Hat Prints and Multiples

Jean Jansem (1920-2013) Baladin, 1983 Lithographie sur papier Arches, justifiée et numérotée 27/100 Signée en bas à droite 20 x 15 cm / 36 x 27 cm Bibliographie: Catalogue raisonné...

Artist Name: Romare Bearden Title: Girl in the Garden Year: 1979 Medium Type: Lithograph on Arches Archival Paper Size-Width Size-Height: 22'' x 30'' Signed Edition Size: Signed in...

SHARING THE CHORES is a hand drawn, limited edition lithograph by the acclaimed Charleston SC artist JONATHAN GREEN printed using hand lithography techniques on archival Arches paper...

Medium: Aquatint, Drypoint, Etching Year: 2017 Image Size: 7.5 x 11.25 inches Edition Size: 50 Stylized image of Lone Ranger figure on horse against a night sky. Lawlor's early etc...

ABOUT THIS ARTIST: Carla Sutera Sardo was born in Agrigento in 1983. She studied law and graduated in 2011. During her university career, she became interested in photography, thus s...

This is a rare and iconic poster from the first printing created by the legendary Andy Warhol for a special exhibition held in Sweden in 1983. Designed as a tribute to the legendary ...

Héliogravure, collotype vélin paper. Paper Size: 18.23 x 17.32 inches; image size: 12.44 x 8.31 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the fo...

signed and numbered lower image edition 7/40 Catalogue raisonné 00269 Internationally recognized painter and printmaker Alex Katz was born in 1927 in Brooklyn, New York. Over a thir...

Original “Stocks Americans” vintage poster. Linen backed in very good condition, ready to frame. No paper loss, no fold marks, clean and bright. Distress on one letter “S” in A...

"The Meeting of Her Majesty's Stag Hounds on Ascot Heath" is a large colorful mezzotint engraving of an extensive British hunting scene. It was created by Sir Francis Grant...

Jean-Michel FOLON Twins : Men in a Mirror, 1977 Greeting card (Heliogravure) Unsigned Limited edition of 200 unumbered proofs On Arches vellum 27 x 18 cm (c. 11 x 7 inch) INFORMATI...

IN THE GARDEN is a limited edition color lithograph printed using traditional hand lithography methods on archival printmaking paper, 100% acid free, in an edition size of 150 by the renowned African American artist Romare Bearden. Featuring fresh, uplifting shades of lavender, hues of fresh green, pink, warm tomato red, orange yellow, grays, black and white, IN THE GARDEN depicts a charming collage portrait drawing of a young black woman waving as she carries her basket of freshly picked flowers. She is standing in the garden wearing a bright pink gingham...

SOLACE (2015)by HUSH Timed edition from 3rd Dec to 6th Dec 2015 580mm x 580mm (22,8" x 22,8") - Image Size approx: 540mm x 540mm Archival Pigment Print with a Screen Printed Archiva...

This is an original poster printed in lithography by the famous poster artist Leonetto Cappiello. Leonetto Cappiello was an Italian and French poster ar...

Original American Airlines - California, Arizona, Texas, New Mexico by McKnight Kauffer, 1948 vintage poster. Archival linen backed in Grade A, Excellent condition. No paper loss and no restoration. Kauffer’s signature artistry is on full display with a bold and minimalist design. The striking depiction of a Western figure adorned with a cowboy hat and scarf emphasizes California, Arizona, Texas, and New Mexico—the sun-drenched landscapes and destinations of the era's most adventurous travelers. The clean typography and bold color contrasts evoke modernism and nostalgia, making the piece a perfect centerpiece for collectors of aviation history, vintage travel memorabilia, or timeless graphic art. Designed by E. McKnight Kauffer, a renowned artist known for his bold use of color and striking designs, this poster is a masterpiece that resonates with the charm of a bygone era. This original piece from 1948 tells a story about American Airlines and reflects the excitement of post-war travel and the booming airline industry. This rare, authentic poster...

Hand-colored steel engraving of a the Turkish section of the Great Exhibition of 1851 by Lowes Cato Dickinson (British, 1819-1908). On verso i...

“Testa quasi colossale di Marco Aurelio” (Almost colossal head of Marco Aurelio) is a beautiful black and white burin on paper, realized by the Italian artist Pietro Fontana (Bassano Romano,1762 – Rome, 1837), after Teodoro Matteini (Pistoia, 1754 - Venice, 1831), as the inscriptions on plates on lower margins report “Teodoro Matteini delineò./ Pietro Fontana incise a bollino Roma”. This original print is numbered on plate in Roman numerals on higher margin: “Tom II. /Tav. XXV" and is a plate from the series "Illustrazioni de'Monumenti scelti Borghesiani già esistenti nella Villa sul Pincio (..)date ora per la prima volta in luce dal cav. Gio. Gherardo De Rossi e da Stefano Piale sotto la guida di Vincenzo Feoli", by Ennio Quirino Visconti, published by Stamperia de Romanis in Rome, 1821. This old master’s original prints shows a precious piece of the Borghese's collection, the marble bust of the Roman philosopher and writer and one of the "good Roman Emperor" (according to Edward Gibbon) Marco Aurelio, represented in neoclassical style and with the traditional iconography with a thick hair and a long beard. In excellent conditions with a usual yellowing of the paper on the lower margin and some light signs of the time with an imperceptible weaving of the paper on the lower right corner, this wonderful burin preserved his fresh impression. Illustrazioni de' Monumenti scelti Borghesiani This collection in two volumes is a beautifully detailed catalog of classical sculptures collected by Prince Borghese (1730-1800) in his Villa on the Pincio. Ennio Quirino Visconti (1751 - 1818) wrote the texts that accompany the large branches depicting. To these writings, which were available by the son of the illustrious archaeologist, the publishers added only a few illustrations relating to some minor monument of which copper had already been engraved. The engraved title-plate are signed by draughtsmen like Agostino Tofanelli, Stefano Tofanelli, Bernardino Nocchi, Domenico de Angelis or Teodoro Matteini, and by engravers Pietro Fontana Veneto, P. Vitali, Pietro Bettelini, Giovanni Folo Veneto, Giovanni Brunetti da Ravenna, Giovanni Ottaviani, Francesco Cecchini, Gio. Batta. Leonetti, Girolamo Carattoni, Domenico Cunego, Luigi Cunego, Alessandro Mochetti, Luigi Pizzi, Angelo Campanella or Giacomo Bossi. The Volume I shows ancient full-length statues, of the Borghese warrior by Agasias (two plates), Greek gods and heroes and Roman famous historical figures; the last two plates represents antique Egyptian deities. There are plates representing ancient bas-reliefs, sarcophagi, of mythological subjects, the Borghese Vase, portrait busts, a vase on an altar, two statues of Amor; and two modern statues, by Bernini (the Apollo and Daphne, and the David). «Très bel ouvrage» writes Brunet, «Grand ouvrage, le seul qui mérite, parmi ceux sur la villa Borgese, de figurer dans le chapitre aux Galeries et Collections» Vinet said, looking at this plate. Pietro Fontana (Bassano Romano,1762 – Rome, 1837) The Italian artist and engraver, Pietro Fontana was active in Rome and specialized in subjects dealing with the Vatican and the Papacy. He started his career as a student of Raffaello Morghen...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, . Notes: From the album, Chagall, Vitraux pour Jérusalem. Published by Musée des Arts Déco...

Ladies and Gentlemen is a colored screen print realized in 1975 by the Pop artist Andy Warhol.  Mixed colored screenprint Reference: Feldman-Schellmann, II.127. Signature and edit...

Lithograph poster printed by Art Graphic International. Paper Size: 25.5 x 18 inches ( 64.77 x 45.72 cm ) Image Size: 18 x 12.75 inches ( 45.72 x 32.385 cm ) Framed: No Condition: ...

These lifelike images show The Lone Ranger as he might have appeared to any of his enemies as he fought crime in the West; mask on, guns drawn. Tonto, the Lone Ranger’s faithful Nati...

TO MARRY is an original hand drawn limited edition lithograph by the highly acclaimed African-American woman artist Elizabeth Catlett, master printmaker and sculptor best known for her depictions of the African-American experience. TO MARRY features a creative collage style portrait of a bride...

Howard Cook, 'Taxco Market', aquatint and etching, 1932-33, edition 30, Duffy 181. Signed and titled in pencil. A superb, richly-inked impression, on cream wove paper; the full shee...

The reproduction of Come Sunday by Romare Bearden is based on a piece he originally created in 1967. Come Sunday is a powerful work that reflects the significance of spirituality and...

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Tete". The original painting was completed in 1954. In the 1970's after Picasso's death, Marina Picasso, his granddaughter, authorized the creation of this lithograph by Laurent Marcel Salinas, who worked closely with Picasso during his lifetime. The limited edition print run was completed and published by Marina Picasso in conjunction with Jackie Fine Arts in 1982. The lithograph is printed on French Arches paper, ink-stamped by the Estate verso, and hand-signed and numbered edition of 500 by Marina Picasso on the recto. The embossed seal of the Estate is lower right and the printer's chop, lower left. The work is presented in an excellent brown wood frame with silk linen matting using all acid-free conservation materials. Tete Pablo Picasso (After), Spanish (1881–1973) Portfolio: Marina Picasso Estate Lithograph...

Full Speed Ahead 1985 Ed Mell 1942-2024 Original signature lower right Stone Lithograph 22 x 30 inches MINT CONDITION. NEVER FRAMED! Biography 1942-2024 Born in Phoenix, Arizona...

Hyland Ellis The Gay Parisienne, 1897 Stone ithograph Printed signature in the plate On vellum Size 39 x 29 cm (c. 15.3 x 11.4") INFORMATION : Plate 123 of "Les Maîtres de l'Affic...

Medium: collotype (after the painting). Printed in 1926 at the Leon Marotte atelier and published in an edition of 1000 by Editions des Quatre Chemins. Image size: 8 x 5 1/4 inches (...

Hebru Brantley Flyboy Pop Art Sculpture / Hebru Brantley Beyond the Beyond, 2018. New in its original packaging. Medium: Painted cast vinyl. Dimensions: 9 x 8 x 4 inches (22.9 x 20...

Artist/Designer: Andy Warhol (American, 1928-1987) Marking(s); notes: copyright/publisher’s ink stamp, blind stamp; unknown edition size; 1986 Materials: screenprint in colors on Len...

William Nicholson (1872-1949) Fishing 1897 Original Colour Lithograph Image: 21.0 x 21.0 cm Mount: 39.0 x 36.0 cm William Nicholson was born at Newark in 1872. He left to study in Paris in his late teens for six months at the Academie Julian before returning to England. In 1893 Nicholson married the painter Mabel Pryde and their first son Ben went on to become the famous painter and sculptor. Nicholson concentrated on printmaking with his brother-in-law James Pryde...

A cowboy in contemplative pose in front of a saguaro cactus.  The man is wearing a stetson hat and smoking a pipe.  The image evokes the solitude of life on the plains and seems to e...

Jesse F. Reed, 'Church at Chichicastenango', color etching and aquatint, 1963. Signed and titled in pencil. Signed and dated in the plate, lower right. A fine, richly-inked impression, with fresh colors, on cream wove paper; the full sheet with margins (1 3/8 to 2 1/2 inches), in excellent condition. Chichicastenango, also known as Santo Tomás Chichicastenango, is a town in the El Quiché department of Guatemala, located in a mountainous region about 140 km northwest of Guatemala City. Chichicastenango is a K'iche' Maya cultural center, with the great majority of the municipality's population indigenous Mayan K'iche. The church depicted is the 400-year-old church Iglesia de Santo Tomás. Built atop a Pre-Columbian temple platform, the steps which remain venerated today, originally led to a temple of the pre-Hispanic Maya civilization. K'iche' Maya priests still use the church for their rituals, burning incense and candles. Each of the 18 stairs that lead up to the church stands for one month of the Maya calendar year. ABOUT THE ARTIST Jesse Floyd Reed (1920-2011) studied art in New York City at the Grand Central School of Art and the Art Students’ League. He held degrees in History and English and completed special advance studies in Asian, African, and Latin American art, history and culture. At the time of his retirement, he was a Professor of the Arts Emeritus at Davis & Elkins College, a position he held for over forty-nine years. A nationally recognized artist since 1947, Professor Reed’s art has been shown in hundreds of museums, libraries, colleges, and universities, including the Boston Museum, National Museum, The Library of Congress, Brooklyn Museum, and Seattle Museum. In his native West Virginia, he is represented in the permanent collections of the Huntington Museum and the Charleston Museum at Sunrise. The recipient of many national and regional awards, Reed was a member of the Salmagundi Club in NY, the Boston Printmakers, the Print Club of Albany, and was a founding member of the West Virginia Water...

Louis BORGEX Brittany : Women in the Harbour , 1898 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. 16 x 12 in) INFORMATION: Lith...

Medium: Lithograph on vélin paper, mounted on vélin paper backing sheet, as issued. Year: 1954 Paper Size: 12 x 9.25 inches; image size: 9.84 x 7.08 inches Inscription: Signed in the...

Image dimensions: 40x60 cm. The painter and the model is an original colored lithograph on paper realized by the Italian artist Mario Russo (1925-2000) A beautiful original print representing the painter portraying an elegant woman with a big hat (she has something of the Fellinian actress) and remembering the academy lesson of drawing and the Classical Greek examples of beauty, is hand-signed in pencil by the artist on the lower right margin. Realized with a fresh line and transmitting the natural fascination towards the female beauty and world, this lithograph is numbered in pencil on lower left margin, a fine specimen from an edition of 150 prints. In very good condition and demonstrating a good inking, except for a light foxing along the margins, this is a really fine contemporary artwork able to adapt to each kind of furniture! Mario Russo (1925 - 2000) The Neapolitan artist moved to Rome, Trastevere, in 1950: in these years began to exihibit in Italy and abroad. In 1953 he stays in Paris, in 1960 in London with his own exhibition. Another exhibition in Monaco of Bavaria in 1965: three years later, in 1968, held two exhibitions in New York and accepted the invitation to exhibit his works at the Royalton College in 1970 Vermont. In 1970 he is enchanted from Sardinia and then decide to live there four months every year. His master is conquered by the sense of beauty, which is synonymous of female body pervaded sensuality. In 1977, during a stay in Canada, obtains new ideas on the man-machine relationship, always inherent in his paintings. In 1979 he was invited by the Italian Institute of Culture of Toronto to exhibit his works at Sudbury University. In 1981 in Florence, he is impressed by the Riace...

White Visor, 2003 by Alex Katz Signed, dated and numbered (34 of 75) Etching and aquatint in colors on paper 86 x 172 cm Edition of 75 Sold in excellent condition, unframed.

"Le Printemps" is an original color lithograph by Francois Batet. The artist signed the piece in the lower right and wrote the edition number (184/200) in the lower left. This piece ...

Landscape and figures. Signed on plate. Image Dimensions : 15x21 cm. Publisher : Editore Lovera Excellent conditions This artwork is shipped from Italy. Under existing legislation, ...

Musica per el Colom is part of the Suite Musical. Alvar’s creative embossing design exists as a resting place for his subject to recline while playing the flute. An onlooker serenel...

Alex Katz Ada in Hat, from Alex And Ada, The 1960's To The 1980's, 1990 Screenprint in colors, on Arches paper Hand signed and numbered "97/150" in pencil by the artist on the fro...

Edition of 100 prints, not signed. One of the most celebrated graphic works of Renoir, showing his son, the future Director Jean Renoir. Belogs to the suite “L’Album d’estampes orig...

Original ARIZONA, Fly TWA (Airlines) vintage travel poster. Archival linen backed in excellent condition, ready to frame. Grade A. Images shown are of the exact poster you will ...

Etching on cream laid paper, 4 5/8 x 3 1/2 inches (118 x 89 mm), thread margins. Laid down to a medium weight laid support, scattered nicks and corner wear. The top and bottom corner...

This Blue Dog work consists of a blue dog in the middle of a red, white, and blue background. The dog is wearing a yellow neckerchief and a large black western hat with gold trim on ...

Original CACAO VAN HOUTEN, LE Meilleur Chocolat a consommer liquide. Hot chocolate turn of the century antique vintage poster, unsigned. Pr...

"Home from the Fair" Wagon and Horses Print on Canvas Colorful print on canvas with additional oil brush strokes for detail by Texas artist Jack Terry (American, Born 1952). Limited hand signed edition of 108/250 hand embellished canvas prints. Hand signed in gold pen lower right "Jack Terry 108/250" Also signed in print "Jack Terry 1988" Ink Stamp on Canvas "Jack Terry hand Painted Canvas Print" Brass plaque center on linen "Home From the Fair" Image, 16"H x 20"W Frame, 24"H x 28"W x 2.5"D Jack Terry’s paintings evoke emotion in the viewer encompassing subject matter, use of color, mood and grace of light. He is one of the most collected artists of our time. Jack was born in the west Texas town of Sweetwater in 1952 and began his art career as a young child, winning his first of many awards at the age of nine. A fourth-generation Texan, he credits much of his inspiration to his maternal Grandfather, Bill Mason, a rancher who cowboyed on some of the last cattle drives of the west and his paternal Grandmother, Etna Terry, who began painting late in life and welcomed young Jack to participate in the fun. Six-time world champion Cowboy Larry Mahan has said of Jack, “Terry captures the West the way it was and the way it should be. He is one of the finest artists of our day and a pretty good cowhand to boot…”. A graduate of the University of Texas, Jack studied studio art, anatomy, design and journalism while displaying his paintings in various galleries throughout the state. Upon graduation, he began painting full-time, taking every opportunity to day-work on various ranches in search of inspiration, new subject matter and authenticity. In 1976, at the young age of 24, Jack Terry was named Bicentennial Artist in Texas. He was honored with a one-man show in the state Capitol Rotunda. His portrait of President Lyndon Johnson was commissioned for publication on the Texas Bicentennial Calendar that same year. In 1999, Harvest House Publishers invited Jack to write and illustrate his first book. “The Great Trail Ride”, a collection of 14 inspirational short stories. The great success of that first title led to eight more books which sold over one million copies. In 2008 First Lady Laura Bush invited Jack to the White House for the Holiday Celebration. He painted a Christmas tree ornament representing the state of Texas. In 2010 the United States Army commissioned a painting honoring the First Air Calvary Division and the brave men and women who have served from the historic beginning of the U.S. Calvary, Viet Nam and the Middle East. Limited edition reproductions were signed by Jack, Medal of Honor Recipient Bruce Crandall from the Viet Nam War, and General Dick Cody, Vice Chief of Staff, U.S. Army. Jack responded about this special occasion in 2010, “After months of research, flying time and researching films and most importantly sitting at the same table with these heroes whose commitment, loyalty and sacrifice to our great nation have made this the most meaningful painting I have ever done”. Jack Terry’s paintings hang in prominent collections throughout the country. The King Ranch...

Medium: collotype (after the painting). Printed in 1926 at the Leon Marotte atelier and published in an edition of 1000 by Editions des Quatre Chemins. Image size: 7 3/4 x 4 3/4 inch...

"Surreal Portrait of Mr. Cabbage on Purple Background" is a limited edition high-quality Dibond direct UV Print, part of the "Fetiches" series by Natasha Lelenco. This intriguing piece combines Lelenco’s distinctive style of anthropomorphic portraiture with surrealism, featuring a figure with a cabbage head wearing a yellow hat against a vibrant purple background. The piece reflects the artist’s exploration of biophilia, where humanity is portrayed as an integral part of nature rather than its focal point. Each print, numbered 25 of 25, captures a fusion of botanical and anthropomorphic elements, resulting in a visually arresting and conceptually rich artwork. Lelenco has carefully hand-finished each print, adding subtle details and enhancing the vivid colors. The prints are varnished, signed, and numbered on the back, and come ready to hang with a system that creates the illusion of the artwork floating on the wall. Customers can also choose to frame the piece if desired. The artwork presents a surreal and whimsical figure with a cabbage for a head, flanked by insects and adorned with a yellow beanie, all set against a bold purple background. This blend of natural elements and surrealist imagery makes the piece both visually striking and thought-provoking, encouraging viewers to contemplate the deeper connections between nature, identity, and the absurd. The high-quality Dibond direct UV Print, finished and varnished by the artist herself, ensures durability and brilliant color retention, making this piece a lasting and valuable addition to any art collection. As with all pieces in the "Fetiches" series, this edition can stand alone or be combined with others to create a cohesive display. Natasha Lelenco’s "Fetiches" series skillfully merges portraiture and surrealism, utilizing a meticulous accumulation of botanical and anthropomorphic forms. These elements are interwoven with thematic explorations that delve into biophilia, kitsch aesthetics, and the surreal. Drawing from her personal history, Lelenco constructs a dialogue between memory and imagination, bringing new life to fragments of the past to challenge conventional narratives. The psychological depth and classical influences in her work create a seamless blend between Renaissance portraiture and contemporary expression. Her "Fetiches" series notably echoes the artistic legacy of Italian painter Giuseppe Arcimboldo, solidifying its place in the realm of contemporary art. Keywords: Mr. Cabbage, Surreal Portrait, Purple Background, Cabbage Head, Biophilia, Anthropomorphic Art...

Original 1918 YMCA, One of the Thousands of YMCA Girls in France. United War Work Campaign vintage poster. Archival linen backed and ready to frame. Some touch up in the lower b...

Une Femme Assise by Lucien Pissarro (1863-1944) Etching 23 x 13 cm (9 x 5 ¹/₈ inches) Stamped lower right, L.P. and numbered lower left, 10/20 Provenance: John Bensusan Butt Private...

Original George Petty pinup, woman sitting with big sunhat and telephone. Archivally linen backed vintage pinup in very fine condition, ready to frame. (Note: this lithograph is NOT removed from a pinup calendar!) Introducing the original George Petty pinup, a captivating piece of art that showcases the iconic style and exquisite talent of George Petty himself. This artwork features a stunning woman adorned with a large red outlined sun hat, donning a classic one-piece bathing suit and high heels. The addition of a telephone in her right hand adds an intriguing element, making this pinup a unique and visually striking piece. The attention to detail and expert craftsmanship are evident in every brushstroke, bringing the woman to life and capturing the essence of Petty's artistic mastery. As an original George Petty pinup, this artwork holds historical and artistic value, making it a collectible and valuable addition to any art enthusiast's repertoire. About Petty: George Petty was an American pin-up artist from the 1920s to the 1970s. His pin-up art appeared primarily in Esquire and True magazine, but was also in calendars marketed by Esquire, True and Ridgid Tool Company. Petty's Esquire gatefolds originated and popularized the magazine device of centerfold spreads. Reproductions of his work were widely rendered by military artists as nose art decorating warplanes during the Second World War, including the Memphis Belle...

Etching on cream laid paper with a large heraldic watermark which is partially trimmed, 4 3/16 x 3 5/8 inches (105 x 84 mm), margins trimmed but preserving the signature in the lower...

Lithograph on foil movie poster for the musical western movie "Paint Your Wagon" designed by Peter Max. These posters were distributed to exhibitors show...

Behold the original lithographic Petty Pin-up, a unique vertical-format piece. The see-through bathing suit she wears seems to make her glow, especially with her red hair peeking fro...

Artworks sold in perfect condition : Set # 2 composed of 5 Gallery Print 30x40 cm This is an exceptional offer that we are presenting today. For almost four years, here on 1stdibs, a...

Beautifully executed original hand colored lithograph using gouache and watercolor. Scene in Surrey, England. Signedxwith monogram in plate lower left, Myles Birket Foster. Published by M. H. Long. Condition is very good. In original 2 inch wide birdseye maple antique frame with thick museum mat with gold innner edge. Overall 22 by 26 inches. Biography Myles Birket Foster (4 February 1825 – 27 March 1899) was a popular English illustrator, watercolour artist and engraver in the Victorian period. His name is also to be found as Myles Birkett Foster. Life and work Foster was born in North Shields, England of a primarily Quaker family, but his family moved south to London in 1830, where his father founded M. B. Foster & sons — a successful beer-bottling company. He was schooled at Hitchin, Hertfordshire and on leaving initially went into his father's business. However, noticing his talent for art, his father secured an apprenticeship with the notable wood engraver, Ebenezer Landells, where he worked on illustrations for Punch magazine and the Illustrated London News. On leaving Landells' employ, he continued to produce work for the Illustrated London News and the Illustrated London Almanack. He also found work as a book illustrator and, during the 1850s, trained himself to paint in watercolours. His illustrations of Longfellow’s Evangeline and books of poetry by other contemporaries were a great success, and he quickly became a successful artist in watercolours. Birket Foster became an Associate of the "Old" Watercolour Society (Later the Royal Watercolour Society) in 1860 and exhibited some 400 of his paintings at the Royal Academy over more than 2 decades. Birket Foster travelled widely, painting the countryside around Scotland, the Rhine Valley, the Swiss lakes and in Italy, especially Venice. In 1863 he moved to Witley, near Godalming in Surrey where he had a house ("The Hill") built. Being friendly with Edward Burne-Jones and William Morris, he had the house decorated and furnished in contemporary style, with tiles and paintings by Burne-Jones and Morris' firm, Morris and Company. The same year he published a volume of "English Landscapes," with text by Tom Taylor...

Royal Hotel - New Orleans 1920s Depression Art Lithograph in Ink on Paper Dramatic street scene with a man wearing a trench coat and hat by Robert J We...