Head Prints and Multiples

Yoshitomo Nara Lollipop Print on paper 20 3/10 × 14 3/10 in 51.5 × 36.4 cm

Pablo Picasso La Comédie Humaine Lithograph, 1954 10.5 x 14.5 Publisher: Tériade, Paris.

Original vintage World War I poster. U.S.A. bonds: Third Liberty Loan campaign: Boy Scouts of America. Depicted: Boy Scout handing a sword inscribed "Be prepared" to a stylized warri...

Yoshitomo Nara Dream Time, 2021 Print on paper 20 3/10 × 14 3/10 in 51.5 × 36.4 cm

Pablo PICASSO (1881-1973) Le Goût du Bonheur, Picasso with a Beard, 1964 Lithograph Unsigned Printed date in the plate On vellum 32.5 x 25 cm (c. 12.6 x 9.8 in) INFORMATION : Crea...

Lithograph, stencil on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série N° 7...

Medium: lithograph (after the poster). Printed in 1897 on smooth wove paper and published in Paris by Librairie Nilsson. Image size: 9 1/4 x 7 inches (235 x 170 mm). Sheet size: 12 1...

Medium: original etching. Printed in 1946 at the atelier Quesneville on BFK Rives paper and published in a limited edition of 300 for the "Alternance" portfolio (a collective art and...

Pierre Auguste Renoir Mère et Enfant, 1896 Drypoint in brown and green From a very rare edition of 100 impressions on cream-toned Van Gelder laid paper Reference: Delteil #10 Printed...

Lithograph and silkscreen with grease crayon, lithographic tusche, lead pencil, charcoal on vélin d'Arches paper. Paper size: 12.8 x 9.84 inches. Inscription: Unsigned and unnumbered...

Lithograph and silkscreen with grease crayon, lithographic tusche, lead pencil, charcoal on vélin d'Arches paper. Paper size: 12.8 x 9.84 inches. Inscription: Unsigned and unnumbered...

Yoshitomo Nara Tomorrow's Far Away Offset lithograph on paper Sheet size: 51.5 x 36.4 cm Stamped with title, artist's name, copyright and year published by N's Yard, Japan

Lithograph and silkscreen with grease crayon, lithographic tusche, lead pencil, charcoal on vélin d'Arches paper. Paper size: 12.8 x 9.84 inches. Inscription: Unsigned and unnumbered...

Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, Verve: Revue Art...

Ian Hugo, 'Together', from the portfolio 'Ten Engravings'. engraving, 1946, edition 50. Signed, dated, titled, and numbered '22/50' in pencil. A fine impression, with delicate overall plate tone, on cream wove paper, the full sheet with wide margins (2 7/8 to 5 1/2 inches), in excellent condition. With the blind stamp 'madeleine-claude jobrack EDITIONS', in the bottom right margin. Matted to museum standards, unframed. Image size 5 7/8 x 4 7/8 inches (149 x 124 mm); sheet size 15 x 11 1/8 inches (381 x 283 mm). Collection: Indianapolis Museum of Art. Ian Hugo originally created "Ten Engravings" in 1945 and the portfolio included a foreword by his partner and collaborator, Anais Nin. In 1978, Hugo republished the portfolio with Madeleine-Claude Jobrack, an American master printmaker who studied under Stanley William Hayter at Atelier 17, Paris, and with Johnny Friedlaender. When Jobrack returned to the States she managed the Robert Blackburn Printmaking Studio in New York before opening her own printing studio, Madeleine-Claude Jobrak Editions. “The sign of the true artist is one who creates a complete universe, invents new plants, new animals, new figures to transfer to us a new vision of the universe in which dream and reality fuse. Ian Hugo's plants have eyes, the birds have the delicacy of dragonflies, their feathers have the shape of fans. Humor is apparent in every gesture. He uses a fine spider web to give a feeling of flight, speed, lightness. The body of a woman reveals the structure of a leaf, a plant. Wings are moving in a world unified by mythological themes. This is an animated world, humorous and levitating, elusive and decorative, which by its unique forms and shapes gives us the sensation of a rebirth, a liberation from the usual, the familiar, a visit to a new planet.” —Anais Nin, from the forward to the portfolio ‘Ten Engravings’ ABOUT THE ARTIST Ian Hugo was born Hugh Parker Guiler in Boston, Massachusetts, on February 15, 1898. His childhood was spent in Puerto Rico—a "tropical paradise," the memory of which stayed with him and surfaced in both his engravings and his films. He attended school in Scotland and graduated from Columbia University where he studied economics and literature. Hugo was working with the National City Bank when he met and married author Anais Nin in 1923. The couple moved to Paris the following year, where Nin's diary and Guiler's artistic aspirations flowered. Guiler feared his business associates would not understand his interests in art and music, let alone those of his wife, so he began a second, creative life as Ian Hugo. Ian and Anais moved to New York in 1939. The following year he took up engraving and etching, working at Stanley William Hayter’s experimental printmaking workshop Atelier 17, established at the New School for Social Research. Hugo began producing surreal images often used to illustrate Nin's books. For Nin, his unwavering love and financial support were indispensable—Hugo was the "fixed center, core... my home, my refuge" (Sept. 16, 1937, Nearer the Moon, The Unexpurgated Diary of Anais Nin, 1937-!939). Fictionalized portraits of Higo and Nin appear in Philip Kaufman's 1990 film drama of a literary love triangle, Henry & June. Inspired by comments that viewers saw motion in his engravings, Hugo took up filmmaking. He asked the avant-garde filmmaker Sasha Hammid for instruction but was told, "Use the camera yourself, make your own mistakes, make your own style." Hugo embarked on an exploration of the film medium as a vehicle to delve into his dreams, his unconscious, and his memories. Without a specific plan, He would collect resonant images, then reorder or superimpose them, seeking a sense of self-connection through the poetic juxtapositions he created. These intuitive explorations resembled the mystical evocations of his engravings, which he described in 1946 as "hieroglyphs of a language in which our unconscious is trying to convey important, urgent messages." In the underwater world of his film ‘Bells of Atlantis,’ the light originates from the world above the surface; it is otherworldly, out of place, yet essential. In ‘Jazz of Lights,’ the street lights of Times Square become in Nin's words, "an ephemeral flow of sensations." This flow that she also calls "phantasmagorical" had a crucial impact on Stan Brakhage, who said that without Jazz of Lights (1954), "there would have been no Anticipation of the Night" his autobiographical film which ushered in a new era of experimental modernist filmmaking. Hugo lived the last two decades of his life in a New York apartment high above street level. In the evenings, surrounded by an electrically illuminated man...

Chono Ca Pe, is the remarkably handsome man looking back at us across some 200 years, expressing a certain wariness of the white man painting him. Also known as Big Kansas, the sitte...

Yoshitomo Nara Missing in Action Offset lithograph on paper Sheet size: 51.5 x 36.4 cm Stamped with title, artist's name, copyright and year published by N's Yard, Japan

signed and numbered lower right edition of 60 Catalogue raisonné 00717 Published by Simmelink Sukimoto Editions Internationally recognized painter and printmaker Alex Katz was born...

Astrid Kirchherr ( 20 May 1938 – 12 May 2020) was a German photographer and artist known for her association with the Beatles (along with her friends Klaus Voormann...

Maya, 2024 UV pigment print on 410gsm Somerset Tub Sized Radiant White paper with 4 metallic silkscreen glitter and shimmer layers, a CMYK silkscreen central panel and matte varnish ...

This original hand-coloured etching is hand signed in pencil by the artist "Dalí" at the lower right margin. It is also all hand numbered in pencil from the edition of 145, with Roma...

Jean Jansem (1920-2013) La balance romaine, 1986 Lithographie sur papier Japon Signée en bas à droite et justifiée Hors Commerce 50 x 65 cm / 54 x 76 cm Très rare exemplaire D'un...

Vintage offset lithograph postcard published by Art Unlimited Amsterdam. Printed in Holland. The postcard is framed in a black wood frame with a front profile of 1 inch and a side pr...

George Condo, Mythological Figures, 2018 Created for the George Condo: The Way I Think exhibition in 2018 the Louisiana Museum of Modern Art, showcasing his signature blend of class...

Man Ray 'Le Mannequin' Aquatint/Engraving 1975 Edition: From the rare limited edition of 150 Size: 50x35 CM. Signed and numbered in pencil by the artist Published by Cleto Polcina E...

Lithograph and stencil on vélin pur fil paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Varende, Rodin, 1944. Published by Éditions ...

Lithograph on vélin paper. Paper Size: 8 x 6 inches, image; 15 x 11 inches, overall. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Marc Chagall, The Jerusal...

Warhol and Basquiat Paintings, 1985 'Boxing Poster' First edition original exhibition poster published by Tony Shafrazi / Bruno Bischoberger Offset sheet printed in color Photographe...

Stephen Sondheim Tony Awards Broadway Musical Theatre NYT Published Al Hirschfeld (1903-2003) Stephen Sondheim Lithograph on paper Sight 21 x 15 inches Signed lower right, numbere...

La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...

Lithograph and stencil on vélin paper. Paper Size: 15 x 12.2 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Douze aquarelles de Auguste Ro...

The 1900 original poster "La Topaze" by Alphonse Mucha, part of the renowned "Les Pierres Précieuses" series, is a quintessential example of the Art Nouveau movement. This work, prin...

James Childs (1945-2020) 2012 Signed and dated, l.l. Graphite and charcoal on paper 24 x 19 inches Contact gallery for price.

The Godfather Part II - Original 1974 Lobby Card #9 Vintage 1974 The Godfather Part II Lobby Card: The early life and career of Vito Corleone in 192...

Artist: Damien Hirst (1965) Title: For the Love of God (with diamond dust) Year: 2009 Medium: Silkscreen, glazes, and diamond dust on wove paper Edition: 591/1000 Size: 12.75 x 9.5 i...

Song of Songs is an artwork realized by Marc Chagall, 1960s. Lithograph on brown-toned paper, no signature. Lithograph on both sheets. Edition of 6500 unsigned lithographs. Printe...

Original Swiss poster: Apollo Stumpen Cigars. Johannes Handschin created this Swiss poster. Swiss size of 35" x 49". Professional acid-free archival linen backed, ready to frame. The colors are vibrant and intense. Great colors. Rare original Swiss (Switzerland) vintage poster. This is the rarer large format, the rarest version of the poster. The small format is 20 x 27, about 1/2 the size. There is a flaw in the lower section of the man’s covering, the lower left of his chin. Shown in images. Switzerland was known for some of the better printing of their posters and the use of more expensive inks, thus richer colors in the posters that survive today. This art deco-style cigar poster...

The Basque Boy also called Boy with Beret and Fabian. 1944. Lithograph. Fletcher Lithographs 3.ii. zinc plate. 13 x 10 1/4 (sheet 7 1/8 x 13 7/8). Edition 10. Printed on countermarke...

KEISHA M. is an original hand drawn, limited edition lithograph by the renowned African-American woman sculptor, printmaker and painter Elizabeth Catlett (191...

A striking example of Fernando Botero's iconic style, "Woman with a Stole" captures the Colombian master’s signature exploration of volume, form, and sensuality. Executed in 1972, th...

Ray Smith's aptitude for the surreal is apparent in this portfolio of six drypoint prints, presented in a portfolio case. Each image depicts an intriguing, fantastic landscape populated with chimeric nudes. Each one is carefully printed to appear as if doodled on lined notebook paper with ballpoint pen: Japanese letter paper chine-colle on Kizuki Hosho paper. Translated as "Letters from Japan," Cartas de Japon plays on tropes of an exotic, faraway land. The series of prints perhaps pictures Japan in the imagination of westerners, who for centuries speculated that those from other continents had wildly different bodies and customs. The title may be a reference to iconic Mexican director Carlos Velo's 1973 film Letters from Japan. Cartas del Japon, 1988-89 Portfolio of 6 drypoint prints printed on Japanese letter paper mounted on Kizuki Hosho paper Plate 6 x 7.8 in. Paper 18 x 23.4 in. Ed. 30 with three artist proofs. Printed by Hideharu Mishio, Norimasa Mizutani, and Marie Okada at Woodblock Workshop. Published by AC&T CORPORATION, Tokyo, 1989. Per the Broad: "Ray Smith’s paintings incorporate surrealistic and animistic tendencies informed by his Latin heritage as well as deep study of the history of modern art. Smith was born near the Texas/Mexico border...

Yoshitomo Nara Harmless Kitty Offset lithograph on paper Sheet size: 51.5 x 36.4 cm Stamped with title, artist's name, copyright and year published by N's Yard, Japan

Yoshitomo Nara In The Milky Lake Offset lithograph on paper Sheet size: 51.5 x 36.4 cm Stamped with title, artist's name, copyright and year published by N's Yard, Japan

Ancient Roman Bust, from the Series Antiquities of Herculaneum is an original etching on paper realized by Filippo Morghen. Signed on the plate, on the lower right. Good conditions ...

"The Barefoot Lumberjack" Etching from "Les Ames Mortes" by Marc Chagall Playful etching of a lumberjack by Marc Chagall (Russian, 1887-1985). A stout lumberjack is shown holing his...

Henri de Toulouse-Lautrec's "Divan Japonais, 75 rue des Martyrs" poster, created in 1896, is an emblematic example of the poster art of the period. It is part of the "Maîtres de l'Af...

Figura e Palme is an artwork realized by Gaetano Tranchino in the 1970s.  Hand-signed and titled. Artist's proof. Good conditions!

Alphonse Mucha's name shines like that of a visionary artist who left an indelible mark on the aesthetics of the early 20th century. The year 1902 saw the publication of "Documents d...

Larry Clark The Smell of Us (Hand signed poster), 2015 Offset lithograph poster Pencil signed by Larry Clark on the back 10 1/2 × 15 1/2 inches Unframed Limited edition poster; hand ...

Francisco de Goya, Spanish (1746 - 1828) - The Custody is as Barbarous as The Crime, Year: circa 1810, Medium: Etching and burin on cream laid paper, Image Size: 3.75 x 3 inches, Si...

Lithograph on vélin d’Arches paper. Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Picasso au baiser d'Avignon, douze dessins, lavis, aquarelle...

Pablo Picasso, Spanish (1881 - 1973) - Scene d'interieur (B 74), Year: Of Original: 1926 Printed: circa 1950, Medium: Lithograph on BFK Rives, Edition: 100, Image Size: 8.75 x 11 i...

MARC CHAGALL (1887-1985) "Fiançailles au Cirque" lithograph in colours, 1983, on wove paper. Signed in pencil, Numbered 18/50 in pencil Image 455 x 350 mm. Sheet 650 x 478 mm. LITERA...

Color lithograph after the watercolor illustrations by Antoine de Saint-Exupéry from his beloved masterpiece "The Little Prince". This lithograph was printed and published in 2009 ...

Perfect and beautiful proof printed in black on laid paper vergé filigrané “MBM”, with full margins and beards. Edition of approximately 100, aside from the edition of approximately ...

Archival digital print on 200g Munken Lynx paper 70 x 50 cm (paper size) 89.6 x 69.5 cm (Framed) Unsigned Edition of 250 Published by Shrig Shop. David Shrigley is an artist known...

Wood engraving on Japan paper, 1928. Edition of 100. Signed by the artist in pencil, lower right. Framed dimension is 14.5 x 17.25 inches, with full margins. Catalogue raisonne r...

Paul JOUVE (1878-1973) Soldat apercevant la panthère, c. 1949 Gravure originale à l'eau-forte (atelier Haasen) Non signée Sur vélin 32.5 x 25 cm INFORMATION : Gravure créée pour le...

Women’s Equality by Marisol Escobar, French/Venezuelan (1930–2016) Date: 1975 Offset Lithograph (Unsigned as issued) Size: 17 in. x 14 in. (43.18 cm x 35.56 cm) Frame Size: 20 x 17 i...

Richard Mock, American (1944 - 2006) - Childhood in America, Year: 1999, Medium: Linocut on BFK Rives, signed, titled, numbered and dated in pencil, Edition: 80, Image Size: 17 x...