained in Barcelona and Madrid before moving to Paris, where he became the epicenter of avant-garde innovation. Picasso pioneered Cubism alongside Georges Braque, explored emotional depth through his Blue and Rose periods, and continually reinvented his style across thousands of works in painting, drawing, sculpture, and printmaking. His influence spans movements from Surrealism to abstraction, and his work remains central to global art history. The highest price ever paid for one of his artworks is approximately US $179.4 million for Les Femmes d'Alger (Version O) (1955). Pablo Picasso heliogravure, 7.1.58. II Picasso, La Chute d'Icare Picasso, The Fall of Icarus Picasso, Picasso UNESCO mural, Picasso 1972 Skira edition, Picasso Geneva edition, Picasso Atar Roto Presse Geneva, Picasso preparatory studies, Picasso abstract composition, Picasso color study, Picasso 1958...

Reclining Cubist Nude Woman Max Weber (April 18, 1881 – October 4, 1961) was a Jewish-American painter and one of the first American Cubist painters who, in later life, turned to mo...

This exquisite lithograph by Pablo Picasso (1881–1973), titled Le cavalier bleu (The Blue Rider), from Verve, Revue Artistique et Litteraire, Vol. VII, No. 25–26, originates from the...

Peintre barbu en robe de chambre, avec deux femmes nues et un visiteur, from « 347 Series » Aquatint on paper. Hand signed and numbered by the artist. Bloch 1715. Edition of 50. ...

Original glossy poster, Published for the Studio Museum, Harlem, for the exhibition, April 14 - August 1, 1991. Note: This poster was created for the national touring exhibition org...

Rendered in geometric shapes that emerge from the soft pastel background, the woman in this print holds a mandarin as she is depicted head-on by Pablo Picasso. A lithograph from the ...

Pablo Picasso, Model Contemplating Sculpture, etching, signed in pencil, 1933, a fine impression, published by Vollard, from the Vollard Suite, edition of 310, Bloch 175, Geiser 328...

This exquisite lithograph and stencil by Pablo Picasso (1881–1973), titled Jacqueline au regard d'oiseau (Jacqueline with Birdlike Gaze), originates from the 1962 folio Pablo Picasso, André Villers, Diurnes, Découpages et Photographies (Daytime, Cutouts and Photographs). Published by Galerie Berggruen, Paris, and printed by ateliers de Daniel Jacomet, Paris, this collaborative work brings together Picasso’s poetic visual sensibility and Villers’ inventive photographic approach. The series represents a unique dialogue between cut paper forms and light, demonstrating Picasso’s continual exploration of composition, texture, and abstraction through new media. Executed on vélin d’Arches paper, this lithograph measures Paper Size 15.75 x 11.75 inches. As issued, it is unsigned and unnumbered, consistent with the authorized publication format. The edition preserves the subtle interplay of tone and structure that defines Picasso’s mastery of visual rhythm and lyrical modernism. Artwork Details: Artist: Pablo Picasso (1881–1973) Title: Jacqueline au regard d'oiseau (Jacqueline with Birdlike Gaze), from Pablo Picasso, André Villers, Diurnes, Découpages et Photographies (Daytime, Cutouts and Photographs), 1962 Medium: Lithograph and stencil (pochoir) on vélin d’Arches paper Dimensions: Paper Size 15.75 x 11.75 inches Inscription: Unsigned and unnumbered, as issued Date: 1962 Publisher: Galerie Berggruen, Paris Printer: Ateliers de Daniel Jacomet, Paris Catalogue Raisonné Reference: Goeppert, Sebastian, et al. Pablo Picasso: Catalogue Raisonné Des Livres Illustrés. Patrick Cramer, 1983, Illustration 115. Condition: Well preserved, consistent with age and medium Provenance: From the 1962 folio Pablo Picasso, André Villers, Diurnes, Découpages et Photographies (Daytime, Cutouts and Photographs), published by Galerie Berggruen, Paris Notes: Excerpted from the folio (translated from French), Finished printing on January 29, 1962, on the presses of l'Imprimerie Union in Paris and in ateliers de Daniel Jacomet for phototypies and pochoirs. This album, made with the help of Lionel Prejger, was issued in M numbered examples, the first C of which were accompanied by an original engraving by Pablo Picasso numbered and signed by the artist. This engraving, printed on the presses of Arnéra in Vallauris, was presented in a special box. About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision and restless creativity reshaped the trajectory of modern art. Born in Malaga, Spain, Picasso demonstrated exceptional talent from an early age, studying at the Royal Academy of San Fernando before settling in Paris, the artistic epicenter of the early 20th century. There, his pioneering spirit gave rise to groundbreaking movements, most notably Cubism, developed alongside Georges Braque, which revolutionized visual representation by deconstructing form and perspective. Over his prolific seven-decade career, Picasso’s work evolved through distinct stylistic periods—the Blue, Rose, African, and Classical phases—culminating in a body of art that embraced experimentation, emotional depth, and innovation. His influence and dialogue with fellow visionaries Henri Matisse, Marc Chagall, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray shaped the foundation of modernism, while his legacy continues to resonate through the work of post-war and contemporary artists such as Banksy, Damien Hirst, Jeff Koons, Jackson Pollock, Andy Warhol, and Jasper Johns. Together, these artists collectively expanded the boundaries of art in the 20th and 21st centuries. Picasso’s staggering output of more than 20,000 works—spanning painting, sculpture, ceramics, drawing, and printmaking—embodies his belief that “art washes away from the soul the dust of everyday life.” His creations are housed in the world’s foremost museums, including the Musee Picasso in Paris, MoMA in New York, the Guggenheim, and the Tate in London. The highest price ever paid for a Picasso artwork is approximately $179.4 million USD at Christie’s New York in 2015 for Les Femmes d’Alger (Version O) (1955). Pablo Picasso lithograph, Picasso Jacqueline au regard d'oiseau (Jacqueline with Birdlike Gaze), Picasso Diurnes (Daytime), Picasso André Villers collaboration, Picasso Galerie Berggruen, Picasso Daniel Jacomet printer, Picasso Arnéra...

Jean-Emile Laboureur (1877-1943), Le Cafe du Commerce, etching, 1913, signed in pencil lower left and numbered lower right 28/35 [also with the signature and d...

Artist: Georges Braque Title: Chappelle St. Bernard Medium: Original lithograph Year: 1964 Edition: Unnumbered Framed Size: 21 1/4" x 17 1/4" Sheet Size: 15" x 11" Signed: Unsigned

This exquisite linocut after Pablo Picasso (1881–1973), titled Avant la Pique (Before the Thrust), from the album Pablo Picasso, Grabados al linoleo (Linocuts), originates from the 1...

Rare and giant vintage poster of Pablo Picasso Exhibition Milan, Palazzo Reale, 1953.  Limited edition of 1,000 copies, most of which lost or badly damaged overtime. Mounted on canv...

Pablo Picasso, After, Spanish (1881 - 1973) - Buste de Femme Nue Face, Year: circa 1981, Medium: Screenprint on Satin Scarf, Size: 17.75 x 17.5 in. (45.09 x 44.45 cm), Publisher: ...

Hand signed in red pencil and numbered. Dated in plate. Edition 14/50. On Arches Wove Paper. Excellent condition. Reference: Bloch n.443; Mourlot 86.

Artist: Pablo Picasso (Spanish, 1881-1973) Title: La Danse Des Faunes Year: 1957 Medium: Original zinc plate two colors lithograph Edition: Unumbered of 1000 Paper: Arches Ima...

Plate 26 from La Suite Vollard. Bloch 226. Baer 440. Etching, engraving and aquatint, on Montval paper. Signed in pencil, from the edition of 260 (there was also an edition of 50 wit...