Pattern Still-life Prints

This is an original antique colored botanical mezzotint and line engraving of flowering Red Sweet Peas which is finished with hand-coloring. It is entitled "Lathyrus Flore Majore Pur...

This is an original antique colored botanical mezzotint and line engraving of flowering Red Geraniums which is finished with hand-coloring. It is entitled "Geranium Anemones folio Af...

Edition of 100. 27 colour screenprint on 410gsm Somerset tub sized Satin Enhanced White paper. Signed, dated and numbered by the artist.

Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, The Intimate Sketchbooks of G. Braque, Verve: Revue Arti...

Bernard CATHELIN Butterflies and flowers Original lithograph, 1988 Handsigned in pencil Inscribed EA (épreuve d'artiste) aside the edition of 100 copies On Arches paper, size 40 x 3...

After PABLO PICASSO (1881-1973) Colorful Flowers 1958 Dimensions: 65 x 50 cm Signed and dated in the plate Edition Succession Picasso, Paris (posthumo...

Plants are things of beauty, but they have a purpose beyond decoration. This piece invites quiet reflection on human’s relationship with plants. I love history and stories and was in...

Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Verve: Revue Artistique et Littéraire, Vol. IX, N° 35-36...

'Gompholobium Barbigerum - Fringe-keeled Gompholobium' Botanical lithograph of a Western Australian native plant with original hand-colouring , 1873, by Walter Hood Fitch (1817-1892...

Kansei: Like The River's Flow 2010 by Takashi Murakami Offset print, cold stamp and high gloss varnishing with silver ink signed, numbered and stamped by the Artist 27 7/8 in diamete...

Damien Hirst’s Dog by Mychael Barratt Limited edition art print Handmade Woodcut on paper Edition of 100 Signed and Titled Complete size of sheet: 63 H x 67 W x 0.1 D cm (24.80 x 26....

Artist: Alex Katz Title: Azaleas on Yellow Year: 2021 Medium: Archival pigment ink on Innova Etching Cotton Rag 315 gsm fine art paper Edition: 100...

Yellow Flowers, 2022 Jonas Wood Screenprint in colours, on 410gsm Somerset tub sized Satin Enhanced White paper Signed, dated and numbered from the edition of 100 From the portfolio...

Artist: Ben Shahn, American (1898 - 1969) Title: The Sea Itself from the Rilke Portfolio Year: 1968 Medium: Lithograph on Arches, signed in the plate Edition: 750 Size: 22.5 x 17.75 ...

This piece titled "Watch for the Next Bloom" is an original print by Jun Lee and is made by reduction woodcut. This piece measures 35"h x 26"w framed...

By Raoul Dufy 34.5" x 34.5" Silk Screen Print on wearable scarf

Justin Helton is a graphic designer/illustrator specializing in design for the music industry. He is probably best known for his excellent gig posters, which usually comprise of quite detailed illustrations, beautiful typesetting and are all printed by hand. Justin works from Knoxville, Tennessee, creating work for bands such as Phish, The Avett Brothers...

By Raoul Dufy 34.5" x 34.5" Silk Screen Print on wearable scarf.

Artist: Bill Sullivan Title: Flowers Medium: Serigraph Signed: Hand Signed Edition: Edition of 200 Measurements: 22" x 30" Condition: Excellent. This piece has been stored in a ...

Bowl of lilies’ is a limited edition hand coloured collagraph print by Vicky Oldfield. Each print is individually painted, making every one unique. Th...

ARTIST: Salvador Dali TITLE: Flora Dalinae Self-Portrait Pansy MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: 141/200 MEASUREMENTS: 30" x 22.25" YEAR: 1968 FRAMED: Yes, plexiglass clear...

ARTIST: Salvador Dali TITLE: FlorDali/Les Fruits Raspberry MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Jean Schneider, Basel EDITION NUMBER: 23/200 MEASUREMENTS: 29.75" ...

ARTIST: Salvador Dali TITLE: Flora Dalinae Chrysanthemum MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Jean Schneider, Basel/Michelle Broutta, Paris EDITION NUMBER: 60/175 MEASUREMENTS: 22" x 30" YEAR: 1968 FRAMED: Yes, museum quality silver...

Artist: William Curtis (English, 1746-1799) Title: Set of Six Hand-Colored Engravings Portfolio: The Botanical Magazine Year: 1796-1829 Medium: Set of Six Original Hand-Colored Engra...

Cactus, a woodcut by Jaques Hnizdovsky in 1970, #37 from an edition of 150. Tahir Cat. No. 93. A fine dark impression with full margins. No international sales!!

Vicky Oldfield: Hatties Pincushion’ is a Limited edition hand coloured collagraph. Each print is individually painted, making every one unique. This work is an Edition of 20. Vicky ...

Cups in a Row is a limited edition hand coloured collagraph with chine colle by Vicky Oldfield. Each print is individually painted, making every one unique. Vicky Oldfield the arti...

Raoul DUFY Colorful Bouquet of Flowers Stone lithograph in colors Printed signature in the plate On Arches vellum 38 x 28 cm (c. 15 x 11 in) INFORMATION : Edited for the portfolio...

Artist: Donald Sultan Title: Wallflower 2 Portfolio: Wallflowers Medium: Screenprint on paper Date: 2008 Edition: 106/190 Frame Size: 31" x 28 1/2" Sheet Size: 24 1/4" x 21 1/2" Sign...

Wildflowers is al modern artwork realized by Franco Bocchi in 1980s Mixed colored screen print. Hand signed on the lower margin. Numbered on the lower left margin. Edition of 200...

Artist: Keiko Minami, Japanese (1911 - 2004) Title: Bird On Flower Year: circa 1985 Medium: Aquatint Etching, Signed and numbered in pencil Edition: 12...

limited_edition Oil based inks on 300gsm Somerset Velvet Paper Edition number 50 Image size: H:30 cm x W:30 cm Complete Size of Unframed Work: H:40 cm x W:40 cm x D:1cm Sold Unf...

Artist: Salvador Dali, Spanish (1904 - 1989) Title: Anemone per Antipasti (Anemone of the Toreador) Year: 1972 Medium: Lithograph with embossing on heavy Arches paper, signed and num...

Artist: Donald Sultan Title: Wallflower 22 Portfolio: Wallflowers Medium: Screenprint on paper Date: 2008 Edition: 106/190 Frame Size: 29 3/8" x 26 3/4" Sheet Size: 24 1/4" x 21 1/2"...

Artist: Donald Sultan Title: Wallflower 27 Portfolio: Wallflowers Medium: Screenprint on paper Date: 2008 Edition: 106/190 Frame Size: 31" x 28 1/2" Sheet Size: 24 1/4" x 21 1/2" Sig...

Fig-marigold Showy, Mesembryanthem spectabile Plate 396 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches

Milk-vetch Montpelier, Astragalus monspessulanus Plate 375 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches

Artist: Janet Fish, American (1938 - ) Title: Apples and Zinnias Year: 1995 Medium: Lithograph on Japon paper, signed and numbered in pencil Edition: 65 Imag...

Corn-flag Copper coloured, Gladiolus securiger Plate 383 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches

Heath Recurved, Erica retorta Plate 362 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches

Craggula Tree, Crassula cotyledon Plate 384 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches

Fleur is an original contemporary artwork realized by Fernand Leger. Mixed colored lithograph. Hand Signed and numbered on the lower margin. Edition of 11/30 Reference: Catalogue...

This is the back cover of "Chagall Lithographe III," M 577". It is an original Lithograph by Marc Chagall. This print is a glorious black and red bouquet, most of the foliage is shown by black leaves and stems where as the flowers and blooms are red. Also on the top right one can see a tiny red bird. Image: 12.5 x 10 in Frame: 25.5 x 21.5 in Marc Chagall was born in Liozno, near Vitebsk, now in Belarus. The eldest of nine children in a close-knit Jewish family. His father Khatskl (Zakhar) Shagal, a herring merchant, and his mother, Feige-Ite. This period of his life, described as happy though impoverished, appears in references throughout Chagall's work. The family home on Pokrovskaya Street is now the Marc Chagall Museum. He began studying painting in 1906 with a local artist, Yehuda Pen. In 1907, he moved to St. Petersburg. There he joined the school of the Society of Art Supporters and studied under Nikolai Roerich. It was here that he was exposed to experimental theater and the work of such artists as Gauguin. From 1908-1910 Chagall studied under Leon Bakst at the Zvantseva School of Drawing and Painting. This was a difficult period for Chagall; at the time, Jewish residents were only allowed to live in St. Petersburg with a permit, and the artist was jailed for a brief period for an infringement of this restriction. Despite this, Chagall remained in St. Petersburg until 1910, and regularly visited his home town where, in 1909, he met his future wife, Bella Rosenfeld. After gaining a reputation as an artist, Chagall left St. Petersburg to settle in Paris to be near the burgeoning art community in the Montparnasse district, where he developed friendships with such avant-garde luminaries as Guillaume Apollinaire, Robert Delaunay, and Fernand Léger. In 1914, he returned to Vitebsk and, a year later, married his fiancée, Bella. While in Russia, World War I erupted and, in 1916, the Chagalls had their first child, a daughter named Ida. Chagall became an active participant in the Russian Revolution of 1917. Although the Soviet Ministry of Culture made him a Commissar of Art for the Vitebsk region, where he founded Vitebsk Museum of Modern Art and an art school, he did not fare well politically under the Soviet system. "Chagall was considered a non-person by the Soviets because he was Jewish and a painter whose work did not celebrate the heroics of the Soviet people."[6] He and his wife moved back to Paris in 1922. During this period, Chagall wrote articles, poetry and his memoirs (in Yiddish,) which were published mainly in newspapers (and only posthumously in book-form). Chagall became a French citizen in 1937. With the Nazi occupation of France during World War II and the deportation of Jews, the Chagalls fled Paris, seeking asylum at Villa Air-Bel in Marseille, where the American journalist Varian Fry assisted in their escape from France through Spain and Portugal. In 1941, the Chagalls settled in the United States where he lived until 1948 (his wife Bella died in 1944.) His wife Bella, who appears in many of his paintings, bore him one child, Ida and then died on September 2, 1944. Bella and Ida appeared in many of his early and most famous paintings. In 1945, he began a relationship with his housekeeper Virginia Haggard McNeil, with whom he had a son, David. In the 1950s, they moved to a villa in Provence. Virginia left him in 1952, and Chagall married Valentina Brodsky (whom he called "Vava"). Jewish influence: Chagall had a complex relationship with Judaism. On the one hand, he credited his Russian Jewish cultural background as being crucial to his artistic imagination. But however ambivalent he was about his religion, he could not avoid drawing upon his Jewish past for artistic material. As an adult, he was not a practicing Jew, but through his paintings and stained glass, he continually tried to suggest a more "universal message," using both Jewish and Christian themes...

Diasec® mounting is a time proven system that has set the benchmark for face mounting photographic and fine art prints. Developed in the late 1960’s Diasec® was the first system that...

Wildflowers is a modern artwork realized by Franco Bocchi in the 1980s. Mixed colored screen print. Hand signed on the lower margin. Numbered on the lower left margin. Edition of...

Metamorphosis Insectorum Surinamensium, Plate No. 58; Ice Cream Bean Plant, Cloudless Sulphur Butterfly and Caterpillar with Mot...

This piece titled "Weed Wreath (edition 2/6)" is an original artwork made from hand colored cut-plate intaglio on Somerset by Katie VanVliet. This piece is the second in an edition o...

Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: JF Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: CXLI, CXLII, CXIII & CXLIV. MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation. Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...

Boxthorn Japanese, Lyciym japonicum Plate 361 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches

Diasec® mounting is a time proven system that has set the benchmark for face mounting photographic and fine art prints. Developed in the late 1960’s Diasec® was the first system that...

Flower bouquet design. Sealed on the back with the design studio name and number 484 We offer a small number of these original illustration designs by this design studio based in Al...

Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With one 1.5 inch inch tear across the area of the top-left corner, well outside of image area. Handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: CXXI, CXXII, CXXIII, & CXXIV. MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation. Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...

Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: CI; CII; CIII & CIV. MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation. Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...

Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: No.1:I; No. 2:1; II & III. MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation. Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...

Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: LIV, LV, LVI, & LVII. MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation. Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...

Takashi Murakami (b. 1962) Flowers Blooming in the Isle of the Dead, 2022 Offset lithograph in colors on smooth wove paper 28 inches (71.1 cm) diameter (sheet) Ed. 102/300 Signed and...

Yayoi Kusama Night Flowers (2003) Screenprint [23 screens, 24 colors, 24 runs] image 28 x 66.3 cm sheet 42.8 x 80 cm framed 51 x 89 x 5 cm ed. 120, AP 12, PP5 paper Kakita-shi printer Okabe Tozuko Provenance: Mainichi Auction Tokyo Japan Publications: A specimen of the same edition is represented in full page at plate 314 of the Catalogue Raisonné of Kusama's prints: "Yayoi Kusama Prints 1979...

A photogram is a photographic image made without a camera by placing objects directly onto the surface of a light-sensitive material such as photographic paper and then exposing it t...