Cubist Prints and Multiples

This exquisite heliogravure after Pablo Picasso (1881–1973) originates from the rare 1961 album Pablo Picasso, Toros y Toreros (Bulls and Bullfighters). Published by Les Editions Cer...

This exquisite lithograph and stencil by Pablo Picasso (1881–1973), titled La mariée comme elle est (The Bride as She Is), originates from the 1962 folio Pablo Picasso, André Villers...

This exquisite lithograph and pochoir after Georges Braque (1882–1963), titled Oiseau au couchant (Bird at Sunset), from the album Georges Braque, Le Solitaire (The Solitary), originates from the 1959 edition published by XXe siecle, Paris, in collaboration with Fernand Hazan, Paris; rendered by Daniel Jacomet, Paris; and printed by Daniel Jacomet et Cie, Paris, 1959. Oiseau au couchant (Bird at Sunset) reflects Braque’s meditative engagement with the motif of the bird—an enduring symbol of transcendence, freedom, and poetic solitude in his mature work. Through simplified form and muted harmony, the composition evokes the quiet passage of twilight, translating nature’s fleeting beauty into a timeless visual poem. Braque’s masterful integration of geometric abstraction with lyrical rhythm captures the balance between motion and stillness, light and silence. Executed as a lithograph and pochoir on velin d’Arches paper, this work measures 7.25 x 9.375 inches. Unsigned and unnumbered as issued. The edition exemplifies the technical excellence of Daniel Jacomet et Cie, Paris, produced in close collaboration with XXe siecle and Fernand Hazan, Paris. Artwork Details: Artist: After Georges Braque (1882–1963) Title: Oiseau au couchant (Bird at Sunset), from the album Georges Braque, Le Solitaire (The Solitary), 1959 Medium: Lithograph and pochoir on velin d’Arches paper Dimensions: 7.25 x 9.375 inches (18.42 x 23.81 cm) Inscription: Unsigned and unnumbered as issued Date: 1959 Publisher: XXe siecle, Paris, in collaboration with Fernand Hazan, Paris Printer: Daniel Jacomet et Cie, Paris Condition: Well preserved, consistent with age and medium Provenance: From the album Georges Braque, Le Solitaire, published by XXe siecle, Paris, in collaboration with Fernand Hazan, Paris; rendered by Daniel Jacomet, Paris; and printed by Daniel Jacomet et Cie, Paris, 1959 Notes: Excerpted from the album (translated from French): XXX examples of this work were printed on Arches paper, containing an original engraving by Georges Braque, numbered from I to XXX. CM examples, constituting the original edition, including CCC for F. Hazan, publisher in Paris, CCC for A. Zwemmer, publisher in London, and CCC for the New York Graphic Society, LX examples, marked H.C., are reserved for the Author and the Publisher. About the Publication: Georges Braque, Le Solitaire (The Solitary) was published in Paris in 1959 by XXe siecle in collaboration with Fernand Hazan and printed by the Atelier Daniel Jacomet et Cie. Conceived as both a visual and literary homage to one of the founding figures of Cubism, the volume represents one of the most refined art book productions of the postwar era. The publication was issued in conjunction with the journal XXe siecle, under the direction of G. di San Lazzaro, a central figure in promoting modern art through his collaborations with artists such as Picasso, Miro, Chagall, and Calder. Le Solitaire brought together Braque’s mature reflections on nature, still life, and metaphysical quietude, accompanied by critical essays and reproductions of his work. The pochoir and lithographic plates—executed by Daniel Jacomet, whose atelier was renowned for its exceptional color pochoirs—capture the texture and tonal depth of Braque’s original paintings with rare precision. About the Artist: Georges Braque (1882–1963) was a French painter, sculptor, and printmaker whose pioneering vision transformed the course of 20th-century art. A central figure in modernism and the co-founder of Cubism alongside Pablo Picasso, Braque redefined visual perception by breaking objects into geometric forms and reassembling them from multiple perspectives, creating a new visual language that bridged the gap between abstraction and reality. His early work was influenced by the vibrant colors and expressive energy of the Fauvist painters Henri Matisse and Andre Derain, before evolving toward the more analytical and structured compositions inspired by Paul Cezanne’s theories of form and perspective. Braque’s collaboration with Picasso between 1908 and 1914 marked one of the most fertile and revolutionary periods in art history, resulting in works that challenged traditional notions of space, depth, and illusion. Throughout his career, Braque maintained a deep interest in harmony, rhythm, and balance, infusing his still lifes, landscapes, and later reliefs with poetic subtlety and intellectual rigor. He moved among a brilliant circle of contemporaries including Pablo Picasso, Henri Matisse, Marc Chagall, Juan Gris, Fernand Leger, and Amedeo Modigliani—artists united in their pursuit of new modes of artistic expression. Braque’s influence extended well beyond his own era, shaping the creative approaches of later modernists such as Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, all of whom drew inspiration from his structural innovations and aesthetic integrity. His works are held in major museum collections worldwide, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to embody the essence of modern artistic thought and visual poetry. The highest price ever paid for a Georges Braque artwork is approximately 15 million USD, achieved in 2013 at Christie’s New York for Paysage a la Ciotat (1907). Georges Braque Oiseau...

Fabulous cubist wood cut of a Mexican village. It is titled tropical Mexico and is by the artist Jacob Heller. Really kool sky with lines for rain and ovals for clouds.There is not m...

This exquisite lithograph after Juan Gris (1887–1927), titled La Pipe (The Pipe), from the folio Au Soleil du Plafond (In the Sunlight of the Ceiling), originates from the 1955 editi...

This exquisite lithograph after Pablo Picasso (1881–1973), titled Le Peintre et son Modele (The Painter and His Model), from Verve, Revue Artistique et Litteraire, La Comedie Humaine (The Human Comedy), Vol. VIII, No. 29–30, originates from the 1954 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1954. This expressive and evocative composition captures Picasso’s enduring fascination with the circus and the human condition, recurring themes throughout his long career. Le Peintre et son Modele reflects the artist’s profound empathy for the performers of his imagination—figures of strength, fragility, and grace that embody the drama and poetry of life itself. Executed during his Vallauris period, this work radiates vitality and emotional tension, merging his signature economy of line with masterful balance and movement. Executed as a lithograph on velin du Marais paper, this work measures 14 x 10.5 inches. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of the Mourlot Freres atelier, renowned for its collaborations with Picasso and other leading modernists of the 20th century. Artwork Details: Artist: After Pablo Picasso (1881–1973) Title: Le Peintre et son Modele (The Painter and His Model), from Verve, Revue Artistique et Litteraire, La Comedie Humaine (The Human Comedy), Vol. VIII, No. 29–30, 1954 Medium: Lithograph on velin du Marais paper Dimensions: 14 x 10.5 inches Inscription: Unsigned and unnumbered as issued Date: 1954 Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From Verve, Revue Artistique et Litteraire, La Comedie Humaine (The Human Comedy), Vol. VIII, No. 29–30, published by Editions de la revue Verve, Paris, 1954 Notes: Excerpted from the album (translated from French), This double issue of Verve, dedicated to Picasso, whose cover was specially composed by the artist, was completed to print on September 15, 1954 by the maitres imprimeurs, Drager freres for the heliogravures, and Mourlot freres for the color lithographs. Excerpted from the publisher (translated from French), Last winter, from mid-December to the end of January 1954, Picasso was working indefatigably on this series of drawings, which rank among the finest, boldest, most poignantly human of all he has produced in the course of his long and brilliant career... Almost one could fancy that in his lonely nights at Vallauris these denizens of a world invented by himself crowded into the artist's room, sat for him, confessed unblushingly their most shameful secrets... We have published the series of drawings in its entirety. They form an organic whole, born of a surging uprush of the creative spirit, and to have omitted any of its elements would have been a mutilation. Nevertheless, when we isolate any one of these elements and fix our attention on a single page, we find the fragment almost as eye-filling as the ensemble. All the drawings are printed in the exact size of the originals and in the chronological order of their making. About the Publication: La Comedie Humaine (The Human Comedy), Vol. VIII, No. 29–30 (1954), stands as one of the most significant Verve issues dedicated entirely to Pablo Picasso’s prolific creativity during his Vallauris years. Conceived and directed by Teriade, this double volume presents an extraordinary series of Picasso’s drawings executed between December 1953 and January 1954, printed in their full sequence and original scale. The collection represents a deeply human and poetic vision—an unfiltered exploration of comedy, tragedy, and the theatre of life. Printed by the master atelier Mourlot Freres for the color lithographs, this issue exemplifies Verve’s tradition of pairing literary sophistication with visual innovation. It stands as a testament to Picasso’s restless genius and Teriade’s enduring commitment to producing artistically and historically important publications that bridge art, literature, and modern printing craftsmanship. About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision revolutionized modern art and defined the visual language of the 20th century. A child prodigy from Malaga, Spain, Picasso’s career spanned more than seven decades and encompassed an astonishing range of styles and innovations—from the melancholic Blue and romantic Rose periods to his pioneering invention of Cubism with Georges Braque, which shattered conventional notions of perspective and form. Influenced by the bold expressiveness of El Greco, the structure of Cezanne, and the vitality of African and Iberian sculpture, Picasso became a central figure of the Paris avant-garde, working in creative dialogue with contemporaries such as Henri Matisse, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray. His insatiable experimentation extended across painting, drawing, printmaking, ceramics, and sculpture, forever expanding the boundaries of artistic expression. A master of reinvention, Picasso profoundly shaped generations of artists who followed—from Andy Warhol, Roy Lichtenstein, David Hockney, and Jean-Michel Basquiat to Jeff Koons and Banksy—cementing his status as a timeless cultural icon whose works remain among the most sought after worldwide. His landmark painting Les Femmes d’Alger (Version “O”) achieved a record-breaking sale of $179,365,000 at Christie’s, New York, on May 11, 2015, affirming Picasso’s enduring legacy as one of the most influential and valuable artists in history. After Pablo Picasso Le Peintre et son Modele, Picasso Verve, Picasso Mourlot Freres, Picasso Teriade, Picasso 1954 lithograph...

This first edition advertising poster was designed by Pablo Picasso to commemorate the success of the Movement for Peace conference held in Paris in the Spring of 1960. The poster, t...

This exquisite lithograph after Pablo Picasso (1881–1973), titled 23.9.64. IV, from the folio Le Gout du Bonheur, trois carnets d`atelier (The Taste of Happiness, Three Studio Sketch...

This exquisite lithograph and pochoir after Georges Braque (1882–1963), titled L’arbre (The Tree), from the album Georges Braque, Le Solitaire (The Solitary), originates from the 195...

This exquisite lithograph and stencil by Pablo Picasso (1881–1973), titled Le corrigan à la dentelle (The Corrigan with Lace), originates from the 1962 folio Pablo Picasso, André Villers, Diurnes, Découpages et Photographies (Daytime, Cutouts and Photographs). Published by Galerie Berggruen, Paris, and printed by ateliers de Daniel Jacomet, Paris, this collaborative work brings together Picasso’s poetic visual sensibility and Villers’ inventive photographic approach. The series represents a unique dialogue between cut paper forms and light, demonstrating Picasso’s continual exploration of composition, texture, and abstraction through new media. Executed on vélin d’Arches paper, this lithograph measures Paper Size 15.75 x 11.75 inches. As issued, it is unsigned and unnumbered, consistent with the authorized publication format. The edition preserves the subtle interplay of tone and structure that defines Picasso’s mastery of visual rhythm and lyrical modernism. Artwork Details: Artist: Pablo Picasso (1881–1973) Title: Le corrigan à la dentelle (The Corrigan with Lace), from Pablo Picasso, André Villers, Diurnes, Découpages et Photographies (Daytime, Cutouts and Photographs), 1962 Medium: Lithograph and stencil (pochoir) on vélin d’Arches paper Dimensions: Paper Size 15.75 x 11.75 inches Inscription: Unsigned and unnumbered, as issued Date: 1962 Publisher: Galerie Berggruen, Paris Printer: Ateliers de Daniel Jacomet, Paris Catalogue Raisonné Reference: Goeppert, Sebastian, et al. Pablo Picasso: Catalogue Raisonné Des Livres Illustrés. Patrick Cramer, 1983, Illustration 115. Condition: Well preserved, consistent with age and medium Provenance: From the 1962 folio Pablo Picasso, André Villers, Diurnes, Découpages et Photographies (Daytime, Cutouts and Photographs), published by Galerie Berggruen, Paris Notes: Excerpted from the folio (translated from French), Finished printing on January 29, 1962, on the presses of l'Imprimerie Union in Paris and in ateliers de Daniel Jacomet for phototypies and pochoirs. This album, made with the help of Lionel Prejger, was issued in M numbered examples, the first C of which were accompanied by an original engraving by Pablo Picasso numbered and signed by the artist. This engraving, printed on the presses of Arnéra in Vallauris, was presented in a special box. About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision and restless creativity reshaped the trajectory of modern art. Born in Malaga, Spain, Picasso demonstrated exceptional talent from an early age, studying at the Royal Academy of San Fernando before settling in Paris, the artistic epicenter of the early 20th century. There, his pioneering spirit gave rise to groundbreaking movements, most notably Cubism, developed alongside Georges Braque, which revolutionized visual representation by deconstructing form and perspective. Over his prolific seven-decade career, Picasso’s work evolved through distinct stylistic periods—the Blue, Rose, African, and Classical phases—culminating in a body of art that embraced experimentation, emotional depth, and innovation. His influence and dialogue with fellow visionaries Henri Matisse, Marc Chagall, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray shaped the foundation of modernism, while his legacy continues to resonate through the work of post-war and contemporary artists such as Banksy, Damien Hirst, Jeff Koons, Jackson Pollock, Andy Warhol, and Jasper Johns. Together, these artists collectively expanded the boundaries of art in the 20th and 21st centuries. Picasso’s staggering output of more than 20,000 works—spanning painting, sculpture, ceramics, drawing, and printmaking—embodies his belief that “art washes away from the soul the dust of everyday life.” His creations are housed in the world’s foremost museums, including the Musee Picasso in Paris, MoMA in New York, the Guggenheim, and the Tate in London. The highest price ever paid for a Picasso artwork is approximately $179.4 million USD at Christie’s New York in 2015 for Les Femmes d’Alger (Version O) (1955). Pablo Picasso lithograph, Picasso Le corrigan à la dentelle (The Corrigan with Lace), Picasso Diurnes (Daytime), Picasso André Villers collaboration, Picasso Galerie Berggruen, Picasso Daniel Jacomet printer, Picasso Arnéra...

This exquisite linocut after Pablo Picasso (1881–1973) titled Portrait de Jacqueline (Portrait of Jacqueline), originates from the rare 1962 album Pablo Picasso, Grabados al linoleo ...

This exquisite lithograph and pochoir after Albert Gleizes (1881–1953), titled Les Baigneuses (The Bathers), from the album L'Art Cubiste, Theories et Realisations, Etude Critique (C...

Paper Size: 25.5 x 27.25 inches ( 64.77 x 69.215 cm ) Image Size: 21.75 x 26 inches ( 55.245 x 66.04 cm ) Framed: No Condition: A: Mint Additional Details: From an exhibition h...

Original Val de Loire, SNCF Railways vintage travel poster. Archival linen backed in excellent condition, ready to frame. Printer: Perceval, Paris. Pri...

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Buste de Femme Au Foulard Mauve". The original painting was completed in 1937. In the 1970's...

This exquisite woodcut after Pablo Picasso (1881–1973) originates from the rare 1955 folio Helene chez Archimede (Helen at Archimedes), illustrations de Pablo Picasso. Published by N...

This exquisite lithograph and pochoir after Georges Braque (1882–1963), titled Forme (Form), from the album Georges Braque, Le Solitaire (The Solitary), originates from the 1959 edit...

This exquisite lithograph after Pablo Picasso (1881–1973), titled Au Baiser d'Avignon VIII (At the Kiss of Avignon VIII), from the folio Picasso au baiser d'Avignon, douze dessins, l...

This exquisite heliogravure after Pablo Picasso (1881–1973) originates from the rare 1961 album Pablo Picasso, Toros y Toreros (Bulls and Bullfighters). Published by Les Editions Cer...

Georges Braque, After, French (1882 - 1963) - Three Birds, Year: circa 1960, Medium: Lithograph Poster, Image Size: 34.5 x 23 inches, Size: 37 x 25.5 in. (93.98 x 64.77 cm), Prin...

Complete Title: Dans l'Atelier (Peintre au travail avec une grande toile et un modèle debout). Etching, aquatint  and drypoint on Auvergne wove paper. Hand Signed.  Editions of 32/5...

Looking to the side, the nude female model in this Pablo Picasso print poses for the painter before her who renders her likeness. Shown along the upper right of the composition, the ...

This exquisite lithograph and pochoir after Juan Gris (1887–1927), titled Nature morte (Still Life), from the album L'Art Cubiste, Theories et Realisations, Etude Critique (Cubist Ar...

This exquisite linocut after Pablo Picasso (1881–1973) titled Pique (Lancer), originates from the rare 1962 album Pablo Picasso, Grabados al linoleo (Linoleum Engravings). Published by Gustavo Gili, S.A., Barcelona, and Editions Cercle d'Art, Paris, and printed by Verlag Gerd Hatje, Stuttgart, this important album presents a collection of Picasso’s masterful linocuts, executed during the artist’s mature period. These works demonstrate his inventive approach to form, texture, and contrast, showcasing his technical brilliance and playful spirit in this demanding printmaking medium. Executed on velin paper, this linocut measures Paper Size 12.5 x 14.5 inches; image size 10.5 x 13 inches. As issued, it is unsigned and unnumbered, consistent with the authorized publication format. This edition preserves the clarity, depth, and tonal richness of Picasso’s original linocuts, reaffirming his mastery of line and composition. Artwork Details: Artist: After Pablo Picasso (1881–1973) Title: Pique (Lancer), from Pablo Picasso, Grabados al linoleo (Linoleum Engravings), 1962 Medium: Linocut on velin paper Dimensions: Paper Size 12.5 x 14.5 inches; image size 10.5 x 13 inches Inscription: Unsigned and unnumbered, as issued Date: 1962 Publisher: Gustavo Gili, S.A., Barcelona, and Editions Cercle d'Art, Paris Printer: Verlag Gerd Hatje, Stuttgart Catalogue Raisonne Reference: Orozco, M. (2018). Picasso. 70 Years of Book Illustration Catalogue Raisonne. Picasso. 70 Years of Book Illustration, Illustration 214. Condition: Well preserved, consistent with age and medium Provenance: From the 1962 album Pablo Picasso, Grabados al linoleo (Linoleum Engravings), published by Gustavo Gili, S.A., Barcelona, and Editions Cercle d'Art, Paris Notes: Excerpted from the album (translated from Spanish), This limited edition of the album "Pablo Picasso, engraved in linocut", appeared for release in February 1963, consists of DXX numbered examples from I to DXX. The publisher thanks the Galerie Louise Leiris, of Paris, for the transfer of the originals for printing. (c) 1962 by Verlag Hatje, Stuttgart. Reproduction rights reserved by S.P.A.D.E.M., Paris, and Cosmopress Geneva. No. Registration B. 885. - 1962; Legal deposit B. 29.632. - 1962. Typography printed by the Sociedad Alianza de Artes Graficas (S.A.D.A.G.), Rosellon, 298-300, Barcelona. About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision and restless creativity reshaped the trajectory of modern art. Born in Málaga, Spain, Picasso demonstrated exceptional talent from an early age, studying at the Royal Academy of San Fernando before settling in Paris, the artistic epicenter of the early 20th century. There, his pioneering spirit gave rise to groundbreaking movements, most notably Cubism, developed alongside Georges Braque, which revolutionized visual representation by deconstructing form and perspective. Over his prolific seven-decade career, Picasso’s work evolved through distinct stylistic periods—the Blue, Rose, African, and Classical phases—culminating in a body of art that embraced experimentation, emotional depth, and innovation. His influence and dialogue with fellow visionaries Henri Matisse, Marc Chagall, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray shaped the foundation of modernism, while his legacy continues to resonate through the work of post-war and contemporary artists such as Banksy, Damien Hirst, Jeff Koons, Jackson Pollock, Andy Warhol, and Jasper Johns. Together, these artists collectively expanded the boundaries of art in the 20th and 21st centuries. Picasso’s staggering output of more than 20,000 works—spanning painting, sculpture, ceramics, drawing, and printmaking—embodies his belief that “art washes away from the soul the dust of everyday life.” His creations are housed in the world’s foremost museums, including the Musée Picasso in Paris, MoMA in New York, the Guggenheim, and the Tate in London. The highest price ever paid for a Picasso artwork is approximately $179.4 million USD at Christie’s New York in 2015 for Les Femmes d’Alger (Version O) (1955). Pablo Picasso linocut, Picasso Pique...

Pablo Picasso's portrayal of a woman in an armchair is a classic example of his avant-garde Cubist style. Rendered as a series of angular shapes and thick lines, the figure of the wo...

This exquisite linocut after Pablo Picasso (1881–1973) titled Plante aux Toritos (Plant with Little Bulls), originates from the rare 1962 album Pablo Picasso, Grabados al linoleo (Li...

This exquisite lithograph after Pablo Picasso (1881–1973), titled 16.5.64. V, from the folio Le Gout du Bonheur, trois carnets d`atelier (The Taste of Happiness, Three Studio Sketchb...

This exquisite heliogravure after Pablo Picasso (1881–1973) originates from the rare 1961 album Pablo Picasso, Toros y Toreros (Bulls and Bullfighters). Published by Les Editions Cer...

This exquisite lithograph after Pablo Picasso (1881–1973), titled 8.10.64. IX, from the folio Le Gout du Bonheur, trois carnets d`atelier (The Taste of Happiness, Three Studio Sketch...

This exquisite lithograph and stencil by Pablo Picasso (1881–1973), titled Jacqueline aux arbres (Jacqueline Among the Trees), originates from the 1962 folio Pablo Picasso, André Vil...

This exquisite lithograph and stencil by Pablo Picasso (1881–1973), titled Le magicien aux toros (The Magician with Bulls), originates from the 1962 folio Pablo Picasso, André Viller...

This exquisite lithograph and stencil by Pablo Picasso (1881–1973), titled L'homme aux chats II (Man with Cats I), originates from the 1962 folio Pablo Picasso, André Villers, Diurnes, Découpages et Photographies (Daytime, Cutouts and Photographs). Published by Galerie Berggruen, Paris, and printed by ateliers de Daniel Jacomet, Paris, this collaborative work brings together Picasso’s poetic visual sensibility and Villers’ inventive photographic approach. The series represents a unique dialogue between cut paper forms and light, demonstrating Picasso’s continual exploration of composition, texture, and abstraction through new media. Executed on vélin d’Arches paper, this lithograph measures Paper Size 11.75 x 15.75 inches. As issued, it is unsigned and unnumbered, consistent with the authorized publication format. The edition preserves the subtle interplay of tone and structure that defines Picasso’s mastery of visual rhythm and lyrical modernism. Artwork Details: Artist: Pablo Picasso (1881–1973) Title: L'homme aux chats II (Man with Cats II), from Pablo Picasso, André Villers, Diurnes, Découpages et Photographies (Daytime, Cutouts and Photographs), 1962 Medium: Lithograph and stencil (pochoir) on vélin d’Arches paper Dimensions: Paper Size 11.75 x 15.75 inches Inscription: Unsigned and unnumbered, as issued Date: 1962 Publisher: Galerie Berggruen, Paris Printer: Ateliers de Daniel Jacomet, Paris Catalogue Raisonné Reference: Goeppert, Sebastian, et al. Pablo Picasso: Catalogue Raisonné Des Livres Illustrés. Patrick Cramer, 1983, Illustration 115. Condition: Well preserved, consistent with age and medium Provenance: From the 1962 folio Pablo Picasso, André Villers, Diurnes, Découpages et Photographies (Daytime, Cutouts and Photographs), published by Galerie Berggruen, Paris Notes: Excerpted from the folio (translated from French), Finished printing on January 29, 1962, on the presses of l'Imprimerie Union in Paris and in ateliers de Daniel Jacomet for phototypies and pochoirs. This album, made with the help of Lionel Prejger, was issued in M numbered examples, the first C of which were accompanied by an original engraving by Pablo Picasso numbered and signed by the artist. This engraving, printed on the presses of Arnéra in Vallauris, was presented in a special box. About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision and restless creativity reshaped the trajectory of modern art. Born in Malaga, Spain, Picasso demonstrated exceptional talent from an early age, studying at the Royal Academy of San Fernando before settling in Paris, the artistic epicenter of the early 20th century. There, his pioneering spirit gave rise to groundbreaking movements, most notably Cubism, developed alongside Georges Braque, which revolutionized visual representation by deconstructing form and perspective. Over his prolific seven-decade career, Picasso’s work evolved through distinct stylistic periods—the Blue, Rose, African, and Classical phases—culminating in a body of art that embraced experimentation, emotional depth, and innovation. His influence and dialogue with fellow visionaries Henri Matisse, Marc Chagall, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray shaped the foundation of modernism, while his legacy continues to resonate through the work of post-war and contemporary artists such as Banksy, Damien Hirst, Jeff Koons, Jackson Pollock, Andy Warhol, and Jasper Johns. Together, these artists collectively expanded the boundaries of art in the 20th and 21st centuries. Picasso’s staggering output of more than 20,000 works—spanning painting, sculpture, ceramics, drawing, and printmaking—embodies his belief that “art washes away from the soul the dust of everyday life.” His creations are housed in the world’s foremost museums, including the Musee Picasso in Paris, MoMA in New York, the Guggenheim, and the Tate in London. The highest price ever paid for a Picasso artwork is approximately $179.4 million USD at Christie’s New York in 2015 for Les Femmes d’Alger (Version O) (1955). Pablo Picasso lithograph, Picasso L'homme aux chats II (Man with Cats I), Picasso Diurnes (Daytime), Picasso André Villers collaboration, Picasso Galerie Berggruen, Picasso Daniel Jacomet printer, Picasso Arnéra...

Figurative Abstract Etching on Paper Titled Companions by Joseph Passalacqua (20th Century) This striking black-and-white print by Joseph Passalacqua, titled Companions, demonstrat...

This print by Pablo Picasso utilizes perspective and angles to portray an artist in his studio. In this work, a painter is shown at his easel in profile. With a cooling teal backgrou...

Wearing a brightly-colored beret, the woman in this Pablo Picasso print is rendered in hues of blue and teal. Looking to the side, the woman is portrayed from a multitude of angles t...

Pablo Picasso, Spanish (1881 - 1973) - La Peintre Et Son Modele (B 98), Year: 1930, Medium: Lithograph on Johannot, Image Size: 9 x 11.5 inches, Size: 12.75 x 19.75 in. (32.39 x 50....

This exquisite heliogravure after Pablo Picasso (1881–1973) originates from the rare 1961 album Pablo Picasso, Toros y Toreros (Bulls and Bullfighters). Published by Les Editions Cer...

Etching on wove paper. Stamped Pablo Picasso signature lower right. Hand numbered 15/50 lower left (there were also 15 artist's proofs in Rom...

This exquisite linocut after Pablo Picasso (1881–1973) titled Tete de Femme (Head of a Woman), originates from the rare 1962 album Pablo Picasso, Grabados al linoleo (Linoleum Engrav...

Artist: Pablo Picasso Title: Le Grenouille (The Frog), from Buffon's l'Histoire Naturelle Medium: Original etching with sugar-lift aquatint and drypoint on Vidalon paper with Vollard...

Rendered in the Cubist style practiced by Pablo Picasso, this portrayal of a painter with a palette of paint and several brushes showcases the artist's unique use of perspective and viewpoints. A lithograph from the Marina Picasso...

This exquisite heliogravure after Pablo Picasso (1881–1973) originates from the rare 1961 album Pablo Picasso, Toros y Toreros (Bulls and Bullfighters). Published by Les Editions Cer...

Zincograph on Vélin Bouffant paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Non Vouloir, 1942. Published by Éditions Jeanne Bucher, Paris; printed...

Beautiful poster from 1967 for an exhibition of Paul Klee at the Cantini Museum in Marseille. Paul Klee was a Swiss-born German artist. His highly individual style was influenced by ...

Lithograph, stencil on vélin paper. Paper Size: 10 x 7.75 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Fernand Léger, Dessins de Guerre ...

This exquisite heliogravure after Pablo Picasso (1881–1973) originates from the rare 1961 album Pablo Picasso, Toros y Toreros (Bulls and Bullfighters). Published by Les Editions Cer...

This exquisite heliogravure after Pablo Picasso (1881–1973) originates from the rare 1961 album Pablo Picasso, Toros y Toreros (Bulls and Bullfighters). Published by Les Editions Cer...

This exquisite heliogravure after Pablo Picasso (1881–1973) originates from the rare 1961 album Pablo Picasso, Toros y Toreros (Bulls and Bullfighters). Published by Les Editions Cer...

Comprised of shapes with lines and sharp angles, this composition depicting the running of the bulls is hectic and energized. Rendered in gradiated rainbow colors, the animals in thi...

This original lithograph was designed for the Tapestries at Pace exhibition held at Pace Columbus in 1974. Though the exhibition featured works connected to Pablo Picasso, this litho...

This exquisite linocut after Pablo Picasso (1881–1973) titled Le Vase de Fleurs (The Vase of Flowers), originates from the rare 1962 album Pablo Picasso, Grabados al linoleo (Linoleu...

In this vibrant print, Pablo Picasso welcomes the viewer into an interior scene in which a young female figure plays with her wheeled horse. Focusing on the theme of children and the...

This exquisite lithograph after Pablo Picasso (1881–1973), titled Femme agenouillee et clown (Kneeling Woman and Clown), from Verve, Revue Artistique et Litteraire, La Comedie Humain...

Plate 82 from La Suite Vollard. Bloch 219. Baer 424. Etching on Montval paper. Signed in pencil, from the edition of 260 (there was also an edition of 50 with larger margins). Number...

Lithograph on vélin paper. Paper Size: 9.65 x 12.4 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Léger, Fernand, and Lawrence Saphire. Ferna...

This exquisite woodcut after Pablo Picasso (1881–1973) originates from the rare 1955 folio Helene chez Archimede (Helen at Archimedes), illustrations d...

Selected from the personal collection inherited by Marina Picasso, Pablo Picasso's granddaughter. After Pablo Picasso's death, his granddaughter Marina authorized the printing of t...

Pablo Picasso, After, Spanish (1881 - 1973) - Profile VII from "Le Gout du Bonheur". Year: 1964 (Printed 1970), Medium: Lithograph on Arches, Edition: 666, Size: 13 x 9.75 in. (33.02...

Selected from the personal collection inherited by Marina Picasso, Pablo Picasso's granddaughter. After Pablo Picasso's death, his granddaughter Marina authorized the printing of t...

Edition 37 of 50 prints, numbered and hand signed. Image dimensions: 43x58 cm. Wonderful proof on vélin in full margins, numbered lower left and signed lower right in pencil. Realize...