Hat Prints and Multiples

CLIFF-HANGER is a hand drawn limited edition lithograph by the American surrealist artist Fanny Brennan, created using traditional hand lithography techniques printed on archival Arc...

Medium: etching. Etched by Jules Jacquemart after Frans Hals. This impression on cream laid paper was published in Paris by L'Art in 1880. The image m...

"Le Printemps" is an original color lithograph by Francois Batet. The artist signed the piece in the lower right and wrote the edition number (184/200) in the lower left. This piece ...

“Testa quasi colossale di Marco Aurelio” (Almost colossal head of Marco Aurelio) is a beautiful black and white burin on paper, realized by the Italian artist Pietro Fontana (Bassano Romano,1762 – Rome, 1837), after Teodoro Matteini (Pistoia, 1754 - Venice, 1831), as the inscriptions on plates on lower margins report “Teodoro Matteini delineò./ Pietro Fontana incise a bollino Roma”. This original print is numbered on plate in Roman numerals on higher margin: “Tom II. /Tav. XXV" and is a plate from the series "Illustrazioni de'Monumenti scelti Borghesiani già esistenti nella Villa sul Pincio (..)date ora per la prima volta in luce dal cav. Gio. Gherardo De Rossi e da Stefano Piale sotto la guida di Vincenzo Feoli", by Ennio Quirino Visconti, published by Stamperia de Romanis in Rome, 1821. This old master’s original prints shows a precious piece of the Borghese's collection, the marble bust of the Roman philosopher and writer and one of the "good Roman Emperor" (according to Edward Gibbon) Marco Aurelio, represented in neoclassical style and with the traditional iconography with a thick hair and a long beard. In excellent conditions with a usual yellowing of the paper on the lower margin and some light signs of the time with an imperceptible weaving of the paper on the lower right corner, this wonderful burin preserved his fresh impression. Illustrazioni de' Monumenti scelti Borghesiani This collection in two volumes is a beautifully detailed catalog of classical sculptures collected by Prince Borghese (1730-1800) in his Villa on the Pincio. Ennio Quirino Visconti (1751 - 1818) wrote the texts that accompany the large branches depicting. To these writings, which were available by the son of the illustrious archaeologist, the publishers added only a few illustrations relating to some minor monument of which copper had already been engraved. The engraved title-plate are signed by draughtsmen like Agostino Tofanelli, Stefano Tofanelli, Bernardino Nocchi, Domenico de Angelis or Teodoro Matteini, and by engravers Pietro Fontana Veneto, P. Vitali, Pietro Bettelini, Giovanni Folo Veneto, Giovanni Brunetti da Ravenna, Giovanni Ottaviani, Francesco Cecchini, Gio. Batta. Leonetti, Girolamo Carattoni, Domenico Cunego, Luigi Cunego, Alessandro Mochetti, Luigi Pizzi, Angelo Campanella or Giacomo Bossi. The Volume I shows ancient full-length statues, of the Borghese warrior by Agasias (two plates), Greek gods and heroes and Roman famous historical figures; the last two plates represents antique Egyptian deities. There are plates representing ancient bas-reliefs, sarcophagi, of mythological subjects, the Borghese Vase, portrait busts, a vase on an altar, two statues of Amor; and two modern statues, by Bernini (the Apollo and Daphne, and the David). «Très bel ouvrage» writes Brunet, «Grand ouvrage, le seul qui mérite, parmi ceux sur la villa Borgese, de figurer dans le chapitre aux Galeries et Collections» Vinet said, looking at this plate. Pietro Fontana (Bassano Romano,1762 – Rome, 1837) The Italian artist and engraver, Pietro Fontana was active in Rome and specialized in subjects dealing with the Vatican and the Papacy. He started his career as a student of Raffaello Morghen...

The Poker Game by Israel Rubinstein, Israeli (1944) Date: 1980 Screenprint, signed and numbered in pencil Edition of 250 Image Size: 27 x 38 inches S...

From the Ladies and Gentlemen Portfolio. Screenprint in colors on arches paper. Hand signed and numbered by the artist on verso. Artwork sheet size 43.33 x 28.5 in. Framed. From...

My Summer Vacation Serigraph 1984 33 × 24 in 83.8 × 61 cm Edition of 59 VERY RARE Billy Schenck has been known internationally for 44 years as one of the originators of the contemp...

Champion 1979 Billy Schenck Serigraph Image size: 16 x 27 inches Billy Schenck has been known internationally for 44 years as one of the originators of the contemporary "Pop" wester...

Del Monte Roundup Savin' Stampede Bronco is part of a c. 1965 advertising campaign for Del Monte Foods. Del Monte Foods is a California based company founded in 1886 that specializes...

Red Rodeo Rider 1981 Bill Schenck Serigraph, edition of 75 Image size 35 x 25 inches UNFRAMED Billy Schenck has been known internationally for 44 years as one of the originators ...

Duane Bryers, American (1911 - 2012) - Lonesome Train Whistle, Year: Circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP, Image Size: 17 x 22 in., Siz...

The Bride And Groom Cats On the Roof is an original lithograph on ivory-colored paper realized by J.J. Grandville from Scènes de la vie privée et publique des animaux, 1852. Publishe...

Framed lithograph, signed ("Rónai") and numbered ("no. 50") by the artist. Also includes a silver József Rippl-Rónai coin, made in 1977 for the 50th anniversary of his death. The li...

Mexican is an original woodcut print realized by an unknown artist of early 20th century. Very good condition on a brown cardboard. No Signature.

Michael Knigin, American (1942 - 2011) - Acting Proud, Portfolio: Vintage Nudes, Year: 2001, Medium: Giclee signed, numbered, dated, and titled in pencil, Edition: AP, Image Size...

Screen print cutout on Saunders Waterford 425gm HP Hi-White paper. Hand signed, dated and numbered by the artist. Artwork size 10.5 x 8 inches. Custom framed as pictured. Frame si...

In Mexico is an original lithograph on paper realized by French artist Alfred Darjou (1932-1874). Signed on the plate on the lower left. Titled at the top center in French, print o...

Original prerelease Indiana Jones and the Last Crusade 1 sheet movie poster that was rolled and not folded. Artist: Drew St4uzan. Size: 27" x 40". Linen backed. Excellent co...

LEONOR FINI Hatted Cats 1973 Color lithograph Ed. 157/230 12.5 x 9 inches

Hand-watercolored Etching, 1819, Image Dim: cm 28 x 20, Dim: cm 28x39. Etching and Watercolor technique. In Good condition. Signed and dated on plate lower margin "Pinelli dis. e ...

Poster of Stowackiego theater is an original offset print realized in 1975 for "Ulani". Signed on the lower right " M. Gorowski 75". Good conditions except for light and small cutt...

LEONOR FINI Cat with Hat 1973 Color lithograph Ed. 157/230 12.5 x 9 inches

Artist: Philippe Noyer (1917-1985) Title: The Crocodile Year: circa 1969 Medium: Lithograph on Arches paper Edition: 111/220, plus proofs Size: 29.75 x 22 inches Condition: Good Insc...

woman in straw hat with eyes closed

This artwork titled "Summer Queen" c.1980 is an original color lithograph on wove paper by American artist Robert Raymond Anderson, 1945-2010. ...

Paper Size: 25.5 x 29 inches ( 64.77 x 73.66 cm ) Image Size: 18 x 24 inches ( 45.72 x 60.96 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional D...

Louise BRESLAU Young Girl with an Orange, 1898 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. 16 x 12 in) INFORMATION: Lithograp...

Viktor Koretsky 🇷🇺 (1909-1998) is known as a master of political posters. During his life, he made about seven hundred drawings on various subjects, including - political. The co...

Hebru Brantley GAIA (Hebru Brantley Lil Mama as Gaia): Hebru Brantley’s ethereal art toy features his much iconic, Lil Mama character as Gaia, the...

"Too Cute to Handle 3" Photography 31.5" x 24" inch Edition of 5 by Lukas Dvorak Pigment print on Epson Fine ART paper 2023 Ships rolled in a tube ABOUT THE ARTIST Lukas Dvorak i...

Eva Fleigen (1575-c1628), was a German woman said to have lived off nothing more than the scent of flowers. Lithograph after a stipple engraving by Robert Cooper from Henry Wilson ...

Clint Eastwood Hollywood Legend Movie Star Oscars Academy Awards Litho Western Al Hirschfeld (1903-2003) Clint Eastwood Hand-signed Limited Edition Etching 20/100 14 1/2 x 11 3/4 i...

Henri de Toulouse-Lautrec 🇫🇷 (1864-1901) is the image of the revival and decadence that blows on the Belle Époque. Painter of the nightlife of Montmartre, but also of the promiscu...

Villon, Jacques. LES PETITS HALEURS. GP 176. Etching and Aquatint, 1907. Edition of 50 on Arches laid paper, signed and numbered in pencil, 5 3/4 x 7 3/4 inch...

This original vintage Air-India poster, titled "Rome," features the airline's iconic Maharajah mascot indulging in a quintessential Italian dining experience. Seated comfortably, the...

Limited Edition Beryl Cook's appeal was classless and she rapidly became Britain’s most popular artist. She was a ‘heart and soul’ painter, compelled to paint with a passion. Her pai...

"Stand Strong" is a digital illustration by Samantha Viotty, a Washington DC-based artist. This piece, similar to her others, is an exploration into ac...

Rodeo Queen, 1981 Edition 36/50 Signed lower left, Inscribed: for the "Rose" 82. Provenance: Print was a gift to Rozanne Charington, companion and model for "Rodeo Queen", "Rose Tattoo" and "Jimenez at Adeliza's Candy Store". Lithograph on paper 42 ½ × 29 in. (107.3 × 73.7 cm) Luis Alfonso Jimenez Born, 1940, El Paso, Texas, died 2006, Hondo, New Mexico. Statement: Luis Jimenez, in his work, celebrates the vitality of life. . . . Jimenez es un hijo de la frontera; he knows its people and the landscape. It is the transformation of these people into art that is his most important contribution to the art of this vast region which stretches between Mexico and the United States. His subject matter utilizes the popular images of the cultura del norte, and a large part of it is depicted and transformed in the rough and tumble world of la frontera. He is also a son of el norte, and so he uses its materials and explores its emerging, popular myths. The tension and attraction of Jimnez’s work is that he always creates within the space of his two worlds, the Mexicano and the Americano. He constantly shows us the irony of the two forces which repel, while showing us glimpses of the synthesis he seeks. What a gift it has been to us for this talented artist to reflect on the soul of our region. He gives meaning to our existence and history. Rudolfo Anaya (passage chosen by the artist), A View from La Frontera, Man on Fire: Luis Jimenez, pp. 1, 3, 6Biography: Luis Jimenez was born in Texas to parents who had emigrated from Mexico to the United States; he would later dedicate his 1989 sculpture Border Crossing to his father, who had entered the country illegally. The elder Jimenez was a neon sign designer in El Paso, and Luis worked with him as a youth. His experience working in the neon shop and his fascination with U.S. car culture would both become major influences on his art career. Jimenez studied architecture at the University of Texas, Austin (UTA), and also took art courses in which he first created sculptures with wood, steel, and fiberglass, choosing the latter because of its association with U.S. popular culture. He subsequently became one of the artists who made fiberglass an acceptable medium in the 1960s. In 1964 Jimenez received his B.S. in art from UTA, and he continued his studies at the Universidad Nacional Autonoma de Mexico in Mexico City. In 1966 he moved to New York City and worked as an assistant to sculptor Seymour Lipton. Jimenez began to exhibit his art while in New York and in 1972 moved to New Mexico to focus on creating public sculptures, even as he maintained his diverse output of drawings, prints, and lithographs. Drawing on his early experiences, Jimenez creates works that come from a border perspective, one that draws upon the hybridity bred by culture clashes. Often socially and politically informed, his works speak not only in regional terms, those germane to the southwestern United States, but to broader, more global issues as well. They exhibit a profoundly Chicano aesthetic and sensibility, one that is informed by Mexican and Mexican American traditions, North American popular culture, Chicano cultural icons, and images and themes unique to the Southwest. Death, sexuality, and the struggle of the common people are frequent themes. Inspired by authors who write in an autobiographical style, Jimenez creates works that function as personal narrative yet are also able to make statements about culture in more global terms. His use of bold colors and lines, a legacy from his fathers work as a neon sign maker, lends a dynamic sensuality to his work, one that is particularly evident in his monumental fiberglass and acrylic urethane sculptural works Many of Jimenez's works correspond to scholar Toms Ybarra-Fraustos definition of the Chicano aesthetic of rasquachismo, a lowbrow sensibility that appeals to the working class in that it applies to objects that subvert expressions of the mainstream or dominant culture. Creating art that speaks to the people, Jimenez is able to transform regional and culturally specific myths and symbols into globally recognized and relevant icons. Exhibitions: In addition to his personal work, Jimenez has been commissioned for numerous public art projects. In 1999 his sculpture Southwest Piet was designated a National Treasure by First Lady Hillary Clinton. The many exhibitions featuring his work have included Human Concern/Personal Torment (Whitney Museum of American Art, New York, 1969). The First International Motorcycle Art Show (Phoenix Art Museum, Phoenix, AZ, 1973). Three Texas Artists (Centre Cultural Americaine, USIS, Paris, 1977), Recent Trends in Collecting (Smithsonian Institution, Washington, DC, 1982). Committed to Print (Museum of Modern Art, New York, 1989) Printmaking in Texas: The 1980s (Modern Art Museum, Fort Worth, TX. Laguna Gloria Art Museum, Austin, 1990. The Whitney Biennial (Whitney Museum of American Art, New York, 1991) Man On Fire: Luis Jimnez (Albuquerque Museum of Art, NM, 1994-95). 47th Annual Purchase Exhibition (American Academy of Arts and Letters, New York, 1995). Traveling solo exhibition, Working Class Heroes: Images from the Popular Culture (1997-2000). Jiménez Collier Gallery has been in continuous operation for over 40 years. Originally located just off Main Street in downtown Scottsdale, Arizona, we have moved to Phoenix to accommodate and showcase our large inventory including: • Original works by Maynard Dixon, Lon Megargee, Ed Mell, Fritz Scholder, Bill Schenck, Bill Lesch, Luis Jimenez, Greg Singley, Dan Budnik, and other 20th century Western, WPA and Contemporary Southwestern artists. • The Fine Art Estate of Lon Megargee • Vintage rodeo...

The Journey to India Jan Peter Tripp German (1945) Date: 1986 Etching, signed, numbered, dated, and titled in pencil Edition of 46/300 Image Size: 15 x 18 inches Size: 21.5 x 24.5 in...

Paul Gavarni (1804-1866), Fashion Plates (a collection of 12), lithographs, c. 1840, as published in Le Charivari, with the letterpress verso. [Some are ...

Brainstorming. 6/450, poster, K. Hayes Fine Arts 1998, 69x49 cm Juris Dimiters (1947) Education: 1958-1965 Janis Rozentals Art High School of Riga 1965-1973 Art Academy of Latvia, Painting Department, specialism in scenography. Solo shows: 1981- Baiba & Leo Benias Gallery, West Berlin (as part of the Skulme family exhibition) 1984- Museum of Foreign Art , Riga; Cēsis Exhibition Hall; 1986- Firebird Gallery, Alexandra; International Images, Pittsburgh, USA. 1987- Exhibition Hall, Jurmala. 1987- Exhibition Hall, Stockholm, Sweden (as part of the Skulme family exhibition) 1989- Delta Art Gallery, Nijmegen (The Netherlands). 1992- Maya Polsky Gallery, Chicago, USA. 2000- State Tretyakov Gallery, Moscow and State Museum of Art , Riga. 2004- Riga Museum of History and Navigation. 2007- Imagine Gallery, Riga. 2007- Art gallery Laipa, Valmiera. 2007- Moscow house, Riga. 2009- Zurab Tsereteli Gallery, Moscow. 2009- Riga Museum of History and Navigation. 2012- Paintings about Love at Happy Art Museum, Gallery Riga. Awards: 1981- 2nd Prize, International Poster Biennial, Lahti, Finland. 1982- Faber Castell, International Triennial of Drawings by Young Artists, Nurnberg, Germany. 1982 - 1st Prize, Fort Collins, Colorado, USA. 1983- 3rd Prize, International Poster Biennial, Lahti, Finland. 1983- 1st Prize, Colorado International Poster Exhibition, USA. 1985- 1st Prize, Stage Design Triennial of the Baltic Republics. 1987- Certificate of Honor, honorary diploma Artists Society International Art Achievement Awards Exhibition San Francisco, Ca, USA. 1987- Honorable Mention, Artist Liaison Competition, Santa Monica, Ca, USA. 1988- 1st Prize, Social Poster Section at the exhibition Best Poster in Riga. 1989- Certificate of Honour, International Poster Biennial, Lahti, Finland. 1989- Meritorious Artist of the Latvian SSR. Museums and Collections: Art Collection of the nascent Latvian Museum of Contemporary Art, Riga, Latvia. Museum of the Artists’ Union of Latvia, Riga, Latvia. State Tretyakov Gallery, Moscow, Russia. Museum Ludwig, Cologne, Germany. Cremona Fund, Maryland, USA. New Orleans Museum of Art, USA Norton and Nancy Dodge Collection, Zimmerli Art Museum, New Brunswick, USA Private collections in Latvia, USA, Russia, Germany, Sweden. Literature: J. Dimitrers, J. Borgs“Juris Dimiters. Plakāti” – R.: Iespiests Jelgavas tipogrāfijā, Rīga, 2014. Juris Dimiters is among the most intellectual and witty artists of his generation. The characters of his works – paintings and posters – mostly are anthropomorphized fruits and objects. Placed within games of mutual interrelationships, they have become actors in the theatre directed by the artist. Over time the personages of the still-life have constantly transformed and migrated both among groups of work and media, embodying new roles in each of them. Nevertheless, they have always actively commented on one of three subjects – power, society and the everyday. J. Dimiters’ paintings and posters strike...

Etching and aquatint, 1998, on Somerset Satin White paper, signed and dated in pencil, numbered 69th from the edition of 100 (there were also 15 artist’s proofs), printed by Maurice ...

Original Gene Autry Gold Mine in the Sky linen-backed original vintage movie poster. The poster does show some foxing on the original theatrical fold marks. Republic Pictures. ...

This original exhibition poster was created for Alex Katz’s 1980 show at Marlborough Gallery, featuring one of his most iconic and enduring images: Aida with a Hat. Rendered in Katz’...

"Barbisio (Dog & Hat)" is an offset color lithograph poster by Giovanni Mingozzi, this example coming from the original printing of the poster. It features a white dog surrounded by ...

Alfred Pierre AGACHE (1843-1915) Imperia (Caprices of Verlaine), 1899 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. 16 x 12 in) ...

Lee, Doris (American, 1905-1983). THE DOVE. Lithograph, 1952. Edition of 250 published by Associated American Artists. Signed in pencil. 11 3/8 x 9 1/2 inches...

Hebru Brantley GAIA (Hebru Brantley Lil Mama as Gaia) / Hebru Brantley FLYBOY: a set of 2 works: Vinyl figures: 2 individual works. c.2017 (flyboy) & 2021 (gaia). Gaia: 7.5 x 5.5 inches. Flyboy: 9 x 8 inches. Each new, never displayed; accompanied by original packaging. Published by Hebru Brantley from a limited series of unknown. Unsigned as issued. Hebru Brantley Gaia: Hebru Brantley’s ethereal art toy features his much iconic, Lil Mama character as Gaia, the fabled personification of Mother Earth. Wearing her traditional aviator goggles, Lil Mama glides on a cloud high above everyday life. Brantley has designed Gaia as an amulet that he says, will ‘…provide you and those you love with blessings and protection…’ Hebru Brantley Flyboy: Artist Statement: "Flyboy came out of characters of colour within popular culture. I hate saying “popular culture,” but it’s really popular culture. I mean you look at cartoons. You’ve got animated sponges and ducks and birds and whatever, and it’s very rare to see a popular character within any medium that is African-American, Latino, even Asian. What I wanted to do was create that, but in a space of high art and be able to have some historical context to that character. So I looked at the Tuskegee Airmen...

Composition is an original etching made by Giuseppe Guerreschi in 1974. Hand-signed with pencil on lower right by the artist. Numbered 63 of 99 p...

"Untitled (Parrot)" colored lithograph by children's book author and artist Sandra Calder Davidson. Artist's proof. Hand numbered AP XIV/XX in f...

This limited edition color lithograph, titled The Conceited Man, beautifully recreates the iconic watercolors from the beloved book Le Petit Prince by Antoine de Saint-Exupéry. This ...

Wilhelm Leibl (1844 Cologne - 1900 Würzburg), Linen portfolio by Kunstverlag Gurlitt with 11 (of 11) original etchings, 1900, copy no. 67 / 100, 49.8 cm x 32 cm (portfolio size), 43....

Lithograph and stencil with hand coloring on vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Le Livre blanc, précédé d'u...

TECHNICAL INFORMATION Alex Katz 2017 Archival pigment inks on Crane Museo Max 365 gsm fine art paper 46 x 21 in. Edition of 125 Pencil signed and numbered Accompanied with COA by G...

Norman Rockwell Dreams of Long Ago, 1976 Lithograph Hand signed lower right Edition 18 / 200 Image size 68 x 51 cm Sheet size 85 x 60 cm Dreams of Long Ago/Cowboy with Gramophone...

This artwork titled "The King of the Masque" c.1980 is an original color lithograph on wove paper by American artist Robert Raymond Anderson, 1...

Limited edition Photographic Mosaic. Edition of 30 The same incredible artwork on a slightly smaller scale. Joel creates these contemporary pieces by adding lots of tiny images of ...

This vintage poster , created by Austin Briggs, advertises travel to Arizona by way of TWA. The image suggests that there are cacti and mountains to be seen as well as cowgirls. TWA ...

Framed print of May 15, 1934, "Vogue" magazine cover by Alix Zeilinger for the Summer Travel issue depicting a woman in a yellow hat and black and yellow stripes looking at a butterf...

Les Amants is a color lithograph on ivory paper, created by the Italian artist Umberto Brunelleschi (Montemurlo 1879- Paris 1949). Illustration for “Tales and Short Stories” by La F...