Cubist Prints and Multiples

This exquisite lithograph after Pablo Picasso (1881–1973), titled 8.10.64. VII, from the folio Le Gout du Bonheur, trois carnets d`atelier (The Taste of Happiness, Three Studio Sketc...

Etching on vélin de Rives BFK paper. Paper Size: 11.5 x 9 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Lysistrata, 1934. Published by The Limited E...

Leaning against an armchair, the woman in this Pablo Picasso print stares back at the viewer with her large eyes. Rendered in curving lines and forms, this representation of a woman ...

This exquisite lithograph and pochoir after Georges Valmier (1885–1937), titled Femme assise (Seated Woman), from the album L'Art Cubiste, Theories et Realisations, Etude Critique (C...

Fabulous cubist wood cut of a Mexican village. It is titled tropical Mexico and is by the artist Jacob Heller. Really kool sky with lines for rain and ovals for clouds.There is not m...

Facing the viewer, this likeness of a female figure in this print by Pablo Picasso features several key emblems of Cubism. Represented as a disbodied head, the face of the woman feat...

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Femme au Chapeau". The original painting was completed in 1961. In the 1970's after Picasso'...

Linocut on Arches wove paper. Hand signed and numbered by the artist in pencil. Image size 25 x 20.75 inches. Sheet size 29.6 x 24.5 inches. Frame size approx 34.5 x 29.5 inches. Pri...

PABLO PICASSO (1881-1973) Grand Tête (Portrait de Jacqueline aux Cheveux lisses) linocut in colors, on Arches paper, 1962, signed in pencil, numbered ##/50, with full margins, pale ...

Currently framed in a light wood frame with a face profile width of .5 inch and side profile depth of 1 inches with plexiglass. The overall outside dimensions of the frame are 8.5 X...

Pablo Picasso's depiction of a woman from Alès is bright and colorful, rendered in bright shades of pink, yellow, and blue. Shown in a Cubist style with her face and body fragmented,...

Lithograph realized after Fernand Léger in 1959, on Moulin Richard de Bas paper. Monogrammed in the plate. It belongs to the suite "Contrastes", printed by Daniel Jacomet and publi...

This exquisite lithograph after Pablo Picasso (1881–1973), titled L'Epervier (The Sparrowhawk), from the folio Picasso, Eaux-fortes originales pour des textes de Buffon, Histoire nat...

Artist: Pablo Picasso Title: Oval Head of a Woman with Piercing Eyes (Plate XXI) Portfolio: Carmen Medium: Etching on Montval wove paper Year: 1949 Edition: 289 Frame Size: 21" x 18"...

This exquisite heliogravure after Pablo Picasso (1881–1973), titled 5.7.59. IV, from the album Pablo Picasso, Toros y Toreros (Bulls and Bullfighters), originates from the 1961 editi...

Raoul Dufy, 'La Danse' (Dance), woodcut, 1910. A proof impression before the second edition of 220 in 1953; with the estate stamp 'ATELIER RAOUL DUFY' in the lower right margin; the blind stamp 'GG' in the lower left sheet corner. Annotated 'E/Z' in pencil, beneath the estate stamp; and 'bois original' in the margin, lower left. Titled in the block, lower right. A superb, richly-inked impression, on heavy, cream wove paper; the full sheet with wide margins (3 1/2 to 6 3/4 inches); slight toning at the bottom and right sheet edges, well away from the image, otherwise in excellent condition. Archivally sleeved, unmatted. Image size 12 5/16 x 12 1/2 inches (313 x 318 mm); sheet size 19 3/4 x 25 3/4 inches (502 x 654 mm). Collections: Art Gallery of New South Wales (Australia), Brooklyn Museum, Cleveland Art Museum, Fine Arts Museums of San Francisco, Minneapolis Institute of Art, Museum of Fine Arts, Boston, The Nelson-Atkins Museum of Art, Nasher Museum of Art (Duke University), Toledo Art Museum. From the suite of four woodcuts entitled 'Les Plaisirs de la Paix' (The Pleasures of Peace), published by Éditions de La Sirène, Paris in 1926. The other three works in the series are 'La Peche' (Fishing), 'La Chase' (The Hunt), and 'L'amore' (Love). See our other listings for 'La Peche' and 'L'amore'. Collections: Brooklyn Museum, Art Gallery of New South Wales, Cleveland Museum of Art, Dallas Museum of Art, Fine Arts Museums of San Francisco, Minneapolis Art...

Pablo Picasso, After, Spanish (1881 - 1973) - Arlequin a la Guitare, Portfolio: Marina Picasso Estate Lithograph Collection, Year: of...

Zincograph on Vélin Bouffant paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Non Vouloir, 1942. Published by Éditions Jeanne Bucher, Paris; printed...

In 1982, the Musée d'Art Moderne in Céret, France, hosted the exhibition "Picasso et la Tauromachie" (Picasso and Bullfighting), celebrating Pablo Picasso's profound connection to bu...

Plate 13 from La Suite Vollard. Bloch 229. Baer 444. Etching on Montval paper. Signed in pencil, from the edition of 260 (there was also an edition of 50 with larger margins). Printe...

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting “Femme dans un Fauteuil”, which recently sold at auction for $10 million USD. The original painting was completed in 1948. In the 1970’s after Picasso’s death, Marina Picasso, his granddaughter, authorized the creation of this lithograph by Laurent Marcel Salinas, who worked closely with Picasso during his lifetime. The limited edition print run was completed and published by Marina Picasso in conjunction with Jackie Fine Arts in 1982. The lithograph is printed on French Arches paper, ink-stamped by the Estate verso, and hand-signed and numbered by Marina Picasso on the recto. The embossed seal of the Estate is lower right and the printer’s chop, lower left. Femme dans un Fauteuil Pablo Picasso (After), Spanish (1881–1973) Portfolio: Marina Picasso Estate Lithograph Collection...

Le Cocu Magnifique is an original Contemporary artwork realized by Pablo Picasso in 1968. Original Etching Specimen on BFK Rives. Edition of 180 prints. Numbered in pencil on the ...

This exquisite linocut after Pablo Picasso (1881–1973), titled Femme Regardant par Fenetre (Woman Looking Through Window), from the album Pablo Picasso, Grabados al linoleo (Linocuts...

Zincograph on Vélin Bouffant paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Non Vouloir, 1942. Published by Éditions Jeanne Bucher, Paris; printed...

This exquisite linocut after Pablo Picasso (1881–1973), titled Portrait de Jeune Fille (Portrait of a Young Girl), from the album Pablo Picasso, Grabados al linoleo (Linocuts), origi...

This original etching is hand signed in pencil by the artist "G Braque" at the lower right margin. It is also hand numbered in pencil from the edition of 25, at the lower left margin...

This exquisite heliogravure after Pablo Picasso (1881–1973), titled 6.12.57, originates from the rare 1972 folio Pablo Picasso, La Chute d'Icare (The Fall of Icarus), Decoration du Foyer des Delegues Palais de l'UNESCO a Paris, Suite d'etudes preparatoires en noir et en couleurs realisees du 6 Decembre 1957 au 29 Janvier 1958. Published by Editions d'art Albert Skira, Geneve, under the direction of Albert Skira, Editeur, Geneve, and printed by Atar Roto Presse S.A., Geneve, this edition presents a series of preparatory studies—both monochrome and color—created by Picasso for his monumental mural commissioned for the UNESCO headquarters in Paris. This composition, dated December 6, 1957, marks one of the earliest studies for the project, capturing Picasso’s first explorations of form, rhythm, and mythological energy that would evolve into his iconic La Chute d’Icare (The Fall of Icarus) mural. Executed on velin paper, this heliogravure measures 11.4 x 15.4 inches (28.96 x 39.12 cm). As issued, it is unsigned and unnumbered, consistent with the authorized 1972 publication format. This edition, produced under Albert Skira's supervision, preserves the tonal precision, gestural vitality, and compositional experimentation of Picasso’s 1957 preparatory works for one of his most significant public commissions. Artwork Details: Artist: After Pablo Picasso (1881–1973) Title: 6.12.57, from Pablo Picasso, La Chute d'Icare (The Fall of Icarus), Decoration du Foyer des Delegues Palais de l'UNESCO a Paris, Suite d'etudes preparatoires en noir et en couleurs realisees du 6 Decembre 1957 au 29 Janvier 1958, 1972 Medium: Heliogravure on velin paper Dimensions: Paper size 11.4 x 15.4 inches (28.96 x 39.12 cm) Inscription: Unsigned and unnumbered, as issued Date: 1972 (after the 1957–58 studies) Publisher: Editions d'art Albert Skira, Geneve Printer: Atar Roto Presse S.A., Geneve Catalogue raisonne reference: Goeppert, Sebastian, et al. Pablo Picasso, the Illustrated Books: Catalogue Raisonne. Patrick Cramer, 1983, illustration 155 Condition: Well preserved, consistent with age and medium Provenance: From the 1972 folio Pablo Picasso, La Chute d'Icare (The Fall of Icarus), published by Editions d'art Albert Skira, Geneve Notes: Excerpted from the 1972 folio (translated from French): "This album contains the series of preparatory tests in black and seven color studies made by Pablo Picasso for the decoration of the delegates' home at the UNESCO palace in Paris. The printing was completed on December 20, 1972, on the presses of imprimeries Roto-Sadag S.A. and Atar S.A. in Geneva. The edition of this album is as follows: CXXV examples, numbered from I to CXXV; XXV examples, out of trade, numbered H.C. There are XXV examples reserved for the artist and the publisher, each containing an etching by Pablo Picasso, signed and numbered by the artist. The etching was drawn by A. et P. Crommelynck in Paris. The copper was scratched by the artist after drawing. In addition, CCCLXXV examples were produced without the etching, numbered from CXXVI to D. Published by Editions d'art Albert Skira, Geneve. Printed in Switzerland." About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose revolutionary vision redefined modern art in the 20th century. Born in Malaga, Spain, he demonstrated prodigious talent from an early age and trained in Barcelona and Madrid before moving to Paris, where he became the epicenter of avant-garde innovation. Picasso pioneered Cubism alongside Georges Braque, explored emotional depth through his Blue and Rose periods, and continually reinvented his style across thousands of works in painting, drawing, sculpture, and printmaking. His influence spans movements from Surrealism to abstraction, and his work remains central to global art history. The highest price ever paid for one of his artworks is approximately US $179.4 million for Les Femmes d'Alger (Version O) (1955). Pablo Picasso heliogravure...

This artwork titled "Le Vieux Roi" 1959 is an original Lithograph on Arches paper with Mourlot watermark. by Spanish artist Pablo Picasso, 1881-1973. It is stamp signed in red ink a...

This exquisite heliogravure after Pablo Picasso (1881–1973), titled 12.3.59. II, from the album Pablo Picasso, Toros y Toreros (Bulls and Bullfighters), originates from the 1961 edit...

Selected from the personal collection inherited by Marina Picasso, Pablo Picasso's granddaughter. After Pablo Picasso's death, his granddaughter Marina authorized the printing of t...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Femme nue couchee et joueur de flute (Reclining Nude Woman and Flute Player), from the folio Picasso, La...

Pablo Picasso's "Trois Femmes nues et une Coupe d'Anémones" (1933) is a powerful and evocative work that captures the artist's fascination with the female form and his ongoing explor...

This exquisite lithograph and pochoir after Albert Gleizes (1881–1953), titled Les Baigneuses (The Bathers), from the album L'Art Cubiste, Theories et Realisations, Etude Critique (C...

Georges BRAQUE Leda and the Swann Stone lithograph (Art-Litho workshop, Paris) Printed signature in the pate Limited to 399 copies unumbered On Arches vellum 18 x 23" (45 x 58 cm) E...

This exquisite lithograph and stencil by Pablo Picasso (1881–1973), titled Le magicien aux toros (The Magician with Bulls), originates from the 1962 folio Pablo Picasso, André Viller...

This exquisite lithograph after Juan Gris (1887–1927), titled La Pipe (The Pipe), from the folio Au Soleil du Plafond (In the Sunlight of the Ceiling), originates from the 1955 editi...

This exquisite linocut after Pablo Picasso (1881–1973), titled Les Banderilles (The Banderillas), from the album Pablo Picasso, Grabados al linoleo (Linocuts), originates from the 19...

This exquisite lithograph after Pablo Picasso (1881–1973), titled 8.10.64. X, from the folio Le Gout du Bonheur, trois carnets d`atelier (The Taste of Happiness, Three Studio Sketchb...

This fragmented portrait of a painter by Pablo Picasso features bright, bold colors and relies on visible brushstrokes to show the figure of the man instead of the geometric shapes a...

This exquisite collotype after Pablo Picasso (1881–1973), titled Visage d'homme barbu à épaisse barbe (Bearded Man’s Face with Thick Beard), originates from the rare 1957 folio 40 de...

Signed by Picasso in pencil lower left. Numbered 32/50 in pencil lower right. Catalogue raisonne references: Bloch 739; Mourlot 239; Reuße 625. Framed print. Framed dimensions ...

This exquisite lithograph after Pablo Picasso (1881–1973), titled 16.5.64. V, from the folio Le Gout du Bonheur, trois carnets d`atelier (The Taste of Happiness, Three Studio Sketchb...

This exquisite lithograph and pochoir after Georges Braque (1882–1963), titled Pommes (Apples), from the album Georges Braque, Le Solitaire (The Solitary), originates from the 1959 e...

Linocut on vélin vergé ancien paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Pougny, dix linogravures originales, 1964. Published by Au Vent d'Arle...

This exquisite lithograph after Pablo Picasso (1881–1973), titled 29.9.64. I, from the folio Le Gout du Bonheur, trois carnets d`atelier (The Taste of Happiness, Three Studio Sketchb...

B/w etching on Hollande Van Gelder Paper, with margins. Belongs to the series "Le Chef-d'Oeuvre Inconnu". Hand Signed and numered in bistre ink. Edition of 10/99, aside from the port...

Le Tir Forain, engraving, edition 108, 1920-21, Sylvain Laboureur 191. Signed and numbered '19/85 ép' in pencil. Initialed 'L' and dated 1920 in the matrix,...

This exquisite lithograph after Pablo Picasso (1881–1973), titled Deux tetes de femme (Two Heads of Women), originates from the rare 1970 folio Suite des reproductions des Eaux-fortes de Pablo Picasso pour illustrer les Metamorphoses d'Ovide. Published and printed by Production Edito-Service S.A., Le Grand-Saconnex, Canton of Geneve, in collaboration with Albert Skira, Geneve, this edition presents faithful reproductions of the original etchings created by Picasso in 1930–31 for the landmark illustrated book Les Metamorphoses d'Ovide. The composition exemplifies Picasso’s neoclassical grace and psychological depth, depicting two female profiles rendered with refined linework and sculptural simplicity inspired by antiquity. Executed on velin papier Verge fin blanc des papeteries de Bellerive, this lithograph measures 11.02 x 8.66 inches (28 x 22 cm) with an image size of 4.3 x 5.5 inches (10.9 x 14 cm). As issued, it is unsigned and unnumbered, consistent with the authorized 1970 publication format. This edition, produced under Albert Skira’s supervision, preserves the tonal clarity and linear precision of the original copper etchings created by Picasso for the 1931 deluxe edition of Les Metamorphoses d'Ovide, one of the most celebrated artist’s books of the 20th century. Artwork Details: Artist: After Pablo Picasso (1881–1973) Title: Deux tetes de femme (Two Heads of Women), from Suite des reproductions des Eaux-fortes de Pablo Picasso pour illustrer les Metamorphoses d'Ovide, 1970 Medium: Lithograph on velin papier Verge fin blanc des papeteries de Bellerive Dimensions: Paper size 11.02 x 8.66 inches (28 x 22 cm); Image size 4.3 x 5.5 inches (10.9 x 14 cm) Inscription: Unsigned and unnumbered, as issued Date: 1970 (after the 1931 etchings) Publisher: Production Edito-Service S.A., Le Grand-Saconnex, Canton of Geneve Printer: Production Edito-Service S.A., in collaboration with Albert Skira, Geneve Condition: Well preserved, consistent with age and medium Provenance: From the 1970 folio Suite des reproductions des Eaux-fortes de Pablo Picasso pour illustrer les Metamorphoses d'Ovide, authorized by Albert Skira, Geneve Notes: Excerpted from the 1970 folio (translated from French): "The original edition of Les Metamorphoses d'Ovide, full text of the association, Guillaume Bude, established and translated by Georges Lafaye, is illustrated with XXX original etchings by Picasso. The draw, completed on October 25, 1931, in Paris, on the presses of Leon Pichon for typography, and by Louis Fort for the engravings, was limited to CXLV examples, all numbered in the press and signed by the artist. The edition included XXX examples on Japon blanc a la forme fabrique specialement par la manufacture imperiale, including V examples, numbered from I to V, each containing a sequel on Japon with remarks in bistre, a suite on Chine with remarks in black and an original drawing by the artist; XXV examples, numbered from VI to XXX, each containing a sequel on Japon with remarks in black; XCV examples, numbered from XXXI to CXXV, on verge de pur chiffon fabrique specialement a la main par les papeteries d'Arches; and CX non-commerce examples, numbered in Roman numerals from I to XX, reserved for the artist and collaborators. The coppers used to draw the illustrations were scratched by the artist in the presence of the publisher. This album has been presented to collectors and bibliophiles of the United States of America by Marie Harriman. This lithograph edition, 22 x 28 cm, was printed with Albert Skira's authorization on papier Verge fin blanc des papeteries de Bellerive." About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision and restless creativity reshaped the trajectory of modern art. Born in Málaga, Spain, Picasso demonstrated exceptional talent from an early age, studying at the Royal Academy of San Fernando before settling in Paris, the artistic epicenter of the early 20th century. There, his pioneering spirit gave rise to groundbreaking movements, most notably Cubism, developed alongside Georges Braque, which revolutionized visual representation by deconstructing form and perspective. Over his prolific seven-decade career, Picasso’s work evolved through distinct stylistic periods—the Blue, Rose, African, and Classical phases—culminating in a body of art that embraced experimentation, emotional depth, and innovation. His influence and dialogue with fellow visionaries Henri Matisse, Marc Chagall, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray shaped the foundation of modernism, while his legacy continues to resonate through the work of post-war and contemporary artists such as Banksy, Damien Hirst, Jeff Koons, Jackson Pollock, Andy Warhol, and Jasper Johns. Together, these artists collectively expanded the boundaries of art in the 20th and 21st centuries. Picasso’s staggering output of more than 20,000 works—spanning painting, sculpture, ceramics, drawing, and printmaking—embodies his belief that “art washes away from the soul the dust of everyday life.” His creations are housed in the world’s foremost museums, including the Musée Picasso in Paris, MoMA in New York, the Guggenheim, and the Tate in London. The highest price ever paid for a Picasso artwork is approximately $179.4 million USD at Christie’s New York in 2015 for Les Femmes d’Alger (Version O) (1955). Pablo Picasso lithograph, Deux tetes de femme Picasso, Two Heads of Women Picasso, Picasso Metamorphoses...

Hand signed. Edition 35 of 50. From the Serie “Les 347”, table no. 110. Perfect impression on vélin blanc, very fresh and with sheet in full margins and perfect conditions, numbered ...

This exquisite lithograph after Georges Braque (1882–1963), titled Cheval et cavaliere (Horse and Rider), from the folio Derriere le miroir, Hesiod, Theogony, Etchings by Georges Bra...

This exquisite lithograph after Pablo Picasso (1881–1973), titled Le Cerf (The Deer), from the folio Picasso, Eaux-fortes originales pour des textes de Buffon, Histoire naturelle, Su...

From an exhibition held at Pace Gallery in Columbus Ohio from February 3rd to March 5th, 1972. . This work references Picasso's 1961 interpretation of Edouard Manet's 1863 oil on can...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Les Trois Musiciens (The Three Musicians), from the album, Pablo Picasso, 1930, originates from the 1930...

This exquisite lithograph after Pablo Picasso (1881–1973), titled Le Papillon (The Butterfly), from the folio Picasso, Eaux-fortes originales pour des textes de Buffon, Histoire natu...

This exquisite lithograph and pochoir after Georges Braque (1882–1963), titled Fleurs rouges (Red Flowers), from the album Georges Braque, Le Solitaire (The Solitary), originates fro...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled La Femme au Vase (Woman with a Vase), from the album L'Art Cubiste, Theories et Realisations, Etude Crit...

This exquisite lithograph after Pablo Picasso (1881–1973), titled La Lionne (The Lioness), from the folio Picasso, Eaux-fortes originales pour des textes de Buffon, Histoire naturell...

This exquisite lithograph and stencil by Pablo Picasso (1881–1973), titled Le corrigan effeuillé (The Stripped Corrigan), originates from the 1962 folio Pablo Picasso, André Villers,...

This exquisite heliogravure after Pablo Picasso (1881–1973), titled 5.7.59. VI, from the album Pablo Picasso, Toros y Toreros (Bulls and Bullfighters), originates from the 1961 editi...

This exquisite linocut after Pablo Picasso (1881–1973), titled Faunes et Chevre (Fauns and Goat), from the album Pablo Picasso, Grabados al linoleo (Linocuts), originates from the 1962 edition published by Gustavo Gili, S.A., Barcelona, and Editions Cercle d'Art, Paris, and printed by Verlag Gerd Hatje, Stuttgart, 1962. This dynamic composition captures Picassos mastery of form, color, and reduction—distilling complex imagery into pure rhythmic structure through the bold immediacy of linocut. Executed as a linocut on velin paper, this work measures 12.5 x 14.5 inches overall, with an image size of 10.5 x 12.75 inches. Unsigned and unnumbered as issued. The edition exemplifies the exceptional craftsmanship of Verlag Gerd Hatje, Stuttgart. Artwork Details: Artist: After Pablo Picasso (1881–1973) Title: Faunes et Chevre (Fauns and Goat), from the album Pablo Picasso, Grabados al linoleo (Linocuts) Medium: Linocut on velin paper Dimensions: 12.5 x 14.5 inches overall; 10.5 x 12.75 inches image size (31.75 x 36.83 cm overall; 26.67 x 32.39 cm image size) Inscription: Unsigned and unnumbered as issued Date: 1962 Publisher: Gustavo Gili, S.A., Barcelona, and Editions Cercle d'Art, Paris Printer: Verlag Gerd Hatje, Stuttgart Catalogue Raisonne References: Orozco, M. (2018). Picasso. 70 Years of Book Illustration Catalogue Raisonne. Picasso. 70 Years of Book Illustration, Illustration 214. Condition: Well preserved, consistent with age and medium Provenance: From the album Pablo Picasso, Grabados al linoleo (Linocuts), published by Gustavo Gili, S.A., Barcelona, and Editions Cercle d'Art, Paris; printed by Verlag Gerd Hatje, Stuttgart, 1962 Notes: Excerpted from the album (translated from Spanish), This limited edition of the album "Pablo Picasso, engraved in linocut", appeared for release in February 1963, consists of DXX numbered examples from I to DXX. The publisher thanks the Galerie Louise Leiris, of Paris, for the transfer of the originals for printing. (c) 1962 by Verlag Hatje, Stuttgart. Reproduction rights reserved by S.P.A.D.E.M., Paris, and Cosmopress Geneva. No. Registration B. 885. - 1962; Legal deposit B. 29.632. - 1962. Typography printed by the Sociedad Alianza de Artes Graficas (S.A.D.A.G.), Rosellon, 298-300, Barcelona. About the Publication: Grabados al linoleo (Linocuts), published in 1962 by Gustavo Gili, S.A., Barcelona, and Editions Cercle d'Art, Paris, stands as one of the most celebrated printed albums devoted to Picassos linoleum engravings. Supervised and printed by Verlag Gerd Hatje, Stuttgart, the album documents Picassos innovative mastery of the linocut technique—an approach he developed in the late 1950s and early 1960s while working closely with the printer Hidalgo Arnera in Vallauris. These works, created between 1958 and 1961, demonstrate Picassos ability to synthesize color, form, and movement within a single, reductive process that demanded precision and intuition. The album was issued in a limited numbered edition of DXX examples, accompanied by the publisher’s acknowledgment of Galerie Louise Leiris for facilitating access to the original blocks. As a historical publication, Grabados al linoleo reflects Picassos late-career vitality and his relentless experimentation with materials and printmaking methods, offering collectors and scholars an enduring testament to his inventive genius in graphic art. About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision revolutionized modern art and defined the visual language of the 20th century. A child prodigy from Malaga, Spain, Picassos career spanned more than seven decades and encompassed an astonishing range of styles and innovations—from the melancholic Blue and romantic Rose periods to his pioneering invention of Cubism with Georges Braque, which shattered conventional notions of perspective and form. Influenced by the bold expressiveness of El Greco, the structure of Cezanne, and the vitality of African and Iberian sculpture, Picasso became a central figure of the Paris avant-garde, working in creative dialogue with contemporaries such as Henri Matisse, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray. His insatiable experimentation extended across painting, drawing, printmaking, ceramics, and sculpture, forever expanding the boundaries of artistic expression. A master of reinvention, Picasso profoundly shaped generations of artists who followed—from Andy Warhol, Roy Lichtenstein, David Hockney, and Jean-Michel Basquiat to Jeff Koons and Banksy—cementing his status as a timeless cultural icon whose works remain among the most sought after worldwide. His landmark painting Les Femmes d'Alger (Version O) achieved a record-breaking sale of 179,365,000 USD at Christie's, New York, on May 11, 2015, affirming Picassos enduring legacy as one of the most influential and valuable artists in history. Pablo Picasso Faunes...