Head Prints and Multiples

About this work: Created in 1942-43, this work belongs to one of the most fertile periods of Matisse’s career as a printmaker and draftsman. By this time, Matisse had long since mast...

A vibrant and whimsical first edition lithograph from Marc Chagall’s celebrated Lithographs Volume II, showcasing the artist’s signature dreamlike composition. Floating figures, play...

Shepard Fairey Johnny Ramone Smokin’ Strings Screen print on thick cream Speckletone paper Year: 2024 Size: 24 x 18 inches (60.96 x 45.72 cm) Edition: 600 Signed by Shepard Fairey, d...

Francois BOUCHER Peaceful Maternity : the Sleeping Baby Etching Unsigned On Vellum 38 x 50 cm (c. 15 x 20 in) Probably edited c. 1950 Excellent condition

Medium: original lithograph. Catalogue reference: M 366. Executed by Chagall for the Jerusalem Windows portfolio and printed in Paris in 1962 at the atelier Mourlot. Size: 12 3/4 x 9...

A woman of Santiago de Cuba. The Spirit of the Revolution series documents the generation of Cubans that saw the dramatic changes of 1959 as young adults. They have a strength of ch...

Ohh Baby ! - Oversize Signed limited edition - Pop Art - Kate Moss by the London based contemporary pop art image creator and artist, BATIK. Measures 60 x 40" inches / 152 x 101 ...

By George Condo 2024 22 colour silkscreen with spot colours on 600gsm Somerset Tub Sized Radiant White paper 80 x 81 cm Edition of 150

The 1900 original poster "La Topaze" by Alphonse Mucha, part of the renowned "Les Pierres Précieuses" series, is a quintessential example of the Art Nouveau movement. This work, prin...

Color lithograph after the watercolor illustrations by Antoine de Saint-Exupéry from his beloved masterpiece "The Little Prince". This lithograph was printed and published in 2009 ...

Marc CHAGALL (1887-1985) Spring : Goat playing Violin and Woman with Bouquet 1938 Lithograph (Mourlot workshop) Engraved by Sorlier under Marc Chagall supervision Other lithograph...

"Conception" - Portrait of a Native American on a Vision Quest Large scale and fine detailed work by the artist. Detailed and evocative depiction of a Native American elder by Frank Howell...

Pablo Picasso (1881-1973) - Minoutaure et nue Lithograph from 1967. With two watermarks - one of the paper, second of the publisher. Dimensions of work: 42 x 54.5 cm Publisher: A...

Yoshitomo Nara (Japanese, b. 1959) Hazy, Humid Day, 2022 Offset lithograph Printed in Japan Official exhibition poster print based on the painting of the same name debuted at the Tai...

Pierre-Yves Tremois Thésis and Pelée Original etching, 1970 Handsigned by the artist Numbered / XXIV copies (total edition of 90 + XXIV) Size 57 x 45 cm (c. 22,4 x 17,7 in) Very goo...

Marc Chagall, After, Russian (1887 - 1985) - The Circus, Medium: Giclee, fascimille signed and numbered in pencil, Edition: 375, Image Size: 18 x 14 inches, Size: 24 x 16 in. (60...

Chuck Close Art Card: Chuck Close - Linda, 1975-6, Uniquely Signed, dedicated and inscribed vintage card, from the Estate of Cordelia Platt, 1988 Uniquely Signed, dedicated and inscr...

Two women fishing is an original modern artwork realized by Harunobu Hishikawa in the Late 19th Century. Very good reprint, glued at upper corners. Passepartout. Woodcut Print Oba...

From the Nudes promotional portfolio published by Tyler Graphics in 1994, this authorized offset lithograph was issued as part of an informational set that included a title sheet lis...

Medium: offset lithograph (after Leger). Printed on Velin bouffant paper from the Papeteries de Hauteville and published by Edito-Service Geneve in 1980. This reproduces one of the o...

The 1957 original exhibition poster titled Pâtes Blanches: Empreintes Originales éditées par Madoura et Gravures Rares by Pablo Picasso is a significant piece that reflects the artist's deep involvement with ceramic art and printmaking during that period. The poster was created to promote an exhibition at Galerie 65 in Cannes, France, showcasing Picasso’s ceramics and rare engravings, with a particular focus on his work with pâtes blanches, or white clay. By the late 1940s, Picasso had become increasingly involved with ceramics, producing a vast number of pieces at the Madoura pottery studio in Vallauris, France. The studio, owned by Georges and Suzanne Ramié, became a creative haven for Picasso, where he could explore new forms of expression beyond painting and sculpture. His work with ceramics brought forth a unique blend of classical forms and modernist abstraction, often infusing traditional pottery with his distinctive artistic style. The term pâtes blanches refers to the white earthenware clay that Picasso used for creating his ceramic pieces. This material allowed him to experiment with various textures and finishes, which he combined with his characteristic line work and engraving techniques. The poster advertises this innovative work, highlighting the original prints and rare engravings that were part of the exhibition. The exhibition at Galerie 65 in Cannes ran throughout the summer of 1957 and offered art lovers and collectors the opportunity to view and acquire some of Picasso's rarest ceramic works and prints. It was a testament to Picasso's versatility as an artist, showcasing his ability to transcend different mediums while maintaining the boldness and originality that defined his career. The poster itself, with Picasso's handwritten details and a depiction of one of his engravings, serves as both a promotional tool and a work of art in its own right. It reflects Picasso's personal touch and his deep connection to the work he produced during this period. Today, this exhibition poster remains a coveted item for collectors of Picasso’s works and 20th-century art, representing a unique moment in Picasso's extensive and varied artistic journey. Exhibition - Galerie 65 Cannes...

This advertising poster, printed by Mourlot for the Office of French Tourism, is a captivating detail from Marc Chagall’s Ceiling of the Opera, specifically a fragment paying tribute...

Original vintage poster: The U.S. Marines Want You. This military vintage poster is archival linen-backed and in fine condition, ready to frame. There is no date, artist, or printer'...

Artist: Dan May (American, 1955-) Title: "Devil" *Signed and numbered by May in pencil lower left Year: 1999 Medium: Original Linocut on white Hosho handmade paper Limited edition: 1...

In the annals of art history, the lithograph created by Edvard Munch in 1897 for the theatrical production of "Jean Gabriel Borkman" at the Théâtre de...

Yoshitomo Nara Midnight Truth, 2017 Offset lithographic poster Stamped with title, artist's name, copyright and year Unnumbered 20 1/2 × 14 1/4 inches Unframed published by N's Yard,...

1964 Offset lithograph in colors, on wove paper Sheet: 23 x 23 in. (58.4 x 58.4 cm) Edition of 300 Signed and dated in black ink, lower right

Artist: Damien Hirst Title: Death or Glory Medium: Two-Color Foil Block on 300gsm Arches 88 Size: 28.25"h x 20.125"w Year: 2011 Edition: 2/2 Publishers: Paul Stolper, London / Other ...

$100 U.S. Flag by Steven Gagnon, American (1973) Date: 2004 Screenprint on Coventry, Signed and numbered in pencil Edition of 100 Image Size: 36 x 60 inches Size: 40 in. x 63 in. (10...

This is a framed reproduction of "Woman's Portrait", published in 1999 by LEM with the approval of the Succession Matisse. The piece, part of the permanent collection at the Hermitag...

This artwork titled "Nevada" is an original lithograph by noted French artist Shan Merry, born 1935. It is hand signed and numbered 97/450 in pencil by the artist. The image size is 15.5 x 14 inches, framed is 32.25 x 29 inches. It is beautifully framed in a custom gold frame, with fabric matting and gold color bevel. it is in excellent condition. Shan-Merry began her artistic studies in 1957 at the Ecole Nationale Superieure des Arts et Metier, in France. By 1972 she was working as a professional fine artist and began exhibiting regularly in prominent art galleries. By the 1990’s her works were included in prestigious international collections and exhibitions in Belgium, Germany, Japan and the United States. She was also a designer for Hermes...

Bob Dylan, Mondo Scripto - Set of 6 Framed Artworks, 2020 Somerset 300gsm paper and framed in charcoal pine and spruce wood 102.9 x 74.9 cm (40.5 x 29....

Henri Matisse (1869-1954) Woman face, 1946 Original lithograph Unsigned Edition of 200 copies On Rives vellum size 25 x 18 cm REFERENCE : Catalog raisonné Duthuit 25 Very good con...

Jean Jansem (1920-2013) La commode, 1986 Lithographie sur papier Arches Signée en bas à droite et justifiée en bas à gauche 51 x 70 cm / 54 x 76 cm D'une édition à 30 exemplaires d...

Charles DUFRESNE (1876-1938) (after) Artist's Studio, 1970 Lithograph after a painting by the artist (Mourlot Studio) Signed in the plate On Arches Vellum 50 x 65 cm (c. 20 x 26 inc...

This surreal, contemporary-cubist screenprint by the artist is reminiscent of a harlequin kneeling before an audience, one hand raised. The piece is nicely framed and is signed and n...

Ex Libris  - Woman Perfected is an Artwork realized for Giorgio Balbi in Mid 20th Century. Woodcut. Good conditions.

Salvador DALI (1904-1969) Casanova : Birdy on the Tongue, 1967 Original etching Printed signature in the plate On Rives vellum 38 x 28 cm (c. 14.9 x 11 inch) REFERENCES : - Catalog...

Original Vintage 1933 French Automobile Poster – Roby Ranty Marot Art Deco Calendar Art Print Classic Car Advertisement. Archival linen backed in...

Ohh Baby ! - Oversize Signed limited edition - Pop Art - Kate Moss by the London based contemporary pop art image creator and artist, BATIK. Measures 30 x 20" inches / 76 x 51 cm...

Helen Hyde, 'The Bath', color woodblock print, edition not stated, 1905, Mason & Mason 59. Signed in pencil in the image, lower right. Numbered '96' in pencil in the image, lower left. The artist's monogram in the block, lower left, and 'Copyright, 1905, by Helen Hyde.' upper right. A superb impression with fresh colors on tissue-thin cream Japanese paper; the full sheet with margins (7/16 to 1 5/8 inches), in excellent condition. Matted to museum standards, unframed. Image size 16 1⁄4 x 10 1⁄8 in. (413 x 260 mm); sheet size: 19 1⁄4 x 11 1⁄8 in. (489 x 283 mm). Literature and Exhibition: Back cover illustration of the catalog of the artist’s prints, 'Helen Hyde', Smithsonian Institution Press, 1990; 'The International Block Print Renaissance, Then And Now, Block Prints In Wichita, Kansas, A Centennial Celebration — 1922-2022', Barbara J. Thompson, Wichita Art Museum, 2022 (back cover). Impressions of this work are held in the following collections: Achenbach Foundation for Graphic Arts, Art Institute of Chicago, Fine Arts Museums of San Francisco (De Young), Harvard Art Museums, Library of Congress, Metropolitan Museum of Art, New York Public Library, Smithsonian American Art Museum, Terra Foundation for American Art, University of Oregon Museum of Art. ABOUT THE ARTIST Helen Hyde (1868-1919) was a pioneer American artist best known for advancing Japanese woodblock printmaking in the United States and for bridging Western and Japanese artistic traditions. Hyde was born in Lima, New York, but after her father died in 1872, her family relocated to Oakland, California, where she spent much of her youth. Hyde pursued formal art education in the United States and Europe. She enrolled in the San Francisco School of Design, where she took classes from the Impressionist painter Emil Carlsen; two years later, she transferred to the Art Students League in New York, studying there with Kenyon Cox. Eager to expand her artistic repertoire, Hyde traveled to Europe, studying under Franz Skarbina in Berlin and Raphael Collin in Paris. While in Paris, she first encountered Japanese ukiyo-e prints, sparking a lifelong fascination with Japanese aesthetics. After ten years of study, Hyde returned to San Francisco, where she continued to paint and began to exhibit her work. Hyde learned to etch from her friend Josephine Hyde in about 1885. Her first plates, which she etched herself but had professionally printed, represented children. On sketching expeditions, she sought out quaint subjects for her etchings and watercolors. In 1897, Hyde made her first color etchings—inked á la poupée (applying different ink colors to a single printing plate)—which became the basis for her early reputation. She also enjoyed success as a book illustrator, and her images sometimes depicted the children of Chinatown. After her mother died in 1899, Hyde sailed to Japan, accompanied by her friend Josephine, where she would reside, with only brief interruptions, until 1914. For over three years, she studied classical Japanese ink painting with the ninth and last master of the great Kano school of painters, Kano Tomonobu. She also studied with Emil Orlik, an Austrian artist working in Tokyo. Orlik sought to renew the old ukiyo-e tradition in what became the shin hanga “new woodcut prints” art movement. She immersed herself in the study of traditional Japanese printmaking techniques, apprenticing with master printer Kanō Tomonobu. Hyde adopted Japanese tools, materials, and techniques, choosing to employ the traditional Japanese system of using craftsmen to cut the multiple blocks and execute the exacting color printing of the images she created. Her lyrical works often depicted scenes of family domesticity, particularly focusing on women and children, rendered in delicate lines and muted colors. Through her distinctive fusion of East and West, Hyde’s contributions to Western printmaking were groundbreaking. At a time when few Western women ventured to Japan, she mastered its artistic traditions and emerged as a significant figure in the international art scene. Suffering from poor health, she returned to the United States in 1914, moving to Chicago. Having found restored health and new inspiration during an extended trip to Mexico in 1911, Hyde continued to seek out warmer climates and new subject matter. During the winter of 1916, Hyde was a houseguest at Chicora Wood, the Georgetown, South Carolina, plantation illustrated by Alice Ravenel Huger Smith in Elizabeth Allston Pringle’s 1914 book A Woman Rice Planter. The Lowcountry was a revelation for Hyde. She temporarily put aside her woodcuts and began creating sketches and intaglio etchings of Southern genre scenes and African Americans at work. During her stay, Hyde encouraged Smith’s burgeoning interest in Japanese printmaking and later helped facilitate an exhibition of Smith’s prints at the Art Institute of Chicago. During World War I, Hyde designed posters for the Red Cross and produced color prints extolling the virtues of home-front diligence. In ill health, Hyde traveled to be near her sister in Pasadena a few weeks before her death on May 13, 1919. She was buried in the family plot near Oakland, California. Throughout her career, Hyde enjoyed substantial support from galleries and collectors in the States and in London. She exhibited works at the St. Louis Exposition in 1897, the Pan-American Exhibition in Buffalo in 1901, the Tokyo Exhibition for Native Art (where she won first prize for an ink drawing) in 1901, the Alaska-Yukon-Pacific Exhibition in Seattle in 1909 (received a gold medal for a print), the Newark Museum in 1913, a solo show at the Chicago Art Institute in 1916, and a memorial exhibition in 1920, Detroit Institute of Arts, Color Woodcut Exhibition in 1919, New York Public Library, American Woodblock Prints...

LINKS TOGETHER is an original hand drawn lithograph by the renowned woman artist Elizabeth Catlett (1915-2012) printed using traditional hand lithography techniques (not a photo repr...

Andy Warhol's original poster for the 1982 film "Querelle" is a fascinating fusion of two artistic worlds: cinema and pop culture art. Directed by German filmmaker Rainer Werner Fassbinder, the film is based on Jean Genet's novel of the same name, exploring themes of desire, sexuality and mystery. Warhol, a celebrated figure of the Pop Art movement, brought his unique style to this iconic poster. Using vivid colors and striking contrasts, the poster highlights key elements of the film, including the unsettling sensuality of the main character, Querelle, played by Brad Davis. Warhol's association with the film gave a new artistic dimension to film promotion...

Henri de Toulouse-Lautrec's "Divan Japonais, 75 rue des Martyrs" poster, created in 1896, is an emblematic example of the poster art of the period. It is part of the "Maîtres de l'Af...

Original vintage Swedish movie poster, 1921 lithograph. Step back into the glamour and intrigue of early 1920s cinema with this **original Swedish movie poster** for *I Singapores ki...

Plate from Buffon's Histoire Naturelle, Générale et Particulière Tome III, Plate I, page 76 Paris: Imprimerie Royale, 1771 Copperplate engraving on laid paper (approx. 24.5 × 19.5 c...

From the Nudes promotional portfolio published by Tyler Graphics in 1994, this authorized offset lithograph was issued as part of an informational set that included a title sheet lis...

Winter Tree in Moonlight by Lebadang (aka Hoi), Vietnamese (1922 - 2015) Year: circa 1970 Medium: Lithograph on Japon, mounted to Arches, signed in pencil Edition: EA Size: 25 x 39...

A striking example of Fernando Botero's iconic style, "Woman with a Stole" captures the Colombian master’s signature exploration of volume, form, and sensuality. Executed in 1972, th...

Rey, Margaret and H.A. CURIOUS GEORGE GOES TO THE HOSPITAL. Houghton Mifflin, Boston, 1966. 1st Printing stated. INSCRIBED in ink on the front free endpaper "To Edith Bell from the R...

Woody Gruber (1946-2022) Listening to Bessie, 1975. Etching on paper, plate measures 7 inches h. x 7.75 w. Overall framed measurement in 14 x 15 inches. Numbered, titled, signed ...

Steve Jobs had just returned to the struggling company, Apple Computer in 1997. Jobs and Lee Clow had collaborated back in 1984 to launch the MacIntosh. Now was the time to recover t...

Lithograph, 1968 Edition : 200 ex. 75.00 cm. x 57.00 cm. 29.53 in. x 22.44 in. (paper) 61.00 cm. x 45.00 cm. 24.02 in. x 17.72 in. (image) Handsigned by the artist in pencil Artist...

Medium: lithograph with pochoir stencil. A richly inked impression printed in 1959 on Arches paper at the atelier of Daniel Jacomet for the Jean Lurçat "Les Signes du Zodiaque" portf...

Paper Size: 12.25 x 16 inches ( 31.115 x 40.64 cm ) Image Size: 12.25 x 16 inches ( 31.115 x 40.64 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additi...

Medium: original lithograph. Printed in Paris in 1957 at the Mourlot Freres atelier. Size: 9 x 5 3/4 inches (225 x 145 mm). Jean Cocteau executed this original lithograph to depict a...

Original Aiir India, Over 50 Years of International Operation travel poster, Archival linen backed for preservation. Excellent condition, ready to frame. Grade A condition. This rare collector’s item showcases the cheerful Air India Maharaja...

Jean Jansem (1920-2013) La balance romaine, 1986 Lithographie sur papier Japon Signée en bas à droite et justifiée Hors Commerce 50 x 65 cm / 54 x 76 cm Très rare exemplaire D'un...

Victor PROUVE Family : Mother and Father Kissing a Baby, 1898 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. 16 x 12 in) INFORMA...

This artwork titled "Profile of Caroline" 1983 is a color offset lithograph on Rag-Cote paper by Crow Indian artist Penni Anne Cross A.K.A. (Alawa-Sta...