Cubist Prints and Multiples

Sitting in a chair and wearing a green dress, the woman in this Pablo Picasso print is reduced to a series of geometric shapes. Her figure is fragmented into triangles and quadrilate...

This exquisite heliogravure after Pablo Picasso (1881–1973) originates from the rare 1961 album Pablo Picasso, Toros y Toreros (Bulls and Bullfighters). Published by Les Editions Cercle d'Art, Paris, under the direction of Charles Feld, and printed by Bosson et Auclair, Paris, during the second quarter of 1961, this edition presents a series of striking visual meditations on the bullfight—a subject that profoundly resonated with Picasso throughout his life. Created in collaboration with noted bullfighter Luis Miguel Dominguin, Toros y Toreros (Bulls and Bullfighters) unites text, photography, and Picasso’s dynamic graphic language to capture the rhythm, power, and ritual of the corrida. Executed on velin paper, this heliogravure measures 14.75 x 10.5 inches (37.47 x 26.67 cm). As issued, it is unsigned and unnumbered, consistent with the authorized 1961 publication format. This edition, realized under Charles Feld’s direction, preserves the expressive linework, tonal nuance, and kinetic immediacy of Picasso’s original drawings, exemplifying his masterful translation of motion and emotion into print. Artwork Details: Artist: After Pablo Picasso (1881–1973) Title: 3.4.59., from Pablo Picasso, Toros y Toreros (Bulls and Bullfighters), 1961 Medium: Heliogravure on velin paper Dimensions: Paper size 14.75 x 10.5 inches (37.47 x 26.67 cm) Inscription: Unsigned and unnumbered, as issued Date: 1961 Publisher: Les Editions Cercle d'Art, Paris Printer: Bosson et Auclair, Paris Condition: Well preserved, consistent with age and medium Provenance: From the 1961 album Pablo Picasso, Toros y Toreros (Bulls and Bullfighters), published by Les Editions Cercle d'Art, Paris Notes: Excerpted from the 1961 album (translated from French): "This album, edited by Charles Feld and realized under his direction, was completed printing during the second quarter, one thousand nine hundred sixty-one, with the collaboration for the illustrations, Imprimerie Moderne du Lion; for typographie, Imprimerie Union; for photogravure, Bosson et Auclair; for the binding, Barast et Adine; for the lithography, Fernand Mourlot. It was taken from this album CXXV examples numbered from I to CXXV and XXV out-of-commerce examples for the artist and his friends numbered from CXXV to CL. These examples are enriched with an original lithography, signed and a series of drawings drawn on Arches paper. In addition, the numbered examples of I to V have a lithography enhanced by the artist." About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose revolutionary vision redefined modern art in the 20th century. Born in Malaga, Spain, he demonstrated prodigious talent from an early age and trained in Barcelona and Madrid before moving to Paris, where he became the epicenter of avant-garde innovation. Picasso pioneered Cubism alongside Georges Braque, explored emotional depth through his Blue and Rose periods, and continually reinvented his style across thousands of works in painting, drawing, sculpture, and printmaking. His influence spans movements from Surrealism to abstraction, and his work remains central to global art history. The highest price ever paid for one of his artworks is approximately US $179.4 million for Les Femmes d'Alger (Version O) (Women of Algiers, Version O) (1955). Pablo Picasso heliogravure, Picasso Toros y Toreros (Bulls and Bullfighters), Picasso bullfight series, Picasso 1961 Cercle d'Art edition, Picasso Bosson et Auclair printer, Picasso Charles Feld editor, Picasso velin paper, Picasso corrida artwork, Picasso matador...

This exquisite lithograph after Georges Braque (1882–1963), titled Les barques bleues (The Blue Boats), originates from the 1968 folio Varengeville, published by Maeght Editeur, Pari...

This exquisite collotype after Pablo Picasso (1881–1973), titled Tête de lion (Lion’s Head), originates from the rare 1957 folio 40 dessins de Picasso en marge du Buffon (Forty Drawi...

Lithograph, stencil on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série N° 6...

This exquisite lithograph after Pablo Picasso (1881–1973), titled Deucalion et Pyrrha (Deucalion and Pyrrha), originates from the rare 1970 folio Suite des reproductions des Eaux-for...

This exquisite lithograph after Georges Braque (1882–1963), titled La plage de Varengeville (The Beach at Varengeville), originates from the 1968 folio Varengeville, published by Mae...

Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série, XXXIVe Année, N°39, Déc...

Leaning against a blue and red flag, the woman in this print by Pablo Picasso stares back at the viewer with her large blue eyes. Wearing a patterned outfit, she is portrayed through...

This exquisite lithograph after Georges Braque (1882–1963), titled Marine (Seascape), originates from the 1968 folio Varengeville, published by Maeght Editeur, Paris, and printed by ...

Lithograph, stencil on vélin paper. Paper Size: 10 x 7.75 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Fernand Léger, Dessins de Guerre 1915-16, 19...

Maison de la Pensée Française, Paris, June 27, 1959. Original color lithograph poster for the exhibition Affiches originales des Maîtres de l’École de Paris. Printed by Mourlot on Ar...

This exquisite collotype after Pablo Picasso (1881–1973), titled from the portfolio Picasso, Carnet de la Californie, originates from the rare 1959 folio published by Editions Cercle...

Le Corbusier (1887-1965) The Rest, Two Reclining Nudes, 1938 Lithograph and watercolor stencil On light vellum 21 x 27 cm (c. 8 x 11 inch) Very good condition, paper lightly yellow...

This exquisite lithograph after Pablo Picasso (1881–1973), titled Tetes (Heads), originates from the rare 1970 folio Suite des reproductions des ...

Selected from the personal collection inherited by Marina Picasso, Pablo Picasso's granddaughter. After Pablo Picasso's death, his granddaughter Marina authorized the printing of t...

This exquisite collotype after Pablo Picasso (1881–1973), titled from the portfolio Picasso, Carnet de la Californie, originates from the rare 1959 folio published by Editions Cercle d'Art, Paris. Printed by l'atelier de Georges Duval, Paris, under the direction of Charles Feld, this work forms part of the artist’s celebrated “California notebook,” a vibrant visual diary capturing his years in Cannes following his move to the villa La Californie. Executed during a period of intense creativity, the series reflects Picasso’s fascination with light, space, and the playful vitality of domestic and studio life. These lyrical compositions, reproduced with exceptional fidelity through the collotype process, reveal Picasso’s mastery of line, gesture, and spontaneity. Executed on velin d’Arches paper, this collotype measures 10.375 x 16.5 inches (26.35 x 41.91 cm). As issued, it is unsigned and unnumbered, consistent with the authorized 1959 publication format. This edition, printed in the fourth quarter of 1959, preserves the tonal precision, texture, and immediacy of Picasso’s original drawings from his Carnet de la Californie, one of his most expressive postwar graphic cycles. Artwork Details: Artist: After Pablo Picasso (1881–1973) Title: From Picasso, Carnet de la Californie, 1959 Medium: Collotype on velin d’Arches paper Dimensions: Paper size 10.375 x 16.5 inches (26.35 x 41.91 cm) Inscription: Unsigned and unnumbered, as issued Date: 1959 Publisher: Editions Cercle d'Art, Paris Printer: l'atelier de Georges Duval, Paris Catalogue raisonne references: Goeppert, Sebastian, et al. Pablo Picasso, the Illustrated Books: Catalogue Raisonne. Patrick Cramer, 1983, illustration 101. Picasso, Pablo, and Georges Bloch. Pablo Picasso, Tome I: Catalogue de L’oeuvre Grave et Lithographie, 1904–1967. 3rd ed., rev., Kornfeld et Klipstein, 1975, illustration 94. Condition: Well preserved, consistent with age and medium Provenance: From the 1959 folio Picasso, Carnet de la Californie, published by Editions Cercle d'Art, Paris Notes: Excerpted from the 1959 folio (translated from French): "This album, entitled 'Carnet de la Californie', has a single limited edition and appears simultaneously in France, Germany, Italy, and the United States. The examples reserved for France are numbered from CI to MD. In addition, it was drawn from this album CXX examples, including C numbered from I to C, and XX out of commerce reserved for the artist and his friends. These CXX examples are each enriched with an original lithograph, signed by the artist, and a series of drawings on Arches paper. This 'California notebook', made in lithography under the direction of Charles Feld, was completed for printing in the fourth quarter of 1959 on L’imprimerie Duval for phototypy and on the presses of Mourlot Freres for lithography." About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose revolutionary vision redefined modern art in the 20th century. Born in Malaga, Spain, he demonstrated prodigious talent from an early age and trained in Barcelona and Madrid before moving to Paris, where he became the epicenter of avant-garde innovation. Picasso pioneered Cubism alongside Georges Braque, explored emotional depth through his Blue and Rose periods, and continually reinvented his style across thousands of works in painting, drawing, sculpture, and printmaking. His influence spans movements from Surrealism to abstraction, and his work remains central to global art history. The highest price ever paid for one of his artworks is approximately US $179.4 million for Les Femmes d'Alger (Version O) (1955). Pablo Picasso collotype, Carnet de la Californie Picasso, Picasso California Notebook, Picasso 1959 portfolio, Picasso Editions Cercle d'Art Paris, Picasso Georges Duval atelier, Picasso Mourlot...

This exquisite lithograph after Georges Braque (1882–1963), titled Paysage aux coquelicots (Landscape with Poppies), originates from the 1968 folio Varengeville, published by Maeght ...

This exquisite collotype after Pablo Picasso (1881–1973), titled Profil de jeune fille (Profile of a Young Girl), originates from the rare 1957 folio 40 dessins de Picasso en marge d...

This exquisite collotype after Pablo Picasso (1881–1973), titled Femme vue de dos (Woman Seen from Behind), originates from the rare 1957 folio 40 dessins de Picasso en marge du Buffon (Forty Drawings by Picasso in the Margin of Buffon). Published by Berggruen et Cie, Paris, under the direction of Henri Jonquieres, and printed by l'atelier de Georges Duval, Paris, this edition presents forty unpublished compositions created by Picasso as marginal drawings inspired by the writings of Georges-Louis Leclerc, Comte de Buffon. In Femme vue de dos (Woman Seen from Behind), Picasso captures the timeless beauty of the female form with effortless economy of line. The figure, rendered in sweeping contour, suggests intimacy and quiet reflection, uniting classical grace with modern abstraction. Executed on velin du Marais paper, this collotype measures 14.5 x 11.125 inches (36.83 x 28.26 cm). As issued, it is unsigned and unnumbered, consistent with the authorized 1957 publication format. This edition, printed in January 1957, captures the immediacy and vitality of Picasso’s Buffon...

This exquisite collotype after Pablo Picasso (1881–1973), titled L'épervier, visage de femme (The Sparrowhawk, Woman’s Face), originates from the rare 1957 folio 40 dessins de Picass...

This exquisite lithograph after Pablo Picasso (1881–1973), titled Deux femmes nues (Two Nude Women), originates from the rare 1970 folio Suite des reproductions des Eaux-fortes de Pablo Picasso pour illustrer les Metamorphoses d'Ovide. Published and printed by Production Edito-Service S.A., Le Grand-Saconnex, Canton of Geneve, in collaboration with Albert Skira, Geneve, this edition presents faithful reproductions of the original etchings created by Picasso in 1930–31 for the landmark illustrated book Les Metamorphoses d'Ovide. The composition reflects Picasso’s neoclassical mastery, depicting two interlaced female figures that embody the timeless themes of transformation, sensuality, and myth central to Ovid’s poetic universe. Executed on velin papier Verge fin blanc des papeteries de Bellerive, this lithograph measures 11.02 x 8.66 inches (28 x 22 cm) with an image size of 4.3 x 5.5 inches (10.9 x 14 cm). As issued, it is unsigned and unnumbered, consistent with the authorized 1970 publication format. This edition, produced under Albert Skira’s supervision, preserves the fluid linework, tonal depth, and refined composition of the original copper etchings created by Picasso for the 1931 deluxe edition of Les Metamorphoses d'Ovide, one of the most celebrated artist’s books of the 20th century. Artwork Details: Artist: After Pablo Picasso (1881–1973) Title: Deux femmes nues (Two Nude Women), from Suite des reproductions des Eaux-fortes de Pablo Picasso pour illustrer les Metamorphoses d'Ovide, 1970 Medium: Lithograph on velin papier Verge fin blanc des papeteries de Bellerive Dimensions: Paper size 11.02 x 8.66 inches (28 x 22 cm); Image size 4.3 x 5.5 inches (10.9 x 14 cm) Inscription: Unsigned and unnumbered, as issued Date: 1970 (after the 1931 etchings) Publisher: Production Edito-Service S.A., Le Grand-Saconnex, Canton of Geneve Printer: Production Edito-Service S.A., in collaboration with Albert Skira, Geneve Condition: Well preserved, consistent with age and medium Provenance: From the 1970 folio Suite des reproductions des Eaux-fortes de Pablo Picasso pour illustrer les Metamorphoses d'Ovide, authorized by Albert Skira, Geneve Notes: Excerpted from the 1970 folio (translated from French): "The original edition of Les Metamorphoses d'Ovide, full text of the association, Guillaume Bude, established and translated by Georges Lafaye, is illustrated with XXX original etchings by Picasso. The draw, completed on October 25, 1931, in Paris, on the presses of Leon Pichon for typography, and by Louis Fort for the engravings, was limited to CXLV examples, all numbered in the press and signed by the artist. The edition included XXX examples on Japon blanc a la forme fabrique specialement par la manufacture imperiale, including V examples, numbered from I to V, each containing a sequel on Japon with remarks in bistre, a suite on Chine with remarks in black and an original drawing by the artist; XXV examples, numbered from VI to XXX, each containing a sequel on Japon with remarks in black; XCV examples, numbered from XXXI to CXXV, on verge de pur chiffon fabrique specialement a la main par les papeteries d'Arches; and CX non-commerce examples, numbered in Roman numerals from I to XX, reserved for the artist and collaborators. The coppers used to draw the illustrations were scratched by the artist in the presence of the publisher. This album has been presented to collectors and bibliophiles of the United States of America by Marie Harriman. This lithograph edition, 22 x 28 cm, was printed with Albert Skira's authorization on papier Verge fin blanc des papeteries de Bellerive." About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision and restless creativity reshaped the trajectory of modern art. Born in Málaga, Spain, Picasso demonstrated exceptional talent from an early age, studying at the Royal Academy of San Fernando before settling in Paris, the artistic epicenter of the early 20th century. There, his pioneering spirit gave rise to groundbreaking movements, most notably Cubism, developed alongside Georges Braque, which revolutionized visual representation by deconstructing form and perspective. Over his prolific seven-decade career, Picasso’s work evolved through distinct stylistic periods—the Blue, Rose, African, and Classical phases—culminating in a body of art that embraced experimentation, emotional depth, and innovation. His influence and dialogue with fellow visionaries Henri Matisse, Marc Chagall, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray shaped the foundation of modernism, while his legacy continues to resonate through the work of post-war and contemporary artists such as Banksy, Damien Hirst, Jeff Koons, Jackson Pollock, Andy Warhol, and Jasper Johns. Together, these artists collectively expanded the boundaries of art in the 20th and 21st centuries. Picasso’s staggering output of more than 20,000 works—spanning painting, sculpture, ceramics, drawing, and printmaking—embodies his belief that “art washes away from the soul the dust of everyday life.” His creations are housed in the world’s foremost museums, including the Musée Picasso in Paris, MoMA in New York, the Guggenheim, and the Tate in London. The highest price ever paid for a Picasso artwork is approximately $179.4 million USD at Christie’s New York in 2015 for Les Femmes d’Alger (Version O) (1955). Pablo Picasso lithograph, Deux femmes nues Picasso, Two Nude Women Picasso, Picasso Metamorphoses...

This exquisite collotype after Pablo Picasso (1881–1973), from the portfolio Picasso, Carnet de la Californie, originates from the rare 1959 folio published by Editions Cercle d'Art,...

This exquisite lithograph after Georges Braque (1882–1963), titled L’Oiseau noir et l’Oiseau blanc (The Black Bird and the White Bird), originates from the 1964 folio Derriere le Mir...

This exquisite lithograph after Jacques Villon (1875–1963), titled Intimite (Intimacy), from the album Prints from the Mourlot Press, exhibition sponsored by the French Embassy, circ...

This exquisite collotype after Pablo Picasso (1881–1973), titled Un chat (A Cat), originates from the rare 1957 folio 40 dessins de Picasso en marge du Buffon (Forty Drawings by Picasso in the Margin of Buffon). Published by Berggruen et Cie, Paris, under the direction of Henri Jonquieres, and printed by l'atelier de Georges Duval, Paris, this edition presents forty unpublished compositions created by Picasso as marginal drawings inspired by the writings of Georges-Louis Leclerc, Comte de Buffon. In Un chat (A Cat), Picasso captures the feline’s agility and self-assured poise through swift, sinuous linework. The composition reflects his instinctive ability to express movement and personality with economy of form, transforming a simple animal study into a work of timeless elegance. Executed on velin du Marais paper, this collotype measures 14.5 x 11.125 inches (36.83 x 28.26 cm). As issued, it is unsigned and unnumbered, consistent with the authorized 1957 publication format. This edition, printed in January 1957, captures the immediacy and vitality of Picasso’s Buffon...

Pablo Picasso's techniques under Cubism can be summarized from this print. In the portrait, a figure's face stares vacantly at the viewer from head-...

Auguste Chabaud was born in Nimes, France and attended the Ecole des Beaux-Arts in Avignon and Paris.He lived in the area of Montmarte where he had a studio and painted various scene...

This exquisite lithograph after Pablo Picasso (1881–1973), titled 20.9.64. III, from the folio Le Gout du Bonheur, trois carnets d`atelier (The Taste of Happiness, Three Studio Sketc...

This exquisite lithograph after Pablo Picasso (1881–1973), titled Tete d’un homme et d’une femme voilee (Head of a Man and a Veiled Woman), originates from the rare 1970 folio Suite ...

This exquisite lithograph after Pablo Picasso (1881–1973), titled Quatres hommes nus assis (Four Seated Nude Men), originates from the rare 1970 folio Suite des reproductions des Eau...

Lithograph by Georges Braque. Still life. Signed on plate. Framed

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Etude pour l’homme au mouton (Study for Man with Sheep), from the folio Picasso, La flute double, 16 Des...

Lithograph, stencil on vélin paper. Paper Size: 10 x 7.75 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Fernand Léger, Dessins de Guerre ...

This exquisite lithograph after Pablo Picasso (1881–1973), titled Le Roi et la Reine (The King and the Queen), from Verve, Revue Artistique et Litteraire, La Comedie Humaine (The Human Comedy), Vol. VIII, No. 29–30, originates from the 1954 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1954. This expressive and evocative composition captures Picasso’s enduring fascination with the circus and the human condition, recurring themes throughout his long career. Le Roi et la Reine reflects the artist’s profound empathy for the performers of his imagination—figures of strength, fragility, and grace that embody the drama and poetry of life itself. Executed during his Vallauris period, this work radiates vitality and emotional tension, merging his signature economy of line with masterful balance and movement. Executed as a lithograph on velin du Marais paper, this work measures 10.5 x 14 inches. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of the Mourlot Freres atelier, renowned for its collaborations with Picasso and other leading modernists of the 20th century. Artwork Details: Artist: After Pablo Picasso (1881–1973) Title: Le Roi et la Reine (The King and the Queen), from Verve, Revue Artistique et Litteraire, La Comedie Humaine (The Human Comedy), Vol. VIII, No. 29–30, 1954 Medium: Lithograph on velin du Marais paper Dimensions: 10.5 x 14 inches Inscription: Unsigned and unnumbered as issued Date: 1954 Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From Verve, Revue Artistique et Litteraire, La Comedie Humaine (The Human Comedy), Vol. VIII, No. 29–30, published by Editions de la revue Verve, Paris, 1954 Notes: Excerpted from the album (translated from French), This double issue of Verve, dedicated to Picasso, whose cover was specially composed by the artist, was completed to print on September 15, 1954 by the maitres imprimeurs, Drager freres for the heliogravures, and Mourlot freres for the color lithographs. Excerpted from the publisher (translated from French), Last winter, from mid-December to the end of January 1954, Picasso was working indefatigably on this series of drawings, which rank among the finest, boldest, most poignantly human of all he has produced in the course of his long and brilliant career... Almost one could fancy that in his lonely nights at Vallauris these denizens of a world invented by himself crowded into the artist's room, sat for him, confessed unblushingly their most shameful secrets... We have published the series of drawings in its entirety. They form an organic whole, born of a surging uprush of the creative spirit, and to have omitted any of its elements would have been a mutilation. Nevertheless, when we isolate any one of these elements and fix our attention on a single page, we find the fragment almost as eye-filling as the ensemble. All the drawings are printed in the exact size of the originals and in the chronological order of their making. About the Publication: La Comedie Humaine (The Human Comedy), Vol. VIII, No. 29–30 (1954), stands as one of the most significant Verve issues dedicated entirely to Pablo Picasso’s prolific creativity during his Vallauris years. Conceived and directed by Teriade, this double volume presents an extraordinary series of Picasso’s drawings executed between December 1953 and January 1954, printed in their full sequence and original scale. The collection represents a deeply human and poetic vision—an unfiltered exploration of comedy, tragedy, and the theatre of life. Printed by the master atelier Mourlot Freres for the color lithographs, this issue exemplifies Verve’s tradition of pairing literary sophistication with visual innovation. It stands as a testament to Picasso’s restless genius and Teriade’s enduring commitment to producing artistically and historically important publications that bridge art, literature, and modern printing craftsmanship. About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision revolutionized modern art and defined the visual language of the 20th century. A child prodigy from Malaga, Spain, Picasso’s career spanned more than seven decades and encompassed an astonishing range of styles and innovations—from the melancholic Blue and romantic Rose periods to his pioneering invention of Cubism with Georges Braque, which shattered conventional notions of perspective and form. Influenced by the bold expressiveness of El Greco, the structure of Cezanne, and the vitality of African and Iberian sculpture, Picasso became a central figure of the Paris avant-garde, working in creative dialogue with contemporaries such as Henri Matisse, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray. His insatiable experimentation extended across painting, drawing, printmaking, ceramics, and sculpture, forever expanding the boundaries of artistic expression. A master of reinvention, Picasso profoundly shaped generations of artists who followed—from Andy Warhol, Roy Lichtenstein, David Hockney, and Jean-Michel Basquiat to Jeff Koons and Banksy—cementing his status as a timeless cultural icon whose works remain among the most sought after worldwide. His landmark painting Les Femmes d’Alger (Version “O”) achieved a record-breaking sale of $179,365,000 at Christie’s, New York, on May 11, 2015, affirming Picasso’s enduring legacy as one of the most influential and valuable artists in history. After Pablo Picasso Le Roi et la Reine, Picasso Verve...

Selected from the personal collection inherited by Marina Picasso, Pablo Picasso's granddaughter. After Pablo Picasso's death, his granddaughter Marina authorized the printing of t...

Claude VENARD (1913-1999) Woman by the Sea Original Lithograph Signed in pencil Numbered / 100 copies On Arches vellum, 74.5 x 52.5 cm Very good condition, minor handling defects o...

This exquisite linocut after Pablo Picasso (1881–1973) titled Bacchanale (Bacchanal), originates from the rare 1962 album Pablo Picasso, Grabados al linoleo (Linoleum Engravings). Published by Gustavo Gili, S.A., Barcelona, and Editions Cercle d'Art, Paris, and printed by Verlag Gerd Hatje, Stuttgart, this important album presents a collection of Picasso’s masterful linocuts, executed during the artist’s mature period. These works demonstrate his inventive approach to form, texture, and contrast, showcasing his technical brilliance and playful spirit in this demanding printmaking medium. Executed on velin paper, this linocut measures Paper Size 12.5 x 14.5 inches; image size 10.5 x 12.75 inches. As issued, it is unsigned and unnumbered, consistent with the authorized publication format. This edition preserves the clarity, depth, and tonal richness of Picasso’s original linocuts...

Untitled is an artwork realized by Ossip Zadkine in the mid-20th Century. Lithograph, 50 x 65 cm, no frame. Numbering (copy 29 / 65) in pencil in the front. Blind stamp Atelier ...

Jacques VILLON Reading Man, 1962 Original lithograph (Mourlot workshop) Printed signature in the plate On tinted vellum 32 x 24 cm (c. 13 x 10 in) Excellent condition

This exquisite lithograph after Georges Braque (1882–1963), titled Marine noire (Black Seascape), originates from the 1968 folio Varengeville, published by Maeght Editeur, Paris, and...

Lithograph, stencil on vélin paper. Paper Size: 10 x 7.75 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Fernand Léger, Dessins de Guerre ...

This exquisite lithograph after Georges Braque (1882–1963), titled La charrue (The Plow), originates from the 1968 folio Varengeville, published by Maeght Editeur, Paris, and printed...

Trois Hommes se Disputant une Femme Devant un Emir is an original artwork realized by Spanish artist Pablo Picasso in 1966. Black and white etching on wove paper. Fine proof edited...

This exquisite lithograph after Georges Braque (1882–1963), titled La barque echouee (The Stranded Boat), originates from the 1968 folio Varengeville, published by Maeght Editeur, Pa...

Etching and Aquatint on Montval paper. Hand Signed. Edition of 260 prints (not numbered and generally not signed). Plate 24 from "La Suite Vollard". Catalogue Bloch no. 227; Baer 44...

"Le Rêve - The Dream" after the 1932 oil on canvas painting of Pablo Picasso is a limited-edition (Edition 1000) offset color print on 250g Rives-Bütten Paper, done by the Succession...

This exquisite collotype after Pablo Picasso (1881–1973), titled Trois tetes de chats (Three Cats’ Heads), originates from the rare 1957 folio 40 dessins de Picasso en marge du Buffo...

This exquisite collotype after Pablo Picasso (1881–1973), titled Visage de faune (Faun’s Face), originates from the rare 1957 folio 40 dessins de Picasso en marge du Buffon (Forty Dr...

This exquisite lithograph after Pablo Picasso (1881–1973), titled Hercule tue le centaure Nessus (Hercules Kills the Centaur Nessus), originates from the rare 1970 folio Suite des re...

This exquisite collotype after Pablo Picasso (1881–1973), titled Visage d'homme, de face (Man’s Face, Frontal View), originates from the rare 1957 folio 40 dessins de Picasso en marg...

This exquisite lithograph by Pablo Picasso (1881–1973), titled Les Mouches (The Flies), from Verve, Revue Artistique et Litteraire, Vol. VII, No. 25–26, originates from the 1951 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Draeger freres, Maitres-Imprimeurs, Paris, October 25, 1951. This remarkable composition exemplifies Picasso’s dynamic postwar period in Vallauris, where he explored themes of mythology, vitality, and the human spirit through bold forms and radiant color. Les Mouches reflects Picasso’s fascination with symbolism and everyday life, transforming a simple subject into a poetic expression of rhythm, humor, and artistic freedom. Executed as a lithograph on velin du Marais paper, this work measures 14 x 10.5 inches. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of the Draeger freres atelier, renowned for its collaborations with the leading modernists of the 20th century. Artwork Details: Artist: Pablo Picasso (1881–1973) Title: Les Mouches (The Flies), from Verve, Revue Artistique et Litteraire, Vol. VII, No. 25–26, 1951 Medium: Lithograph on velin du Marais paper Dimensions: 14 x 10.5 inches Inscription: Unsigned and unnumbered as issued Date: 1951 Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Draeger freres, Maitres-Imprimeurs, Paris Condition: Well preserved, consistent with age and medium Provenance: From Verve, Revue Artistique et Litteraire, Vol. VII, No. 25–26, published by Editions de la revue Verve, Paris, 1951 Notes: Excerpted from the album (translated from French), This issue of Verve is entirely devoted to Picasso’s recent works (peintures, sculptures et ceramiques) made in Vallauris between 1949 and 1951. The cover and the frontispiece were specially composed by the artist for this work which was completed to print on the presses of the Maitres-Imprimeurs, Draeger freres on October 25, 1951. About the Publication: Verve, Revue Artistique et Litteraire was one of the most influential art periodicals of the 20th century, founded in Paris in 1937 by the visionary Greek-born publisher Teriade (Stratis Eleftheriades). Conceived as a synthesis of art and literature, Verve brought together the greatest modern artists and writers of its time—Henri Matisse, Pablo Picasso, Marc Chagall, Georges Braque, Joan Miro, Fernand Leger, and others—alongside poets and philosophers such as Paul Eluard, Albert Camus, and Jean-Paul Sartre. Each issue was a work of art in itself, luxuriously printed by master lithographers such as Mourlot Freres and produced in collaboration with leading typographers and designers. Verve became a platform for avant-garde creativity, publishing original lithographs and essays that reflected the evolving spirit of modernism. Matisse collaborated closely with Teriade from the magazine’s inception, producing some of its most iconic issues, including those devoted to his paper cut-outs. The final Verve issue of 1958, which featured La Tristesse du Roi and the Nu Bleu series, stands as a testament to Matisse’s enduring genius and to the publication’s legacy as the definitive meeting of art, poetry, and printing craftsmanship in 20th-century France. About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision revolutionized modern art and defined the visual language of the 20th century. A child prodigy from Malaga, Spain, Picasso’s career spanned more than seven decades and encompassed an astonishing range of styles and innovations—from the melancholic Blue and romantic Rose periods to his pioneering invention of Cubism with Georges Braque, which shattered conventional notions of perspective and form. Influenced by the bold expressiveness of El Greco, the structure of Cezanne, and the vitality of African and Iberian sculpture, Picasso became a central figure of the Paris avant-garde, working in creative dialogue with contemporaries such as Henri Matisse, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray. His insatiable experimentation extended across painting, drawing, printmaking, ceramics, and sculpture, forever expanding the boundaries of artistic expression. A master of reinvention, Picasso profoundly shaped generations of artists who followed—from Andy Warhol, Roy Lichtenstein, David Hockney, and Jean-Michel Basquiat to Jeff Koons and Banksy—cementing his status as a timeless cultural icon whose works remain among the most sought after worldwide. His landmark painting Les Femmes d’Alger (Version “O”) achieved a record-breaking sale of $179,365,000 at Christie’s, New York, on May 11, 2015, affirming Picasso’s enduring legacy as one of the most influential and valuable artists in history. Pablo Picasso Les Mouches, Picasso Verve...

This exquisite lithograph and stencil by Pablo Picasso (1881–1973), titled La femme au cheval (Woman with Horse), originates from the 1962 folio Pablo Picasso, André Villers, Diurnes, Découpages et Photographies (Daytime, Cutouts and Photographs). Published by Galerie Berggruen, Paris, and printed by ateliers de Daniel Jacomet, Paris, this collaborative work brings together Picasso’s poetic visual sensibility and Villers’ inventive photographic approach. The series represents a unique dialogue between cut paper forms and light, demonstrating Picasso’s continual exploration of composition, texture, and abstraction through new media. Executed on vélin d’Arches paper, this lithograph measures Paper Size 15.75 x 11.75 inches. As issued, it is unsigned and unnumbered, consistent with the authorized publication format. The edition preserves the subtle interplay of tone and structure that defines Picasso’s mastery of visual rhythm and lyrical modernism. Artwork Details: Artist: Pablo Picasso (1881–1973) Title: La femme au cheval (Woman with Horse), from Pablo Picasso, André Villers, Diurnes, Découpages et Photographies (Daytime, Cutouts and Photographs), 1962 Medium: Lithograph and stencil (pochoir) on vélin d’Arches paper Dimensions: Paper Size 15.75 x 11.75 inches Inscription: Unsigned and unnumbered, as issued Date: 1962 Publisher: Galerie Berggruen, Paris Printer: Ateliers de Daniel Jacomet, Paris Catalogue Raisonné Reference: Goeppert, Sebastian, et al. Pablo Picasso: Catalogue Raisonné Des Livres Illustrés. Patrick Cramer, 1983, Illustration 115. Condition: Well preserved, consistent with age and medium Provenance: From the 1962 folio Pablo Picasso, André Villers, Diurnes, Découpages et Photographies (Daytime, Cutouts and Photographs), published by Galerie Berggruen, Paris Notes: Excerpted from the folio (translated from French), Finished printing on January 29, 1962, on the presses of l'Imprimerie Union in Paris and in ateliers de Daniel Jacomet for phototypies and pochoirs. This album, made with the help of Lionel Prejger, was issued in M numbered examples, the first C of which were accompanied by an original engraving by Pablo Picasso numbered and signed by the artist. This engraving, printed on the presses of Arnéra in Vallauris, was presented in a special box. About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision and restless creativity reshaped the trajectory of modern art. Born in Malaga, Spain, Picasso demonstrated exceptional talent from an early age, studying at the Royal Academy of San Fernando before settling in Paris, the artistic epicenter of the early 20th century. There, his pioneering spirit gave rise to groundbreaking movements, most notably Cubism, developed alongside Georges Braque, which revolutionized visual representation by deconstructing form and perspective. Over his prolific seven-decade career, Picasso’s work evolved through distinct stylistic periods—the Blue, Rose, African, and Classical phases—culminating in a body of art that embraced experimentation, emotional depth, and innovation. His influence and dialogue with fellow visionaries Henri Matisse, Marc Chagall, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray shaped the foundation of modernism, while his legacy continues to resonate through the work of post-war and contemporary artists such as Banksy, Damien Hirst, Jeff Koons, Jackson Pollock, Andy Warhol, and Jasper Johns. Together, these artists collectively expanded the boundaries of art in the 20th and 21st centuries. Picasso’s staggering output of more than 20,000 works—spanning painting, sculpture, ceramics, drawing, and printmaking—embodies his belief that “art washes away from the soul the dust of everyday life.” His creations are housed in the world’s foremost museums, including the Musee Picasso in Paris, MoMA in New York, the Guggenheim, and the Tate in London. The highest price ever paid for a Picasso artwork is approximately $179.4 million USD at Christie’s New York in 2015 for Les Femmes d’Alger (Version O) (1955). Pablo Picasso lithograph, Picasso La femme au cheval (Woman with Horse), Picasso Diurnes (Daytime), Picasso André Villers collaboration, Picasso Galerie Berggruen, Picasso Daniel Jacomet printer, Picasso Arnéra engraving, Picasso 1962 edition, Picasso pochoir...

This exquisite lithograph after Georges Braque (1882–1963), titled Oiseaux de nuit (Night Birds), from the album Prints from the Mourlot Press, exhibition sponsored by the French Emb...

Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Vallier, Dora, et al. Braque, the Complete ...

This exquisite lithograph and stencil by Pablo Picasso (1881–1973), titled La chèvre au grillage (The Goat at the Fence), originates from the 1962 folio Pablo Picasso, André Villers,...

This exquisite heliogravure after Pablo Picasso (1881–1973), titled 7.1.58. III, originates from the rare 1972 folio Pablo Picasso, La Chute d'Icare (The Fall of Icarus), Decoration du Foyer des Delegues Palais de l'UNESCO a Paris, Suite d'etudes preparatoires en noir et en couleurs realisees du 6 Decembre 1957 au 29 Janvier 1958. Published by Editions d'art Albert Skira, Geneve, under the direction of Albert Skira, Editeur, Geneve, and printed by Atar Roto Presse S.A., Geneve, this edition presents a series of preparatory studies—both monochrome and color—created by Picasso for his monumental mural commissioned for the UNESCO headquarters in Paris. This composition, dated January 7, 1958, reflects Picasso’s bold investigation of spatial balance and gestural dynamism, a hallmark of his process in refining the mythic imagery and symbolic rhythm that culminated in his final La Chute d’Icare (The Fall of Icarus) mural. Executed on velin paper, this heliogravure measures 11.4 x 15.4 inches (28.96 x 39.12 cm). As issued, it is unsigned and unnumbered, consistent with the authorized 1972 publication format. This edition, produced under Albert Skira's supervision, preserves the tonal depth, visual harmony, and expressive momentum of Picasso’s original 1958 studies for one of his most celebrated public murals. Artwork Details: Artist: After Pablo Picasso (1881–1973) Title: 7.1.58. III, from Pablo Picasso, La Chute d'Icare (The Fall of Icarus), Decoration du Foyer des Delegues Palais de l'UNESCO a Paris, Suite d'etudes preparatoires en noir et en couleurs realisees du 6 Decembre 1957 au 29 Janvier 1958, 1972 Medium: Heliogravure on velin paper Dimensions: Paper size 11.4 x 15.4 inches (28.96 x 39.12 cm) Inscription: Unsigned and unnumbered, as issued Date: 1972 (after the 1957–58 studies) Publisher: Editions d'art Albert Skira, Geneve Printer: Atar Roto Presse S.A., Geneve Catalogue raisonne reference: Goeppert, Sebastian, et al. Pablo Picasso, the Illustrated Books: Catalogue Raisonne. Patrick Cramer, 1983, illustration 155 Condition: Well preserved, consistent with age and medium Provenance: From the 1972 folio Pablo Picasso, La Chute d'Icare (The Fall of Icarus), published by Editions d'art Albert Skira, Geneve Notes: Excerpted from the 1972 folio (translated from French): "This album contains the series of preparatory tests in black and seven color studies made by Pablo Picasso for the decoration of the delegates' home at the UNESCO palace in Paris. The printing was completed on December 20, 1972, on the presses of imprimeries Roto-Sadag S.A. and Atar S.A. in Geneva. The edition of this album is as follows: CXXV examples, numbered from I to CXXV; XXV examples, out of trade, numbered H.C. There are XXV examples reserved for the artist and the publisher, each containing an etching by Pablo Picasso, signed and numbered by the artist. The etching was drawn by A. et P. Crommelynck in Paris. The copper was scratched by the artist after drawing. In addition, CCCLXXV examples were produced without the etching, numbered from CXXVI to D. Published by Editions d'art Albert Skira, Geneve. Printed in Switzerland." About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose revolutionary vision redefined modern art in the 20th century. Born in Malaga, Spain, he demonstrated prodigious talent from an early age and trained in Barcelona and Madrid before moving to Paris, where he became the epicenter of avant-garde innovation. Picasso pioneered Cubism alongside Georges Braque, explored emotional depth through his Blue and Rose periods, and continually reinvented his style across thousands of works in painting, drawing, sculpture, and printmaking. His influence spans movements from Surrealism to abstraction, and his work remains central to global art history. The highest price ever paid for one of his artworks is approximately US $179.4 million for Les Femmes d'Alger (Version O) (1955). Pablo Picasso heliogravure, 7.1.58. III Picasso, La Chute d'Icare Picasso, The Fall of Icarus Picasso, Picasso UNESCO mural, Picasso 1972 Skira edition, Picasso Geneva edition, Picasso Atar Roto Presse Geneva, Picasso preparatory studies, Picasso abstract composition, Picasso color study, Picasso 1958...

This exquisite linocut after Pablo Picasso (1881–1973) titled Femme Couchee et Homme (Reclining Woman and Man), originates from the rare 1962 album Pablo Picasso, Grabados al linoleo...

This exquisite collotype after Pablo Picasso (1881–1973), titled Tete de taureau (Bull’s Head), originates from the rare 1957 folio 40 dessins de Picasso en marge du Buffon (Forty Drawings by Picasso in the Margin of Buffon). Published by Berggruen et Cie, Paris, under the direction of Henri Jonquieres, and printed by l'atelier de Georges Duval, Paris, this edition presents forty unpublished compositions created by Picasso as marginal drawings inspired by the writings of Georges-Louis Leclerc, Comte de Buffon. In Tete de taureau (Bull’s Head), Picasso captures the primal force and iconic power of the bull through fluid, sculptural linework that conveys both motion and mass. The image exemplifies his lifelong fascination with the bull as a symbol of virility, sacrifice, and artistic vitality. Executed on velin du Marais paper, this collotype measures 14.5 x 11.125 inches (36.83 x 28.26 cm). As issued, it is unsigned and unnumbered, consistent with the authorized 1957 publication format. This edition, printed in January 1957, captures the immediacy and vitality of Picasso’s Buffon...

This exquisite lithograph after Pablo Picasso (1881–1973), titled Trois fragments de tetes (Three Fragments of Heads), originates from the rare 1970 folio Suite des reproductions des Eaux-fortes de Pablo Picasso pour illustrer les Metamorphoses d'Ovide. Published and printed by Production Edito-Service S.A., Le Grand-Saconnex, Canton of Geneve, in collaboration with Albert Skira, Geneve, this edition presents faithful reproductions of the original etchings created by Picasso in 1930–31 for the landmark illustrated book Les Metamorphoses d'Ovide. The composition features three expressive studies of human heads, demonstrating Picasso’s mastery of classical proportion and psychological intensity distilled through minimal yet powerful linework. Executed on velin papier Verge fin blanc des papeteries de Bellerive, this lithograph measures 11.02 x 8.66 inches (28 x 22 cm) with an image size of 4.3 x 5.5 inches (10.9 x 14 cm). As issued, it is unsigned and unnumbered, consistent with the authorized 1970 publication format. This edition, produced under Albert Skira’s supervision, preserves the tonal precision, balance, and sculptural clarity of the original copper etchings created by Picasso for the 1931 deluxe edition of Les Metamorphoses d'Ovide, one of the most celebrated artist’s books of the 20th century. Artwork Details: Artist: After Pablo Picasso (1881–1973) Title: Trois fragments de tetes (Three Fragments of Heads), from Suite des reproductions des Eaux-fortes de Pablo Picasso pour illustrer les Metamorphoses d'Ovide, 1970 Medium: Lithograph on velin papier Verge fin blanc des papeteries de Bellerive Dimensions: Paper size 11.02 x 8.66 inches (28 x 22 cm); Image size 4.3 x 5.5 inches (10.9 x 14 cm) Inscription: Unsigned and unnumbered, as issued Date: 1970 (after the 1931 etchings) Publisher: Production Edito-Service S.A., Le Grand-Saconnex, Canton of Geneve Printer: Production Edito-Service S.A., in collaboration with Albert Skira, Geneve Condition: Well preserved, consistent with age and medium Provenance: From the 1970 folio Suite des reproductions des Eaux-fortes de Pablo Picasso pour illustrer les Metamorphoses d'Ovide, authorized by Albert Skira, Geneve Notes: Excerpted from the 1970 folio (translated from French): "The original edition of Les Metamorphoses d'Ovide, full text of the association, Guillaume Bude, established and translated by Georges Lafaye, is illustrated with XXX original etchings by Picasso. The draw, completed on October 25, 1931, in Paris, on the presses of Leon Pichon for typography, and by Louis Fort for the engravings, was limited to CXLV examples, all numbered in the press and signed by the artist. The edition included XXX examples on Japon blanc a la forme fabrique specialement par la manufacture imperiale, including V examples, numbered from I to V, each containing a sequel on Japon with remarks in bistre, a suite on Chine with remarks in black and an original drawing by the artist; XXV examples, numbered from VI to XXX, each containing a sequel on Japon with remarks in black; XCV examples, numbered from XXXI to CXXV, on verge de pur chiffon fabrique specialement a la main par les papeteries d'Arches; and CX non-commerce examples, numbered in Roman numerals from I to XX, reserved for the artist and collaborators. The coppers used to draw the illustrations were scratched by the artist in the presence of the publisher. This album has been presented to collectors and bibliophiles of the United States of America by Marie Harriman. This lithograph edition, 22 x 28 cm, was printed with Albert Skira's authorization on papier Verge fin blanc des papeteries de Bellerive." About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision and restless creativity reshaped the trajectory of modern art. Born in Málaga, Spain, Picasso demonstrated exceptional talent from an early age, studying at the Royal Academy of San Fernando before settling in Paris, the artistic epicenter of the early 20th century. There, his pioneering spirit gave rise to groundbreaking movements, most notably Cubism, developed alongside Georges Braque, which revolutionized visual representation by deconstructing form and perspective. Over his prolific seven-decade career, Picasso’s work evolved through distinct stylistic periods—the Blue, Rose, African, and Classical phases—culminating in a body of art that embraced experimentation, emotional depth, and innovation. His influence and dialogue with fellow visionaries Henri Matisse, Marc Chagall, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray shaped the foundation of modernism, while his legacy continues to resonate through the work of post-war and contemporary artists such as Banksy, Damien Hirst, Jeff Koons, Jackson Pollock, Andy Warhol, and Jasper Johns. Together, these artists collectively expanded the boundaries of art in the 20th and 21st centuries. Picasso’s staggering output of more than 20,000 works—spanning painting, sculpture, ceramics, drawing, and printmaking—embodies his belief that “art washes away from the soul the dust of everyday life.” His creations are housed in the world’s foremost museums, including the Musée Picasso in Paris, MoMA in New York, the Guggenheim, and the Tate in London. The highest price ever paid for a Picasso artwork is approximately $179.4 million USD at Christie’s New York in 2015 for Les Femmes d’Alger (Version O) (1955). Pablo Picasso lithograph, Trois fragments de tetes Picasso, Three Fragments of Heads Picasso, Picasso Metamorphoses...