Pattern Prints and Multiples

This exquisite lithograph after Fernand Leger (1881–1955), titled Feuilles vertes et fond orange (Green Leaves and Orange Background), from the album XXe Siecle, numero special hors abonnement, Cahiers d'art publies sous la direction de G. di San Lazzaro, Hommage a Fernand Leger, originates from the 1971 edition published by Societe Internationale d'Art XXe siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris, and printed by Mourlot Freres, Paris, 1971. Feuilles vertes et fond orange exemplifies Leger’s mastery of modern form and color, uniting bold geometry and organic vitality in a celebration of rhythm, balance, and the harmony between nature and mechanized abstraction. Executed as a lithograph on velin paper, this work measures 9.75 x 12.5 inches. Unsigned and unnumbered, as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: After Fernand Leger (1881–1955) Title: Feuilles vertes et fond orange (Green Leaves and Orange Background), from the album XXe Siecle, numero special hors abonnement, Cahiers d'art publies sous la direction de G. di San Lazzaro, Hommage a Fernand Leger Medium: Lithograph on velin paper Dimensions: 9.75 x 12.5 inches (24.77 x 31.75 cm) Inscription: Unsigned and unnumbered, as issued Date: 1971 Publisher: Societe Internationale d'Art XXe siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne reference: Leger, Fernand, and Lawrence Saphire. Fernand Leger: The Complete Graphic Work. Blue Moon Press, 1978, illustration 120. Condition: Well preserved, consistent with age and medium Provenance: From the album XXe Siecle, numero special hors abonnement, Cahiers d'art publies sous la direction de G. di San Lazzaro, Hommage a Fernand Leger, published by Societe Internationale d'Art XXe siecle, Paris; printed by Mourlot Freres, Paris, 1971 About the Publication: Gualtieri di San Lazzaro's XXe Siecle (Twentieth Century) was one of the most influential art journals of the modern era, founded in Paris in 1938 as a platform for the greatest painters, sculptors, and writers of the 20th century. San Lazzaro, a visionary editor, critic, and champion of modernism, believed that art and literature should coexist as expressions of a shared human imagination. Under his direction, XXe Siecle became a cultural bridge between Europe and the wider world, publishing special issues devoted to leading figures such as Picasso, Matisse, Chagall, Braque, Calder, Miro, Kandinsky, and Leger. Each edition combined essays by renowned critics and poets with original lithographs printed by the foremost ateliers of Paris, London, and New York, including Mourlot, Curwen, and Universal Graphics, creating a uniquely rich dialogue between text and image. Through XXe Siecle, San Lazzaro preserved the creative spirit of the avant-garde during and after World War II, championing freedom of expression and the evolution of abstraction, surrealism, and modern thought. Over nearly four decades, the journal shaped international taste and defined the intellectual landscape of postwar art publishing. Today, XXe Siecle remains celebrated for its extraordinary synthesis of art, literature, and design, an enduring testament to Gualtieri di San Lazzaro's belief that the visual arts are the soul of the modern age. About the Artist: Fernand Leger (1881–1955) was a French painter, sculptor, and filmmaker whose pioneering fusion of modern life, mechanization, and visual abstraction made him one of the most influential artists of the 20th century. Emerging from the Cubist movement, Leger developed a highly personal style distinguished by bold contrasts, cylindrical forms, and rhythmic compositions that celebrated the beauty of industrial progress and the vitality of modern urban life. Deeply influenced by the innovations of Paul Cezanne and the structural experimentation of Pablo Picasso and Georges Braque, Leger transformed Cubism’s fragmented perspective into a dynamic, machine-age aesthetic that bridged fine art, architecture, and design. His work often depicted workers, machinery, and everyday objects as monumental symbols of harmony between humanity and technology, reflecting both his optimism for modernity and his belief in the democratization of art. During his career, Leger was part of an extraordinary artistic circle that included Henri Matisse, Marc Chagall, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—visionaries who shared his commitment to pushing the boundaries of artistic form and expression. A leading figure in the international avant-garde, Leger also explored large-scale murals, public art, and film, expanding the reach of modern art beyond the gallery. His works are represented in major museum collections worldwide, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire admiration for their bold geometry, humanist vision, and timeless modernity. The highest price ever paid for a Fernand Leger artwork is approximately $70 million USD, achieved in 2017 at Christie's New York for Contraste de formes (1913). Fernand Leger Feuilles vertes et fond orange, Leger Green Leaves and Orange Background, Leger 1971 XXe siecle, Leger Mourlot...

Color lithograph, hand signed and numbered. Dada Paris Printed Guilde de la Gravure stamp

Offset lithograph in colours, on smooth wove paper Edition 189 of 300 59.7 x 59.7 cm (23.5 x 23.5 in) Signed and numbered on front Artwork in excellent condition. Only visible under ...

Limited edition (edition number TBA) Suite of four Edition of four $2,500 each, framing is additional $350

Artist: Miro, Joan Title: M. 784 from Ubu aux Baléares Series: Ubu aux Baléares (Ubu of the Balearic Islands) Date: 1971 Medium: Lithograph on Japon paper Unframed Dimensions: ...

ARTIST: Salvador Dali TITLE: Florals Anemone per Anti-Pasti MEDIUM: Etching on Heavy Arches Paper SIGNED: Hand Signed by Salvador Dali EDITION NUMBER: 62/350 MEASUREMENTS: 29....

Victor Vasarely (1906-1997) - Bellatrix Silkscreen / Serigraph from 1969. Dimensions of work: 46 x 40 cm The work is in Excellent condition. Fast and secure shipment.

This piece titled "Watch for the Next Bloom" is an original print by Jun Lee and is made by reduction woodcut. This piece measures 35"h x 26"w framed...

Engraving printed in black ink on hand-made, thin-laid paper, 3 5/8 x 3 5/8 inches (84 x 84 mm), 3/4 inch margins. In excellent condition, printed 19th century.

Marc Chagall (1887-1985) - Paradise I Lithograph from 1960. Dimensions of work: 35 x 26 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fast and secure shipment.

Decorative motifs is vintage chromolithograph realized by an anonymous artist. Good conditions. The artwork represents several Decorative motifs in a well-balanced composition.

Hino creates a still life of a lotus from an edition of 65. A prominent figure in Buddhist and Egyptian culture, and native flower for both India and Vietnam, the lotus holds enormous symbolic weight. It spans various thousand-year-old Eastern cultures and yet, is still considered one of the most sacred flowers today. So what is it about this mysterious blossom that people find so enrapturing? Its colorful bloom is an obvious suspect, but the lotus also has a life cycle unlike any other. With its roots based in mud, it submerges every night into murky river water, and—undeterred by its dirty environment—it miraculously re-blooms the next morning without residue on its petals. Although cultures have their own interpretations of this daily process, there is a general consensus among ancient texts...

Medium: lithograph (after the papier collé). Printed in 1963 for the art revue Derrière le Miroir (issue number 138) and published in Paris by Maeght. Sheet size: 15 x 10 3/4 inches ...

Artist: Enrico Baj, Italian (1924 - 2003) Title: Les Demoiselles Year: circa 1980 Medium: Screenprint on Flocked Paper with glitter, signed and numbered in pencil Edition: 35/250 Ima...

Henri Matisse's 1985 original poster for 'Décoration Masques 1953' is a masterpiece that offers a glimpse into the creative genius of one of the 20th century's most celebrated artist...

This exceptional 1886 calendar, created by the celebrated Art Nouveau master Eugène Grasset for the renowned Parisian department store Au Bon Marché, is a sublime blend of commercial...

Vincent van Ojen is a true master of the woodcut technique. Through years of dedication and research, he has perfected this ancient medium, resulting in works of remarkable depth and...

Yvon TAILLANDIER Paris, The Pink Eiffel Tower Original screen print Handsigned in ink Numbered / 5 copies On thick paper 56.5 x 46 cm (c. 22.2 x 18.1 in) Very good condition, slig...

Original multicolor linocut by the American artist, Lucina Smith Wakefield. Signed by the artist lower left margin. Circa 1930. Condition is very good, no issues. The linocut is hou...

Botanical lithograph with original hand-colouring , 1873, by Walter Hood Fitch (1817-1892). 145mm by 235mm (sheet) Walter Hood Fitch was a Scottish...

Jules CAVAILLES Fruits and Flowers on Red Background Original lithograph Handsigned in pencil Justified EA (artist proof) On Arches vellum 33 x 50 cm (c. 13 x 20 in) Excellent cond...

"Rosa ex rubro nigricans" (Red Roses); a hand-colored copper engraving from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713. This engraving is presented in a glossy silver and matte gold-colored wood frame with a green edge and an elaborate double cream-colored French mats with light mauve bands; each accented by a broad decorative marbleized green band. It is glazed with plexiglass. There is text offset and a very small crease in the left margin, but the print is otherwise in excellent condition. Provenance: W. Graham Arader Gallery...

Offset lithograph in colours, on smooth wove paper Edition 206 of 300 59.7 x 59.7 cm (23.5 x 23.5 in) Signed and numbered on front Artwork in excellent condition. Only visible under ...

Esther Boix (Spain, 1927-2014) 'La fucsia', ca. 2000 lithograph on paper 30 x 22.1 in. (76 x 56 cm.) Edition of 99 Series number: P/A (Artist Proof) Unframed ID: BOI1340-001-000 Hand...

Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: CI; CII; CIII & CIV. MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation. Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...

ARTIST: Salvador Dali TITLE: Florals Kissing Tulips MEDIUM: Etching on Heavy Arches paper SIGNED: Hand Signed by Salvador Dali PUBLISHER: Editions Graphiques Internationales ED...

This is a hand-colored copper plate engraving entitled "Amaranthus Tricolor", depicting a flowering Amaranthus Tricolor plant from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713. Amaranthus tricolor, known as edible amaranth, is a species of flowering plant in the genus Amaranthus. The plant is often cultivated for ornamental and culinary purposes. Cultivars have a striking yellow, red, and green foliage. It is known as Joseph's coat in some areas, after the biblical figure Joseph, who is said to have worn a coat of many colors. Amaranthus tricolor is one of several species of amaranth cultivated in warm regions across the world. This beautiful colorful engraving is printed on thin laid chain-linked paper with very wide margins. There is a short crease in the upper right corner, mild irregularity of the left, right and lower edges and some bleed-through of text from the verso. The print is otherwise in excellent condition with striking hand-coloring. The sheet measures 22.13" high and 17.13" wide. Basilius Besler (1561–1629) was an apothecary and botanist. He was curator of the Willibaldsburg Castle garden of Johann Konrad von Gemmingen, prince bishop...

Jan Toorop was born in Java, studied in Holland and then spent three key years in Brussels, where he was a member of the circle of artists, "Les XX," during which time he befriended ...

Archival Pigment print on Hahnemuhle museum etching paper edition 24 of 250 printed signature on archival label on verso Published by Exhibtion A and comes with publisher's COA. Br...

Wayne Ensrud, American (1934 - ) - Multicolor Bouquet, Medium: Lithograph with Hand-Coloring, signed in pencil, Image Size: 35 x 24 inches, Size: 37 x 36 in. (93.98 x 91.44 cm), D...

ARTIST: Salvador Dali TITLE: Florals Elephant Lily MEDIUM: Etching on Heavy Arches Paper SIGNED: Hand Signed by Salvador Dali PUBLISHER: Editions Graphiques Internationals EDITI...

This is a combination of painting and photography, the antique cyanotype process. The silhouette of the plant was first drawn, then painted not with ink or paint, but with light-sens...

Biagio Civale, Italian/American (1936 - ) - Flowers, Medium: Screenprint, Signed, numbered, and titled in pencil, Edition: PA 29/50, Image Size: 19.5 x 13.5 inches, Size: 24 x 20...

Warhol - Silver (2012) by Takashi Murakami Offset print, cold foil stamp, glossy varnish Hand signed and numbered by the artist Published by Kaikai Kiki Co., Ltd., Tokyo 28 in diamet...

"Group of Carnations" by Dr. Robert Thornton from the quarto edition of "Temple of Flora." London, 1812. Mixed media engraving (aquatint, mezzotint, co...

A stylised woodcut by the collectable Australian artist John Hall Thorpe. Signed in pencil to the lower right. Mounted in a painted green frame with a green mount behind glass. On pa...

The Ornament is a woodcut print realized by Charles-Antoine Jombert in 1755. Good conditions. The print was realized for the anatomy study “JOMBERT, Charles-Antoine (1712-1784) - M...

Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: JF Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: CXLI, CXLII, CXIII & CXLIV. MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation. Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...

The Fiancés of Knokke I is a vibrant and joyful reproduction from Nikki de Saint Phalle’s Nana Sculpture series. Featuring a stylized depiction o...

Lithograph on paper realized by Felicita Frai. Edition of 99. Hand signed and numbered in pencil. Excellent condition.

French Renaissance is an original lithograph on ivory-colorated paper by Anonymous Artist of XIX Century. In excellent conditions. Not signed. This artwork represents embroidery ...

A series of prints was commissioned by the Met Museum in NY in a regular edition of 40 This impression is from an edition of 5 artist proofs. This impression is #4/5 Carol Wax originally trained to be a classical musician at the Manhattan School of Music but fell in love with printmaking. Soon after she began engraving mezzotints she was asked by the renowned print dealer Sylvan Cole to exhibit at Associated American Artists Gallery, launching her career as a professional artist/printmaker. With the publication of her book, The Mezzotint: History and Technique, published by Abrams, 1990 and 1996, Carol added author and teacher to her credits. In the ensuing years she has expanded her repertoire of mediums beyond printmaking into other works on paper and painting. In compositions reflecting an appreciation for antiquated machinery and vintage textiles, Wax creates imagery that, in her own words, “… speaks to an inner life perceived in inanimate objects.” She uses stylization and imagination to reinvent subjects, transforming an ordinary typewriter into a monumental icon...

Medium: lithograph (after Matisse). Printed in sanguine ink on cream laid paper from the Papeteries Casteljoux and published in Geneva by Edito-Service in 1970. This reproduces one o...

Li Zhong-Liang, Chinese (1944 - ) - Deer, Year: 1992, Medium: Acrylic, Watercolor on Laid Paper, signed and dated lower right, Size: 28.5 x 39 in. (72.39 x 99.06 cm)

In 1990, the Cleveland Institute of Music commissioned artist Gary Bukovnik to create a poster featuring his work "California Still Life #40." Bu...

Harvest by Erté, Russian (1892–1990) Date: 1987 Embossed Screenprint with Foil, signed and numbered in pencil Edition of 300, HC 8/18 Size: 16 x 29 in. (40.64 x 73.66 cm) Frame Size:...

Archival pigment print in colours Edition 49 of 100 Signed, numbered and dated on the front Mint. Sold in the original Kaikai Kiki packaging Published by Kaikai Kiki Co. Ltd

This signed and numbered print by Bill Komoski was created for the benefit of the Lincoln Center in 1987. Known for his intricate and vibrant abstract compositions, Komoski’s work in...

ANDERS ALDRIN (Swedish /American 1889 – 1970) THE SUNFLOWER ca. 1935 (Newark Museum 9) Color woodcut, edition c. 150. Signed, unnumbered, but dedicat...

Offset lithograph in colours on wove paper Edition 124 of 300 60 x 60 cm (23.6 x 23.6 in) Signed and numbered on the front Mint. Minor imperfections may appear due to the production ...

A serigraph print by Pedro Friedeberg from 1987. An optical abstract image of a surrealist interior. Artist: Pedro Friedeberg, Mexican (1936 - ) Title: Teatro Microbiotico Year: 1...

Mary Van Blarcom, 'Gardenias', color serigraph, c. 1945, edition small. Signed 'Van B' in pencil in the image, lower right. Titled in pencil, bottom left sheet corner. A rich, painterly impression, with fresh colors, on cream wove paper; the full sheet with margins (5/16 to 1 1/16 inches), in excellent condition. Image size 6 x 8 3/8 inches; sheet size 6 7/8 x 10 1/4 inches. Matted to museum standards, unframed. ABOUT THE ARTIST Painter, printmaker and craftsperson, Mary Van Blarcom was born in Newark, New Jersey and studied at Wellesley College. She was a member of the National Serigraph Society where she served on the board of trustees from 1945 through 1952 and was 1st vice-president from 1949-51. She was also a member of the National Association of Women Artists, the Artists Equity Association, the American Color Print Society, the New Jersey Artists Association (Director), and Artists of Today. Van Blarcom exhibited actively throughout the 1940’s at many prominent art organizations including: Montclair Art Museum, 1941-45 and 1947-51 (prize, 1948); Society of Independent Artists, 1942-44; Artists of Today, 1942-46; Elisabeth Ney Museum, 1943; Northwest Printmakers, 1944, 1946-49; Laguna Beach Art Association, 1945-47, 1949; National Association of Women Artists, 1945-50, (prize, 1946); Library of Congress, 1946-47; Museum of Modern Art travelling exhibition, 1945-47; Carnegie Institute, 1947; Serigraph Gallery, 1946, 1951 (solo); American Color Print Society, 1947-52; Newark Museum, 1947-48, 1951; California State Library, 1947, 1949; National Serigraph Society, 1949 (prize), 1950 (prize); University of Chile, 1950; New Jersey State Museum, 1950; Philadelphia Art Alliance, 1951; and the Main Gallery, NY, 1952. Van Blarcom’s work is in the collections of the Newark Public Library, U.S. Library of Congress; the American Association of University Women; New York Public Library; Tel-Aviv Museum, Alabama Polytechnic Institute, Princeton Print Club...

This piece titled "Weed Wreath (edition 4/6)" is an original artwork made from hand colored cut-plate intaglio on Somerset by Katie VanVliet. This piece is the fourth in an edition o...

This piece titled "Weed Wreath (edition 2/6)" is an original artwork made from hand colored cut-plate intaglio on Somerset by Katie VanVliet. This piece is the second in an edition o...

Wuanita Smith, 'Humming Birds and Orchids', white-line color woodcut, circa 1930, edition 50. Signed and titled in pencil. Annotated '50 edition', 'no 5'...

Maria Rivans is a contemporary British artist, known for her scrapbook-style collage aesthetic. A mash-up of Surrealism meets Pop-Art, Rivans’s work re-ap...

Frederic Menguy, French (1927 - 2007) - Regate II, Year: 1992, Medium: Lithograph, signed and numbered in pencil, Edition: 145/150, Size: 20.5 x 24.75 in. (52.07 x 62.87 cm)

Serigraphy on paper, edited in 1971. Limited edition of 200 copies, numbered as 117/200 in lower left corner. Signed in pencil by artist in lower right corner. Blindstamp on lower le...

Original stipple engraving by Charles-Louis Ruotte, printed in colour and finished by hand. [Paris, 1805] Prevost's "Collection des Fleurs et Fruits...

Coleth The Lovers of Venice Carnival Original gouache and ink drawing (c. 1925) Signed bottom right On drawing paper 23 x 20 cm (c. 9 x 8 in) at view...