Cubist Prints and Multiples

Zincograph on Vélin Bouffant paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Non Vouloir, 1942. Published by Éditions Jeanne Bucher, Paris; printed...

This exquisite lithograph after Juan Gris (1887–1927), titled La Pipe (The Pipe), from the folio Au Soleil du Plafond (In the Sunlight of the Ceiling), originates from the 1955 editi...

Linocut on Arches wove paper. Hand signed and numbered by the artist in pencil. Image size 25 x 20.75 inches. Sheet size 29.6 x 24.5 inches. Frame size approx 34.5 x 29.5 inches. Pri...

This original etching is hand signed in pencil by the artist "G Braque" at the lower right margin. It is also hand numbered in pencil from the edition of 25, at the lower left margin...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Faunes et Flore d'Antibes IX (Fauns and Flora of Antibes IX), from the folio, Picasso, Faunes et Flore d...

Lithograph realized after Fernand Léger in 1959, on Moulin Richard de Bas paper. Monogrammed in the plate. It belongs to the suite "Contrastes", printed by Daniel Jacomet and publi...

This exquisite lithograph after Pablo Picasso (1881–1973), titled 8.10.64. XI, from the folio Le Gout du Bonheur, trois carnets d`atelier (The Taste of Happiness, Three Studio Sketch...

PABLO PICASSO (1881-1973) Grand Tête (Portrait de Jacqueline aux Cheveux lisses) linocut in colors, on Arches paper, 1962, signed in pencil, numbered ##/50, with full margins, pale ...

Plate 13 from La Suite Vollard. Bloch 229. Baer 444. Etching on Montval paper. Signed in pencil, from the edition of 260 (there was also an edition of 50 with larger margins). Printe...

Artist: Andre Minaux, French (1923 - 1986) Title: Helene from the Helene Portfolio Year: 1974 Medium: Lithograph, signed and numbered in pencil Edition: 150, XXX Size: 25.75 in. x 19...

This exquisite heliogravure after Pablo Picasso (1881–1973) originates from the rare 1961 album Pablo Picasso, Toros y Toreros (Bulls and Bullfighters). Published by Les Editions Cer...

This exquisite lithograph after Pablo Picasso (1881–1973), titled 20.5.64. II, from the folio Le Gout du Bonheur, trois carnets d`atelier (The Taste of Happiness, Three Studio Sketch...

Lithograph, stencil on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série N° 6...

This exquisite lithograph and pochoir after Georges Braque (1882–1963), titled Pommes (Apples), from the album Georges Braque, Le Solitaire (The Solitary), originates from the 1959 e...

Selected from the personal collection inherited by Marina Picasso, Pablo Picasso's granddaughter. After Pablo Picasso's death, his granddaughter Marina authorized the printing of t...

This exquisite collotype after Pablo Picasso (1881–1973), titled Visage d'homme barbu à épaisse barbe (Bearded Man’s Face with Thick Beard), originates from the rare 1957 folio 40 de...

Etching on BFK Rives paper, Plate 8 from series 347. Hand signed lower right by Pablo Picasso. Hand numbered 11/50 lower left (there were also 17 artist's proofs). Sheet size: 24 ...

This exquisite linocut after Pablo Picasso (1881–1973) titled Femme au Collier (Woman with Necklace), originates from the rare 1962 album Pablo Picasso, Grabados al linoleo (Linoleum...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled La Femme au Vase (Woman with a Vase), from the album L'Art Cubiste, Theories et Realisations, Etude Crit...

76 x 52 cm. Printed by Fernand Mourlot on rag paper watermarked "Mourlot." A condition. Not in Saphire. .Fernand Mourlot was born in Paris in 1895. He grew up in the family print shop but it wasn't until he took over in the early 1920s that he would change the fabric of printing forever. His influence fostered a resurgence of lithography, revealing it as a new avenue for expression and a new realm of possibilities for likes of Pablo Picasso, Henri Matisse, Marc Chagall, Joan Miró, Georges Braque, Fernand Léger, and Alberto Giacometti to enrich their own work as well as fine art in general. Fernand cultivated the lithograph as a painter's medium and the family studio on Rue Chabrol became a hub where he could invite artists to work directly on the stone, as if creating a poster. In 1937, the studio produced two posters (based on paintings by Matisse...

Artist: Pablo Picasso Title: Monogram "J" with Design (Plate VII) Portfolio: Carmen Medium: Etching on Montval wove paper Date: 1949 Edition: 289 Sheet Size: 13" x 10 3/16" Signed: N...

Le Tir Forain, engraving, edition 108, 1920-21, Sylvain Laboureur 191. Signed and numbered '19/85 ép' in pencil. Initialed 'L' and dated 1920 in the matrix,...

This exquisite lithograph and stencil by Pablo Picasso (1881–1973), titled Le corrigan effeuillé (The Stripped Corrigan), originates from the 1962 folio Pablo Picasso, André Villers,...

This exquisite linocut after Pablo Picasso (1881–1973) titled Faunes et Chevre (Fauns and Goat), originates from the rare 1962 album Pablo Picasso, Grabados al linoleo (Linoleum Engravings). Published by Gustavo Gili, S.A., Barcelona, and Editions Cercle d'Art, Paris, and printed by Verlag Gerd Hatje, Stuttgart, this important album presents a collection of Picasso’s masterful linocuts, executed during the artist’s mature period. These works demonstrate his inventive approach to form, texture, and contrast, showcasing his technical brilliance and playful spirit in this demanding printmaking medium. Executed on velin paper, this linocut measures Paper Size 12.5 x 14.5 inches; image size 10.5 x 12.75 inches. As issued, it is unsigned and unnumbered, consistent with the authorized publication format. This edition preserves the clarity, depth, and tonal richness of Picasso’s original linocuts, reaffirming his mastery of line and composition. Artwork Details: Artist: After Pablo Picasso (1881–1973) Title: Faunes et Chevre (Fauns and Goat), from Pablo Picasso, Grabados al linoleo (Linoleum Engravings), 1962 Medium: Linocut on velin paper Dimensions: Paper Size 12.5 x 14.5 inches; image size 10.5 x 12.75 inches Inscription: Unsigned and unnumbered, as issued Date: 1962 Publisher: Gustavo Gili, S.A., Barcelona, and Editions Cercle d'Art, Paris Printer: Verlag Gerd Hatje, Stuttgart Catalogue Raisonne Reference: Orozco, M. (2018). Picasso. 70 Years of Book Illustration Catalogue Raisonne. Picasso. 70 Years of Book Illustration, Illustration 214. Condition: Well preserved, consistent with age and medium Provenance: From the 1962 album Pablo Picasso, Grabados al linoleo (Linoleum Engravings), published by Gustavo Gili, S.A., Barcelona, and Editions Cercle d'Art, Paris Notes: Excerpted from the album (translated from Spanish), This limited edition of the album "Pablo Picasso, engraved in linocut", appeared for release in February 1963, consists of DXX numbered examples from I to DXX. The publisher thanks the Galerie Louise Leiris, of Paris, for the transfer of the originals for printing. (c) 1962 by Verlag Hatje, Stuttgart. Reproduction rights reserved by S.P.A.D.E.M., Paris, and Cosmopress Geneva. No. Registration B. 885. - 1962; Legal deposit B. 29.632. - 1962. Typography printed by the Sociedad Alianza de Artes Graficas (S.A.D.A.G.), Rosellon, 298-300, Barcelona. About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision and restless creativity reshaped the trajectory of modern art. Born in Málaga, Spain, Picasso demonstrated exceptional talent from an early age, studying at the Royal Academy of San Fernando before settling in Paris, the artistic epicenter of the early 20th century. There, his pioneering spirit gave rise to groundbreaking movements, most notably Cubism, developed alongside Georges Braque, which revolutionized visual representation by deconstructing form and perspective. Over his prolific seven-decade career, Picasso’s work evolved through distinct stylistic periods—the Blue, Rose, African, and Classical phases—culminating in a body of art that embraced experimentation, emotional depth, and innovation. His influence and dialogue with fellow visionaries Henri Matisse, Marc Chagall, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray shaped the foundation of modernism, while his legacy continues to resonate through the work of post-war and contemporary artists such as Banksy, Damien Hirst, Jeff Koons, Jackson Pollock, Andy Warhol, and Jasper Johns. Together, these artists collectively expanded the boundaries of art in the 20th and 21st centuries. Picasso’s staggering output of more than 20,000 works—spanning painting, sculpture, ceramics, drawing, and printmaking—embodies his belief that “art washes away from the soul the dust of everyday life.” His creations are housed in the world’s foremost museums, including the Musée Picasso in Paris, MoMA in New York, the Guggenheim, and the Tate in London. The highest price ever paid for a Picasso artwork is approximately $179.4 million USD at Christie’s New York in 2015 for Les Femmes d’Alger (Version O) (1955). Pablo Picasso linocut, Picasso Faunes...

Pablo Picasso's depiction of a woman from Alès is bright and colorful, rendered in bright shades of pink, yellow, and blue. Shown in a Cubist style with her face and body fragmented,...

Le Cocu Magnifique is an original Contemporary artwork realized by Pablo Picasso in 1968. Original Etching Specimen on BFK Rives. Edition of 180 prints. Numbered in pencil on the ...

From an exhibition held at Pace Gallery in Columbus Ohio from February 3rd to March 5th, 1972. . This work references Picasso's 1961 interpretation of Edouard Manet's 1863 oil on can...

This exquisite lithograph after Pablo Picasso (1881–1973), titled Deux tetes de femme (Two Heads of Women), originates from the rare 1970 folio Suite des reproductions des Eaux-fortes de Pablo Picasso pour illustrer les Metamorphoses d'Ovide. Published and printed by Production Edito-Service S.A., Le Grand-Saconnex, Canton of Geneve, in collaboration with Albert Skira, Geneve, this edition presents faithful reproductions of the original etchings created by Picasso in 1930–31 for the landmark illustrated book Les Metamorphoses d'Ovide. The composition exemplifies Picasso’s neoclassical grace and psychological depth, depicting two female profiles rendered with refined linework and sculptural simplicity inspired by antiquity. Executed on velin papier Verge fin blanc des papeteries de Bellerive, this lithograph measures 11.02 x 8.66 inches (28 x 22 cm) with an image size of 4.3 x 5.5 inches (10.9 x 14 cm). As issued, it is unsigned and unnumbered, consistent with the authorized 1970 publication format. This edition, produced under Albert Skira’s supervision, preserves the tonal clarity and linear precision of the original copper etchings created by Picasso for the 1931 deluxe edition of Les Metamorphoses d'Ovide, one of the most celebrated artist’s books of the 20th century. Artwork Details: Artist: After Pablo Picasso (1881–1973) Title: Deux tetes de femme (Two Heads of Women), from Suite des reproductions des Eaux-fortes de Pablo Picasso pour illustrer les Metamorphoses d'Ovide, 1970 Medium: Lithograph on velin papier Verge fin blanc des papeteries de Bellerive Dimensions: Paper size 11.02 x 8.66 inches (28 x 22 cm); Image size 4.3 x 5.5 inches (10.9 x 14 cm) Inscription: Unsigned and unnumbered, as issued Date: 1970 (after the 1931 etchings) Publisher: Production Edito-Service S.A., Le Grand-Saconnex, Canton of Geneve Printer: Production Edito-Service S.A., in collaboration with Albert Skira, Geneve Condition: Well preserved, consistent with age and medium Provenance: From the 1970 folio Suite des reproductions des Eaux-fortes de Pablo Picasso pour illustrer les Metamorphoses d'Ovide, authorized by Albert Skira, Geneve Notes: Excerpted from the 1970 folio (translated from French): "The original edition of Les Metamorphoses d'Ovide, full text of the association, Guillaume Bude, established and translated by Georges Lafaye, is illustrated with XXX original etchings by Picasso. The draw, completed on October 25, 1931, in Paris, on the presses of Leon Pichon for typography, and by Louis Fort for the engravings, was limited to CXLV examples, all numbered in the press and signed by the artist. The edition included XXX examples on Japon blanc a la forme fabrique specialement par la manufacture imperiale, including V examples, numbered from I to V, each containing a sequel on Japon with remarks in bistre, a suite on Chine with remarks in black and an original drawing by the artist; XXV examples, numbered from VI to XXX, each containing a sequel on Japon with remarks in black; XCV examples, numbered from XXXI to CXXV, on verge de pur chiffon fabrique specialement a la main par les papeteries d'Arches; and CX non-commerce examples, numbered in Roman numerals from I to XX, reserved for the artist and collaborators. The coppers used to draw the illustrations were scratched by the artist in the presence of the publisher. This album has been presented to collectors and bibliophiles of the United States of America by Marie Harriman. This lithograph edition, 22 x 28 cm, was printed with Albert Skira's authorization on papier Verge fin blanc des papeteries de Bellerive." About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision and restless creativity reshaped the trajectory of modern art. Born in Málaga, Spain, Picasso demonstrated exceptional talent from an early age, studying at the Royal Academy of San Fernando before settling in Paris, the artistic epicenter of the early 20th century. There, his pioneering spirit gave rise to groundbreaking movements, most notably Cubism, developed alongside Georges Braque, which revolutionized visual representation by deconstructing form and perspective. Over his prolific seven-decade career, Picasso’s work evolved through distinct stylistic periods—the Blue, Rose, African, and Classical phases—culminating in a body of art that embraced experimentation, emotional depth, and innovation. His influence and dialogue with fellow visionaries Henri Matisse, Marc Chagall, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray shaped the foundation of modernism, while his legacy continues to resonate through the work of post-war and contemporary artists such as Banksy, Damien Hirst, Jeff Koons, Jackson Pollock, Andy Warhol, and Jasper Johns. Together, these artists collectively expanded the boundaries of art in the 20th and 21st centuries. Picasso’s staggering output of more than 20,000 works—spanning painting, sculpture, ceramics, drawing, and printmaking—embodies his belief that “art washes away from the soul the dust of everyday life.” His creations are housed in the world’s foremost museums, including the Musée Picasso in Paris, MoMA in New York, the Guggenheim, and the Tate in London. The highest price ever paid for a Picasso artwork is approximately $179.4 million USD at Christie’s New York in 2015 for Les Femmes d’Alger (Version O) (1955). Pablo Picasso lithograph, Deux tetes de femme Picasso, Two Heads of Women Picasso, Picasso Metamorphoses...

Artist: Pablo Picasso Title: Oval Head with Dividing Line (Plate XXIX) Portfolio: Carmen Medium: Etching on Montval wove paper Year: 1949 Edition: 289 Frame Size: 21" x 18" Sheet Siz...

This exquisite heliogravure after Pablo Picasso (1881–1973) originates from the rare 1961 album Pablo Picasso, Toros y Toreros (Bulls and Bullfighters). Published by Les Editions Cer...

This exquisite lithograph and pochoir after Georges Braque (1882–1963), titled Fleurs rouges (Red Flowers), from the album Georges Braque, Le Solitaire (The Solitary), originates fro...

B/w etching on Hollande Van Gelder Paper, with margins. Belongs to the series "Le Chef-d'Oeuvre Inconnu". Hand Signed and numered in bistre ink. Edition of 10/99, aside from the port...

This exquisite heliogravure after Pablo Picasso (1881–1973) originates from the rare 1961 album Pablo Picasso, Toros y Toreros (Bulls and Bullfighters). Published by Les Editions Cer...

This exquisite lithograph after Pablo Picasso (1881–1973), titled Au Baiser d'Avignon III (At the Kiss of Avignon III), from the folio Picasso au baiser d'Avignon, douze dessins, lav...

This exquisite linocut after Pablo Picasso (1881–1973) titled Femme Regardant par Fenetre (Woman Looking through Window), originates from the rare 1962 album Pablo Picasso, Grabados ...

Comprised of rounded shapes without significant sharp angles, this curving portrayal of a woman in a green dress is indicative of the Cubist style propagated by the artist, Pablo Pic...

Hand signed. Edition 35 of 50. From the Serie “Les 347”, table no. 110. Perfect impression on vélin blanc, very fresh and with sheet in full margins and perfect conditions, numbered ...

This exquisite lithograph after Juan Gris (1887–1927), titled Bouteille (Bottle), from the folio Au Soleil du Plafond (In the Sunlight of the Ceiling), originates from the 1955 editi...

Grosse Prostituée, Sorcière à la Chouette et Voyageur en Sabots ( Ref: Bloch 1760) etching on wove paper, Edited in 1968 Limited edition of 50 copies Current copy numbered: 37/50 on...

This exquisite lithograph by Fernand Leger (1881–1955), titled L’Eau (Water), from Verve, Revue Artistique et Litteraire, Vol. I, No. 1, originates from the 1937 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1937. This vibrant composition embodies Leger’s fascination with the elemental forces of nature reinterpreted through the lens of modernity. L’Eau reflects his ongoing exploration of the harmony between mechanical precision and organic movement, transforming the natural motif of flowing water into an abstract symphony of curves, color, and rhythm. Through its interplay of form and line, the work reveals Leger’s mastery of balance and visual dynamism—an artistic celebration of motion and modern life. Executed as a lithograph on velin du Marais paper, this work measures 14 x 10.5 inches (35.56 x 26.67 cm). Signed in the plate and unnumbered as issued. The edition reflects the superior craftsmanship of the Mourlot Freres atelier, celebrated for its collaborations with the leading modern artists of the 20th century. Artwork Details: Artist: Fernand Leger (1881–1955) Title: L’Eau (Water), from Verve, Revue Artistique et Litteraire, Vol. I, No. 1, 1937 Medium: Lithograph on velin du Marais paper Dimensions: 14 x 10.5 inches (35.56 x 26.67 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1937 Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From Verve, Revue Artistique et Litteraire, Vol. I, No. 1, published by Editions de la revue Verve, Paris, 1937 About the Publication: Verve, Revue Artistique et Litteraire was one of the most influential art periodicals of the 20th century, founded in Paris in 1937 by the visionary Greek-born publisher Teriade (Stratis Eleftheriades). Designed as a meeting point of art, poetry, and philosophy, Verve united the era’s greatest modern artists—including Henri Matisse, Pablo Picasso, Marc Chagall, Georges Braque, Joan Miro, and Fernand Leger—with leading intellectuals such as Paul Eluard and Albert Camus. Printed by the master lithographers Mourlot Freres, each issue was a masterpiece of craftsmanship, presenting original lithographs alongside literary works in a richly designed format. The inaugural issue, Vol. I, No. 1, published in 1937, marked a defining moment in the history of modern art publishing—introducing the vision of Verve as a beacon of artistic collaboration and aesthetic excellence that would shape the visual culture of the 20th century. About the Artist: Fernand Leger (1881–1955) was a visionary French painter, sculptor, designer, and filmmaker whose groundbreaking fusion of modern industry, vivid color, and geometric form transformed the course of 20th-century art. Born in Argentan, Normandy, Leger began as an architectural draftsman before studying at the Academie Julian and the Ecole des Beaux-Arts in Paris, where he absorbed the lessons of Paul Cezanne’s structural rigor and the revolutionary ideas of Cubism. Alongside Pablo Picasso and Georges Braque, he became one of the leading innovators of the avant-garde, yet his work stood apart through its embrace of mechanical rhythm, bold contrasts, and industrial modernity—earning him the title “the painter of the machine age.” His art celebrated the beauty of technology, urban life, and the human form rendered in dynamic, interlocking cylinders and planes, evoking the pulse of the modern world. Immersed in the vibrant Parisian art scene, Leger worked in dialogue with peers and contemporaries such as Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, all of whom shared his commitment to innovation and the reimagining of artistic expression. Beyond painting, Leger’s creative reach extended into film, design, and monumental public art—his 1924 collaboration on Ballet Mecanique with Dudley Murphy and Man Ray remains a landmark of avant-garde cinema. His later works evolved toward greater clarity and monumentality, celebrating the unity of form, color, and humanity through large-scale murals and mosaics that bridged fine art and architecture. Leger’s synthesis of Cubism, Futurism, and abstraction paved the way for movements such as Pop Art and influenced generations of artists including Roy Lichtenstein, Ellsworth Kelly, Robert Indiana, and Alexander Calder, who admired his fusion of structure, energy, and optimism. Today, his works are prized by major museums and collectors worldwide for their bold visual power and enduring modernity. His highest auction record was achieved by La femme en rouge et vert (1914), which sold for $39,241,000 at Sotheby’s, New York, on May 7, 2008. Fernand Leger L’Eau, Leger Verve, Leger Mourlot...

Artist: Pablo Picasso Title: Oval Head of a Woman with Piercing Eyes (Plate XXI) Portfolio: Carmen Medium: Etching on Montval wove paper Year: 1949 Edition: 289 Frame Size: 21" x 18"...

This exquisite lithograph after Juan Gris (1887–1927), titled La Soupiere (The Soup Tureen), from the folio Au Soleil du Plafond (In the Sunlight of the Ceiling), originates from the...

This exquisite linocut after Pablo Picasso (1881–1973) titled Portrait de Jeune Fille (Portrait of a Young Girl), originates from the rare 1962 album Pablo Picasso, Grabados al linol...

This fragmented portrait of a painter by Pablo Picasso features bright, bold colors and relies on visible brushstrokes to show the figure of the man instead of the geometric shapes a...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Femme nue couchee et joueur de flute (Reclining Nude Woman and Flute Player), from the folio Picasso, La...

Lithograph realized after Fernand Léger in 1959, on Moulin Richard de Bas paper. Monogrammed in the plate. It belongs to the suite "Contrastes", printed by Daniel Jacomet and publi...

This exquisite heliogravure after Pablo Picasso (1881–1973) originates from the rare 1961 album Pablo Picasso, Toros y Toreros (Bulls and Bullfighters). Published by Les Editions Cer...

This exquisite lithograph and stencil by Pablo Picasso (1881–1973), titled Un général (A General), originates from the 1962 folio Pablo Picasso, André Villers, Diurnes, Découpages et Photographies (Daytime, Cutouts and Photographs). Published by Galerie Berggruen, Paris, and printed by ateliers de Daniel Jacomet, Paris, this collaborative work brings together Picasso’s poetic visual sensibility and Villers’ inventive photographic approach. The series represents a unique dialogue between cut paper forms and light, demonstrating Picasso’s continual exploration of composition, texture, and abstraction through new media. Executed on vélin d’Arches paper, this lithograph measures Paper Size 15.75 x 11.75 inches. As issued, it is unsigned and unnumbered, consistent with the authorized publication format. The edition preserves the subtle interplay of tone and structure that defines Picasso’s mastery of visual rhythm and lyrical modernism. Artwork Details: Artist: Pablo Picasso (1881–1973) Title: Un général (A General), from Pablo Picasso, André Villers, Diurnes, Découpages et Photographies (Daytime, Cutouts and Photographs), 1962 Medium: Lithograph and stencil (pochoir) on vélin d’Arches paper Dimensions: Paper Size 15.75 x 11.75 inches Inscription: Unsigned and unnumbered, as issued Date: 1962 Publisher: Galerie Berggruen, Paris Printer: Ateliers de Daniel Jacomet, Paris Catalogue Raisonné Reference: Goeppert, Sebastian, et al. Pablo Picasso: Catalogue Raisonné Des Livres Illustrés. Patrick Cramer, 1983, Illustration 115. Condition: Well preserved, consistent with age and medium Provenance: From the 1962 folio Pablo Picasso, André Villers, Diurnes, Découpages et Photographies (Daytime, Cutouts and Photographs), published by Galerie Berggruen, Paris Notes: Excerpted from the folio (translated from French), Finished printing on January 29, 1962, on the presses of l'Imprimerie Union in Paris and in ateliers de Daniel Jacomet for phototypies and pochoirs. This album, made with the help of Lionel Prejger, was issued in M numbered examples, the first C of which were accompanied by an original engraving by Pablo Picasso numbered and signed by the artist. This engraving, printed on the presses of Arnéra in Vallauris, was presented in a special box. About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision and restless creativity reshaped the trajectory of modern art. Born in Malaga, Spain, Picasso demonstrated exceptional talent from an early age, studying at the Royal Academy of San Fernando before settling in Paris, the artistic epicenter of the early 20th century. There, his pioneering spirit gave rise to groundbreaking movements, most notably Cubism, developed alongside Georges Braque, which revolutionized visual representation by deconstructing form and perspective. Over his prolific seven-decade career, Picasso’s work evolved through distinct stylistic periods—the Blue, Rose, African, and Classical phases—culminating in a body of art that embraced experimentation, emotional depth, and innovation. His influence and dialogue with fellow visionaries Henri Matisse, Marc Chagall, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray shaped the foundation of modernism, while his legacy continues to resonate through the work of post-war and contemporary artists such as Banksy, Damien Hirst, Jeff Koons, Jackson Pollock, Andy Warhol, and Jasper Johns. Together, these artists collectively expanded the boundaries of art in the 20th and 21st centuries. Picasso’s staggering output of more than 20,000 works—spanning painting, sculpture, ceramics, drawing, and printmaking—embodies his belief that “art washes away from the soul the dust of everyday life.” His creations are housed in the world’s foremost museums, including the Musee Picasso in Paris, MoMA in New York, the Guggenheim, and the Tate in London. The highest price ever paid for a Picasso artwork is approximately $179.4 million USD at Christie’s New York in 2015 for Les Femmes d’Alger (Version O) (1955). Pablo Picasso lithograph, Picasso Un général (A General), Picasso Diurnes (Daytime), Picasso André Villers collaboration, Picasso Galerie Berggruen, Picasso Daniel Jacomet printer, Picasso Arnéra...

This exquisite lithograph after Pablo Picasso (1881–1973), titled La Lionne (The Lioness), originates from the rare 1970 folio Pablo Picasso, Histoire naturelle (Natural History). Pu...

This exquisite lithograph and pochoir after Georges Braque (1882–1963), titled Etude pour un oiseau (Study for a Bird), from the album Georges Braque, Le Solitaire (The Solitary), or...

12 Mai 1970 (The King and The Queen) is an artwork realized by Pablo Picasso in 1970. Etching on paper. Date printed on plate. Artist's stamp of signature in the lower right. Hand...

This exquisite collotype after Pablo Picasso (1881–1973), titled Le boeuf (The Ox), originates from the rare 1957 folio 40 dessins de Picasso en marge du Buffon (Forty Drawings by Picasso in the Margin of Buffon). Published by Berggruen et Cie, Paris, under the direction of Henri Jonquieres, and printed by l'atelier de Georges Duval, Paris, this edition presents forty unpublished compositions created by Picasso as marginal drawings inspired by the writings of Georges-Louis Leclerc, Comte de Buffon. In Le boeuf (The Ox), Picasso renders the animal’s massive physicality with bold, rhythmic lines that combine power with simplicity. The image conveys both the monumental stillness and quiet dignity of the ox, a recurring symbol of endurance and timeless strength in Picasso’s work. Executed on velin du Marais paper, this collotype measures 14.5 x 11.125 inches (36.83 x 28.26 cm). As issued, it is unsigned and unnumbered, consistent with the authorized 1957 publication format. This edition, printed in January 1957, captures the immediacy and vitality of Picasso’s Buffon...

This exquisite heliogravure after Pablo Picasso (1881–1973) originates from the rare 1961 album Pablo Picasso, Toros y Toreros (Bulls and Bullfighters). Published by Les Editions Cer...

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Femme au Chapeau". The original painting was completed in 1961. In the 1970's after Picasso'...

This exquisite lithograph after Pablo Picasso (1881–1973), titled Femme assise et cheval (Seated Woman and Horse), originates from the rare 1970 folio Suite des reproductions des Eaux-fortes de Pablo Picasso pour illustrer les Metamorphoses d'Ovide. Published and printed by Production Edito-Service S.A., Le Grand-Saconnex, Canton of Geneve, in collaboration with Albert Skira, Geneve, this edition presents faithful reproductions of the original etchings created by Picasso in 1930–31 for the landmark illustrated book Les Metamorphoses d'Ovide. The composition reveals Picasso’s classical elegance and mythological imagination, juxtaposing human and animal forms in a scene that embodies transformation and harmony central to Ovid’s narrative. Executed on velin papier Verge fin blanc des papeteries de Bellerive, this lithograph measures 11.02 x 8.66 inches (28 x 22 cm) with an image size of 4.3 x 5.5 inches (10.9 x 14 cm). As issued, it is unsigned and unnumbered, consistent with the authorized 1970 publication format. This edition, produced under Albert Skira’s supervision, preserves the precision, tonal delicacy, and lyrical balance of the original copper etchings created by Picasso for the 1931 deluxe edition of Les Metamorphoses d'Ovide, one of the most celebrated artist’s books of the 20th century. Artwork Details: Artist: After Pablo Picasso (1881–1973) Title: Femme assise et cheval (Seated Woman and Horse), from Suite des reproductions des Eaux-fortes de Pablo Picasso pour illustrer les Metamorphoses d'Ovide, 1970 Medium: Lithograph on velin papier Verge fin blanc des papeteries de Bellerive Dimensions: Paper size 11.02 x 8.66 inches (28 x 22 cm); Image size 4.3 x 5.5 inches (10.9 x 14 cm) Inscription: Unsigned and unnumbered, as issued Date: 1970 (after the 1931 etchings) Publisher: Production Edito-Service S.A., Le Grand-Saconnex, Canton of Geneve Printer: Production Edito-Service S.A., in collaboration with Albert Skira, Geneve Condition: Well preserved, consistent with age and medium Provenance: From the 1970 folio Suite des reproductions des Eaux-fortes de Pablo Picasso pour illustrer les Metamorphoses d'Ovide, authorized by Albert Skira, Geneve Notes: Excerpted from the 1970 folio (translated from French): "The original edition of Les Metamorphoses d'Ovide, full text of the association, Guillaume Bude, established and translated by Georges Lafaye, is illustrated with XXX original etchings by Picasso. The draw, completed on October 25, 1931, in Paris, on the presses of Leon Pichon for typography, and by Louis Fort for the engravings, was limited to CXLV examples, all numbered in the press and signed by the artist. The edition included XXX examples on Japon blanc a la forme fabrique specialement par la manufacture imperiale, including V examples, numbered from I to V, each containing a sequel on Japon with remarks in bistre, a suite on Chine with remarks in black and an original drawing by the artist; XXV examples, numbered from VI to XXX, each containing a sequel on Japon with remarks in black; XCV examples, numbered from XXXI to CXXV, on verge de pur chiffon fabrique specialement a la main par les papeteries d'Arches; and CX non-commerce examples, numbered in Roman numerals from I to XX, reserved for the artist and collaborators. The coppers used to draw the illustrations were scratched by the artist in the presence of the publisher. This album has been presented to collectors and bibliophiles of the United States of America by Marie Harriman. This lithograph edition, 22 x 28 cm, was printed with Albert Skira's authorization on papier Verge fin blanc des papeteries de Bellerive." About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision and restless creativity reshaped the trajectory of modern art. Born in Málaga, Spain, Picasso demonstrated exceptional talent from an early age, studying at the Royal Academy of San Fernando before settling in Paris, the artistic epicenter of the early 20th century. There, his pioneering spirit gave rise to groundbreaking movements, most notably Cubism, developed alongside Georges Braque, which revolutionized visual representation by deconstructing form and perspective. Over his prolific seven-decade career, Picasso’s work evolved through distinct stylistic periods—the Blue, Rose, African, and Classical phases—culminating in a body of art that embraced experimentation, emotional depth, and innovation. His influence and dialogue with fellow visionaries Henri Matisse, Marc Chagall, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray shaped the foundation of modernism, while his legacy continues to resonate through the work of post-war and contemporary artists such as Banksy, Damien Hirst, Jeff Koons, Jackson Pollock, Andy Warhol, and Jasper Johns. Together, these artists collectively expanded the boundaries of art in the 20th and 21st centuries. Picasso’s staggering output of more than 20,000 works—spanning painting, sculpture, ceramics, drawing, and printmaking—embodies his belief that “art washes away from the soul the dust of everyday life.” His creations are housed in the world’s foremost museums, including the Musée Picasso in Paris, MoMA in New York, the Guggenheim, and the Tate in London. The highest price ever paid for a Picasso artwork is approximately $179.4 million USD at Christie’s New York in 2015 for Les Femmes d’Alger (Version O) (1955). Pablo Picasso lithograph, Femme assise et cheval Picasso, Seated Woman and Horse Picasso, Picasso Metamorphoses...

This first edition advertising poster was designed by Pablo Picasso to commemorate the success of the Movement for Peace conference held in Paris in the Spring of 1960. The poster, t...

This exquisite heliogravure after Pablo Picasso (1881–1973) originates from the rare 1961 album Pablo Picasso, Toros y Toreros (Bulls and Bullfighters). Published by Les Editions Cer...

This exquisite lithograph and stencil by Pablo Picasso (1881–1973), titled La mariée comme elle est (The Bride as She Is), originates from the 1962 folio Pablo Picasso, André Villers...

This exquisite lithograph after Pablo Picasso (1881–1973), titled Le Peintre et son Modele (The Painter and His Model), from Verve, Revue Artistique et Litteraire, La Comedie Humaine (The Human Comedy), Vol. VIII, No. 29–30, originates from the 1954 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1954. This expressive and evocative composition captures Picasso’s enduring fascination with the circus and the human condition, recurring themes throughout his long career. Le Peintre et son Modele reflects the artist’s profound empathy for the performers of his imagination—figures of strength, fragility, and grace that embody the drama and poetry of life itself. Executed during his Vallauris period, this work radiates vitality and emotional tension, merging his signature economy of line with masterful balance and movement. Executed as a lithograph on velin du Marais paper, this work measures 14 x 10.5 inches. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of the Mourlot Freres atelier, renowned for its collaborations with Picasso and other leading modernists of the 20th century. Artwork Details: Artist: After Pablo Picasso (1881–1973) Title: Le Peintre et son Modele (The Painter and His Model), from Verve, Revue Artistique et Litteraire, La Comedie Humaine (The Human Comedy), Vol. VIII, No. 29–30, 1954 Medium: Lithograph on velin du Marais paper Dimensions: 14 x 10.5 inches Inscription: Unsigned and unnumbered as issued Date: 1954 Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From Verve, Revue Artistique et Litteraire, La Comedie Humaine (The Human Comedy), Vol. VIII, No. 29–30, published by Editions de la revue Verve, Paris, 1954 Notes: Excerpted from the album (translated from French), This double issue of Verve, dedicated to Picasso, whose cover was specially composed by the artist, was completed to print on September 15, 1954 by the maitres imprimeurs, Drager freres for the heliogravures, and Mourlot freres for the color lithographs. Excerpted from the publisher (translated from French), Last winter, from mid-December to the end of January 1954, Picasso was working indefatigably on this series of drawings, which rank among the finest, boldest, most poignantly human of all he has produced in the course of his long and brilliant career... Almost one could fancy that in his lonely nights at Vallauris these denizens of a world invented by himself crowded into the artist's room, sat for him, confessed unblushingly their most shameful secrets... We have published the series of drawings in its entirety. They form an organic whole, born of a surging uprush of the creative spirit, and to have omitted any of its elements would have been a mutilation. Nevertheless, when we isolate any one of these elements and fix our attention on a single page, we find the fragment almost as eye-filling as the ensemble. All the drawings are printed in the exact size of the originals and in the chronological order of their making. About the Publication: La Comedie Humaine (The Human Comedy), Vol. VIII, No. 29–30 (1954), stands as one of the most significant Verve issues dedicated entirely to Pablo Picasso’s prolific creativity during his Vallauris years. Conceived and directed by Teriade, this double volume presents an extraordinary series of Picasso’s drawings executed between December 1953 and January 1954, printed in their full sequence and original scale. The collection represents a deeply human and poetic vision—an unfiltered exploration of comedy, tragedy, and the theatre of life. Printed by the master atelier Mourlot Freres for the color lithographs, this issue exemplifies Verve’s tradition of pairing literary sophistication with visual innovation. It stands as a testament to Picasso’s restless genius and Teriade’s enduring commitment to producing artistically and historically important publications that bridge art, literature, and modern printing craftsmanship. About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision revolutionized modern art and defined the visual language of the 20th century. A child prodigy from Malaga, Spain, Picasso’s career spanned more than seven decades and encompassed an astonishing range of styles and innovations—from the melancholic Blue and romantic Rose periods to his pioneering invention of Cubism with Georges Braque, which shattered conventional notions of perspective and form. Influenced by the bold expressiveness of El Greco, the structure of Cezanne, and the vitality of African and Iberian sculpture, Picasso became a central figure of the Paris avant-garde, working in creative dialogue with contemporaries such as Henri Matisse, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray. His insatiable experimentation extended across painting, drawing, printmaking, ceramics, and sculpture, forever expanding the boundaries of artistic expression. A master of reinvention, Picasso profoundly shaped generations of artists who followed—from Andy Warhol, Roy Lichtenstein, David Hockney, and Jean-Michel Basquiat to Jeff Koons and Banksy—cementing his status as a timeless cultural icon whose works remain among the most sought after worldwide. His landmark painting Les Femmes d’Alger (Version “O”) achieved a record-breaking sale of $179,365,000 at Christie’s, New York, on May 11, 2015, affirming Picasso’s enduring legacy as one of the most influential and valuable artists in history. After Pablo Picasso Le Peintre et son Modele, Picasso Verve, Picasso Mourlot Freres, Picasso Teriade, Picasso 1954 lithograph...

This exquisite lithograph after Juan Gris (1887–1927), titled La Pipe (The Pipe), from the folio Au Soleil du Plafond (In the Sunlight of the Ceiling), originates from the 1955 editi...