Bride Prints and Multiples

Medium: original lithograph. This lithograph is from the rare 1952 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1952 Spr...

Jan van de Velde II (1593-1641) Tobias Surprised by the Fish Etching and engraving on fine laid paper without watermark, c. 1620-1630 After Moses van Uyttenbroeck (Dutch, c. 1595–aft...

Screenprint Edition 95 of 120 84 x 71 cm (33.1 x 28.1 in) Framed (93.9 x 81.2, 37.1 x 32.1 in) Signed, numbered, dated and titled on the front Condition upon request Window-mounted a...

Salvador Dalí­ 1970s Surrealist Dated and Signed Work on Paper This significant work on paper is a silkscreen print by Salvador Dalí (1904–1989), part of the famous series dedicated ...

Artist: Henri Matisse (1869–1954) (after) Title: Ballerina (Ballerine) Year: 1952 Medium: Lithograph on velin paper Paper Size: 15 x 11 inches (38.1 x 27.94 cm) Condition: Well prese...

Artist: Marc Chagall (1887–1985) Title: Paradise II (Paradise II) Year: July 29, 1960 Medium: Lithograph on velin du Marais paper Paper Size: 14 x 10.5 inches (35.56 x 26.67 cm) Cond...

A rare early lithograph by Jean‑Gabriel Domergue (1889–1962), titled Nuit blanche (Sleepless Night) and dated 21 March 1915. This atmospheric nighttime scene shows two elegant figure...

Kawase Hasui, 'Zentsuji Temple in the Rain' from the seres 'Collected Views of Japan II', color woodblock print, 1937. Signed Hasui in black ink, with the artist’s red seal Kawase, ...

ARTIST: Salvador Dali TITLE: The Kingdom MEDIUM: Lithograph SIGNED: Hand Signed by Salvador Dali EDITION NUMBER: 40/350 MEASUREMENTS: 29.4" x 21.45" YEAR: 1980 PUBLISHER: Le...

Medium: original lithograph. Printed in 1967 for the art revue Derriere le Miroir (issue number 168) and published in Paris by Maeght. Size: 15 x 11 inches (380 x 277 mm). There is p...

Jean Jansem (1920-2013) – Magicien, 1978 Lithographie sur papier Arches, Signée en bas à droite, justifiée 68,5 x 51,5 cm / 76 x 54 cm Bibliographie: CR Jansem, 1984, n°405 "M...

Artist: Marc Chagall (1887–1985) Title: The Juggler (La Jongleuse) Year: October 1960 Medium: Lithograph on velin paper Paper Size: 12.5 x 9.625 inches (31.75 x 24.45 cm) Condition: ...

Artist: Leonor Fini (Buenos Aires, 1907 – Paris, 1996) Title: Sorcière Bleue (Blue Witch) Date: ca. 1970–1972 Technique: Color lithograph on Arches paper Edition: E.A. 4/35 (Épreuve ...

Medium: collotype (after the painting). Printed in 1926 at the Leon Marotte atelier and published in an edition of 1000 by Editions des Quatre Chemins. Image size: 8 x 5 inches (202 ...

This reproduction of Mêlé Moments, originally created by Jean Dubuffet in 1976, was printed in Germany by Editions 5 in Düsseldorf. Characteristic of Dubuffet’s signature Art Brut st...

This is an above the edition impression of an original lithograph by Marc Chagall, printed in 1963 by Mourlot and published by André Sauret, Paris. It appears as page 93 in Chagall L...

Interiors I: Family Reunion 1984 Resist ground etching and engraving on BFK Rives wove paper, 20 x 36 inches (501 x 913 mm), full margins. Signed, titled, dated and numbered 49/175 in pencil, lower margin. In excellent condition with minor mat tone. A luminous, rich, and well-inked impression of this haunting image, with astonishing detail and depth. Framed handsomely under museum grade glass with archival materials in a solid wood frame with silver finish. [Milton 107] Intended to be a stand alone image in its inception, Family Reunion ended up spawning seven additional images, and became a sort of Primo Pensiero in the sprawling, masterpiece suite now known as Interiors. The suite took eight years to complete, and consists of works of varying format, psychological intensity, and subject matter. The thematic darkness in the eight images waxes and wanes, and Milton intentionally included several interlude works to lighten the tension he felt while composing several of the darker images. The first two in the series, Family Reunion, and Hotel Paradise Café, were meant to be companion pieces. The equilibrium of each composition is anchored on a central brooding figure; a man (perhaps based on a Thomas Eakins portrait of the American anthropologist Frank Hamilton...

This is an above the edition impression of an original lithograph by Marc Chagall, created in 1961 and printed in 1963 by Mourlot for Chagall Lithographe II, published by André Saure...

Kamei Tobei, 'First Snow of the Year at Kitano (Kitano Hatsu Yuki)', color woodblock print, c. 1930s. Signed Kamei Tobei in black ink, with the artist red seal Eiichi (the artist’s g...

Pablo Picasso (1881-1973) - L'Ecuyère (The Horsewoman) Lithograph from 1960. Dimensions of work: 51.5 x 66 cm. Plate signed. Reference: Bloch 999; Mourlot 333. The work is in Ex...

Artist: The Connor Brothers Title: Tell Him I Was Too Fucking Busy - Or Vice Versa Medium: Giclee print with silkscreen varnish Year: 2020 Edition: 36/50 Image Size: 25" x 16" Sheet ...

Henri MARTIN Divine Comedy : Dante and Beatrice, 1898 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. 16 x 12 in) INFORMATION: Li...

This is a reproduction of Quote by Robert Rauschenberg, from a rare exhibition poster in the Collection of European Masters series, published by Achenbach Editions for the Kunstsamml...

Walter Tittle, 'The Plaza, Sunset Glow', drypoint, c. 1920s, edition not stated. Signed in pencil and initialed in the plate, lower right. Titled 'The Plaza, Sunset' and annotated 'no. 165' in ink, in the bottom left sheet corner. A superb, luminous impression in dark brown ink, with selectively wiped plate tone; on cream wove paper; the full sheet with margins (1 to 2 1/4 inches). Pale tape stains on the top sheet edge, recto, well away from the image, otherwise in excellent condition. Matted to museum standards, unframed. Image size 11 3/4 x 6 15/16 inches (299 x 176 mm); sheet size 15 11/16 x 9 inches (399 x 229 mm). A view across 'The Pond' in New York City's Central Park, toward Grand Army Plaza...

This reproduction poster of La Serrure by Leonor Fini captures the enigmatic and symbolic nature of the original artwork. Leonor Fini was known for her surreal and fantastical imager...

"Church in Murnau" is a high-quality reproduction of an original painting by Wassily Kandinsky, one of the pioneers of abstract art. This reproduction is part of a limited edition of...

Medium: heliogravure (after the Rembrandt etching). This impression on Arches laid paper printed in 1880 for Philip Gilbert Hamerton's very scarce "Etching and Etchers". Plate size: ...

Albert Goltyakov (1924-2016) Born in a family of workers. Studied at the Krasnoselsk Technical School of Artistic Metal Processing (1948-52), graduated from the LVMA Department of ...

Lawrence Nelson Wilbur (1897-1988), 'Tranquil Harbor' (Gloucester, Massachusetts), wood engraving, edition 55, 1958. Signed in pencil, and signe...

Original boxing print with the initials P.B. in the upper left corner. Printer Ed. Sagot Editeur, Paris. Professional acid-free archival linen backed and ready to frame. Excel...

Louis Conrad Rosenberg, 'Mosque of the Sultan Bayazid, Constantinople', etching, 1927. Signed in pencil. Initialed and dated in the plate, lower left. A fine, richly-inked impression...

Etching and drypoint on paper. Beautiful proof of 2nd state on 2, probably from the second Cadart edition of 1874. Signed in the plate on top right. Two holes in the center on top...

OUT CHORUS(RHYTHM SECTION) is a limited edition color lithograph printed using traditional hand lithography methods on archival Arches printmaking paper, 100% acid free, in an editio...

Maurice Denis, Untitled (Mother and Child), lithograph, 1897, edition not stated. Signed in the stone, lower right. Annotated in linotype 'MAURICE DENIS, ORIGINAL LITHOGRAPHIE PAN III' in the lower left sheet corner. A fine, atmospheric impression, in warm, dark gray ink, on buff wove paper, with full margins (2 1/2 to 1 3/4 inches); a small discoloration in the bottom left sheet corner, otherwise in good condition. Image size 8 5/8 x 6 7/8 inches; sheet size 13 7/8 x 10 5/8 inches. As published in 'Pan', the leading German magazine of the period devoted to art and literature. Matted to museum standards, unframed. Collection: Los Angeles County Museum of Art. Reproduced: German Expressionist Prints...

Leonor Fini (1907-1996) Portrait with flowers, 1960 Lithograph 25 1/4 x 19 in (64 x 48 cm) With frame: 33 x 26 1/2 in (83,5 x 67,5 cm) Leonor Fini was born in 1907 in Buenos Aires a...

Map of historical landmarks, American Indian territories, rivers, mountains, dams, colleges, federal grazing districts, cities, agriculture, and other activities that were present in...

Fréderic MENGUY - The Bride, 1975 Original Lithograph Signed in pencil Numbered / 119 copies in Roman numbers On Japan paper 56 x 42 cm (c. 22 x 16.5 inch) Excellent condition

After Pablo Picasso (Spanish, 1881-1973) La Grande Maternité 1963 pencil signed and annotated 'E.A.' (aside from the edition of 200), with margins Editions Combat de la Paix, Paris P...

This artwork titled "TheLong Trail West" c.1980 is a color offset lithograph by renown western artist Arnold Friberg, 1913-2010. It is hand signed and n...

Lithograph on paper. Hand signed and numbered in pencil. Edition of 100. Very good condition.

Alphonse Mucha Seasons: Autumn, 1903 Original lithograph Printed signature in the plate Printed on paper 71 x 31 cm (c. 27.9 x 12.2 inches) On paper linen on canvas, 75 x 35.5 cm (c...

Original "The Rocky Horror Picture Show" US 1-sheet vintage movie poster. Archvial linen backed. 1975, Style B. Original fold marks pr...

Pablo Picasso "Tête de femme n°1. Portrait de Dora Maar" 1939 Colour aquatint, scraper and drypoint on laid paper with watermark "Picasso" Lower right inscribed and signed by the art...

"Que pico de Oro" (What a Golden Beak) - Etching and Aquatint on Paper 5th or 8th edition print of "Que pico de Oro" from the Los Caprichos with burnished aquatints, drypoints etchi...

Colours Of The Night #3 - This figurative art print on paper captures the essence of timeless style. A neutral, atmospheric background creates an evening-like ambiance. Personalize your space with a sense of quiet sophistication. Hand signed on back. This is #3 from a series of 4 art...

This authentic 1946 original vintage poster by French commercial artist Paul Mohr (1890-1959) stars the legendary Josephine Baker — yes, the Josephine Baker — in one of the most exub...

Resist ground etching and engraving on Rives heavyweight buff paper, 20 x 36 inches (508 x 914 mm), full margins. Signed, titled, dated and numbered 103/160 in pencil, lower margin. Minor mat tone. A rich and finely printed impression of this complex and iconic work by Milton. Framed handsomely under Plexiglas with archival materials in a solid wood frame with silver finish. [Milton 98]. Milton states that in the evolution of his body of graphic work he found himself at point that necessitated the exertion of nerve in his subject matter. He found it imperative for growth to explore whether his compositions had previously been too polite, and through this process he experienced a great burst of artistic and psychic liberation. Milton refers to this awakening as a sort of adolescence, which he felt demanded a natural examination of mysteries of sexual awakening. Les Belles et La Bête...

Werner Bronkhorst Horseplay, 2026 Giclée print on heavyweight 395gsm matte Canson Infinity PhotoArt ProCanvas, made with long-lasting Epson archival inks. Hand-stretched over FSC-cer...

The original 1898 lithography entitled "Le Concert" by Henri de Toulouse-Lautrec is a work of great artistic finesse, capturing both the artist's distinctive style and the elegant scene of society at the time. This lithograph features a well-dressed, wealthy couple in a red theater box. The gentleman is Gabriel Tapié de Céleyran and the lady is Émilienne d'Alençon. The woman is dressed in fur and wears an elaborate black hat, exuding undeniable elegance and sophistication. Lautrec meticulously captures the details of their clothing and expressions, creating a striking depiction of 19th-century high society. This lithograph was commissioned from Toulouse-Lautrec by Ault and Wiborg, American manufacturers of lithographic ink. It was part of a limited edition printed in Paris, with the original zinc plates subsequently shipped to America for printing in the main edition. The four original zinc plates are now housed at the Art Institute of Chicago. This work is all the more remarkable as it is believed to be the only lithograph Lautrec...

Colour lithograph on paper, from the celebrated French fashion periodical Journal des Demoiselles. Hand-coloured fashion plate (pochoir colouring), printed by Imp. Falco(n)er, Paris...

Femme qui se Lave - La Toiletteis a color lithograph realized by Henri de Toulouse Lautrec in 1896.  cm. 58 x 45,5; matted. Monogrammed in the plate. Good conditions. This specim...

"Conception" - Portrait of a Native American on a Vision Quest Large scale and fine detailed work by the artist. Detailed and evocative depiction of a Native American elder by Frank Howell...

Party Line by Norman Rockwell, (1894 - 1978) Date: circa 1975 Medium: Poster Edition: 2500 Size: 25 in. x 22.5 in. (63.5 cm x 57.15 cm)

Hand signed and numbered. Edition of 40 prints. Reference: Catalogue Battisti n.59. Armando Buratti (Rome, 1924), is an italian artist and painter. His first exhibition was held in...

Engraving by Joannes and Lucas van Doetecum (Deventer active by 1551 - circa 1569 Haarlem) in the manner of Peter Bruegel the Elder

This vivid pink-and-mint impression of Ingrid Bergman as a nun from The Bells of St. Mary’s is one of the most visually charismatic and sought-after variants from Andy Warhol’s celeb...

Marc Chagall, After, Russian (1887 - 1985) - Bella, Medium: Giclee on paper, facsimilie signed and numbered in pencil, Edition: P/P, Image Size: 17 x 13 inches, Size: 24 x 17 in....

Correccion is an original artwork realized by Francisco Goya and published for the first time in 1799. Etching on wove paper. This artwork belongs to the Third Edition published in...

Rembrant Van Rijn "Adam and Eve" 1638 Original etching and drypoint, printed in black ink on laid paper. A strong dark impression of Bartsch’s second and final state and Usticke’s only state. Signed and dated below image 6.5 x 4.75 inc 16.5 x 11.5 cm Bartsch 28 ii/ii, Hollstein 28, Hind 159, Bjorklund-Barnard 38-D, Usticke 28 Provenance From the collection of the Print Department of the Szefmuveszeti Museum (Musee des Beaux Arts), Budapest, with their collection stamp( Lugt 2000) From the collection of Wilhelm Theodor Moll (Lugt 1819a): Collector's stamp as belonging to Wilhelm Theodor Moll (Lugt 1819a). Wilhelm Theodor Moll was a German collector, dealer, and connoisseur of old master prints. His collection included works by artists such as Rembrandt van Rijn, Dürer, and other major printmakers. His collector's mark is frequently encountered on impressions from distinguished nineteenth-century collections and is catalogued in the well-known collector's marks reference by Frits Lugt.Significance of the Stamp If this is indeed the Lugt 1819a mark, it can add an important layer of provenance to the etching: Demonstrates that the print passed through a recognized nineteenth-century collection. May help establish ownership history prior to modern sales records. Can support authenticity and collecting interest, particularly for Old Master prints. Collectors of Rembrandt prints often place considerable value on documented provenance through notable collections. Prov. Pasquale Iannetti Gallery, San Francisco, circa 1982 Private collection, Utah, USA Acquired by the present owner, General Investment Group LLC, June 2026. Publication Daniel Daulby, A Descriptive Catalogue of the Works of Rembrandt (Liverpool, 1796), p. 15, no. 29.M. le chev. de Claussin, Catalogue raisonné de toutes les estampes qui forment l’œuvre de Rembrandt (Paris, 1824), p. 22, no. 34.Thomas Wilson, A Descriptive Catalogue of the Prints of Rembrandt (London, 1836), p. 46, no. 35.Charles Blanc, L’œuvre de Rembrandt (Paris, 1880), pp. 55-57, no. 1.Woldemar von Seidlitz, Die Radierungen Rembrandts (Leipzig, 1922), pp. 40-41 (ill.).Arthur M. Hind, A Catalogue of Rembrandt’s Etchings, 2 vols. (London, 1923), I:83, II:pl. 159.Ludwig Münz, Rembrandt’s Etchings , 2 vols. (London, 1952), I:pl. 197, II:87, no. 177.George Biörklund, Rembrandt’s Etchings: True and False (Stockholm, 1955), p. 70, no 38D (ill.).Karel G. Boon, Rembrandt: The Complete Etchings, trans. by Elizabeth Willems-Treeman (New York, 1963), pl. 140.G. W. Nowell-Usticke, Rembrandt’s Etchings: States and Values (Narberth, Pa. 1967), n.p., no. B28 (ill.).Christopher White, Rembrandt as an Etcher: A Study of the Artist at Work, 2 vols. (London, 1969), II: 248, pl. 35.Christopher White and Karel G. Boon, Rembrandt’s Etchings: An Illustrated Critical Catalogue, 2 vols. (Amsterdam, 1977), I: 13, no. 28, II:17 (ill.).James N. Wood and Sally Ruth May...

Etching and Aquatint on laid paper, from the Series "Los Proverbios, 1815. This copy belongs to the edition of "L'Art", 1877, printed by François Liénard. With the name, title, prin...