Dancing Prints and Multiples

A wonderful, rare image by a pivotal 19th century Printmaker whose work serves as a bridge between social realism and the exuberant, often gritty glamour of Parisian cabaret culture....

Medium: pochoir (after the pastel). A soft and delicate impression, printed in Paris in 1948 and published in an edition of 1200 by Braun et Cie. Size: 6 1/2 x 4 1/2 inches (164 x 11...

Original L'Andalouise au Temps des Maures vintage art nouveau poster. L'Andalousie au Temps des Maures. Exposition de 1900. Imprimerie C...

Andrew Scott, Backfire, 2024 Print on Etching cotton Rag with Hand Burnt Frame 45 x 33 cm (17 7/10 × 13 in) Edition 239 of 250 Framed in open-grain black wood Signed and numbered la...

Edgar DEGAS (1834-1917) (after) The Dance Center at the Paris Opera Lithograph after a painting by the artist Signed in the plate On vellum, 56 x 76 cm (c. 22 x 29.9 in) Very good ...

Erté Title: Firebird Date: 1987 Medium: Screenprint with foil stamping, signed and numbered in pencil Edition: CCXXVIII/CCL (228/250) Size: 39.5 x 25.7 in. (100.33 x 65.28 cm) Frame...

The 1895 original poster by Jules Chéret, promoting the Palais de Glace on the Champs-Élysées, represents a captivating glimpse into the vibrant nightlife and entertainment scene of ...

Giclee limited edition print by worldwidely established Polish artist Rafal Olbinski. Figurative surrealistic print with a ballerina with doves sitting on her leg. Colors are deep an...

Printer's Proof /5 Her appeal was classless and she rapidly became Britain’s most popular artist. She was a ‘heart and soul’ painter, compelled to paint with a passion. Her paintin...

Dancer is a lithograph realized by Francesco Messina in the mid-20th century. Hand signed and numbered. Edition of 125.

Robert Longo (born 1953) Eric (from Men in the Cities), 2025 Medium: Screenprint and varnish on Somerset paper Dimensions: 70 × 43.5 cm Edition of 1273: Hand-signed and numbered Cond...

Medium: offset lithograph (after Leger). Printed on Velin bouffant paper from the Papeteries de Hauteville and published by Edito-Service Geneve in 1980. This reproduces one of the o...

Kate Boxer Ballerina Is this the hostel where the lazy and the fun-loving start up the mountain? Limited Edition Drypoint Print Edition of 30 Image Size: H 23cm x W 23cm Sheet Size: ...

Medium: lithograph (after the poster). Printed in 1897 on smooth wove paper and published in Paris by Librairie Nilsson. Image size: 8 1/2 x 6 inches (210 x 155 mm). Sheet size: 12 1...

The last performance of Josephine Baker's career took place on April 8, 1975 at the age of 68. The great hall of Bobino, a Parisian music hall where she had performed regularly in the 1920s, celebrates her 50 years of career. Four days later, she died peacefully in her bed, reading the rave...

Francis Bacon (1909-1992) is one of the most distinctive, provocative, and influential painters of the 20th century. He is a true disrupter in the canon of Art History. His singul...

Henri Gabriel IBELS Pantomime : Harlequin and Pierrot, 1898 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. 16 x 12 in) INFORMATI...

"Not True, Good Accounts Make Good Friends" Satirical French Illustration Comical illustration by Gaston Hoffmann (French, 1883-1977) titled "Ce n'est pas vrai, les bons comptes fon...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG BALLET UND PANTOMIME...

Medium: pochoir (after the pastel). A soft and delicate impression, printed in Paris in 1948 and published in an edition of 1200 by Braun et Cie. Size: 6 1/2 x 4 1/2 inches (164 x 11...

Steve Jobs had just returned to the struggling company, Apple Computer in 1997. Jobs and Lee Clow had collaborated back in 1984 to launch the MacIntosh. Now was the time to recover t...

Medium: pochoir. Printed in Paris in 1932 on Velin du Marais paper at the atelier of Daniel Jacomet for the Les Joies du Sport portfolio and issued in an edition of 750. This was pub...

Original Vintage 1957 "Holiday on Ice" Poster. Sizew: 60" x 43.5", archival linen-backed, Grade A- condition. Capture the glamour and excitement of a bygone era with this authent...

A dazzling celebration of early cinema, Jules Chéret’s 1896 lithograph for Émile Reynaud’s Pantomimes Lumineuses at the Musée Grévin is one of the most iconic images in the celebrate...

Medium: original lithograph. This lithograph is from the rare 1950 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1950 Spr...

GEORGES ROUAULT (1871 – 1958) La PARADE 1932 (CR.203, W.211) color etching and aquatint 1932. Edition 270. Frontispiece from “Cirque”. Signed in plate as i...

This artwork "Ballet Dancer" 1989 is a color offset lithograph by American artist Robert Olson. It is hand signed and numbered 140/1275 in gold felt pen. ...

Diva Suite (Diva I & Diva II). Embossed serigraphs with foil stamping on paper. Each hand signed lower right by Erte. Each hand numbered 135/300 lowe...

Hell Plate - 29 is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Not signed, ...

Paul RENOUARD Ballerinas Having a Rest - "Repos", 1893 Original etching Signed in pencil On Japan paper 32 x 48 cm (c. 12.5 x 19 inch) INFORMATION : Limited edition of 20 copies se...

Serigraph in colors with foil stamping and embossment on wove paper. Hand signed lower right by Erte. Hand numbered 123/300 lower left. Sheet size: 39.5 x 28.5 inches. Frame size...

Robert Longo Untitled [from Men in the Cities], 1989 Signed, dated, annotated '3SS' and numbered 6/12 in pencil Lithograph with embossing, on Rives BFK paper, with full margins. 40.6...

Paul RENOUARD Dancing Class - "Classe du Premier Quadrille", 1893 Original etching Signed in pencil On Japan paper 32 x 48 cm (c. 12.5 x 19 inch) INFORMA...

Jules Chéret's original poster for the 1894 "Palais de Glace Champs Élysées" is a jewel of 19th-century poster art. Chéret, considered th...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG BALLET UND PANTOMIME...

The "Premières Foulées de l'Avant-Garde" was a sporting event organized by the Union de la Jeunesse Républicaine de France and the Fédération Sportive et Gymnique du Travail in the w...

1970s Alexander Calder Lithograph from Derriere le Miroir: Medium: Lithograph in colors. 1975. Dimensions: 15 x 22 inches. Center fold-line as issued; v...

Danseuse a Java is a hand colored lithographs realized by Auguste Wahlen in 1844. Good condition. The artwork belongs to the Suite Moeurs, usages et costumes de tous les peuples du...

Image dimensions: 32.5x48 cm. Artist's Proof. Edition of 100 prints numbered and hand signed, Very Good conditions.

Size of sheet is ca. 30 x 42 cm (A4) Contemporary figurative giclee print by Polish artist Rafal Olbinski. Print is signed, numbered and has a stamp of an artist's atelier. It comes...

The 1953 original travel poster titled "The Caribbean Fly There by BOAC" by artist Hayes captures the allure and excitement of mid-20th-century air travel. Produced in association wi...

Title: Grand jetés avec des fleurs Materials : Mixed Media Date : 2017 Dimensions : 50 x 35 Description : The Artwork "Grand jetes avec des fleurs" deals with the theme of Ballet. E...

Lars BO Oneiric Game (Le Rêve de Jean Valjean 6/8), 1975 Original etching Handsigned in pencil On Japan paper, 36 x 44,5 cm (c. 14.1 x 17,5 inch) Edition limited to 100 unnumbered copies INFORMATION : This etching is part of the set "Le Rêve de Jean Valjean" from the novel of Victor Hugo REFERENCE : Catalogue raisonné "Gravures Lars Bo" established by Ludmilla Balfour (daughter of the artist...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG BALLET UND PANTOMIME...

Edition of 30 circus ballerina

Medium: original lithograph. This lithograph is from the rare 1953 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1953 Spr...

Beautiful poster from 1899 for the Bal Spectacle du Syndicat de la Presse Marseillaise. Show - Press Tourangelle Tours

Medium: original lithograph. This lithograph is from the rare 1953 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1953 Spr...

Dame Javanaise de la Haute Classe is a hand colored lithographs realized by Auguste Wahlen in 1844. Good condition. The artwork belongs to the Suite Moeurs, usages et costumes de t...

Biagio Civale, Italian/American (1936 - ) - The Dancer, Medium: Linocut, signed and numbered in pencil, Edition: 6/33, Image Size: 14.5 x 9.5 inches, Size: 20 x 14 in. (50.8 x 35...

Belle Époque lithograph of Folies Bergère: Fleur de Lotus by Jules Chéret, published in 1896 by Imprimerie Chaix, Paris. While Fleur de Lotus ...

May is an expertly crafted, embossed serigraph on paper with foil stamping and an image size of 27 x 22 inches. From the edition of 650, the art is numbered 171/300 and estate-stampe...

Private Act Susan Hall, American (1943) Date: 1978 Etching with Aquatint, signed and numbered in pencil Edition of 78 Image Size: 28 x 21.5 inches Size: 35 x 28 in. (88.9 x 71.12 cm)

A moment of self-reflection in the School of Spanish Dance in the Gran Teatro of Havana. James Sparshatt’s photographs of music and dance capture the emotion and intensity of people...

Endless Sleep Peterson, Cleon 2016 Hand pulled black and gold screen print printed on 290gsm Coventry Rag paper with deckled edges limited editi...

Alex Katz Dancer 1 2019 Silkscreen in colors on Saunders Waterford HP High White 425 gsm paper 60 x 36 inches (153 x 92 cm) Edition of 60

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell o...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG: KOSTUME, PLAKATE UND DEKORATIONEN, a cardboard bound art book consisting of 43 prints of work by Walter Schnackenberg, 30 of which are color lithographs that are signed and some are titled and dated in the plate, as well as black and white prints and photographs with accompanying text by Oskar Bie; lithographs printed at Kunstanstalt Oskar Consee in Munich, other images printed by Gesellschaft Pick & Co. in Munich, the text and cover with color images by Schnackenberg front and verso printed by R. Oldenbourg in Munich; published by Musarion Verlag, Munich, 1920. The majority of Walter Schnackenberg’s artistic output was destroyed by bomb attacks in Munich in 1944. The highly publicized 2013 auction in New York of the recovered pre-war poster collection once belonging to German poster aficionado, Hans Sachs has reintroduced the world to Walter Schnackenberg’s graphic genius and priceless ephemeral art from a lost era. Besides the museum world, designer Karl Lagerfeld is one of the most prodigious collectors of Schnackenberg. Flipping through the pages of Kostume, Plakate und Dekorationen, it becomes quite clear that Schnackenberg’s collection is ground zero at the crossroads of early modern fashion where the cult of celebrity meets up with dance, music, theater and cabaret, film and the graphic medium. Berlin and Munich under Germany’s Weimar Republic in the first quarter of the 20th century produced just the atmosphere to feed this burgeoning industry. Rising inflation sparked a recklessness to live large for the moment and heightened a desire for escapism. An influx of Indian and East Asian dancers and musicians added to the artsy bohemian cultural mix. A new decadence and tolerance resulted. Film boldly featured provocative subject matter. Cabarets became popular venues giving rise to the demi-monde in which people from all social stations mixed more freely in a thriving underground economy and culture where there was a blurring of boundaries and of social codes. Noted art historian and cultural doyen, Oskar Bie astutely observes in his introduction to Schnackenberg’s publication that what unites the images is fantasy and advertisement. Schnackenberg uses the eye as an instrument to brilliantly construct and convey this double message. His personages never directly confront the viewer. Their eyes gaze off in the distance like those of the screenplayer and film star Hedamaria Scholz in Schnackenberg’s “Die Rodelhexe” movie poster. Their eyes follow the path of a dance composition or become a transfixed and ogling male gaze such as the iconic 1911 Odeon Casino poster...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell o...

This is an original vintage 1948 travel advertising poster for Spain, created by artist Jose Morell. It was published by the Spanish State Tourist Department and features women perfo...